Yesterday was the 22nd anniversary of Power Rangers! I know, I’m Geekscape’s resident Rangers expert and I missed my chance to say something. I’m ashamed. But in my defense, it’s 22 years. If Power Rangers were a person they’re already legally allowed to drink. Fun’s over. Quarter-life crisis is settling in.

But to celebrate 22 years like Taylor Swift, Power Rangers and WeLoveFine are holding a second contest in honor of the franchise! If you’re an artist looking to get your work out there, get your creative juices flowing. From WeLoveFine:

Go Go designers! Now is the time for you to POWER UP your design idea for an awesome Power Rangers t-shirt with WeLoveFine’s second Power Rangers design contest! This contest is launching THIS FRIDAY on August 28th, which is the same day the Power Rangers originally launched 22 years ago (wow!). We are offering you the chance to not only win some amazing prizes, but to have your design made into official Power Rangers merchandise that will be available on our site! We are so excited to see your original artwork inspired by the characters, seasons and storylines from the Power Rangers’ history – from Mighty Morphin Power Rangers up through Power Rangers Dino Charge!

Submissions open from 12:01am PST August 28th, 2015 until 11:59pm PST September 25, 2015

Power Rangers is pretty rich with material to play with, there’s 22 years worth of stuff to tinker. Poke around the whole franchise, not just Mighty Morphin’, and see what could inspire the next hot shirt geeks will rock at Comic-Con.

When I walked out of the theater after seeing Mad Max Fury Road earlier this year, I asked my buddy, both of us delirious from the two-hour adrenaline rush we had just experienced.”You know what else he directed?” I asked him, referring to Fury Road director George Miller.

“What?” he wondered. I answered, “Happy Feet.”

He burst out laughing. I chuckled, because yeah, it’s funny. But it also shows how versatile of an artist Miller is.

El Rey will be airing a new installment of my favorite docu-series, The Director’s Chair, this Sunday, Aug. 30 at 8pm ET with the legendary filmmaker George Miller himself sitting down with Robert Rodriguez.

https://www.youtube.com/watch?v=cS-6bFNsMxQ&feature=youtu.be

 

To celebrate, our friends at El Rey are giving us FIVE (5) of these hella sweet George Miller posters from artists Tim Doyle and Joshua Budich. These limited edition posters can be yours, just head on over to the Geekscape Facebook page for details!

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The Director’s Chair with George Miller airs this Sunday, Aug. 30 at 8pm ET.

Good morning! Do you know what day it is?

In Uruguay, August 25, 1825 was the day Uruguayans declared independence from the Empire of Brazil. In France, August 25, 1944 marks the liberation of Paris from Nazi Germany, held under their iron grip since the signing of the Second Compiègne Armistice in 1940. In Austin, Texas, August 25 is From Dusk Till Dawn Day.

I’m not kidding.

Filmmaker and El Rey Network founder Robert Rodriguez, along with Mayor Steve Adler of Austin, Texas have proclaimed August 25, 2015 “From Dusk Till Dawn” Day, celebrating From Dusk Till Dawn‘s independence from seasonal hiatus.

A ceremony was held yesterday at the Troublemaker Studios where From Dusk Till Dawn is produced. “We are proud to be home to Robert Rodriguez’s Troublemaker Studios, his incredible El Rey Network and of course, his iconic television original, From Dusk Till Dawn which has achieved cult status here in Austin and around the globe,” said Mayor Adler. “It is testament to our belief that Austin is a creative hub for talented filmmakers and visionaries who are inspired by what our city has to offer.”

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Rodriguez added, “Austin is my home and I’m honored to have collaborated with the Austin creative community all these years making movies and television for the world to see I’m so proud that From Dusk Till Dawn is Austin made and that we can celebrate this day with the community.”

Austin is starting to boom as a creative hub in the heart of the continental United States. It’s the Brooklyn of Texas, basically. So it is cool that someone with as much pull as Robert Rodriguez can give back to his stomping grounds. I’m still reading his book, Rebel Without a Crew, which is essential reading for all aspiring filmmakers. He definitely makes you feel bad for sitting on your butt not making anything. I feel so bad, I just want to sit on my butt not making anything.

And while I’ll do nothing, I’ll watch From Dusk Till Dawn season two. Premieres tonight at 9pm EST.

Coming from Deadline is a rumor concerning Léa Seydoux, the new “Bond” girl set to star in this year’s Spectre. Apparently she’s been offered a major female role, that of Bella Donna Bourdeux, in the Channing Tatum-led Gambit.

Bella Donna and Gambit were like a reverse Romeo and Juliet. Childhood friends despite their families of thieves being on the opposing sides of a grudge. A marriage was brokered between the two kids in an effort to unite the families (for… reasons?) until Bella Donna’s brother challenges Gambit to a fight to the death and gets his ass womped. Gambit wins, and leaves New Orleans and Bella Donna.

As for Léa, you’ve seen her rock in Inglorious BasterdsBlue is the Warmest ColorMidnight in Paris …okay fine, you didn’t see those, you uncultured swine. But you did see her in Mission: Impossible – Ghost Protocol. She was kicked down the Burj Khalifa, the tallest building in the world. I watched the movie on a flight to Paris. It wasn’t helping.

Shout! Factory did the impossible earlier this year when they released Kyoryu Sentai Zyuranger, the original 1992 Super Sentai series that Mighty Morphin’ Power Rangers was adapted from, to foreign shores. It was the first American release of a Super Sentai and it was a time to be alive.

Well it’s time to stay alive for another round. Announced back at San Diego Comic-Con, Shout! will be releasing 1993’s Gosei Sentai Dairanger — from which the fabled White Ranger hails from — and they’ve unleashed the DVD cover to go with it.

https://twitter.com/RangerCrew/status/633368186897960960

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Looks exactly like something that came out in 1993! The colors are gaudy and mismatched. Yup, that was the ’90s.

Like the Zyuranger set last year, they’ve got the actors front and center but have noticeably omitted any neat shots of the (fugly) Dairanger costumes. This year it makes sense, no one except the hardcore fans recognize the Dairanger costumes, but last year they didn’t feature the Zyuranger costumes and that was pretty questionable. They don’t even have the White Ranger costume, and having him would be an instant “The hell is this?” from lesser-informed parties.

Then again, you don’t see these sets at Target. No one shopping at Target gives a damn, only fans in convention halls and shopping online so the paying customers already know what they’re looking for.

It goes without saying, but clearly there is a demand for these DVD sets here on western shores. If you have Zyuranger and Dairanger sitting in your hard drives, delete them and buy these DVDs. These are a dream come true and we as fans, who demanded these for fucking years, need to make good on our rage-filled keyboard strokes and buy these.

Oh, one last thing: Did you ever buy the Zyuranger DVD? I’m in it!

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D23 has become a necessary weekend con to pay attention to. We’ve heard about the clip of Captain America: Civil War that we’ll try to get to you guys, somehow, as fast as we can, but what we have now is just as awesome: The first look at the cast of Rogue One! And yes, Donnie Yen has joined a galaxy far, far away.

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Man, is it gritty! We’ve all wanted a darker Star Wars, this is literally dark. There’s hardly any blues or yellows!

Oh man, Donnie Yen. I actually had confirmation several weeks ago that he would be in Star Wars, but I had to sit on it for various reasons. It really sucked I couldn’t tell you guys sooner, but you would have found out yourselves if you knew where to look. It wasn’t exactly a heavily-guarded secret.

Besides Donnie Yen The Living God, Rogue One has got a hell of a cast. From left to right in the above photot: Riz Ahmed, Diego Luna, Felicity Jones, Jiang Wen, Donnie Yen. Not pictured but will be in the film are Ben Mendelsohn, Alan Tudyk (yes, THAT Alan Tudyk!), Forest Whitaker (yes, THAT Forest Whitaker!), and Mads Mikkelsen (yes, THAT Mads Mikkelsen — Jesus Rogue One isn’t messing around).

Has the title changed? I was under the impression and had long written it and seen it written as Star Wars: Rogue One, but it seems the title is officially Rogue One with A Star Wars Story as a tagline. I’m also seeing Star Wars Anthology: Rogue One in certain places. Minor details, all that matters is that you know Rogue One and that this is goddamn Star Wars so anything works.

Rogue One is a prequel-ish of sorts, taking place before A New Hope. Directed by Gareth Edwards of 2014’s Godzilla, the movie “will be a departure from the saga films but have elements that are familiar” says Lucasfilm CEO Kathleen Kennedy in the press release.

From StarWars.com:

“It goes into new territory, exploring the galactic struggle from a ground-war perspective while maintaining that essentialStar Wars feel that fans have come to know. Gareth is such an innovative director and I’m so excited to be working with him and the extraordinary ensemble cast he’s selected for ‘Rogue One.’”

I can’t fanboy enough over Donnie Yen in Star Wars. Felicity Jones and Alan Tudyk are just the cherries on top. Excuse me, I have some Ip Man to watch on loop between now and December 16, 2016. I might even skip The Force Awakens! (Haha, no.)

Yesterday Collider let loose what they claim to be an exclusive look at the character bios of the titular heroes in 2017’s Power Rangers, which will have Project Almanac director Dean Israelite at the helm. I’m not going to copy and paste them here, partly because we could use the clicks to our pages and also because it defeats the purpose of what Derek wrote before I could.

Based on this information that we’re trusting Collider to be legit, these new 2017 Power Rangers are missing the things that made us love the original Power Rangers in the first place. And maybe that’s all right.

To anyone outside of Power Rangers fan circles, they sound great. They sound troubled, complex, insecure, and flawed. Basically, they’re teenagers. Of most note to me was that the descriptions strictly discussed their emotional state. But to anyone who still cares about this silly show twenty years later, they’re largely unrecognizable from the Angel Grove teens we grew up with.

These character bios, perhaps intentionally, sound incredibly ambiguous. Does Jason know karate? Can Zack dance? Is Billy smart? Aside from stuff about Jason being a star football player (he wasn’t — more on that later) and Zack living in a trailer park, there’s really not many surface details that give these heroes better shape. It’s funny that most blogs reporting on these details deride how paper-thin the original characters were — and no, they’re not wrong, they weren’t very complex — but the original Rangers had far more potential for growth than the 2017 Rangers, whose backgrounds, while interesting, have predictable trajectories. In the end, we know Jason will get over his football injury, Zack will accept who he is, Billy will get his swagger, Trini will find her place, and Kimberly will move on from her past. If they don’t, they can’t become the Power Rangers.

Again, the bios are ambiguous and perhaps not telling us everything, but I kind of wish they told just a little more. I miss the individual talents the Rangers had. They all made sense. Jason’s martial arts, Kim’s gymnastics, Billy’s brain, all that shit were their superpowers. The Rangers never relied on conventional superpowers to save the day, they only had themselves, but at their peak.

It’s not a bad lesson to teach kids and adults that the only power they need are the gifts they have already, and many of these gifts the Rangers had came from sheer dedication and hard work. Jason earned his black belt, he wasn’t bitten by a radioactive karate master to get it.

Still, I’m excusing it. If Power Rangers 2017 sweeps everything we loved about the original guys under the rug, I’m okay with that. Being a slave to the source material is creatively restricting, and these bios show that the film’s creative team are putting effort to think outside the box. I’ll be crossing my fingers that Jason is still something of a martial arts expert (Austin St. John himself said he always saw Jason as kind of a younger Bruce Lee, not an all-American bro out of Friday Night Lights). But if he’s not, I don’t see it as spitting on the show I loved twenty years ago. I see it as willingness to evolve.

I’m currently away for my sister’s wedding and planned on not writing anything, but I was called back to action when I was given the news: Power Rangers Dino Charge will return on Nickelodeon on August 22, at 12 pm ET. That’s a whole week earlier than what we were told at Comic-Con.

And along with this announcement is a brand-new trailer for your eyeballs.

I remember how great sports the Dino Charge cast were in San Diego. They repeated “August 29th, at 11 am” like drones, slyly letting us know how important but tiresome promotion can be. I’m trying to speculate what caused the bump. Are they trying to burn off the episodes quicker to keep the show’s ratings going? Would a week later really kill buzz?

Michael Mann will finally sit in The Director’s Chair.

This Sunday, August 9th, the curators of awesome El Rey will air the next installment of The Director’s Chair with renowned filmmaker Michael Mann. From The Keep and Heat to Ali and Public Enemies, Michael Mann is the epitome of badass directing.

Kicking off at 5 pm ET with four select Miami Vice episodes (listed below), The Director’s Chair with Robert Rodriguez and Michael Mann begins at 9 pm ET. Right after that, El Rey will air Mann’s 1986 crime thriller Manhunter, starring William Petersen and Brian Cox as the infamous Dr. Hannibal Lecktor (later “Lecter”).

The time to change your iPhone wallpaper have cometh again. Like the Francis Coppola poster from a few months ago, we’ve got the equally stunning Michael Mann poster for your eyeball viewing pleasure. Just look at it. I mean, look at it!

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And for your convenience, here are the four Miami Vice episodes airing this Sunday so you can set your DVR.

5 pm –  Season 1, Episode 7,”No Exit” (guest starring Bruce Willis)

6 pm –  Season 1, Episode 15 “Smuggler’s Blues”

7 pm– Season 1, Episode 16 “Rites of Passage”

8 pm –  Season 3, Episode 2 “Stone’s War”

Oh, sidebar: You do know our very own Jonathan London is the writer for Lion Forge’s Miami Vice series, right? OK, just checking.

Stephen Amell is coming (back) to WWE Raw.

For weeks Stephen Amell, star of DC and The CW’s Arrow and Stardust, a.k.a. Cody Rhodes, the son of the late Dusty Rhodes, have been teasing each other with a possible-ish match at SummerSlam, scheduled for August 23rd in Brooklyn, New York. While it’s unlikely to happen due to the fact that regardless how phenomenally in-shape Stephen Amell may be, he isn’t a trained professional wrestler, surely something is going to happen. A really intense staredown, I bet.

We’ll know what happens when Stephen Amell shows up at Raw in Seattle next Monday.

https://twitter.com/amellywood/status/628382428344778757

Celebrities showing up to, ahem, “wrestle” has happened two million times before — David Arquette, Jay Leno, basically all of WWE Raw in 2009, hell this won’t even be Stephen Amell’s first time — but with how many safeguards even the WWE’s own roster must go through today I don’t think we’ll see a legitimate Arrow vs. Stardust match. He’ll probably be Neville’s Bobby Heenan, cheering him to make Stardust fail Seattle or some shit. Can’t risk a major TV star injuring himself and unable to shoot his show, can they?

Gonna go on a limb and say Raw might be a cross-promotional platform with some blessing from the suits for Amell to debut the new suit, since the WWE is using that particular image for this appearance.

Years ago, I had a birthday party that was everything Batman: The Animated Series. I still remember how vivid the shade of blue the cake was, and I still have the little figurine of Batman perched on a gargoyle somewhere in storage. I loved the comics and movies a lot as any other kid, but there was something about that cartoon that spoke to me, and I grew up hearing Batman’s deep, gruff voice in my ears. Twenty years later, I nearly fell to the floor when I heard that voice say to me, “Hello Eric,” so casual like we were getting Starbucks.

Kevin Conroy is a Shakespearean-trained actor best known for playing Batman in the Emmy Award-winning Batman: The Animated Series, several animated feature films, and the extremely successful Batman: Arkham video game series.

This weekend, Netflix premiered the second season of Turbo FAST from DreamWorks Animation Television. In a special episode, Turbo meets his hero The Stinger (played by Conroy) and becomes his protege until the cocky hero needs rescuing himself.

Last week, I sat down with Kevin Conroy to talk about his new role and its relation to Batman, as well as everything else Batman because I was talking to Batman.

You’re guest-starring in TurboFAST, playing a character called The Stinger. How different is playing The Stinger from your other, more notable roles? It looks like you’re letting your hair down for the first time.

Kevin: [laughs] He is in many ways, he’s everything Batman is not. He’s arrogant, he’s cocky. The wonderful thing about Batman is he’s so understated. He doesn’t want to draw attention to himself. He wants to do good, but remain totally anonymous. The Stinger is the exact opposite. He’s a complete narcissist. It’s so much fun playing this guy who’s outwardly similar to Batman, but just so cocky and such a narcissist. It’s so much fun.

I enjoy doing comedy a lot. There’s a thin line between drama and comedy. Comedy is basically drama in sort of a cockeyed world. It’s always funniest if you play it straight. If you play for the comedy, you kill it. You play it straight, but the whole world is slightly cockeyed. This character is, I think, hysterically funny.

How much elbow room did you have? Were you directed to be like, “Yes, play it like Batman,” or were you given more freedom than just playing it like a spoof of him?

Kevin: The nice thing about the casting process is the basically trusted my instincts as an actor. They let me play it the way I wanted to play it. I hope it worked out. I haven’t actually seen it.

Based on my understanding of you, you didn’t really grow up with comic books, but you’ve etched a legacy within them. Does it still ever catch you off-guard to think about that?

Kevin: Isn’t it wild? I love to quote the John Lennon song: “Life is what happens to you while you’re busy making other plans.” Because I didn’t plan on this at all. Yet, when the character came along, I mean, I was all geared toward classical theater, you know, Julliard, John Houseman, Shakespeare, the Greeks. That was all my early years, and Broadway.

Suddenly, the first animated role I go in on, this was the first one I auditioned for, was Batman. I had only been exposed to the Adam West Batman. The sort of campy ’60s, which is a wonderful show, but not at all what they were going to do with this. Bruce Timm and Paul Dini had to explain to me the whole Batman ethos. The Dark Knight legend, the tragedy of his childhood.

As they were explaining to me, I thought this is a classic, tragic hero. This is like a Greek tragedy. This is like a Hamlet character. This is an archetype. I can relate to that. I’ll just use my theater training. I just went to the darkest, grittiest place I could in my imagination. This voice came out of me. Taking him so seriously, so dead seriously was absolutely perfect for the character, so it was an odd, very unique kind of hand and glove meeting of my background, my lack of preconceptions about the role, my real naivety about the role, and meeting this character who’s a very classically-etched character. He’s really modeled on the great tragic heroes. It was a very unique meeting of actor and role, and it just worked out really well.

Back in high school I wrote a paper on Batman and Hamlet and how they were kind of similar. I believe it was you made that connection in another interview that inspired that paper. So thanks you for getting me an A!

Kevin: [laughs] Oh, great!

But before voice acting, actually, you were a stage actor and you also do screen work from time to time. Which do you find as an actor more comfortable for you?

Kevin: For me, the stage is the most comfortable. The stage is where the actors are in charge. Stage is the actor’s medium, film is the director’s medium, and television is the writer’s medium. The only place the actor’s in charge is on stage. I love being there. I am so comfortable there. Unfortunately, that’s the one thing that doesn’t pay. [laughs] It’s impossible to make a living there, which is why I haven’t done it in a long time. [But] I love it. I love it.

You are so associated with Batman, and The Stringer that you’re playing now in this guest role is, of course, an offshoot of that. Do you ever find your association with that character at times difficult or overwhelming?

Kevin: Typically, overwhelming isn’t an adjective I would use to describe it. What it is is I find it very humbling because he’s a really unique character culturally, in our culture. He’s the ultimate tragic hero who rises above his own adversity to do pure good for the world. He wants complete anonymity. He wants no one to know he’s doing it. It’s just a kind of altruism that’s so pure. Young people and older people, so many different ages, relate to this guy, especially young people though. They invest so much emotion in him because he’s a cartoon. He’s a character. He’s an animated character, so that’s a character that really lives in people’s imaginations. I find that audience members create a much more intimate relationship with him than they do with live action characters. There’s an intimacy with that man.

People come up to me at Comic-Con sometimes with tears in their eyes and tell me stories about their horrible childhoods and how Batman was the only friend they had or was the only escape they had or was the only sanity. A young woman came up to me in Chicago at a Comic-Con and said, “I was born in the projects on the South Side. Most of my friends are dead. I got out of there because of you.” I said, “Wait a minute, it had nothing to do with me. It was you that got you out of there. Don’t forget that.” She said, “No, it was your character. It was that world. Every day after school, I came out and you were there. It was such goodness.” I thought, wow, that’s amazingly humbling to be a part of something like that.

That’s gotta be heavy, to be told something like that.

Kevin: Well, it is heavy. That’s what I mean by humbling. He’s an amazing character that people invest so much emotion into, and then tangentially they project that onto me sometimes. It’s an odd position for an actor to be in, but it’s very humbling because he’s a wonderful character to be a part of.

One of my favorite stories that you’ve told about your impact as Batman was when you were a volunteer at a kitchen in 9/11. You’ve probably told it a hundred times already. Is there anything else you remember from that moment, how you felt that day?

Kevin: It was an amazing period to be in New York [at that time]. The thing I think people don’t realize about that week that that happened was that everyone was have that picture seared in their minds of people running from the cloud of dust as the towers were coming down … all those photos of people running away. But no one has ever seen or I didn’t see any pictures of were the people running back. The second the dust cleared, hundreds of people were running, trying to find people, trying to help. [New York] is a city of 8 million people, but it’s a lot of small communities. There’s a lot of neighborhoods in New York. Whenever they come to New York, they’re always shocked at how friendly everybody is. I always say, well, that’s because we all live on top of each other. We have to be familiar or we’d kill each other. New Yorkers are very involved with each other’s lives. Sometimes a little too much so. They’ll tell you exactly what they think of something and so we get this reputation of being very blunt.

I’m in Brooklyn right now. I totally get it, yeah.

Kevin: Or you’re in Brooklyn? Well, you get it. You get it. [laughs] The wonderful thing about New Yorkers is they’re very involved with each other. The turnout at ground zero wasn’t … There were so many people that when I first went down, I wanted to be helping with the digging and the tunneling, and they said, well, we have all the diggers we need. We have all the tunnelers we need. We need people to cook. Do you have any restaurant experience? I said, I’m an actor, of course I have restaurant experience! [laughs] You’re talking to the right guy. That’s how I ended up in the kitchen. I ended up doing a couple of weeks there.

It was the night shift, and the things you saw at night at ground zero for those two weeks after the attack were extraordinary. The human dramas. The people still looking for loved ones. The man who started screaming one night and throwing things at us in the street outside the restaurant, hurling things at us, screaming at us. The cops came out and circled around us to protect us. I thought, this guy’s going to be shot. I’m witnessing suicide by cop. He’s forcing the cops, I was sure the cops were going to have to shoot this guy. Instead, I saw them surround him, talk him down, calm him down, and then eventually escort him away.

This is happening at two in the morning with the ground zero digging going on a block away. In the midst of all that, this was going on with this guy. As the cops came back to me, I said I am so impressed with how you handled that. I was sure you were going to have to do something really drastic. The one cop said, “Well, thank god we didn’t. The reason he’s screaming is because his son hasn’t been found.”

Wow.

Kevin: You know, the son probably never was found. Things like that were happening every night. It was a highly emotional period. In that moment when someone in the kitchen recognized me and said, “Hey guys, Batman’s been cooking your dinners!” Everyone roared and started clapping. It was such a great moment of release from all of that tension. It made me realize that the people who work in animation, you know, we’re not wasting our time. That it means something.

That’s incredible.

Kevin: That night the cops talked that guy down was really amazing to me.

After 20 years of portraying Batman, do you still find anything new after all this time? Does anything still surprise you?

Kevin: I’m always amazed at his decency. He goes to levels of decency that I wish I could find in myself. He is such a purely good person. It’s why he never kills anyone. He is vengeance, but he’s purely good at the same time. He’s a funny mixture of things, so there’s always more to find with him.

The second season of Turbo FAST is now available on Netflix.

Update: This interview originally contained an error, stating Kevin Conroy’s appearance was a two-part special. It is only for one episode. That error has been corrected.

Tatum is still a mutant!

Earlier this week it was reported that Magic Mike and Jump Street star Channing Tatum hit a rough spot in his negotiations with 20th Century Fox over Gambit, a spin-off of their X-Men franchise. If you were super into the idea of Tatum and his abs being the Cajun card dealer, you can rest easy. He’s going forward as Gambit.

According to The Hollywood Reporter, Tatum and the studio have reached an agreement and Gambit continues. Somewhere, Taylor Kitsch is feeling pretty bummed.

Sources say that Tatum and the studio did hit a sensitive spot in negotiations, but such back-and-forth is a normal part of top-level talent dealmaking. The Magic Mike star’s participation hardly was in any real danger because the actor already had invested quite a bit in the superhero part. Tatum has been attached to the movie (loosely then officially) as both actor and producer for a few years and even made a surprise appearance at Fox’s X-Men panel at Comic-Con in July.

Now that’s out of the way, can we dwell on the fact that there’s going to be an official, stand-alone Gambit movie? Like, that is where I want to focus on, because of all the X-Men… GambitReally?

From Dusk Till Dawn returns to El Rey on August 25th at 9 PM EST. You have 624 hours (give or take) until the season premiere to catch up on season one, so what are you waiting for? Get to it!

Until then, El Rey has uploaded this sweet featurette centered on the pretty people whom you probably watch television for in the first place. It’s bite-sized, so que it up on your YouTube quickplay for your lunch break.

Last night, Lucha Underground aired Part One of its crazy “Ultima Lucha” season finale, and next week on August 5 will be the one to end it all. To celebrate, we’re holding a contest from now until the 5th for these SWEET Lucha Underground posters, courtesy of our friends at El Rey!

 
Five (5) lucky winners will win these three of Johnny Mundo, Pentagon Jr. and Prince Puma posters. Here’s how: On our Facebook page and/or in the comments below, tag your best friend and give us your best luchadore tag-team name! That’s it. It’s silly, it’s goofy, and it’s all you gotta do to hang up these badass posters in your man (or woman!) cave.

You have from now until next week, August 5th, when Lucha Underground closes out with Part Two of its “Ultima Lucha” finale on El Rey Network. Good luck!

I had a hunch that Lionsgate were going to cast Power Rangers out of Hunger Games. I knew it.

ComicBook has picked up that The Hunger Games‘ Sam Claflin (I don’t know who he is either) tweeted “Go go power rangers.” a few days ago. In that exact spelling and punctuation. He seems very enthused. The tweet has been deleted, but ComicBook saved it.

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Without remembering a single second of him on screen, he’s probably their best option. Handsome, white, inoffensive, with a superhero build? He’s obviously being looked at for Jason, maybe Tommy, but I don’t think Tommy would be introduced in the first movie right away, would he? Also, I thought Lionsgate were looking for totally new, totally unknowns, and Sam’s got like 500K+ followers on Twitter. But if you’re not Jennifer Lawrence, Liam Hemsworth, or Josh Hutcherson then who are you really, amirite?

Whatever. I’m game. So long as none of them are younger than me then I’m just fine.

Power Rangers, which will be directed by Dean Israelite with a screenplay by X-Men: First Class writers Zack Stentz and Ashley Miller, is slated for Jan. 13, 2017, for some reason.

Power Rangers Dino Charge has been kicking butt.

Under the leadership and direction of Chip Lynn and its charismatic, electric cast to captivate you, Power Rangers is finally a show worth getting excited about again. It’s smart, compelling, riveting, and most of all, entertaining. If I had a son, daughter, or even a little nephew (Actually I do, but he’s too into Call of Duty to care) we would easily bond over Dino Charge. It’s been a true return to form of what makes Power Rangers great without cheaply aping Mighty Morphin’ or anything that came before it.

At the “Power Lounge,” a luxurious space across the San Diego Convention Center decorated to the brim with Power Rangers merchandise and collectibles, the cast of Power Rangers Dino Charge were hanging out and having the time of their lives. The whole gang was there: Brennan Meija (Tyler, the Red Ranger), Camille Hyde (Shelby, the Pink Ranger and the franchise’s first African-American girl to wear pink), Yoshi Sudarso (Koda, the Blue Ranger and dyed-in-the-wool Power Rangers fan), Michael Tarber (Riley, the Green Ranger), James Davies (Chase, the Black Ranger) and Claire Blackwelder (Kendall, the Rangers’ aide, like Alpha 5 but way cuter).

While sipping on a “super charged” lemonade sorbet… thing… that the lounge staff were serving, I sat down with the cast of Dino Charge to get the scoop on some curious happenings on the show and to find out, once and for all, is Kendall going to finally morph? She totally will. Right?

Credit: Paula Gaetos of The Tokusatsu Network.
Credit: Paula Gaetos of The Tokusatsu Network.

First of all, welcome to Comic-Con. How has it been for you guys so far?

James Davies: It’s been great, so much fun.

Camille Hyde: It’s been really fun. It’s our first time here, so it’s pretty overwhelming, but in the best way. It’s kind of like an adult Disneyland. All of the people here, all of the fans, are kind of like young kids again, seeing all of their superheroes.

About that, because geek culture has just gotten so big, everyone’s really into it. Are you surprised by how older the audience could skew for Power Rangers even though it’s still a kids’ show?

Brennan Meija: We’re still fans, so, not really. We grew up watching it, and still watch it.

Yoshi Sudarso: I can see that it’s been more accepted recently because I used to watch Super Sentai and all that other stuff, but I never knew, although my friends that did, but now as it’s coming out, it’s like, “Oh, bro, you’re a Ranger!” Then he’s like, “I love Super Sentai” I was like, “Me too!” We have to talking about it. So many of my friends are into Super Sentai but none of us talk about it. Except for *FBR, obviously. It’s really interesting to see all of that.”

*(FBR is “Facebook Rangers,” the largest community of Power Rangers fans on Facebook.)

How much have your expectations changed from when you started the show to now?

Camille Hyde: I think going in, for us, at first, in the beginning of the season there was a lot of heart, it was very action filled, but going towards the end of the first season and going into Dino Super Charge, it gets pretty intense. So it’s very appealing to not only young kids, but also older adults too, because it’s gotten kind of gritty, and that’s awesome because it’s so much more real.

Michael Tarber: Yeah, the exposition’s been laid out, so now it’s time for the bang bang bang finish, see what happens.

Talk to me about your characters guys, individually. What kind of changes can we expect through their return this season?

Yoshi Sudarso: Koda’s going to eat more burgers and speak a little faster. [laughs]

Camille Hyde: He starts speaking, yeah. [laughsHe gets a little more fluent. He does. Shelby in the beginning she was a little insecure about knowing how smart she was and how she was competent and could keep up with the guys, like in episode one, she didn’t know if she could go off and fight monsters. Towards the end, she starts helping Tyler lead the team, and she starts to feel more grounded with her abilities.

Brennan Meija: Tyler starts off pretty goofy in the beginning. There’s still that element there, of course, as the season goes on, and we enter the second season, as well. I think there’s a level of a serious tone that starts to play within him as the fight gets more real, the stakes get higher, he’s still searching for his dad, as well. All those elements make for a more overall rounded and serious character who is there, not only to find his dad but to lead a team to save the world.

I’m  hearing this a lot. We may not get a full-blown “serious” Power Rangers, but are we really going to see a hard-hitting show. Is that really true?

Camille Hyde: Yeah, it is.

Michael Tarber: We wanted to swing from the fences from the very beginning. That’s been all of our goals, including our EP, Chip, and we from the beginning have always wanted to take a chance and go for as great of a show as we could possibly get. I didn’t want to say good, because we want to go great. Totally.

Claire, if you don’t mind me digging in a little bit, will we see Kendall morph in the future at all?

Claire Blackwelder: Kendall has a lot of things coming up for her that are very exciting, but she has a lot on her plate with the Ranger base, right now. As far as changes that you can see with Kendall, she’s going to lighten up in some ways and toughen up in others, and you just got to be excited to see what happens with her.

Yoshi Sudarso: Like I said yesterday in the panel, she’s not Cam. She’s not going to just make a duplicate of herself. [laughs] We need someone to hold the base down!

It’s funny you mention that. Yoshi, you’re kind of like the David Tennant of Power Rangers.  You were the super fan who ended up living his wildest dreams. Have the fans treated you any differently since you’ve been on the show?

Yoshi Sudarso: Since I knew a lot of the fans before a lot of this started, most of them are still my friends. It’s not like I’m going to treat them any differently. We still hang out, we still talk Ranger stuff, I’m still on FBR talking about the things, so I just do my own thing. I think it’s really cool that they are treating me as a Ranger, and it’s less jealousy, more admiration and wanting to push them a little bit harder. I was afraid that it would be [bad]. Sometimes that is how the world is with fandoms, but I think it was received very well and I’m super happy about it.

So, what do you guys nerd over? Did you see it here at Comic-Con?

Brennan Meija: The CW [shows]! The Flash and Arrow. Oh my God. I want to get on those shows so badly! We should do a crossover.

Michael Tarber: Star Wars. I’m so obsessed!

Camille Hyde: Yeah, I love Star Wars.

Michael Tarber: I am so excited! People were hating on the new lightsaber. I actually think it’s pretty cool.

I think it’s badass.

Michael Tarber: I think it’s totally cool. I’m so happy that J.J. Abrams is taking over the franchise, and they’re filming with film, so it’s a real gritty look. I love everything that I’ve seen so far. I’m disappointed I had to miss the Lucasfilm panel this afternoon. I’m sure I can watch it somewhere online. Definitely Star Wars.

James Davies: Like Brandon, I’ve just gotten into the Arrow TV series. I’m a little bit late into it, but it’s seriously inspiring. Obviously The Flash is great as well. His [Grant Gustin’s] acting as well is just so natural and it’s really inspiring to people so I love it.

Claire Blackwelder: Well, the things that I nerd out over are Tolstoy, classical piano, and Shakespeare. I don’t think I’m going to see that here. [laughs]

If you look hard enough, you can.

Claire Blackwelder: Really? We’re going to have to talk after this because I got to find some of that! [laughs]

Camille Hyde: I’m a huge Star Wars fan as well, so I can’t wait to see Episode 7! I think it’s going to be amazing. I’m also a huge Hunger Games fan, so today when I was hearing about some of the fans coming to get our autographs, [they were] talking about going to see the Hunger Games people, I freaked out. I was like, “Where are they?” [laughs] I’m going to take someone out to go find them!

Michael Tarber: It was a crazy thought to think that an Oscar winner, Jennifer Lawrence, was signing autographs ten feet behind us.

Camille Hyde: I was like, “Excuse me, do you mind if I slip away to go to the bathroom?”

Claire Blackwelder: Oh! Game of Thrones!

(At this point there is massive crosstalk among the cast due to their fandom and love for Game of Thrones, making it difficult to transcribe. It was hard to tell who was saying what.)

Can we talk about how crazy this last season was?

Yoshi Sudarso: Wait wait wait! I haven’t seen the last season.

OK, then. Without spoiling or mentioning you-know-what, what did you guys think? What was your emotional feeling? Loss, anger…

Michael Tarber: I don’t know if I’ve accepted it. I’m in denial. It’s the first step of the grieving process, that’s what I’ll say.

So going off of that and the whole Comic-Con experience: In a world of possibilities, if Power Rangers can cross over with anything, what would you want to cross over with?

Brennan Meija: DC. Justice League. All the way.

Really?

Brennan Meija: Yeah, going against Darkseid? Are you kidding me? That’d be great!

Camille Hyde: Yeah, it’d be pretty epic.

Michael Tarber: I’m just saying, if Riley could trade in his Dino Saber for a Jedi lightsaber…

Camille Hyde: Ohhh!

Michael Tarber: That would be pretty cool! Maybe a Darth Maul-like double-sided green saber.

Yoshi Sudarso: It ain’t too far fetched to go into Marvel. I mean, we already got Leopardon on there, we might as well get the Rangers on there. Stan Lee, if you’re listening, we need to get on this and bring Leopardon back in, you know what I’m saying? [laughs] We could have the Megazord on there.

James Davies: Arrow all the way, man.

Michael Tarber: Yeah, like a cool “Ranger Arrow,” or something like that.

And Claire, I assume you’re with Game of Thrones?

Claire Blackwelder: Oh yeah.

Yoshi Sudarso: Oh, that’d be tight!

Brennan Meija: Fighting the dragons?

Michael Tarber: If Khaleesi could somehow come and become a Power Ranger, I would not… A dragon zord? I wouldn’t complain if she was part of our team.

Credit: Paula Gaetos of The Tokusatsu Network.
Credit: Paula Gaetos of The Tokusatsu Network.

On Instagram, there was a post from the Power Rangers account saying, “The Mighty Morphin’ Power Rangers will crossover with the Power Rangers Dino Charge!” We didn’t hear anything else. What’s the story behind that?

Camille Hyde: I don’t know.

Yoshi Sudarso: I think it’s just talking about how people want the three dinosaur teams to meet up, just like the Sentai. I guess you guys will have to find out if that’ll happen or not.

Camille Hyde: Yeah. If fans want it, you may never know!

Michael Tarber: Part of the magic of the creativity that the fans bring to the franchise.

Any last words about Power Rangers and what we can expect this season?

Camille Hyde: You’re going to see some new Rangers, you’re going to see some new villains, and new powers. You’re going to have to tune in.

Michael Tarber: The stakes are raised…

Brennan, Camille, Yoshi, James, Michael, and Claire: On August 29th at noon on Nickelodeon!

Wait, August 28th at 11 am?

[group laugh]

Is that it?

Brennan Meija: Yes! Yes!

Yoshi Sudarso: Yes, that’s perfect. You got it.

Power Rangers Dino Charge returns on August 29th at noon on Nickelodeon. I think. Special thanks to Paula Gaetos of The Tokusatsu Network for taking the photos!

A veteran screenwriter, graphic novelist, and former video game journalist, Gary Whitta is proud of the handful of works that have been produced (The Book of Eli, which starred Denzel Washington in 2009 is a great, underrated sci-fi/apocalyptic gem, and After Earth which remains divisive) as equally as the works that haven’t (Secret Weapons, a throwback to mid-century pulp adventures that could still be awesome). He’s also responsible for Telltale Games’ critically-acclaimed The Walking Dead series, and gamers will see how he’s plotted the much-anticipated Halo 5: Guardians when it comes out this October.

But for all the words he’s written, he can’t talk about what would have arguably been his biggest work: Star Wars. At one point tapped to pen Star Wars: Rogue One, which has entered production for a 2016 release date, Whitta lived the dream of every nerd if only for a brief time. Parting due to differences, there was no bad blood from what I can tell in his voice and he expressed he’s looking forward to it.

Going in to this interview, I suspected Star Wars has still been something of a boon for him. Whether or not he stayed on that project, he would still be getting his newest, most personal work, Abomination, out to an audience. I was right.

“It’s been kind of a double edge sword for me, the fact that I worked on the Star Wars movie has been, I guess an asset in terms of promoting this book. People have been wanting to talk to me in part because I am part of the Star Wars movie. But I’m just in no position right now where I’m able to talk about it.”

Crowdfunded in under 24 hours on Inkshares, Whitta has entered literary fiction with his debut novel Abomination, a dark medieval fantasy about a knight hiding a terrible secret and a headstrong woman on a quest of revenge.

With Abomination set to release later this week, I spoke with Gary Whitta about his book, adapting to a new medium, a little on Star Wars, and from one journalist to another, how he sees the state of video game journalism today.

So really plainly, this is your first novel. Are you excited?

Gary: Oh yeah, it’s been a terrific experience for me. My background is a screenwriter. I’ve been doing that now for about 15 years and I’ve worked on a bunch of movies, had some made.

I loved The Book of Eli.

Gary: Oh thank you very much. I’ve had good experiences, Book of Eli was a good experience. I’ve had not so good experiences. You put a lot of work sometimes into films that don’t get made or films that get made but aren’t really representative of the work that you did or the hopes that you had for what the film would be. It’s not a business where a writer typically has a lot of creative equity or authority. It’s really kind of a crap shoot. You try to pick the right projects and you try to hopefully work with the right people.

Of course, it’s intensely collaborative.

Gary: There comes a point as screenwriter where at some point you kind of have to hand the work over and just trust that the people that are not going to make into a movie, want to make the same movie that you hoped would be made. All you can do really is hope because you don’t really have … you’re not like the producer or the director where you have the authority to say, well I think you should do this or that. You really do just have to, like I said, just hope for the best.

Was there anything new you had to learn in adapting to this particular medium? You kind of touched on it just now. Was there anything new you had to adapt from your background as a journalist and as a screenwriter?

Gary: Yeah it really was like going back to square one for me. The medium, I think of writing in prose and writing in novel is in so many ways different to writing a screenplay. Each different form is, I think, you have its own particular quirks and rhythms and rules and things that you have to learn. A good story is a good story in any medium, but the form of what you tell it can be very different. A lot of the stuff that I had spent 15 years learning as a screenwriter, really I had to kind of throw away. Because it just wasn’t relevant to writing a story in prose.

I kind of felt a lot like a newbie again. Like a complete amateur sitting down and this is the first real experiment. I really did this as kind of an experiment to see if I could do it. Write in a different form. It was like learning a second language and having to learn to write in a very different form. It was completely new territory for me and I found myself kind of learning as I went along.

About the story of Abomination. It’s a dark medieval fantasy, what was the nucleus of the idea? What inspired the book?

Gary: I think everything that I do, all of my ideas tend to kind of start with very pulpy, almost kind shocking roots. I grew up watching a lot of monster movies and kind of cheesy, campy, sci-fi and fantasy movies when I was a kid. There is always a very pulp kind of influence at the beginning of every idea. The Book of Eli originally started as, I wanted to do a good old fashioned post-apocalyptic story with a wandering hero. Almost an old samurai movie or a western. With Eli, the old samurai movies like Yojimbo and Man With No Name westerns were really the influences of that character. The religious stuff kind of came later.

With Abomination it really came from wanting to write a monster story in the tradition of stuff like the Wolfman and Dr. Jekyll and Mr. Hyde. Even the Incredible Hulk was a big influence. All those stories are really about someone who kind of carries a monster inside of them and it’s something they found they cant always control. I’ve always thought that was a really interesting story and I don’t think it’s accident that we’ve seen that come back again and again in stories. You see it Dr. Jekyll and you see it in the Wolfman. You see it stuff like John Carpenter’s The Thing. You see it in The Incredible Hulk. I think there is something very human about that. The idea of we all have kind of monstrous sides to our personalities. We all have our own demons and we go through our lives struggling to try and contain them and be the best versions of ourselves.

That’s hauntingly beautiful.

Gary: The idea of trying to kind of externalize that and have that, whether it be a kind of a violent temper or whatever that kind of monstrous side of your personality is. To make that real and have it be an actual monster. I think it’s something good fantasy and good science fiction has been doing for more than a hundred years.

I wanted to initially just to do my version of that story and also to kind of come up with the mythology that would allow be to create really, really horrendous, horrific, gnarly monsters. The kind of stuff that you might not have seen before. It’s not a traditional, is not a werewolf, it’s not a typical monster you might have seen. There are these really kind of horrifically kind of mutated twisted kind of very dark creatures. This is an experiment in seeing how kind of horrible and gross and horrifying I could really make it. That was kind of where it started and then I kind of built characters out of that. Yeah, I wanted to do a monster story basically.

Would you want Abomination to stay a novel, or would you want to see it adapt into another medium like a comic so that we could see those monsters in your head? Or do you think they are more powerful that the reader comes up with them on their own?

Gary: Initially I had intended to write it as a movie and for various reason I decided to try it as a novel instead. I think one of the strengths of the novel in fiction as a form of writing is that it allows the imagination to the reader too really kind of play such a big part. If you see a movie with monsters in it, you see the monsters, you know what they look like, they can be scary but they have basically been shown to you and you understand what they look like. In a novel, when they are just being described to you, and I tried to deliberately in Abomination to describe the monsters in deliberately vague terms so you never get a very … I think no few people would read this story and necessarily come away with, if you ask them to draw the monster afterward, I don’t think anyone would draw the same monster.

Sure.

Gary: I think if we were to make a movie, we would have [this be] a challenge… Again, that was part of the fun, and part of the reason I really enjoyed writing this as a novel is the ability to adjust rather than explicitly describe something, I think, the way you have to when you are writing a screenplay. Just to be very, very vague about it then let the readers’ own imagination [run wild]… Which I think is often more potent then anything you could describe. Allow them to fill in the blanks. They can come up with something quite horrific in their own imagination.

You have a handful of un-produced works that I saw on your website. Secret Weapons, Homeworld. Which one could you see living on as a novel kind of like Abomination?

Gary Whitta: I have quite a bit more than a handful, I think this is what comes with the frustration of being a screenwriter. For every twenty stories that you write, you might be lucky to sale or have made even one of those. For every screenwriter had this kind of large repository of unsold work. One of the nice things about opening up this second front as a novelist, and I also do comic books, is having the opportunity to look at some of these stories that might have been realized as movie ideas to begin with. For whatever reason they aren’t going to get made into a movie, but there is another way to go about it.

The very first script that I every sold in this business and it got me started as a screenwriter was a script called Oliver which is kind of a weird post-apocalyptic theme park retelling of Oliver Twist. We were never able to get it made into a movie, but I always wanted to tell that story and so I found a comic book artist who was willing to work with me on it and we developed it as a comic book and that comic book is coming out next year. I have this satisfaction of knowing that my story is going to be told, in one form or another.

There is nothing more frustrating to an author than having a story nobody gets to see. You want to put your stories in front of an audience. We at least get to do it in comic book form, and of course the irony of the movie business now is that once you create something as a novel or comic book, people are maybe interested in making it into a film. So who knows.

Right.

Gary: That is a deliberate choice that I have made as a writer just in terms of my approach. It’s not always necessarily thinking as a film first for any ideas. Because it is the hardest way to see an idea realized. If I’m able to generate a career as a novelist or a comic book writer, those are other avenues, perhaps easier avenues for me to get stories in front of an audience and then maybe even make a stronger case for seeing the movie made down the road.

I hope you don’t mind be talking about Star Wars just a little bit. It was a huge project to say the least, what was the most difficult thing about walking away from it?

Gary: I don’t mind you talking about Star Wars. You can talk about it as much as you want. I, however, am unable to say very much at all I’m afraid.

Oh, okay.

Gary: It wasn’t really a case of walking away. My work was basically done on the project and it was time for me to move on to the next one. I think they are just about shooting it now, I think that Kathleen Kennedy said at Comic-Con a couple of weeks ago they were starting to shoot in a couple of weeks so they should be starting right about now. I worked on it for about a year, by far the most fun I had writing a script in my entire life. For a Star Wars geek like me, I think that I grew up in that universe.

I think we all did.

Gary: It really was absolutely a dream come true. I had a tremendous time doing it and I’m confident they are going to make a really great movie, so I’m looking forward to it.

Before you were even a screenwriter, you were an editor for PC Gamer. Today gaming journalism has become YouTube personalities and “Let’s Play” videos. How do you feel about the state of this industry today over how much it’s changed?

Gary: I look at it these days very much as an observer. I still play the video games, I still have all the consoles. I play PC games.

You still write games.

Gary: I still occasionally do write, work on the development side with games. I don’t really write about games anymore, I haven’t done that in about fifteen, sixteen years. Games is what originally got me into the business of writing in the first place. I basically started as a kid straight out of school writing for video game magazines. I got out and started the screenwriter I think roughly around the time that everything was starting to change. Print, I think started to take a back seat to what was now emerging now as the online … the YouTubers, the IGN, the kind of big video websites that we see now that basically comprised most of what we think of mainstream game media. I think it’s been great. I still like to read most of the time, rather than watch a video. There will often be times where I will see a link that’s interesting and I will want to click on it or like a video not an article and Ill just click off. I don’t want to watch the video.

I get that might be a product of me being a grumpy old man. I think the audience is the 15-year-old kid of today that I was when I was consuming this stuff and I think probably loves this stuff now. You guys don’t look at screenshots anymore, you actually get to see and hear the game move and you can watch Let’s Plays and obviously the rise of Twitch.

If you would have told me ten years ago that watching other people play video games would be a massive pastime I wouldn’t have believed you. I also think the actual quality of video games journalism has gotten a lot better. When I worked on game magazines, they were much like the ones that I grew up on and they were essentially just kind of glamorous or glorified, I should say product catalogs. We reviewed games, we previewed games, we would give you game news. There would be strategy and tips like that, but game magazines were really the format for the occasional interview or feature with the developer or something. The format of video game magazines haven’t really changed very much in all of those years.

I think now with the rise of online journalism and there are so many outlets. We have so many different websites now that are able, I think, to do much more interesting work beyond just reviewing and previewing the games. Really talking about the culture of gaming and how it kind of weaves into society. I think there is a lot more basically intelligent, thoughtful, what I consider real journalism about video games. I think as video games have matured as an art form, the journalism has to mature to go along with it. Games aren’t just about blasting aliens anymore. We have games now that are telling real stories that are real touching on real things and I think it really has become as they say an art form, a genuinely valid medium and popular culture as much as film and television and books and the journalism I think has had to evolve a lot to keep up with that.

What do you hope Abomination can evolve into next? Will we see an Abomination II or do you hope to translate it into another medium?

Gary: For me, I kind of feel like I’m already at the end game. It’s already very satisfying for me to see the book out there. That I’m getting messages right now from people who have it or enjoyed reading the book. The ultimate goal for me as a storyteller, as an author, as a writer is just to have an audience of people consume that story and enjoy it and for me to see that that’s happening. We are already basically there. That is part of the reason why I wrote it as a book is that when you get to the end of writing a book, that’s the finished product. As opposed to a screenplay which is really just the beginning of the process of making a film. Where a lot of things can go wrong or maybe the film doesn’t get made along the way. For me the goal was write a book. Get it out into the world and have people enjoy it and we are there now. It’s very satisfying to me king of hold the physical book in my hand and to know that the people are out there reading it.

Anything beyond that is really kind of gravy. If there were to be some kind of film or television adaptation, I would absolutely welcome that. As I said, the idea was originally to do it as a film, so if it all comes first circle [and] that would be very satisfying to me. In terms of sequels or other stories in that universe, when you get to the end of the story and see the doors… I didn’t close [all] the doors [and] I didn’t kill everyone off or anything, but that wasn’t because I necessarily wanted to leave the door open to tell more stories. It was because I thought it was the right end to that story. But you know, if the book sells a million copies and people are screaming for another story, I’m sure I can come up with an idea, but it’s a little early to say right now.

Abomination comes out later this week from Inkshares.

https://vimeo.com/117341641

I thought Gambit was his dream role. What the hell?

TheWrap is reporting that Gambit, a spin-off of Fox’s X-Men series slated for release on Oct. 7, 2016 may have lost Channing Tatum. His reps are still in “active discussion,” but TheWrap hints that Tatum is feeling there are “greater ambitions” beyond the superhero.

Much ado was made about Tatum’s passion for the character. Portraying the card-dealing, staff-wielding mutant had been a dream for the Magic Mike star, and he was at Comic-Con this year promoting the hell out of it. I’m not sure what has changed since for him, but perhaps he’s taking his transition behind the camera — another ambition of his — a lot sooner than he planned. But couldn’t he have done that with the clout he had in getting Gambit greenlit?

It’s worth noting that Tatum is tapped to reprise his Jump Street role for 23 Jump Street, also due next year. Gambit is being directed by Rupert Wyatt.

The Kroffts are back.

Responsible for pop culture staples like H.R. Pufnstuf (ranked by TV Guide twice as one of the Top TV Cult Shows Ever), The BugaloosThe Brady Bunch Variety Hour, Land of the Lost (which saw a big-budget reboot starring Will Ferrel in 2009), Electra Woman and Dyna Girl (which is now seeing a reboot with YouTube stars Grace Helbig and Hannah Hart), and Sigmund and the Sea Monsters, the Montreal-born brothers have made a living telling outlandish, bizarre stories that have captivated the imagination of children and adults alike.

But one story that captured my imagination when I interviewed them at San Diego Comic-Con? When they discovered their Wikipedia page.

“Oh, my God, I got chills,” Sid Krofft tells me in a quiet room away from the hectic convention. “I really didn’t realize all the stuff that we’ve done. Live shows and amusement parks and ice and circus shows. It just goes on and on.” Sid’s voice is soft and warm, like a grandfather ready to grant you wisdom if you ask politely. His older brother Marty, sitting next to him, comes off like the patriarch of a large, illustrious family. 

The two brothers together are like a paradox. It isn’t a stretch to believe they’ve entertained children for decades with puppets and strange creatures, but if you saw them off the street and away from Comic-Con, it would probably surprise you.

“How long ago was the first time you saw your Wikipedia page?” I ask them.

“Three days ago,” Sid said. In preparing for the interview, I did my own research and, yeah, Wikipedia was the first thing I hit. “I saw your Wikipedia page before you did?”

Sid laughs. “You definitely did. It was amazing to me. It kept going and going and going. It never stops.”

After years away from TV, Sid and Marty Krofft have made their return to children’s television. Mutt and Stuff, airing now on Nick Jr., is about a father and son who run a canine school featuring real dogs and puppies (Awww) and gigantic puppets, a signature of the Krofft’s. Also typical of the Krofft’s are big moral lessons and themes with a bit more depth than a kiddie pool. Mutt and Stuff aims to teach adoption, responsible pet care, managing and dealing with emotions, and other important lessons to preschoolers (But we know adults could use those lessons too).

The series stars The Dog Whisperer‘s Cesar Millan with his real son, Calvin, both of whom I saw hanging out on the other side of the room. Tapping into the internet’s fondness for cute puppies (Cats can GTFO (jk)), the show could ensure the Krofft name lives on for the next generation.

https://www.youtube.com/watch?v=46IJf7b3oOI

You guys have already had a storied career, but now you’re returning to television after several decades. What inspired you to come back?

Marty: We got out of it because it was not fun anymore, with what’s going on with the business. We stayed with other things we were doing. We did the Land of the Lost movie, a number of things, but you have to find something at this time of our lives, it has to work.

I was over at William Morris with the head of it. He said, “What are you doing?” I said, “We’re trying to develop a new show.” He said, “I’ve got something for you. I want to put you with Cesar Millan.” I said, “The dog whisperer?” He said, “Yeah.” I said [to Cesar], “We’re interested in doing a kid’s show. Do you have any kids?” He said, “Yeah. I’ve got a son, thirteen. He’s never really done anything.” I said, “Hey, let’s meet the kid.”  When we met him, he hadn’t done anything. I had no film on this kid. Nothing. We ultimately started a concept with dogs, kids, and puppets.

Sid: How can you go wrong with dogs, kids, and puppets? Before all this I had a puppet act when Marty joined me. I was the opening act for Judy Garland.

Really? 

Sid: Puppets, I would get booked all the time because it was always a show stopper. Maybe the act wasn’t that great, but it’s like ratings on television. When the ratings are high, it doesn’t mean the show is great. It just keeps getting picked up. Marty and myself, we do have a lot of animals. We always had. We love animals. When they said dogs and kids and puppets, I mean, come on.

Marty: Basically, we knew it was dogs so we seized it. The bottom line is we made a deal with Cesar and we got on the air overnight.  Four years. It took us four years to do this. We did two pilots. We got dropped after the first pilot. I wouldn’t give up myself, so I told Sid we’re not giving up on this. This is a great idea. Eventually we did the second pilot. I think we did a great job. I got Nickelodeon, [who] picked it up for twenty shows before the pilot aired.

We aired for the first time yesterday. We previewed yesterday at 10 o’clock on Nickelodeon. I think we have something real special. Twenty-three dogs, thirteen dogs and ten puppies, puppets and kids. And Calvin who’s Cesar’s son. I call him the puppy whisperer.   

How many trainers?

Sid: Eight trainers. There isn’t a trainer onstage. When I was in vaudeville I worked with an act called The Bricklayers. The act lasted about thirty or thirty-five minutes. It was maybe twenty or thirty dogs that did the whole act without one trainer being seen. This reminded us of Bricklayers. They were the star of vaudeville.

Marty: The bottom line is, we’re back in the action. We are in the Guinness Book of Records as being the oldest producers to get a series going.

How does that feel?

Sid: It’s really great to wake up every day. We’re both real creative guys. We love being in show business. We grew up [with it] as little kids.

Marty: We have more going than this. We have Sigmund and the Sea Monsters at Amazon as one of our shows. It was very successful. We’re doing a new pilot on that. We have Electra Woman and Dyna Girl. We’ve got the two girls from YouTube, Hannah Hart and Grace Hilbig. We shot that already in Canada. It’s eight, eleven, minute episodes that can get streamed as a picture. Electra Woman, when we initially did it was Deidre Hall who’s still on Days of Our Lives. Anyway, we’ve got three things going right now. We’re in the action.

Sid: I’d like to say they just cannot kill us off with a baseball bat. We’ve got a lot of stuff ready to go. [laughs].

Marty: The big thing about us, and it’s very hard, we never, ever, give up. We have an expression, if you give up on Tuesday there is no Wednesday, and Wednesday could have been the day. We’re not giving up. We try to tell everybody we know not to give up. It’s easy to give up.

What’s been the most stunning thing you’ve had to learn in doing Mutt and Stuff versus what you’ve done before? What was different about Mutt and Stuff?

Sid: When you’re dealing with live dogs. They work. They’re unbelievable. The brick wall never hit us. We never had a problem. It seemed like this whole crew … We have never, ever, worked with a crew like this, right down the line. They look forward to come in every single day because having a good time and that shows on the screen.

Marty: What I’ve learned is that nothing changes that much. It is not easy to do what we do. Dealing with egos, dealing with dog trainers.

Sid: That’s Marty’s job.

Marty: We have a full-time psychiatrist on staff.

Do you really?

Marty: No. [laughs]

You said you’re working on new pilots right now in addition to Mutt and Stuff. Will they also be targeted for all audiences?

Sid: Going way back to all of our properties, we never wanted the kids to sit in front of the television set and have the television be the babysitter. We always wanted to lure in the mom or the dad or both mom and dad. We always wrote up.  If a kid sees mom or dad laugh at a joke that he or she doesn’t understand, they’re going to laugh with their parents. We never put the kids down. They’re in school five days a week, and they want to have a show that they own.

Marty: Where we are right now is this. We have the three projects going. Preschool is Mutt and Stuff, but we rise above that age somewhat because the parents are going to love it. Audience is kids. Sigmund was six to eleven when we did it, but kids are different now so we’re stepping that up a little bit. Electra Woman with the two girls from YouTube we’re definitely stepping up. We’re doing that with Legendary. It was hard to get all the profanity out of that thing. I had a big war about it. Ultimately they realized there shouldn’t really be much, or any, profanity. You don’t need it.

Sid: You know what? Kids are so hip to that. You watch MTV at 2 o’clock in the afternoon, and I cannot believe the things that they say.

I’m of that generation myself and even I can’t believe it.

Marty: There’s a reviewer that I read from one of these blogs who went to a movie and said if he heard the F word one more time, he was going to leave the theater. He couldn’t take it.

In your prolific career spanning back to the beginning, what’s the one thing that’s kept you going? You said you never give up. Where did that resilience come from?

Marty: Mostly, you don’t give up out of need and fear. The fear of doing nothing. Retiring and going home and watching daytime television could kill you in about a month. We’re not doing that.

Sid: What’s really, really, amazing to me. I was just given an iMac Apple. Huge. I’m always trying to create new things. I don’t want to be stuck in front of a computer. I feel that my hours are much more valuable. I love computers because it gives you a lot of information. The first thing that my teacher, or whatever you want to call him that was showing me how it worked, he turned on Sid and Marty Krofft. I haven’t looked at all those sites, believe it or not. Wikipedia came up. Oh, my God, I got chills because I really didn’t realize at that moment all the stuff that we’ve done. Live shows and amusement parks and ice and circus shows. It just goes on and on. I think we hit every point of show business almost.

Then [there’s] all the stuff that’s for sale. We have a fan in Seattle. He evidently is wealthy. He built a wing of his house, I haven’t seen it. I’ve seen pictures. He has more stuff. It’s all Krofft. More than we have. He called me the other day, and he said, “You know, I’m only fifty-four years old, but when I pass away I’d like to hear your wish. Where would you like all this stuff to go?”

Marty: Not in my house.

Sid: The Smithsonian. He’s a huge fan. Every week he sends me a package of stuff. Do you know what he just sent me?

What?

Sid: A picture of Winston Churchill’s daughter and Liberace sitting in London at a table in a club with me onstage performing. They were both watching my act.

Wow.

Sid: I never knew that picture even existed I don’t know where the hell he got it. He sends me stuff. He sent me old ads that were in Variety in 1946.

Do you happen to have that picture with you?

Sid: No. I don’t. Along with that he sent me a picture of me having lunch in Paris with Liberace. We worked with Liberace years later. I met Liberace because we were a Hilton act.

Mutt and Stuff is airing now on Nick. Jr. You can look forward to the reboots of Sigmund and the Sea Monsters on Amazon and Electra Woman and Dyna Girl on YouTube later this year.

When you grow up obsessed with pop culture, you begin to recognize the names that aren’t that of the stars. Hip-hop fans know names like Rick Rubin or Erick Sermon. Sports nuts know the coaches and agents of the superstars on the field. As a Power Rangers fan, I grew up knowing names like Doug Sloan, Jonathan Tzachor, and Koichi Sakamoto.

But one man’s name inspires Power Rangers fans like Steve Wozniak with Apple fans (or Jobs (no, actually, Wozniak is correct)): Judd “Chip” Lynn.

A real chip off the old block, Judd Lynn began as a staff writer on Power Rangers Turbo. He took on the reins as show runner in 1998 for Power Rangers in Space until 2001’s Power Rangers Time Force.

If only people watched his work.

Let’s be honest: Mighty Morphin’ was the  peak of the franchise’s pop culture status. But the reason why you may know a hardcore Power Rangers fan or two still watching today is because they stuck around for Judd Lynn’s seasons; he made the show as deep as any other sci-fi or fantasy. In Space, Lost Galaxy, Lightspeed Rescue, and Time Force are loaded with some of the most compelling, interesting characters and episodes in not just Power Rangers but all geek TV. If the rest of the world stuck around to watch Lynn at work, Power Rangers wouldn’t be the campy laughingstock its mostly remembered as.

Judd Lynn returned briefly to oversee the absolutely incredible Power Rangers RPM (seriously, watch it, it’s on Netflix) in 2009 before leaving once again… until the 2014 Power MorphiCon. There, Judd Lynn took to the stage at the convention to announce his return to the helm for Power Rangers Dino Charge to the delight of everyone. I remember that energy distinctly because I was there, and so far that positivity has been validated: Dino Charge rocks, and if you have a little cousin or nephew (or niece! Dino Charge is a great kid’s show featuring kick-ass girls) you should absolutely watch with them.

At this past San Diego Comic-Con, I had the chance to speak to Chip about his role as the returning prodigal son of Power Rangers.

IMG_9574
Interviewing Judd Lynn at the Power Lounge during San Diego Comic-Con. Credit: Paula Gaetos.

What’s it been like for you to return as the head-honcho of Power Rangers?

Judd: What’s really unique about my involvement this time, because it used to be there was I worked with a couple of producers, and we had kind of different ways, different ideas of how it was supposed to happen. Now, being the executive producer, it’s kind of just my way. You know what I’m saying? The people that I work with, [Saban Brands Senior VP of Development and Production] Brian Casetini, he and I are really in sync. It used to be like this [hands out], and now it’s like this [crosses fingers].

What do you think has changed?

Judd Lynn: When you have several producers on a show, you can either have synchronicity, or it can be a negative effect. It can either be additive or subtractive. I think previously, it was probably … me and other producers and we’d have a different style. You hope sometimes one producer plus another producer equals three, right? That’s how good ratios are made. They’re never made by one person. They’re made by one person in a team that shares that same vision and it turns out that vision, instead of just two people working on it, it has the effect of one hundred people because they all become passionate and they’re all focused on the same goal.

Coming back, I can work with Brian Casetini and also Haim Saban. Truly, those three minds put together equal five. In the past, three minds used to total three. There was no exponential growth because of the synchronicity of our ideas. But now, there is. Brian shares my enthusiasm and my way of storytelling. The first time that I pitched the idea for Dino Charge to Haim, it was a crazy idea. A story about a spaceship and we have these dinosaurs and we have asteroids. I’m sitting down in this fancy boardroom with Haim Saban and some other executives and I start to tell my story. Two minutes into it, I’m looking at them, and they’re all still awake. That’s not always the case. I remember one time with Saban, I pitched an idea to twenty executives and ten minutes in, half of them were asleep. That was, I think, maybe, Power Rangers in Space. I think it was because they were overworked. [laughs] Hopefully not because it was a bad idea.

Really? Power Rangers in Space rocked!

Judd: But this time, Haim was riveted. Brian was riveted. [Saban President] Elie Decker was riveted. They all were very enthusiastic about the idea. Haim, after I told the whole thing, said, “I like it.” Everybody kind of was shocked because Haim doesn’t usually say that the first time. But, he liked it very much. He liked the idea of a caveman. He liked the idea of these inner gems that made you immortal while you were binded to them. We were able to take all of the Japanese footage, which were some really strange elements, and put them all into a story that worked. Space elements and dinosaur elements, and it wasn’t easy, but I think we kind of did a pretty good job of making it work.

Then, what’s really cool is Haim Saban and Brian Castletini, who were really busy with other things, they say, “Okay, great. Go away and let us know how the story’s going to unfold.” I knew, like, “Eh, no problem,” and inside, you’re thinking “Oh my God, how am I going to make that happen?” Right?

As if that’s easy!

Judd: You go away and you start to work out your first idea and this is it right here. This is the first episode. This is almost exactly what I pitched. It didn’t change very much. It was an idea about a real alien who’s being chased by this evil bounty hunter. He lands on this earth and he has these inner gems and he has to get them to safety quickly. Sure enough, it all appears on the screen now. It’s an awesome process.

Not like before? It was very different before?

Judd: Well, before it was a bit of a struggle. I had an idea and somebody else had an idea and we had to compromise with each other to reach something that we both agreed was going to be do-able.

Compromise is kind of a nasty thing. Now, I’m in charge. I don’t have to compromise. The writers have to compromise. Anyone who works for me has to compromise. But I don’t have to. I can take my idea and I can take it to Brian and take it to Haim and say “This is what I want to do.” They’ll say, “Well, maybe adjust this,” or “Adjust that,” but they’ve been really really deferential to me, which is a blessing. It’s because we started off already thinking in the same way. They say, “Hey, that’s cool. That’s great.” Or they say, “What about this?” Or “What about that?” They have great ideas. I say, “You know what? I didn’t think of that.” It makes it even better. That’s what I want. That’s what we want.

And isn’t that what the Power Rangers are about? Teamwork?

Judd: Exactly. That’s what it’s all about.

Not to sound hokey there.

Judd: No, but it’s absolutely true. If you go to New Zealand, we have 120 people on our 2 crews. We have a first unit and a second unit. 120 people. You walk on, and you never – It’s unbelievable. It’s like a family. You never hear an argument. There’s never backstabbing. The people came to me and they said this is like one of the first seasons there’s never been a culture of he-said she-said or blaming or unhappiness or ‘Why are you late?’

Everybody’s been optimistic and proactive and really pushed into doing, into making great episodes because they’ve read their scripts and they saw me on the set and they could tell that I cared about it. From the top down, everybody else says “You know what? Wow. This is worth caring about.” Next thing you know, they’ll go in extra. “We should wrap now.” Nope. They’ll go 15 more minutes. “Don’t do another take.” No, no no. We’re going to do another take. We’re going to get it right.

You said something very interesting there, that people care. Not to throw shade at whoever has worked on the show before, but fans have noticed an uptick in the quality in the show. Fans are very enthusiastic about Power Rangers more than they’ve ever been before. Is it because of that factor, that x-factor? There’s a little more heart.

Judd: You know what? It has a lot – First of all, Haim Saban has always demanded humor and heart.

Of course.

Judd: He wants stories that will tug at your heartstrings and make you laugh. He wants them to appeal to the 4 to 8 year olds that are actually watching it for the first time and he wants it to appeal to kids who are 18 to 30, like you and me. Well, I’m a little older than you. [laughs] But, he wants it to appeal to everybody. That’s a really tough request.

To say the least.

Judd: Yet, somehow, we try to do it. Now, why are some seasons more successful than others? Probably the largest factor is just the person who’s in charge. But that’s not the only factor. There’s a lot of other ones. For instance we [had to adapt] Kyoryuger, which was a fantastic season. We had dinosaurs, they have great Zords, they have great toy elements. It really was kind of a … I hate to say it, but I got very fortunate because dinosaurs are always more successful than other ones. Kids just love dinosaurs.

You guys picked a great year. Jurassic World just came out.

Judd: Right, exactly. It’s kind of a perfect storm of things that worked out really well. I happen to be fortunate enough to be there. But also, like I said, it comes back to that team. If you have people who make the team better than it would be as individuals, then it’s going to work out better. It just turns out that my storytelling style is different than the previous producer and the guy before him and the guy before him. It’s different than Doug Sloan, and Bruce Kalish, and Eddie Guzelian, and Jonathan Tzachor. Every single one of them, I know. Every single one of them was in the office at midnight and they all tried to make the best show they can, but not everybody can make a perfect show and not everybody can even make a great show. Some of my seasons were not great. Sometimes you get really tough footage and it’s hard to come up with a story. Really hard.

It’s very different way to produce television.

Judd: It’s a really weird way.

You’ll never see a show like Breaking Bad or Game of Thrones being made this way.

Judd: Well, nobody would, because we have that footage to deal with. We have toys to sell and we have a broad age range of audience to appeal to. It’s a really tough order.

IMG_9581
Interviewing Judd Lynn at the Power Lounge during San Diego Comic-Con. Credit: Paula Gaetos.

Are you by any chance privy to the upcoming movie in 2017?

Judd: I don’t know much about the movie. Honestly, I’m at the office twelve hours a day, seven days a week working on Dino Charge. I just hope that, like everybody, we all hope that they keep in mind that humor and heart and that action that’s all organic to the story. I can tell you that the people who are involved in it are some of the best in the business. Lionsgate and Brian, these guys have been doing it for a long time. I have high hopes that this is going to be a really good movie.

Other than that, I don’t know too much. I know that Haim is really involved, really enthused about [Dean Israelite] being the director and his enthusiasm.

Will we see you again for after Super Dino Charge? What can we hope for in the future?

Judd: We just finished filming Dino Super Charge, and it’s going to be really good. There are some episodes that are coming up that will be the best of any episodes that have ever been done with Power Rangers. I know a lot of the episodes, and I’ve written a couple hundred of them, and I can tell you that I’ve never been as enthusiastic about the entire season as I am about these seasons.

https://www.youtube.com/watch?v=xmdlUVDHLDU

Power Rangers Dino Charge returns to Nickelodeon on August 29th. Stay tuned to Geekscape for my interview with the cast of Power Rangers Dino Charge from San Diego Comic-Con later this week. A special thank you to Paula Gaetos of Tokusatsu Network for taking the photos!

Archer is about to go through some major changes. Again.

It’s been quite a rollercoaster few seasons for Archer. Besides the thematic escalation, there have been changes to the dynamic of that kooky office as well; They’re not even named ISIS anymore, and for good (and unfortunate) reasons. Archer Vice was a bold experiment that, however divisive its reception, proved that this golden age of television is a space for bold exploration.

But the show goes on, and Archer more or less returned to its regular antics and familiar spaces last season, including a bottle episode where the whole gang was stuck in their office elevator. What can we expect this season? I went to San Diego Comic-Con and spoke to the people responsible for Archer to find out.

I think that there’s a lot of changes, specifically when it comes to the power structures and the relationship between the characters,” said Casey Willis, the show’s executive producer. Lucky Yates, who provides the voice for the mad Krieger (and the face for Ray!) echoed that sentiment. “There’s been some role shifts and some sort of status shifts within the group, is really all I can say.” I tried to egg him on to give more, but he said he values his role on the show “a little too much.”

Will these changes be permanent? “Who knows,” said Yates. “The core of the show … is our relationships between our cast of characters. No matter what their occupation or whatever is. Like relationships, they evolve and change and things shift around. Suddenly good guys are bad guys, and all that kind of shit. As long as that keeps going and moving around, I think we’ll be all right.”

“You’re going to see us working hard for the money this season. It will be fun to see everybody putting their various levels of espionage skills to the test.” Aisha Tyler is naturally charismatic, which tends to happen if you’re selected to host things like E3 conferences and Whose Line Is It Anyway? Her portrayal of the iron-willed Lana has endeared fans to both her and her character over the years. “[We] are the worst spies ever and don’t seem to have any jobs. You kind of saw us turn to cocaine dealing, which we weren’t very good at either, mainly because Pam just kept … turning it into foodstuffs and then bottling it down. [And] Lana is obviously the best spy on the show, the most confident, and I think you’ll see that … going forward this season.”

“We’re not airing an episode at Comic-Con because it’s so secret that we can’t reveal anything because we’ll ruin it all,” added Amber Nash, who portrays the wonderful Pam in Archer. “There’s some big stuff happening. The fun thing is, just like when we did Archer Vice, the dynamic between the characters is what the show is, no matter what they’re doing, it’s always going to be those guys being those guys. We’ve done two episodes so far, and the scripts are even funnier than last season. It’s really exciting.”

I tried guessing if that means someone Archer takes over the organization. “I don’t know if Archer has the capacity to really take over,” said Willis. Could someone like Cheryl? “That would be awesome.” He shifts a little. “I mean, that could be it.”

So I asked Cheryl. “I don’t know the plan,” Judy Greer told me in a noisy press room at Comic-Con. She sounds exactly like Cheryl: speech, tone, inflection, vocabulary. It was awesome, to the point it was almost kind of scary. “I don’t ask. I assume they would tell me if I asked, but it’s more fun for me to get the script and … learn it that way. They told me before we started sort of the new concept. There was a concept they were talking about and they had mentioned that to me, but otherwise, it’s way more fun to just get the script and read it.”

After nearly seven years of getting scripts, I wondered if anything still surprises its cast. “I feel like I’m always surprised,” Greer said. “I just can’t believe the mind of Adam Reed. It genuinely shocks me every time I read a new script. Even when he kind of came up with Archer Vice, I was like, ‘Who would do that?’ The show’s a total hit … and it just keeps getting more and more of a following and you’re just going to change the whole thing? Totally fearless. Totally exciting. So smart. So interesting. “

Chris Parnell, a Saturday Night Live veteran who plays the try-hard Cyril, says he’s surprised at “how consistently [series creator] Adam [Reed] is able to keep writing the show, and write it with such great jokes and scenarios and detail.” What doesn’t surprise him? “In terms of where he puts us or what he does with us, nothing shocks me.”

But one thing did shock him: I asked Chris what he thought of Cyril being a type of spirit animal for those who forever try hard but fail. We all know one, and I know several. They frequently relate to Cyril, but what did comedy veteran Parnell think about his popularity with those kinds of viewers? It surprised him. Looking in my eye, Parnell says I’ve told him “something, in a way … because people say how much they love Cyril. And it’s interesting to hear that maybe that’s a part of why. Because I hadn’t actually thought of that.”

Returning to the topic of Adam Reed, Judy Greer noted with eyes open and darting. “I’m always shocked by him and how he can come up with this stuff. Where does it come from?”

I couldn’t find out where it comes from in the mind of Adam Reed, the mastermind behind this massive cult show. This seventh season has managed to attract the likes of Patton Oswald and Oscar-winner J.K. Simmons as guest stars. “They’ll both be in a few episodes,” Reed said. But as the show gets a little long in the tooth, what could possibly be next? As Reed puts it, Archer is “limitless.”

“All things we couldn’t probably do live action, because they’d be expensive, but I’d really love to do a submarine episode.” Reed acknowledges that similar submarine episodes have already been done before on the show, but he wishes to tackle it more properly soon. “I’m fascinated with submarine movies,” he puts it.

Is anything off the table when it comes to Archer? Turns out, there are limits. “For me, things that remind me of bad news in real life. Just because it’s a bummer to write,” Reed admitted. “I don’t think there’s anything where [FX] would go, ‘Oh, that’s too much.’ When we’ve talked about terrorists, they’ve been obviously made up terrorists, like the Free New Finland Army or whatever … I guess it’s self-editing, but FX would let us do whatever, I’m sure. Except throw a baby. They won’t let us throw a baby.”

Wait, what?

“Archer was babysitting for … the prostitute’s baby.” I remembered the episode. “He was going to throw a baby to disarm a gunman, and FX was like, ‘You can’t do that.’ I think Archer threw the baby up in the air and when everybody looked at the baby, Archer kicked the gun out of the guy’s hand and then caught the baby. Usually we turn in an episode and they’re like, ‘Great, thanks for the episode,’ but that one scene they watched over, to make sure, how high is the baby going, is the baby in danger at all during the process? They’re a baby-friendly network.”

Jessica Walters, who plays Mallory Archer, the matriarch of the spy organization, is a film and TV legend. She’s not above gross comedy, “but compared to some of the stuff on cable, I don’t think we’re that risqué.” Sitting next to Jessica is intimidating. She’s nothing like the venom-spewing Mallory, but her presence commands you direct her attention to her yet she’s as sweet as mint candy. Being used to the screeching, rigid Mallory, hearing Walters speak soft was oddly comforting amidst the busy Comic-Con press room. “I just love [playing Mallory]. It’s so much fun to have something that you really care about to do, and make a living at it. It’s incredible. Like a dream still.”

“Dude, it blows my mind,” Yates tells me about playing Krieger on Archer. “Not too long ago, I was just a con-goer. I was an attendee. We have Dragon-Con in Atlanta and I go to it every year. Now suddenly I’m on the other side of the panel tables … The first time I saw a guy dressed as Krieger was at Dragon-Con. I went up to him and I was nerding out about him so much. He was like, ‘Yeah, cool.’ I was like, ‘I’m sorry. I play Krieger on the show.’ He was like, ‘What?’ The two of us were just like, ‘But, you!’”

Much of the people who work on Archer still can’t snap themselves out of the madness that is both Comic-Con and the show’s popularity. That includes its creator, Adam Reed.

“I didn’t think I would be sitting here even in season one. I didn’t think the pilot would get picked up. When it did, that just floored me. The ratings were terrible the first season, it was sort of on the bubble, the Winter Olympics were that year, and I think just because the Olympics went  off or something, and then people were like, “Let’s check out this other show.” FX stuck with it, but I didn’t think it would have been the success that it is at all, so I’m continually amazed.”

Archer begins its seventh season this fall on FX.

Arrow has found its Mr. Terrific. And he’ll be gay. Actor Echo Kellum from Ben & Kate will be portraying him on the upcoming 4th season.

Newsarama also has a full breakdown of the Arrow panel at San Diego Comic-Con, which I unfortunately couldn’t attend because there are so many other damn things happening that weekend to keep track. But one outstanding detail stands out about this upcoming season beyond Ollie’s new threads (Which I think looks great!), and Thea’s, and Malcolm Merlyn’s, and Diggle’s, and… I think that’s it.

Geoff Johns then hit upon the recent casting of Neal McDonough as Damien Darhk for the fourth season, but said there’s “another” villain coming after Darhk.

 

“There’s a lot of characters coming up that people won’t really guess, that will appear soon.”

 

Co-showrunner Marc Guggenheim cuts straight to it, saying that both Anarky and Mister Terrific would debut in Arrow‘s fourth season.

 

“[Mister Terrific’s] got to work with Felicity. Our version of Mister Terrific also happens to be gay,” Berlanti revealed.

I honestly don’t know much about the Mister. Terrific character, which shows just how deep into the DC lore that Arrow is digging. Who needs Batman when there are other superheroes to make household names?

Is being gay a component of the Mister Terrific character? I honestly don’t know, but regardless I think it’s a great thing to do. So long as the portrayal doesn’t boogeyman his sexual preference and instead makes him a complex character, then this is what superhero/genre TV needs. I can’t wait!

If the worlds of pop culture were real, then that time giant kaiju leveled Hong Kong in Pacific Rim or the Crazy 88 massacre in Kill Bill would be significant, cultural watershed moments in the national psyche. Imagine the documentaries! Well, someone did.

Enter: Real Fake History. Founded on the premise that pop culture really happened, Real Fake History lovingly apes the Ken Burns-style documentary and examines fake history as if they were, well, real.

As with all Ken Burns-esque documentaries — however satirical — , the narrator is a major component, and the show’s producers did no wrong casting the legendary Philip Morris.

The son of Greg Morris from Mission: Impossible, Phil Morris has starred in Seinfeld as attorney Jackie Chiles and Smallville as J’onn, the Martian Manhunter. But he has also had a career in voice acting, with his deep, velvet sound providing the chords for shows like Green Lantern: The Animated SeriesDead Space: Downfall, and The Secret Saturdays.

On the Saturday of the 2015 San Diego Comic-Con, I had just finished watching Phil and a slew of other prolific cartoon voice actors slay a packed crowd attending the “Cartoon Voices 1” panel. They performed an abridged The Wizard of Oz to the delight of everyone — I especially lost it when Eric Bauza used his Puss in Boots voice for Dorothy’s uncle — but Phil was a standout as the Lion and Oz himself.

One thing you need to know about Philip: He’s a dyed-in-the-wool nerd. He loves Comic-Con, and has relished his roles like J’ohnn in shows like Smallville. He’s seen geek culture change, evolve, and proliferate throughout the years; he can’t believe how big it’s become either.

After the panel, I sat down with Philip to talk about what we can expect from Real Fake History, his time as a voice actor, and the complicated, important intersections of race in geek culture.

https://www.youtube.com/watch?v=yNOBHZ7FYUE

How different is it playing a documentary narrator in Real Fake History versus your other voice over roles?

Phil: It’s really not that different. It was just honoring the structure of it because it’s a bit of a mockumentary. It’s based on the whole Ken Burns documentary style and I’m a huge Ken Burns fan, huge. I love it all, America, Baseball, Jazz, Civil War.

You’ve seen the jazz one?

Phil: I’ve seen almost all of them, The Roosevelt’s, I love it all. National Parks, one of my favorite. I’m huge on that. I’m a big narrator fan. My Dad, Greg Morris, was a huge narrator. He did the first Mercedes Benz commercials and Chrysler commercials, so that was the voice you heard. He was also in the original Mission Impossible as Barney Collier, so voice over and narration has been part of my life since I can remember. I’ve worked with Keith David and I’m friends with Keith David and since he’s one of the major narrators of all the Ken Burns stuff, I’m honoring him as well with all this.

What can you tell me about Real Fake History?

Phil: Real Fake History takes the conceit that comics, TV shows, movies, that universe, whatever it is we’re talking about, Walking Dead, Kill Bill, whatever it is, that it actually happened. In that reality, we have bystanders, eyewitness accounts, which is really bizarre, and then I narrate with incredible integrity. The happenings on Endor, or with The Bride in Kill Bill and the Crazy 88’s.

It’s very exciting.

Phil: Oh, but it’s very real, you know what I mean? Every so often we make a little left turn and we do a little bit of a wink, but not a steady diet of it because it would kill it. You’ve got to see it. It’s very, very clever. Very clever stuff.

That’s a tight line to walk because it is hilarious that we’re going to talk seriously about giant robots tearing up Hong Kong. How difficult is it to tread that line?

Phil: I don’t know if it was difficult, but it was challenging. I think the challenge was in not letting the joke out before you set the hook. Do you know what I mean? That’s the key to this show is you’ve got to set that hook, you’ve got to make people believe, “What, is this real? Is this? Oh, no. Okay.” Then they get the joke and they go along with it, but you’ve got to set that hook. Setting the hook is in the integrity with which they bring it out. It’s really, really clever.

What’s been your favorite episode?

Phil: I think it might be the Kill Bill one. It’s one of my favorite movies, number one. The Crazy 88’s is one of my favorite, that whole scene, that whole katana scene, one of my favorite scenes, number two. The way that we address it in Real Fake History, as though one of the surviving Crazy 88’s is giving an account of this, it’s bananas ridiculous.

https://www.youtube.com/watch?v=64RyMzXe4fg

On Kill Bill, you say it’s one of your favorite movies, I understand you also are actually a practicing martial artist. You study wing chun.

Phil: Wing chun kung fu.

Can you tell me very briefly how you got started in that? I think that is really fascinating to me.

Phil: Thank you. Well my Dad, Greg Morris, from the original Mission Impossible, when they first started that show, they were told to go take a self defense class because they were one of the first TV shows to use martial arts moves in the show. They wanted them to know what they were. They went and studied with a man named Bruce Tegner on Sunset Boulevard. I was six, I went and trained with them. I was into it. I was really skinny and I got hurt a lot. It was great, but it wasn’t necessarily for a six year old at that time. Even though I was introduced to it then, it didn’t stick until much later and I started studying with Bong Soo Han, who was a Hapkido master and he choreographed the Billy Jack movies, just fantastic, passed away a few years ago.

I stayed with him, got my green belt, or my blue belt, or whatever it was. I bounced out of that, girls, comic books, or sports, or something else. Later, I was a huge Bruce Lee fan early on, as we all were, the kids my age. I’d always wanted to study wing chun because I’d heard the wing chun was his mother art, which he then extrapolated out to ge kong do and created that. I’d never found a wing chun studio until one day I’m in LA and it’s raining and I see on Venice Boulevard a wing chun studio, I pull in. This Asian guy comes downstairs and that ended up being my masters, his name is Hawkins Cheung, I’ve been with him 30 years. I’m in two hall of fames, I teach every Sunday morning in Burbank at 8:00, and wing chun is part of my soul, part of my spirit.

We just came from the voice acting panel, I told you on the way here, it was hysterical. You’re both a screen and voice actor. They’re different disciplines, but there are similarities. What do you find enriching about voice acting that you can’t do in screen and vise versa?

Phil: In voice acting, I can be more characters than I can look like in front of the camera. My voice, depending on what they are looking for from me, I can be a kid, I can be a dog, I can be an Asian bus driver, I can be a Jamaican DJ. I can be so many things with my voice that I can’t be physically because my physicality is limited. There is that. What I like about voice acting too are the people. The people that I meet, as you saw on the panel, are incredibly talented. Their references go everywhere. They have to because then they’re called on when the voice director wants them to do something to reach into that catalog and pull it out.

They have a wealth of knowledge, a wealth of interest, a wealth of passions that move them and they’re able then to convert that into a vocal ease. On camera is different. People are more bound by what they look like obviously. There’s more ego I think involved in the on camera because it is a full representation of who you are. Whereas voice acting, it’s a representation of the artist and your voice, but mainly the artist’s rendition.

When I’m doing Jackie Chiles or I’m doing a Disney show or any show, that’ me. People see me. They relate to me directly, there’s no indirectness to it, it’s very direct. I rather like it more. I rather like that walking and talking three dimensional field of face acting as opposed to vocal acting more. People have asked me what I like more, I think I like being in front of the camera more. I don’t know quite why.

You talked about this on the panel, which really struck me: minorities in Hollywood. It’s is a very powerful subject to me as well. Your father was one of the pioneering black performers in his era.

Yes.

You’ve also played super heroes, that’s a hot topic lately. They call it race bending. Michael B. Jordan is playing Johnny Storm and people lit a fire, so to speak about that.

Phil: No pun intended! [laughs]

Nope, not intended. But what is your opinion on someone who has also played super heroes and is also a performer of color?

Phil: We have enough renditions of the traditional super heroes throughout the ages. You know what I mean? Where did they come from? They came from somebody’s imagination, somebody’s creativity. That’s all this is. It’s another branch of creativity and expression that is pure. The politicization of this does it a disservice. It hampers the creator into thinking I can only make Johnny Storm a white, blond haired, blue eyed guy because that’s how Stanley and Jack Kirby initially created this character. Okay, that’s what those creators thought about it.

Now we have other creators that have come along in the generation since who go, “Man, this is my take on this particular character.” Why are you going to hamper the creativity of these other creators who have a different take on it because we’re so culturally tied to certain things. It does us a disservice as a people, as a species that we’re not able to open our minds to accept. People ask me all the time, what character would you want to play?

That was going to be my next question.

Phil: Traditionally, I’m always going Black Panther … blah, blah, why, because they’re black? Yes, that’s my limitation. In coming to Comic-Con today, I literally thought about who I’d want to play, I’d want to play Captain America. I think we need a new Captain America.

I think so too.

Phil: With a new ego’s that reflects today’s morality, today’s dilemmas. Back when Captain America was created by Jack Kirby and Joe Simon … it was to answer the desperate of the war. Hitler, Togo, Mussolini, and Stalin. He was our representation of what America could do to stop the Axis powers. He came out of that time, he was a hero for that age. We need a new hero for our age. One that represents this pan of racial community that America has become. Until we do that, until we demystify these stereotypes and we knock down these cultural barriers, we should always have cultural identity and awareness and respect and honor, but not barriers.

That it keeps us from understanding and honoring other cultures. From travelling into those other areas to inform me more about who I am. Dude, you’re going to get me on a soap box here, but that’s how I feel about this. That’s why I think this Michael B. Jordan thing’s fantastic. Fantastic, bring it man. Bring more. Bring me a black dare devil, you know what I mean? I’m serious.

On the subject of super heroes now, you’re clearly very passionate about nerd culture, geek culture. You must of seen this culture proliferate. Could you have ever predicted that was where we were going to be?

Phil: No way, no way, and anybody who says they could’ve, they’re lying. Stan Lee couldn’t see this, you know what I mean? Carmen Fantina couldn’t see it. These guys and girls that spawn this industry are so fantastic, but there’s just no way you could of seen that technology would catch up to filmmaking so that you could represent a hero on screen seamlessly without us seeing the wires and the trampolines and all that stuff that they had to use before.

Now even the casual fan can be fully immersed and taken away in a way … cinematically that we could never do before. That has all changed. Bringing a comic book from the newsstand to the big screen is a lot easier. Bringing it to the small screen is even easier. Where as before you could only go to the big screen because of budgets and the film constraints. Now all of that stuff is fairly nominal to spend money on those effects. You can bring it to the small screen like we did in Smallville, it’s a great effect, they’re doing in Arrow like they do in The Flash. You see these shows on television becoming very successful because the technology is able to match the image and the concepts.

About Smallville because people have fond memories of that, what’s your fondest memory of working on Smallville as the Martian Manhunter?

Phil: My fondest memory honestly is meeting Allison Mack for the first time. Allison Mack was so kind to me my very first day. So supportive to me. She was like the greeter, unofficial, but she was the first person I met. If anyone knows Allison Mack, you’ll raise your hand, you know what I’m talking about is a true. She is one of the sweetest, smartest women, talented woman I’ve ever met. To meet her first was probably a great blessing because she really welcomed me and she kind of gave me the lay of the land, [because I] hadn’t met Tom yet.

Because I am a fan, I was more anxious doing this show than any other probably because I am a fan. I needed to measure up to my own fandom, but I knew there was a great fan base that was going to look at me and go, “Man, is this our John Jones or is this guy just a scumblebum. That to me, meeting Allison on that first day and having her be so gracious, so welcoming, set the tone for the whole experience I had up in Vancouver doing Smallville.

You’ve had a very prolific career from voice acting to screen acting. What’s been the one most rewarding thing about it when you look back? Not that you’re over it yet.

Phil: The fact that I get to do it. That sounds trite maybe, but there’s a lot of talented people in the world and the fact that I came from my father was no guarantee that I was going to have any talent, number one. Or that doors would open, number two. My father being who he was did not guarantee any of that. He didn’t help in any way. They spend money on you, you’ve got to perform for them. Not your father, not your mother, not your aunt, not your uncle. That’s why I say being in this business and continuing to work is the blessing.

I’m diverse. I like comedy, I like drama, I like Internet stuff, I like big screen, I like small screen. If it’s good, I’m probably there. If it’s a good solid crew that’s working, I’m probably going to be there. I find that’s a blessing. The more I work, the more I find that I’m blessed because I find so many people get off the train, they quit, it discourages them. They can’t make enough money. I have not had that problem and I look at that as a great blessing.

Last words about Real Fake History, what we can look forward to in this upcoming season?

Phil: Watch them all. They’re all funny and comment, comment, comment. Like them. Don’t like them. Do whatever it is you feel. I can’t tell you how to feel. I just know they’re really, really funny and I like them a lot.

Real Fake History can be found on YouTube by Machinima. Their newest episode, “The Battle of Castle Black,” can be found below.

https://www.youtube.com/watch?v=heK04CCJzVI

We’ve still got loads of San Diego Comic-Con stuff cooking in the Geekscape kitchen, but there’s one hot news bit we want to share with you: Could John Constantine show up in Arrow? It’s possible!

At Comic-Con this weekend, Arrow executive producers that some “political” brouhaha and actor Matt Ryan’s schedule are in conflict, but otherwise they’re working and “hopeful” they can welcome the chain-smoking bastard into Starling City.

From IGN:

Yeah, we really want to do it. It’s something we’ve been talking to DC about and it’s just a question of some political things, but also the actor’s schedule. We’re trying to work it out, but we don’t know 100 percent if it’s going to happen. … But we’re really optimistic and we would love to have him

Matt Ryan just got a gig on Broadway with A-listers Keira Knightley and Judith Light. So if Constantine were to show up, it’s likely not going to happen this upcoming season of the show, but keep your fingers crossed Hellblazers. I for one would love to see Constantine continue his adventures on Arrow. And the uber-optimist in me sees that as a “backdoor pilot” of sorts for a Constantine revival. Yeah, my head is in the clouds, but hey — stranger things have happened.

Would you be down for Constantine staring down the Arrow? Let us know!

Oh my God, they’re back again. And they’re going to fight zombies in Dead Seven.

The Asylum, the loose cannons behind Z Nation and the Sharknado franchise, are producing Nick Carter’s (of Backstreet Boy fame) Dead Seven, set to air on Syfy sometime next year. Coming along for the ride is his fellow boy band brethren A.J. McLean and Joey Fatone (of *NSYNC), cementing this project as kind of… historic. The Beatles and the Rolling Stones never got together, but these guys finally have. For a zombie movie. It’s truly the golden age of television.

The project confirms my suspicions that these guys have always been kinda nerdy. It’s easy to forget that boy bands were boys. Comic books, horror movies, and video games are in every dude’s diet. These influences went over my sister’s head; she’s the true Backstreet fanatic and why I know their entire discography in my sleep. But she and the rest of every ’90s hormonal teenager zeroed in their focus with the boys and only the boys, which prevented them from seeing the bold nerdiness right in their face. The Gaston Leroux and Bram Stoker that was aped in “Everybody (Backstreet’s Back)” to the crystal-clear Ridley Scott aesthetics in “Larger Than Life”, these boys secretly gave teenage girls slick whiffs of sci-fi and fantasy without them realizing it.

Meanwhile, Joey Fatone of “rival” pop group *NSYNC (Surprise: they were and are all friends, the rivalry was manufactured by fandom) was an out-and-proud nerd, and slipped it in whenever he could. Like in the “I Drive Myself Crazy” video.

Now, years later as their touring schedules have gotten a tad lighter, they’re finally pursuing passion projects without cheesy record label images holding them back. Like Marvel and DC doing one massive project to shake the world, Nick Carter and A.J. McLean (and, later we learn, Howie Dorough!) of the Backstreet Boys and Joey Fatone of *NSYNC are teaming up like gangbusters for what is bound to be one bonkers movie.

At this past San Diego Comic-Con, I sat down with AJ McLean and Joey Fatone to talk about Dead Seven, their favorite horror movies, and to get to the bottom once and for all if there really was a rivalry between the two titans of ’90s-era teen adolescence.

https://instagram.com/p/47_0lLAN3d/?taken-by=ericthedragon

Is this your first time at Comic-Con?

AJ: This is my first time actually coming to Comic-Con. And I never geeked out before today. I got to meet Bryan Cranston and I’m the biggest Breaking Bad fan you ever met.

I saw that Instagram photo.

A.J.: When I got to meet him … there’s this huge line wrapped around, like double wrapped to meet both [Seth Green and Bryan Cranston] and our manager got me hooked up and I’m like, “I don’t want to piss anybody off because these people have been waiting really long so I don’t want to start a riot at Comic-Con.” [laughs] As soon as they were done signing autographs, Bryan turned around and we talked for a minute and we took a quick picture. Nicest guy in the world.

I didn’t watch Malcolm in the Middle so for me I only know him as Walter White. So it’s like when I see him, I’m like, “Oh my God, it’s fucking Walter White,” It’s so cool. That has been my geek-out moment of my entire life. Now I know what it’s like for our fans when they’re waiting patiently to meet us and if they do or they don’t, but this is fucking rad, this is so much fun. I’m excited to be a part of this, Nick asked me to do this a while ago. I know it’s been back and forth, we didn’t know if it was actually was going to happen and then Nick came to me one day and said Asylum is on board, now Syfy, and here we are talking about Dead Seven and things are moving.

It’s moved quicker that you could imagine?

A.J.: It has moved quicker, yes … When Nick asked me we were half way through our tour and he’s like, “I’ve got this script this idea, this company I know wants to do it, would you be interested?” I’m like, “Of course.”

We’re always out to help each other and to support each other in any individual endeavors whether it’s a solo album or a movie. I told Nick, I have one stipulation. I have to be a villain I can’t be a good guy. That’s my only way that I’ll do it. He’s like, “Perfect.” So I get to be one of the two main villains.

Joey: I get to be the drunk! [laughsType-cast.

Is it your first film?

A.J.: It is my first film. I grew up in acting, and theater, and movies, and TV when I was a kid but as far as…

Joey: Puppets.

A.J.: Puppets, all that. Oh, no puppets, oh yeah. Someday I’ll do Avenue Q. This is my first actual film, yes. I thought I’d be worried about learning lines and what not. I actually did some research online and I found out Vince Vaughn, whenever he studies for any kind of role, he doesn’t learn the lines. He goes on set and he yells out, “Line!” and he says it because he wants the initial reaction to be real and then he ad-libs everything in the middle. So I’m like, “If I don’t have time to learn my lines, I’ll just do that.” [laughs] It works!

Judy Dench doesn’t learn her lines either.

Joey: There’s a lot of people do a lot of different methods. Sometimes I’ve heard people have buds in their ear and they have cue cards … The best part about it is you don’t have to learn the whole thing all the way through. Just little sections of when you shoot a film so you know the scene, or how many pages. Like three or four pages.

A.J.: If we can memorize songs and dance moves, this should be nothing. So for you it’s old hat.

Joey: It’s all, trust me you’re start flubbing up things and it’s the most simple things sometimes.

A.J.: Of course it is.

Joey: Your brain starts playing mind tricks on you.

A.J.: I can’t wait for the outtakes, that’s going to be the fun part.

I’ve always suspected you guys to be huge nerds. The “Larger Than Life” video and “Everybody (Backsteet’s Back),” you’re all monsters and aliens. I remember ‘N Sync had the video where you guys were action figures. How do you feel about finally getting to express yourselves in this kind of way that you haven’t been able to before?

Joey: I think it’s great. It’s awesome. It puts us in a different light and a different element and you know what it’s like one of those things where … I think for use we can’t lose. In a sense, we’re having fun. We’re not taking it, “Oh, my gosh, this is very dramatic. We’re method actors.” It’s fun and that’s the thing. That’s the same thing when you were saying about Nick called me up about four or five different times going, “Hey, hey, hey; you want to do the film? Read the script. You want to do it? Come on, come on.”

I’m like, I said, “Yeah, let me took a look at it. I’d love to be a part of it,” something like that. We’ve never done anything together collectively as whether or not *NSYNC or BSB or whatever. Just us as normal regular people collaborating with each other. I think that’s something that’s going to be interesting and exciting about it because it puts us out of our element. It’s something that we’ve never done before. As this kind of group in a sense. I think it’s just going to be fun. It’s going to be exciting.

A.J.: I’m excited, this is going to be something fresh and new for me. I’m really proud of Nick, he’s been a huge fan of sci-fi for years and for him to finally have one of his dreams come into fruition, I’m super, super proud of him, so he’s super stoked about it.

Joey: What’s great is we get to learn from each other. All the stuff I think when we do shoot and everything I think it’s going to be exciting to learn from each other. We’ve hung out but we’ve never really hung out so we’re going to be together for a couple of weeks.

A.J.: Couple of weeks and apparently rumor is that, I’m not sure if it’s budget or what but we’re supposed to be doing our stunts! [laughs] Shooting our own fake weapons, so it’s a good thing that we just finished a two and half year tour so I got time before the next album to break bones and get some bruises.

How do you feel about having Nick as your boss? Is that a new dynamic for you?

A.J.: There’s going to be no boss, he’s not telling me shit.

Joey: He’s not the boss, hell no. He’s not the boss of me.

A.J.: I think it’s going to be fun just to watch him really have an avenue for his creative juices to shine. He’s always been that kid that doodles. He’s amazing [with his] drawings. It’s because of his little doodling that we did a comic book years ago with Stan Lee. He’s just, he’s like a big kid. He’ll always be that way. I think this is going to be like playtime for him. Obviously, it’s time to step up to the plate, it’s going to be serious when the camera’s were on but … All of us are going to have fun with this. This is not like Oscar-winning material, this is meant to have fun.

Joey: This ain’t rocket surgery.

A.J.: No, it’s just to have fun.

The Asylum have established themselves for knowing exactly what they are and being proud of it. Given that is the fact and that it’s going to be Backstreet Boys and *NSYNC, is there going to be any sort of knowing and nods to that fact?

Joey: I don’t think so.

A.J.: I don’t think so, no.

Joey: The way the script is pretty much written as far as there’s no jokes, or puns, or anything like that. The thing about Asylum, what you were talking about earlier … they’re great because the company’s so great about them is they’re they’re risk-takers in something like that. For somebody to go, for Nick to come up to Asylum and go, “Hey, I got this idea and this project. We’re going to have a couple musicians be actors and this and that, whether or not they’ve acted before or not. Let’s throw some paint on the wall and see what sticks kind of thing.” They embrace that kind of stuff and that’s what’s great about it.

When people said the same thing with Sharknado, they’re like, “Yeah whatever.” They did a third one, I mean come on. It’s popular because I think people love an outlet and love that kind of hokey-ness but it’s fun. Even though there’s legitimate actors in that show so I think it’s just going to be fun to put it to the table of what we have to offer. 

A.J.: Movies like this can turn into cult phenomenons and that’s what Sharknado happened to be. It’s like, I never thought I would really like it. I watched it, I’m like, “Okay, this is ridiculous but I’m still watching it and I think it’s awesome.” I think this could turn into one of those type of cult phenomenons that there’s going to be a group of fans, both obviously Backstreet and *NSYNC fans but even fans of that type of genre. Fans that are fans of the westerns, zombies, post-apocalyptic Mad Max vibe. There’s fans for all of that and this has all of it in one movie so it’s going to be interesting.

What could you tell us about the story, and about your characters specifically?

Joey: My character, Joey, he’s more of the comic relief I would say. I mean look at me, I’m funny looking enough to begin with. I’m kind of like the drunken-ish party-goer, kind of don’t care, ready to take on the world kind of thing. He’s not afraid of anything.

A.J.: Your character kind of reminds me of Doc from Tombstone. Just that kind of Val Kilmer-y like, “I just don’t care, whatever, we’re going to have fun.”

Joey: Let’s do it.

A.J.: Drinking, do it, oh by the way just shot 3 guys, I’m good. I can’t wait to see how you bring this character to life, it’s going to be awesome.

Joey: I’ll be drunk the whole time.

And his name is Joe?

Joey: Yeah, his name’s Joe. Character’s name is pretty much Joe as far as I know unless they rewrote the character name differently but that’s what I read.

How much of a fan are you two of the genre? What are your favorite horror movies?

A.J.: I’ve been a horror fanatic my whole life. Actually one of the first films I ever shot was a movie called Truth or Dare: A Critical Madness and it was a horror film. Very Jason Voorhees-esque. When it premiered I couldn’t even watch the first eight minutes of the movie because it was all sex and I was like, 8, so I had to wait until that was over and then I could go watch the movie. For me it’s like, I grew up with American Werewolf in London. I thought it’s just a classic, it’s still to this day parts of it freak me out.

The transformation sequence.

A.J.: The transformation is the best to this day, because now it’s all CGI.

Joey: John Landis.

I met his son outside on my way to this interview.

Joey: [laughs]

A.J.: As far as like recently, I love movies like The Collector. Some of the brand new reboots like Texas Chainsaw is great. Any of the classics, like the ’80s ’90s movies for me, anything Friday the 13th, Freddy. The only one I don’t like is It. I’m a huge Stephen King fan but I’m terrified of clowns. Anything with clowns, not happening. To this day, not happening.

Joey: To me, Freddie Kruger, that kind of stuff, I’m with the old school. Same thing. There is a horror film called Funhouse. The campy ones where Goolies or Sleepaway Camp.

A.J.: Goolies, Critters.

Sleepaway Camp is awesome.

A.J.: Critters was one of my favorites. Critters was just great, that guy with the face that could change. That was awesome.

Joey: Puppet Master.

A.J.: Puppet Master! Oh that’s my frickin’ mom’s favorite.

The zombie wave is pretty high right now. Are there any other zombie mash-ups you would like to see or want to do yourself?

Joey: Which ones have they haven’t done yet? [laughs]

A.J.: My mom’s a really big fan of that new TV show, iZombie, which is kind of a cool twist on the zombie outlook.

Great show!

A.J.: But for me I think it’d be cool to see something with like, zombies and almost like… This is my own personal creation because I’m a huge Friends fan, the biggest Friends fan ever. If you could do like a TV sitcom with a group of six characters. Three of them are zombies, three of them are not. One of the ones that’s not wants to be a zombie so he keeps begging one to fight them.

Joey: Kind of like The Odd Couple, but zombies. [laughs]

A.J.: Yeah, but like zombies and I think it’d be hilarious. I think it’d be fun.

I just want to acknowledge that we got the Backstreet Boys and *NSYNC here. This is like Marvel and DC coming together.

Joey: All of five of us! [laughsWe’re representing each, so yeah, it’s like DC and Marvel.

This is a huge deal and I’m just curious to know who reached out to who for the project.

Joey: Nick called me. Yeah, that’s how it went down but it’s always funny because people always think they’re some sort of rivals or any of this kind of stuff and everything else. But it’s so funny. It’s always interesting because when I joke or bust chops about something, they know about it. Nick will know about, A.J. will know about it and all of a sudden the fans will rip me a new ass. It’s hilarious.

Then I laugh and then I call him and I’m like, “Hey, look what I said, blah, blah, blah,” and they’re like, “Yeah, I know, I can’t,” and we laugh about it and it’s never been that way. There’s never been animosity, there’s never been anything like that. They’ve always just because they were five guys, we were five guys, it was always thought, “Oh, well there’s always tension.” We had the same manager for quite some time.

A.J.: There’s never been tension. Chris Kirkpatrick and Howie both went to college together. We were in the same town together growing up. There’s never been rivalry. I think the press and media needed to fuel it and try to start a fire and the fire just fizzled out. It kept fizzing out.

Joey: Now we’re setting the record straight by doing a film together.

Is there any time we’ll see any of the other people from that era? Like Britney, Christina?

A.J.: Howie’s also in the film.

Joey: I’m the only *NSYNC-er as of now, but you never now. That’s actually, that’s kind of Nick’s vision is to bring some other people in that genre and it was his thought and his vision was to bring people that have never really done a lot of film but that were in the music in the ’90s and in the 2000s. To find out where that happy medium is and to see who we can get to play and have fun with it.

Because when you do something like this people are kind of scared. They don’t want to fail or they don’t want to go, “Well, that’s a piece of crap or whatever.” Like I said, Asylum probably did Sharknado and people were like, “I ain’t doing that.” All of sudden now people are calling him about, “Hey, remember you asked me for the first one? You think I could come in the second one or the third?” It’s that kind of thing and like for us like I said, we’re to the point in our lives and our careers that we’re able to do something like this. Nick, obviously, brought it to the attention to Asylum and they love the idea and I think it’s going to be fun because for us it gives us an outlet in something different that we’ve never done before. Especially with us being together. Hey it may work, it may not but I think the think is we want to have fun in doing something like this.

A.J.: It’s fun, it’s going to be a blast.

Is there anything you are anxious, nervous about?

Joey: I think just anxious about just getting it and rolling.

A.J.: Yeah, just figuring to when we’re going to start and where we’re shooting. We were just upstairs and Nick was like, “Oh, did you hear where we might possibly be shooting?” I’m like, “I thought it’s all going to be L.A.” He’s like, “No, Alaska!” [laughs] “I’m like, “You do realize in summer it’s daylight all day every day, all night. Good luck with that.” Obviously, I’ve got to go wherever the movie but I can’t wait it’s going to be a blast. Nick’s got me in the frickin’ gym training my ass off right now.

What do you want to do next?

Joey: After we shoot this I’m going to hopefully take a little time off. I actually just finished My Big Fat Greek Wedding II, we just shot that. That’s going to come out next year, March 25th I believe. They actually didn’t give a date which is crazy but they’re doing it. It’s pretty interesting, they got the original cast and everybody together and now I’ve just been taking it easy. Taking a little break.

A.J.: I wish I had a break but no. I’m finishing up my first solo record and then, hopefully, touring top of the year and then Backstreet’s going back in the studio again probably mid fall to make our ninth album. Gear up for a brand new tour next year. The next Backstreet cruise is in May of next year.

Joey: The cruise.

A.J.: The cruise! This is our first Mediterranean cruise and then on top of all that I’m coming out with a clothing line, so there’s a lot of things. It’s urban street wear clothing. It’s myself and 3 of my buddies; we’re all a bunch of sneaker heads, Dunny Life is the name of the brand so that’s going to be our fun little thing.

My sister’s been on that cruise for a couple years straight. Will we be seeing the Backstreet and *NSYNC cruise together?

Joey: [laughs]

A.J.: You know, we’ve actually talked about it, I know I talked about it with Lance. I know we’ve mentioned it a couple of times in passing.

I’d go.

A.J.: I think it’d be fun, I mean who knows.

Dead Seven will air on Syfy in 2016. Check out our interview with Nick and Lauren Carter here, and The Asylum producers later!

Note: This interview was conducted in a press room roundtable. Not all questions were mine, but all have been edited to retain an easy-to-read flow while retaining its integrity.

Do a quick Google image search for “Voltron pilots.” Without knowing who any of them are, could you tell what role each one of them filled? That principle applies to all music groups, and the ’90s pop boy bands are no exception. Within the Backstreet Boys, the ones who shaped that era’s image of pop, Nick Carter filled a singular role: the pretty boy. He had golden blonde hair, crystal eyes, and a smile that shook the knees of teen girls everywhere.

He was also nerdy. How nerdy?  “He’s always been that kid that doodles,” said fellow Backstreet Boy A.J. McLean of Nick. “It’s because of his little doodling that we did a comic book years ago with Stan Lee. He’s just, he’s like a big kid. He’ll always be that way.”

It’s true — the Backstreet Boys totally did a comic with Stan Lee, and it even spawned a line of Burger King toys.

“I think this is going to be like playtime for him,” added McLean.

Nick has always been trying to get a horror movie off the ground, but troubles plagued production. “It’s taken so many different turns,” says Nick. “The script that I originally had done when I did the Indiegogo Campaign with Evil Blessings … We were able to gain interest in me making a movie in the first place. Obviously I wanted the fans to be involved and see that I had this dream in the first place.”

And then, tragedy struck. The original director attached to the project passed away. Respectfully, Nick moved on. “I said, you know what, there’s some bad juju on this thing, so I put it to bed and I started with Dead West, which was another screenplay that I had which was more of the zombie/western based in the 1800s. It was in my opinion, a much better script and I was glad we went back to it actually. Lauren was a fan of it.”

Lauren Carter, Nick’s wife. A stunning woman with an Amazonian presence, she’s a fitness instructor, model, and one of the stars of Dead Seven, now renamed from Dead West. I can’t remember if she’s taller than me, but I know that she can fold me into a pretzel within a nanosecond.

Nick describes the hardships of getting Dead Seven off the ground. “At that point I was sending it out to a bunch of people and they were liking it. I was getting a lot of good feedback and the people were saying this is a good script. It’s better than Evil Blessings, let’s bring this to The Asylum. My attorney introduced me to them and from that point the minute that I sat down and had the meeting with them, it just clicked.”

The Asylum is true to their name. They’re loonies, in a surprisingly good way. (Check back later for a link for my interview with them.) They kind of need to be crazy to produce faux-grindhouse fare like the Sharknado movies. 

“With all their success with Z Nation … they specialize in zombies and they specialize in making B movies, but at the same time, not taking them too serious and they were having a lot of success and we just kicked it off.” This is Nick’s baby, and he talks it up like a proud parent. “They gave all these cool ideas and remarks on the script and direction that they thought I could go that could be better than what it was. [So] I said let’s do this.”

For Nick, it was a long time coming. “It took so long and it was sad for me because I was like, ‘Oh God, is this ever going to happen?’ It was a weight on my shoulder for so many years. Thankfully, we met Asylum. Thankfully, the relationship clicked and here we are.”

Here we are indeed, at the 2015 San Diego Comic-Con. I sat down with Nick and Lauren Carter, two intimidatingly beautiful people who seem intent on making their mark in a world that, on the surface, wouldn’t welcome them. But Nick, for all his pretty boy looks, is pretty damn nerdy. If there’s anyone from that era of MTV pop music to do it, it could be him.

Of all the times to make a movie, why is now the time for you to do it?

Nick: I think number one, if you’ve never done it before, you have to earn the respect from people.

Lauren: He also doesn’t have the time.

Nick: The time, yes.

Lauren: A two and half year world tour…

Nick: Yes.

Nick: The time was hard but now is the right time. After 176 shows and I have some time off and we can move forward now.

Who are your director influences? Specifically for this movie but also overall. Did you study anyone in particular?

Nick: There’s a lot of hats that I wanted to wear in this project and I still will wear them but the most important ones right now are the creative writing and that part just making sure that the screen play and the world that we’re going to live in is what I see. Directing was part of it but it’s not the most important. The acting part is more important than directing at the moment. I want to find a director that actually sees the same vision. That’s why The Asylum is going to be able to do that and we’ve had that conversation.

As far as the worlds that the director and director writer I care in, and the directors that I respect, Quentin Tarantino, number one, hands down. A lot of this movie, the western, and quirkiness that I hope the script turns out to be, is like From Dusk ‘Till Dawn. I love that movie. That’s one of my favorite movies ever. Stanley Kubrick [too], I love Stanley Kubrick.

I love 2001: A Space Odyssey.

Nick: Obviously all those guys.

Lauren: Christopher Nolan.

Nick: I like Nolan. Ridley Scott [too].

Could you tell me a little bit about the world you’re trying to create?

Nick: The world originally was based in the 1800s. I’m a huge fan of western movies and grew up with Pale Rider or I was with my dad and we would watch Pale Rider, what else was the other thing?

Lauren: Blazing Saddles?

Nick: No, not Blazing. A Few Dollars More. All the old westerns. Spaghetti westerns, I love those movies. Then, I’m a science-fiction person as well. I love sci-fi but the world that it’s in is now gone from the 1800s to the future. We decided to make it post-apocalyptic which I think would be [better] because it’s unfortunate but western movies are… Oh, the other movie I love too is Young Guns, which was really influential in this movie as well, Young Guns. But yes, we just basically made this post-apocalyptic and in the future, but we’re still going to have the core element of the western. It’s going to be a zombie, western, futuristic horror movie.

Lauren: I think it’s a new era that we haven’t seen before in a horror film in mock post-apocalyptic modern western.

Nick: They want the modern aspect to be implemented because our fan base. It’s unfortunate but when it comes to western movies it’s really United States-based. We have a big fan base worldwide. We really want to make sure that we cater to our fans as well, that’s why.

Tell me about your [Lauren] role in the film because we don’t really know much about it. That teaser was amazing.

https://instagram.com/p/37pjG4OCuS/?taken-by=nickcarter

Lauren: I’m one of the “Dead Seven,” the renegades hired to help clean this town up and rid this town of zombies. It’s like a steampunk: Taking something that was industrialized, breaking it apart and creating something new. It’s taking the old and mixing it with the new. My outfit is going to reflect that. It’s going to be something deconstructed and put back together and then my character is just one of a strong woman.

Nick: Like a bad-ass.

Lauren: Like a Charlize Theron in Mad Max type.

How does it feel to be directed by Nick? Nick, are you going to be a director?

Nick: I’m going to be involved in the directing obviously, but not [totally].

Lauren: Very bossy. [laughs]

Is that a new element of the relationship?

Lauren: No. It’s mine. I like working with him. It’s fun and we just like being together and spending time together. It’s cool to mix the two worlds.

What’s your [Nick] character?

Nick: My character is still being fished out right now. I’m a good guy. It’s hard. I’m a hero. I’m going to be one of the heroes. Initially, there was two friends or brothers that are actually fighting over a girl in the movie but we don’t know if that’s necessarily going to be it.

There’s going to probably be some inner triangle going on more personal. Right now definitely a good guy that’s going to help save the day.

What are the other pop stars that could be in Dead Seven?

Nick: One of the people that I actually spoke to was Devon Sawa.

No way.

Nick: I get the same reaction whenever I talk about him that’s the same reaction I get. And actually Devon and I met over Twitter. It’s funny because I was talking about this movie and I said Devon would you be in the movie? And he said sure, send me over the script. It’s funny how Twitter actually opens up a relationship here.

Lauren: What was the movie with Christina Ricci that he was in?

Casper?

Nick: Casper?

Lauren: No, it was another one where there was four girls and Demi Moore was in it, Melanie Griffith as they were older but they were younger girls? Now and Then. You have too watch that. It’s really good.

Nick: It’s kind of a wish list of people that I want. I want it to be a musically based because I want it to be such a unique… When you see it, you see the pictures. When you hear about it, you want to check this out. “This is weird. I can’t believe I see Nick Carter, AJ McClean, Joey Fatone, Cisco, Devon Sawa, I don’t know. You name it.”

Lauren: Jonathan Taylor Thomas.

Nick: Jonathan Taylor Thomas, I was going to reach out to him and talk too him about it.

Lauren: You thought of him?

Nick: I might reach out to Jordan from the New Kids.

Nick: That’s on the radar, targeted.

Dead Seven will premiere next year on Syfy. Check out our interview with co-stars A.J. McLean and Joey Fatone here, and with The Asylum producers soon!

Note: This interview was conducted in a press room roundtable. Not all questions were mine, but all have been edited to retain an easy-to-read flow while retaining its integrity.

All of us at Geekscape are getting back into our old routines like zombies after the party that was San Diego Comic-Con. Expect more stuff from that in the next few days. But there’s one thing we need to get to right now: If former G4TV host and Film Threat founder Chris Gore is to be believed, there are rumblings that G4TV could be making a comeback in a big way.

Yesterday on the last day of San Diego Comic-Con, I lost my Periscope virginity with Chris Gore at our Geekscape booth right in front of Legendary (I know every word of the Straight Outta Compton trailer by heart now) and he let slip that G4TV could be resurrected.

“I shouldn’t even be saying this, but yeah.”

It’s not long into the Periscope, maybe less than a minute, but somehow that divisive digital cable channel we know as G4TV, the one that caught the rising nerd wave early and, fortunately or unfortunately (I’m the latter) wiped out could come alive once again. You can see me freak out a little.

G4TV is why I got into this crazy business in the first place, so my visceral reaction is total excitement. Though the cable channel couldn’t compete against the Internet — as our own Jonathan London says, the Internet is G4 — it offered something mainstream TV still ignores. For all the cultural impact Marvel and DC and Star Wars and everything in between has now, there’s still no massive coverage of things like Comic-Con, E3, or even Star Wars Celebration. Scouring your favorite blog and stalking Twitter and Instagram is the new G4TV.

But I remember being a restless teenager watching that channel. It kept me sane during the summers I spent stuck at my aunt’s place in New York with no where else to go, thousands of miles away from Comic-Con and everything else they were at. It was like MTV’s Spring Break, but nerdier and kind of better. Yeah, the pandering kind of sucked, but the people that spoke for it were smart, charismatic individuals who (usually) cared about what they talked about.

Bethesda gave gamers a mini G4 reunion when Adam Sessler and Morgan Webb co-hosted Bethesda’s pre and post shows at this year’s E3. Watching those two again with chemistry that remained on point, their years separated showing no damage whatsoever, unleashed a flood of emotions. Memories came back of X-Play and other shenanigans those two maniacs and their equally insane production team did in front of cameras. It was wonderful and sublime.

https://www.youtube.com/watch?v=2KApp699WdE

The pitfall to a geek TV channel is that geeks barely watch TV on TV. They’re downloading and streaming. The culture is too big and too divided now to attract with one cable channel. They’d have to come back with a vengeance, cornering the Twitch-like streaming of live games and producing better, compelling, totally original content. No more COPS.

I don’t know much more to the story, Chris only told me a little and I can’t quite tell you guys what that little bit was. But there’s some hope, so if you care about G4 you’d have to tweet endlessly about it (because that’s how we do things #now). There’s no official hashtag or Kickstarter campaign, so it’s curious as to how whoever is trying to make this dark voodoo work is gauging interest.

I’m going to honestly ask: Would you watch a newly resurrected G4TV? I would.

Last month, Machinima and DC/Warner Bros. unleashed the exclusive web series Justice League: Gods & Monsters Chronicles. Featuring the Justice League like you’ve never seen them before, the web series is tied to the upcoming Justice League: Gods & Monsters, coming to Blu-ray and On Demand on July 28. The three-part season has already been renewed for a second season next summer.

About a month before its online premiere, I sat down with DC head honcho Bruce Timm in New York City and talked with the man responsible for a solid portion of our childhoods on the exclusive series and what superheroes mean to our generation.

https://www.youtube.com/watch?v=hNP88Go8C9w

The first thing I want to touch on before we talk Gods & Monsters, Machinima touted its unique millennial audience. Machinima captured my demographic, but you found this kind of success really early on with Batman: The Animated Series, Superman, Justice League. We grew up on that. That was calculated, wasn’t it? To get us from the cradle to the grave?

Bruce: I wish I could say I was that smart.

No?

Bruce: It was just lucky that whenever we did those shows, I just wanted to do a version of those characters that would make me happy. That would please my own inner 12-year-old, and just hoping that other people would still find the same thing about the cool that I did.

At the same time, I didn’t want to hold back on the storytelling aspects of it. I didn’t want to make it a show that only kids would enjoy. That it would be adult in a way that would be not overt, but that so if the parents were actually watching the show with her kids, that they can get hooked on it too.

It just turned out to be just a happy accident that all these years later, it kind of grabbed ahold of people’s imaginations, and here we are.

Let’s talk about the new project. It’s very exciting, obviously you’re taking some of the most iconic heroes and putting a new coat of paint on them in terms of depth and character. It’s not that we haven’t seen an evil Superman before, but what do you hope to do different in this new series? For Wonder Woman and Batman and for everybody else? What is really the goal of the series?

Bruce: I don’t want to say that the traditional version of those characters are worn out or tired, because it’s absolutely not true. I’m sure I’m going to be doing other movies and TV shows with the traditional version of this characters at some point as well. There’s tons of mileage in those guys yet, but at the same time there are certain restrictions that each character has built into them. Just as an example, for the most part I’m a traditionalist myself, and I do understand that you don’t want to push Superman too far over the edge and then suddenly he’s not Superman anymore. At the same time, everybody has their own line in the sand.

JLGM Chronicles1

When we did the first DTV Superman: Doomsday, it was a big part of the original comic that Superman killed Doomsday. They killed each other. Part of that was they beat the crap out of each other. If you’ve ever seen that comic, Superman’s like raw and bloody during it. When we were doing that movie version of it, between the time the comic came out and this time we did the movie, DC official policy was that Superman’s skin does not break. He cannot bleed. I was like, seriously? It’s one of the most famous Superman comics of all time, and we’re going to publicize the crap that we’re doing out of this … Publicize the crap out of the fact that we are doing this animated version of it, and you’re saying he can’t bleed? It’s ridiculous.

It was ridiculous.

Bruce: I literally had to get on the phone with the president of DC Comics and try to talk him out of it, and he’s just like, no. Sorry. You have to find some other way to kill him. The logo of the show is the big, bloody S, and Superman can’t bleed? For instance, things like I used to drive me crazy.

The great thing about this is that since these characters never existed before, even though their names did and parts of their origin stories or parts of their background, I can basically make whatever rules I want about these characters which is great. I get on an e-mail chain with DC Comics now, and the shoe’s on the other foot. They’re doing a spinoff comic book based on these versions of the characters, and they run the ideas pass me. Bruce, do you think this would be okay if Superman did this? I was like, let me think about it.

You are relishing that, aren’t you?

Bruce: I try not to be a dick about it, but at the same time, it is interesting to be the final say of what these characters get to do. To me, it’s just very freeing. Say with Superman, if Lois Lane shows up or Jimmy Olson or Lex Luthor either they react differently with Superman than the traditional Superman, or the characters themselves are completely different. In the Gods & Monsters movie, Lois is in the movie, and she and Superman can’t stand each other.

Wow.

Bruce: Luthor’s in it, and I don’t want to … I can’t talk too much about him, because the take on him that we came up with this pretty interesting and different and unusual. Again, we didn’t want to do just Lex Luthor again, we wanted to come up with and reinvent everybody. Kind of keep the core idea of who that character is, but give him a different back story. Give him a different, basically, an alternate timeline. He made different choices in his life then the real one did.

We’ll get back to characters in a second, but what I’m really intrigued about, actually, is the platform. You’re debuting on Machinima.

Bruce: Right.

I would assume that really frees up a lot of what you can and can’t do versus traditional television.

Bruce: Definitely.

What can we look forward to? How different will this show be from other series that were used to?

Bruce: The biggest difference besides the fact that I don’t have to send him through Broadcast Standards and Practices, so I don’t have to worry about making it appropriate for all ages. Technically, we are going under the assumption that it’s going to be around a PG-13. Between PG-13 and R.

Of course.

Bruce: That’s freeing to a degree in terms of content. Weirdly enough, just from a practical standpoint, the thing that’s most exciting to me is about the idea that each episode is 7 minutes long instead of 22 minutes long, and it’s not like each episode ends with a to be continued. Each episode is going to be a solid contained 7 minutes of story. That’s really interesting. It’s completely new for me, and it’s really exciting because it’s a challenge. I know how to tell a story in 20 minutes. I have to figure out now how to tell a story in 7 minutes, and what does that mean, and how do you do that so it’s not just 7 minutes of fighting? It’s 7 minutes of plot and drama and humor and everything else.

What was the learning curve for that going from years of 22 minutes to now, in these seven or so minutes?

Bruce: We’re still in it. I’m still in that learning curve. We’re figuring it out. I think the first three that we’ve done so far, I think are actually a really good example of the kinds of stuff we’ll be doing, because each of the three shorts is completely different.

One of them is, not a comedy, but it’s a little bit lighter in tone. It’s a little bit more of like an action buddy cop movie. One of them is more of a straightforward horror story, and the third one is kind of more of an epic tragedy. It was really interesting that we can do all the different kinds of diverse kinds of stories the normally do on a regular series, but just in condensed form. Some of the shorts will be a little bit heavier on action, and some of them will be more about mood. Some of them would be more about character, but each one is going to be a satisfying, self contained, 7 minute chunk.

I can assume why you’re going that direction, but can I ask why you’re choosing that direction as opposed to the traditional?

Bruce: That’s what Machinima asked us to do. They said we would like to be the length. We said, okay. We’ll figure out how to do that.

Just targeting those guys who are on the subway?

Bruce: That’s the idea, I guess, is the whole YouTube video idea that it’s not micro-content, but kind of macro-content.

 I can’t talk up enough about how much Batman: The Animated Series and Justice League meant to a lot of kids my age. What do you hope fans to take away from these new iterations?

Bruce: Hopefully they’ll be intrigued by these new versions of them, and hopefully even though they can be quote unquote unlikable at times, hopefully they’ll still learn to like and hopefully, maybe never quite admire them, but even that’s a weird thing to me. Like I said, I sometimes think about that. Some of my favorite heroes are dicks. I think James Bond is a dick.

Of course he is.

Bruce: Indiana Jones. He’s a dick, you know, but he’s our dick. He’s our asshole. There’s something about them that still likable, still appealing even though they’re people you probably wouldn’t really want to know in real life.

That’s, again, something I wanted to bring to these characters is that … Batman has traditionally always been kind of a dick.

Haha! Yes!

Bruce: Just to kind of, like I said, play with different flavors of them.

You’ve had a very storied career. Again, I grew up watching your work and the work of DC Animation. Just looking back on your career, does it astound you how much you’ve accomplished and how much you and your teams have accomplished? Does it shock you at all how much influence you have had on generations?

Bruce: It does shock. It’s gratifying, and it’s … Fortunately with the very first show I produced, it was a big, big hit so that helped a lot. Every show since then has had varying degrees of success. It was nice to know even way back even before there really was much internet presence that the show seemed to be popular, and people really loved it and whatever, but it does kind of surprise me now when people your age or whatever come up to me at conventions,”I used to come home from grade school every day and watch Batman: The Animated Series.”

I did.

Bruce: I’m just like, that doesn’t make feel old at all.

I’m sorry!

Bruce: No. It’s all right. It is odd, but it’s good to know, though. It’s cool.

JLGM Chronicles4

What can you tell me about what was the initial nucleus of the idea of Gods & Monsters? Again, we’ve seen evil Superman, we’ve seen evil Batman before, but what about those two specifically?

Bruce: It was two different things that converged at the same time. It was a couple of years ago when they first brought out The New 52, and people were kind of freaking out that it was going to be like this big reboot, and it turned out to be actually a pretty soft reboot. Most of the stuff was cosmetic changes, costume changes, and what not.

At the same time, it got me thinking, I remember when they brought back Flash and Green Lantern in the late ’50s for their Silver Age incarnations. They basically kept the name and the gimmick, and they threw everything else out. They changed their costume, they changed the way their powers work, they changed the alter egos. That would be really ballsy if they did that with The New 52. I was a little disappointed that the reboot was as salt as it was, but at the same time I understood it from a commercial standpoint.

That got me thinking, if I did that with Superman, Batman, Wonder Woman, basically all the characters on DC Universe. If I did that radical of a revamp of them as they did with Flash and Green Lantern in the Silver Age, what would that be like? What would that mean? That just kind of got my wheels spinning, and this is where I ended up.

I know you’re not directly involved in any of the movies, like Batman v. Superman, but what do you think about the culture proliferating and becoming so massive. All these movies become events now.

Bruce: It’s weird. It’s weird to me. When I first got here in New York a couple of days ago, I checked into my hotel, and I walkout of the hotel for a cigarette, and right across the street from me is the Regal Theater, and it’s like big letters. Avengers. It’s like, wow. When I was a kid I couldn’t even imagine that I would be seeing an Avengers movie on a big screen. I went and saw at 7:00 AM because I had to. Yes. A freaking Ant-Man movie. They’re making an Ant-Man movie.

Right.

Bruce: I was like, what?

On DC’s side we’re getting Aquaman, we’re getting all the guys.

Bruce: Suicide Squad. I know, it’s crazy. It’s cool. It’s really cool. It’s stuff that I never even dreamed about, because I thought this is never going to happen. Who knows.

JLGM Chronicles2

There’s one question I really did want to ask you as with the godfathers of DC animation. Whenever there are pictures of civil unrest around the globe, and you see people wearing superhero T-shirts.

Bruce: That’s funny.

What do you think about people gravitating towards these characters in ways that go beyond the comic book page?

Bruce: That’s too deep for me, dude.

Really deep? I’m sorry.

Bruce: It’s okay. It’s just that I’m too shallow.

No problem.

Bruce: That’s an interesting though. I hadn’t noticed that before.

Eric: I guess next time you see an AP photo, just check it out. Going back to Gods & Monsters, what’s the most exciting thing, again, about this project as a whole? You’re targeting the Machinima audience, you’re going with Machinima. You could’ve gone anywhere else, but now you’re here. What gets you amped about the project as a whole?

Bruce: For one thing, even when we were doing Justice League, as much as I love Superman, Batman, and Wonder Woman, Flash, the Green Lantern, I really like the weirder, more obscure characters. Characters like The Question, Warlord, and wannabes to whoever. To me, that’s the stuff that is like, I just think that stuff is really fun to play around with. Here I get to create a whole new universe that’s full of characters I can mash up and mess around with. It’s the same kind of thing that made Justice League Unlimited fun for me. Having this huge toy box to play in.

It’s like a kid playing with his toys.

Bruce: Totally.

Just about some of those auxiliary characters, you showed us a weird ass Green Lantern that even I’ve never seen before.

Bruce: Right.

Eric: What are those meetings like? Is there a a lot of back-and-forth between?

Bruce: That was just something I just thought of on my own. I just thought of, if we’re going to do Green Lanterns, A, they’re space based. Yes. They’re technically aliens. That guy’s probably actually one of the more normal looking Green Lanterns because he’s at least a biped. We’ve seen a lot of alien Green Lanterns in the comics and stuff anyways, but at the same time, I wanted to make them so alien that they’re a little scary. They’re a little bit unrelatable for human beings. I didn’t want them to just be human beings in a funny suit like Star Trek aliens with bumpy heads and shit. Yes. That’s kind of where we’re going there. What does it mean to be a genuinely alien Green Lantern? Somebody who doesn’t think like a human? Doesn’t think anything at all in earthly terms.

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Who were some of your animation idols growing up and influences? You’ve influenced a whole generation. I’m curious about who got you to pick up a pencil.

Bruce: Big ones were probably an awesome Disney animator named Marc Davis who’s one of my all time heroes. Classic Warner Bros. Looney Tunes director, Bob Clampett, was like God to me. Alex Toth who designed all those wonderful Hanna-Barbera superhero cartoons in the ’60s was a huge influence. That’s the big few I can think of.

Any last words you can say about Gods & Monsters?

Bruce: It’s awesome. Watch it.

Justice League: Gods & Monsters comes out July 28th.

“We’re all nerd culture,” he says. “To me, ‘nerdy’ just means passionate. Back in the day, the stereotypical nerd was just passionate about things that maybe other people didn’t understand or get, like, science or science fiction … Now, everybody is into that, on some level.”

Talking to Zachary Levi is like talking to your best friend who just downed a Red Bull. He talks about passion, when he himself oozes an infectious enthusiasm. This fire has lit up enough for Levi realize some of his wildest dreams, dreams he admits he didn’t even realize he had. “That was never on the list,” he says regarding Nerd HQ, his off-site Comic-Con party where celebrities and fans can chill over music, drinks, and good vibes. It’s a choice opportunity to take sick Instagram photos and make your friends sitting at home jealous. It may not have been Zachary Levi’s dream, but it’s certainly someone’s. They shall not be named, not even if they’re the author of this piece.

In 2007, Zachary Levi landed the starring role in NBC’s Chuck. The action/comedy series generated a cult following in the face of low ratings, its legacy now in the same breath of shows like Community and Firefly. Inspired by the Comic-Con devoted and the surging nerd zeitgeist, Levi began Nerd HQ to make that growing con experience retain a bit of intimacy.

Last year Nerd HQ faced a bit of backlash when it attempted crowdfunding despite questionable rewards and vague intentions. The party raises funds for Operation Smile, and will again this year, but not even good will can shield you from the Internet’s bite.

With just days left until this year’s Comic-Con kicks off, I had a chance to speak to Zachary Levi about what attendees can expect this year at Nerd HQ, his observation of what’s happening in nerd culture, his role in the upcoming Heroes: Reborn, and sets the record straight on what happened last summer.

Zachary Levi Photo by Eric Blackmon

So Zachary, we’re heading into Comic-Con pretty fast. Are you excited? What’s going through your head, man?

Zachary: I’m excited anytime we’re able to get it back together again. It’s a pretty massive undertaking. It’s a big event. It requires a lot of time, energy, resources, money. Anytime we can get all those things together and we can make it actually materialize yet again, I’m happy about that.

I’m happy to just keep bringing people what they want. People are always hitting us up on Twitter and saying, “Are you going to do it again? We missed it, we want it.” I want to be able to tell them, years in advance, “Hey, of course. Consider us booked for ten years,” but it’s just always a crapshoot.

That’s exciting. The panelists, we have lined up already. We haven’t even locked in all of our panels, but the panels we have so far are awesome. I can’t wait to announce those soon and awesome partners. IGN is our media partner. They’re going to be streaming all of our panels, all of our interviews…

What do you have lined up?

Zachary: AMD is our tech partner, Sony is our gaming partner. In conjunction with AMD, we’re bringing Star Wars Battlefront.

Holy shit.

Zachary: Yeah dude, we have the first public playable demo.

Oh my God, that’s awesome.

Zachary: Yeah dude, I know. It’s so awesome.

So that’s locked and loaded.

Zachary: Yeah, we got to play it at E3 and it was so good. I was like, “Dude, I can’t wait for the public to actually get their hands on this, because it’s so dope.” It’s running around in the movies that we love, just like Battlefield. Yeah, it’s great.

So this is the fifth year that Nerd HQ will be around, correct?

Zachary: Year five, yeah.

In what ways has Nerd HQ lived up to your dreams or expectations?

Zachary: I would say that what I set out to do with HQ was just do things a little differently. I feel like if we all thought outside the box a little more and challenged certain things that we’re just handed … You look at a door. We all look at a door in the same way, but as soon as somebody goes, “Why don’t we just do it like this? Wouldn’t it open better or it would creak less or you could exit faster?”

Just kick it down.

Zachary: Kick it down! Right. Then, somebody actually does that, and then everybody goes, “Oh my God, why didn’t I think of that?” With HQ, I saw opportunities to make certain celebrity interactions with the public better and more interactive and more satisfying or more incentivized.

Do you think it’s because Comic-Con has gotten a little too crowded or a little too noisy? Is that why?

Zachary: Oh, no. Comic-Con’s got to do what Comic-Con’s got to do. That’s a logistical nightmare I don’t wish on anybody; 150,000 people coming… It’s gnarly, right? At the same time, I was looking at people sleeping on concrete, waiting to get in to a Chuck panel, overnight. I’m like, “Man, how do we not do that? How do we make sure that everyone who’s actually in a ballroom or a hall is actually there for that panel and not just sitting on a seat waiting for another panel? How do you do that? How do you raise money for charity?”

I believe in what I call “conscientious capitalism,” where we, as The Nerd Machine, can sell merch and make money and hopefully make them some money from sponsorship or whatever. We can also help raise a bunch of money and give a bunch of money at the same time.

That’s why all the celebrity interactions, I didn’t want to make any money on. There’s plenty of conventions to go make money doing signings, but as far as HQ is concerned I wanted to create an opportunity where, we, in this celebrity world, could interact with our fans in just really pure, fun ways, that we’re still very protected, very safe, but very organic and off the cuff. That’s why the panels are unmoderated and fans just get to ask questions for an hour, because they never really get that opportunity.

Then, every time there’s any kind of interaction, you monetize it, so that it’s actually got some worth. You can’t just have people barging in and queuing up for hours, because then that starts creating lines again. You say, “It costs 20 bucks.” Twenty bucks, to me, was a perfect … It’s one bill. It’s 20 bucks a seat for a panel or 20 bucks for a photo or 20 bucks for a signing.

Maybe one day, maybe even next year, we’re going to have to raise that price, because there is so many people now and we only have such limited space. Maybe people can afford $40 for a seat at a panel, I don’t know. I just wanted to make something that was affordable, but still meant something, and that we could all come together and do something that was bigger than all of us and that’s why the non-profit angle came in.

Are you teaming up with Operation Smile again this year?

Zachary: Definitely Operation Smile, but that said, because our venue is the new children’s museum, they’re a non-profit in themselves. We’re also helping to raise money for the new children’s museum by renting out that space, so it’s even better. It’s made it even sweeter on the whole non-profit world.

Last year there was a bit of controversy with Nerd HQ’s funding efforts. What happened in the past year? What changed?

Zachary: Yeah, man, it was really unfortunate, but I think some people didn’t understand and I think there was actually some people, if I’m being perfectly honest, who are Nerd Machine/Nerd HQ haters and were waiting for an opportunity to spin something on us to drag us down, to pull us down.

It was such a bummer. It broke my heart… You can’t please everybody and I tried. There was one article that was written about it, I can’t remember the gentleman’s name, but he was lambasting us saying that we wanted people to give us money so we could have a private celebrity party for a million dollars. I was like, “That is not even close to the truth. You clearly did not look at our website. You clearly do not understand what we’re doing.” I reached out to him. I said, “Hey, man, can we talk about this? I don’t think you understand what’s going on.” He never got back to me. I’m like, “Okay, you don’t really want to know the truth. You just want to be a hater. You just want to tear people down.” That’s really unfortunate.

The reason why we even did that, and this is something I tried to explain in the crowdfunding campaign was, every year, we try to get the events sponsored. Every year, we essentially succeeded, while losing a little bit of money here and there, because it’s just a really expensive thing to do. In the beginning years, a lot of sponsors were like, “What is this? We don’t know what it is. It’s not really tried and true,” so it’s typical to get a lot of money out of them, but you try to get as much as you can.

The way the whole financial situation breaks down is these big companies, it takes a long time to actually get paid by them. They’re committed to so many other events leading up to Comic-Con. They’ve got money invested into E3 and CES and South by Southwest and so many things and so they’re all like, “We’ll get there, when we get there.”

There’s a whole giant production budget: lights and sound and booths and furniture. It’s a lot of stuff that you need to pay for, but you need to pay for that up front or at least put deposits on it. What was happening, was I was essentially having to fund it all myself, out of my pocket, and then pay myself back, when we get sponsorship dollars in. For the most part, that was working. Again, we’d lose a little money here and there, but to me, it was an investment into the future.

Then, the third year, our first year at Petco… We had an oral agreement with a sponsor for a lot of money and at the last second, they pulled out. I had already spent a bunch of my own money. Then, I was in this predicament where it’s like, we either fold up shop, we cut our losses and we’ll probably never do HQ and maybe have to close the doors on Nerd Machine, because it was that big of a momentum shift, or I just double-down and I say “Whatever, it’s money. It’s a lot of it and I’m really not stoked to have to lose it, but I believe in HQ and I believe in the happiness that it brings people and the impact that it has on people’s lives, not just the non-profit stuff.”

That was a huge thing, too. It was like, “If we don’t HQ at this point, we’re going to not raise $250,000 for kids who really need it, but also, we’re not bringing the smiles to the public and to the celebrities that are coming down and have those moments.” They’re moments that last a lifetime.

Those moments are that important.

I get people that tell me, to this day, the most incredible memories that they have of being in San Diego at that time are being at one of our dance parties, that we have, by the way, for the public and for private. We don’t just throw private parties. It’s not just me hanging out with my celebrity buddies.

The panels, for fans to be able to have that kind of access to ask whatever they want for an hour of Tom Hiddleston or Joss Whedon and then for Tom to have the ability to really have time to answer a question, to get into the depth of a role that he’s done or why he’s done them or the really silly stuff, like when somebody said, “Hey, I saw you do a velociraptor impersonation online. Would you do that?” and he goes, “Yeah,” and he just does it. It’s so funny.

That doesn’t exist anywhere else. I’ve never seen places where that type of magic happens. I think it’s a very specific formula. You have to allow for enough structure where it’s safe, but not so much structure that it’s confining and where people feel like they can’t do just whatever … I wanted there to be a off-the-cuff enough feel and setting where you could do whatever, as long as it’s respectful and kind and that’s what it’s been every year.

Giving fans the freedom to ask what they want, not one fan has ever asked any panelist something that was rude … or disrespectful. Everyone is so cool, because they also feel like, “Wow, we’re being thought of. We’re being taken care of. We want this to keep going.”

There’s no question what you’ve done with fan and geek culture. Do you ever stop to think or take stock? Like, “Oh my God, I was able to do that?

Zachary: Every once and a while, I do. Every once and a while, I go, “Wow…”

“I was in Tomb Raider!”

Zachary: Yeah, but I don’t know, it’s weird. I’m always looking forward. I think it’s awesome that they made a character of me for multiplayer in Tomb Raider, that’s so much fun, but no, I didn’t … When I was a kid, I don’t know that I ever thought, “Oh, that’s a goal,” or certainly didn’t think, “Oh, I’m going to create my own convention.” That was never on the list.

I’ve always definitely had a entrepreneurial and philanthropic side to me, so I’ve always had ideas of different things. Then, when ideas come to me, I vet them in my own mind, I think about them a lot and I go, “You know what? I think this would work. I want to go try this, I think people would dig this.”

That’s where HQ came from and then people did, they believed in it on both sides, the public and celebrities. It’s just really cool to see something come together like that. It’s still a battle. There’s still a lot of things that surround putting the event on every year. It’s still a battle and I just don’t want it to be a battle anymore. I just want it to be good and to happen and people to know it and enjoy it.

https://www.youtube.com/watch?v=BHClJhC8Wfs

The trailer for Heroes: Reborn dropped just a little while ago, and I’m so, so excited. What’s it like to be on the revival? Can you tell us a little about your character?

Zachary: Yeah, it’s great, man. We’re still doing it, by the way. We’re only about half-way through. When I was doing Chuck, we were on the same night with Heroes and I knew all those kids. I say “kids,” playfully. Obviously, they’re older than I am …  but I got to know them. I love them, I think they’re such incredible people and so talented.

As much fun as I was having on Chuck, I was always a little envious of the sandbox they got to play in, because I was like, “Dude, you fly and shit. That’s amazing.” When this came back around or when Heroes: Reborn was announced, I was looking for what my next gig would be. I love a mini-series. When you’re weighing the idea of committing to a full series, that’s three, seven years of your life. With a mini-series, it’s going to be about five months.

I loved the world of it, so I went to my team. I said, “Hey, let’s go track this down.” I ended up talking to Tim Kring a couple times and he was telling me about it. I was telling him, “Hey, look, if nothing else, I just don’t want to play Chuck again. I want to play something that’s very different, a departure.” He pitched me this role of Luke Collins.

Luke is married to Joanne Collins, played by Judi Shekoni. We, essentially, are greatly affected by this event that happens four years after the end of the original series. When everyone finds out there’s people with powers, four years after that, there’s this incident in Odessa, Texas.

It’s considered a terrorist attack of sorts, many people die, and we are personally affected by it. The world believes that who’s behind it are people with abilities. We take it upon ourselves to do what we think is the right thing to do to make the world a safer place, which is to kill people with powers, with abilities.

Holy shit.

Zachary: Yeah, it’s dark, man. It’s dark and twisted and tortured. There’s a lot of soul-searching and journey with these characters along the way. It’s pretty intense. It’s full-on. It’s been weird, it’s definitely the darkest I’ve ever had to go with a character. It’s very draining sometimes. You’re like, “Wow, to keep this up, I don’t know that I could even do it for another year if I had to stay in that mindframe.” It’s intense.

So, definitely a departure from Chuck?

Zachary: Oh, yeah.

You’re clearly a passionate geek and you’re all in the Comic-Con culture hardcore. You’ve seen geek culture change from kids getting stuffed in lockers to The Avengers making so much money at the box office. What do you think about geek culture now? Does it surprise you or did you see this coming?

Zachary: Yeah, I think there’s a lot of things that contribute to that. One, is we have definitely shifted as a society … so many more jobs nowadays are less about physical ability and more about mental ability. We live in a digital age, whereas, you might’ve been coming up as a kid and your dad worked in a coal mine and now you’re working in the coal mine. That’s a really quote/unquote “manly,” brawny thing to do.

Now, a lot of kids come up playing video games. It’s a typical thing. It’s a typical thing that kids all know how to use the computer. It’s a typical thing that you’re now inundated with entertainment because special effects have gotten so good, that we’d all go watch a movie like Avengers, because those movies can be made now and they can be made really well.

That’s brought something that was maybe more exclusively quote/unquote “nerd culture” or “geek culture” into the mainstream and people who only loved Iron Man in comic books, who were the maybe nerdier kids, now, everybody likes Iron Man because Robert Downey Jr. is a bad-ass and been in really cool movies and you go, “Awesome.”

One of the things I wanted to do with Nerd Machine was create a lifestyle brand for nerd culture, but simultaneously, tell everyone, “We’re all nerd culture.” To me, “nerdy” just means passionate. It just means you’re passionate about something. Back in the day, the stereotypical nerd was just passionate about things that maybe other people didn’t understand or get, like, science or science fiction or comic books or video games or whatever. Now, everybody is into that, on some level.

That means, A, that stuff that was stereotypically nerdy, now everyone understands, and then, B, even if you’re not, you’re still passionate about something. You’re passionate about basketball. You’re passionate about fashion. You’re passionate about food. You’re passionate about travel. You’re a travel nerd. You’re a food nerd. You’re a sports nerd. Yeah, everyone’s a nerd about something.

That’s been one of our big mantras. I really do want people to embrace that messaging, because that’s, ultimately, what’s going to break down so many barriers and stigmas. What’s really fascinating to me is the almost reverse discrimination that I’ve seen come out of the stereotypical nerd culture. It’s very strange.

There was a galvanization of the quote/unquote “nerds,” because they all found something they really liked and they appreciated it and there was freedom in that and people going down to Comic-Con and cosplaying and not being judged for it. That’s great. So much of it was rooted in not judging other people and finding a place where you’re not judged.

Then, all of a sudden, a cute girl who might not have been into the comic books, but all of a sudden watched Avengers is like, “Oh my God, I think Black Widow is awesome,” and “Holy crap, I can go dress up like Black Widow and go down to this place, like Comic-Con? I’m going to go do that.” Then, all of a sudden, the people who consider themselves the “true nerds,” they start judging that new girl, because, “What do you know about Black Widow? What do you know about Avengers?” It’s like, “Whoa, shouldn’t you just be stoked that there’s a new convert of somebody …

Just accept that someone’s into it?

Zachary: Yeah, it’s weird and crazy. I think that there’s this weird backlash, because they feel like they were ridiculed for so long and now it’s theirs and it can only be theirs. They get to be the “cool kids,” almost. I’m like, “Guys, this is so antithetical to what being an original OG nerd was even about. You should be so stoked that people finally get you and get what you were about and what you were passionate about. Embrace other people, isn’t that what you always wanted?”

Isn’t that what we always wanted? We wanted to be able to talk to about the Legend of Zelda without people going “Nerd alert,” because, guess what? Now we can. It’s just fascinating to me. I’m so happy that stuff is becoming mainstream, but at the same time, I’m witnessing this discrimination. It’s a bummer.

Last words, man. Is there anything else you look forward to this year at Nerd HQ?

Zachary: Oh, man, it’s the same stuff we do. Battlefront‘s huge. We’re so stoked out. We’re going to have Project Morpheus as well.

Project Morpheus? Really?

Zachary: Yeah, dude, totally, and we’re going to have dance parties open to the public both Thursday and Saturday night. Friday night’s the big nerd party. That’s the big box party that’s out and everybody in town, panels all day, every day. We’re going to have awesome food, awesome drinks, charging stations, like we’ve always had. You can come in, charge your shit up, you can do that.

Again, other than the celebrity interactions, everything is free. You don’t need a badge, you can just walk right in. You get an RFID bracelet. You register. You can go into the photo booth, take pictures, it’ll automatically send them to your email address.

We got the new app, you can go download that, the Nerd HQ app. Yeah, man, it’s all that groovy stuff.

Dude, I can’t wait and I hope to see you there. Thank you so much for your time.

Zachary: Right back at you, brother.

Heroes returns September 24th on NBC. Mark your calendars.

https://www.youtube.com/watch?v=BHClJhC8Wfs&feature=youtu.be

It seems Heroes is finally embracing its nerdy heritage more. When it aired, geek TV was a little different. Superman had his thing on Smallville, but all the super nerdy stuff was reserved for movies. But now, with Arrow and The Flash bringing blockbuster superheroes to primetime weekday nights, it seems Heroes is comfortable to finally go down that route. The new trailer shows that. It’s action-y and far more comic book-y than ever.

I don’t know if it was a good thing or a bad thing how much Heroes shied away from being full-geek.  It simultaneously made comic books “cool” while also avoiding the stuff that made it cool in the first place.

There was no iconography to ape. A cheerleader outfit, some black leather, maybe? There were no flashy costumes or anything of the like in the original Heroes, and I’m forever conflicted about how I feel.

But I do feel great that HIRO IS BACK. Hell yes!