Christine (1983) VHS Movie Review and Halloween (2018) Movie Review

 

Two nerds build a podcast about old VHS tapes, and it ends up being possessed by an evil entity. Listen to Analog Jones talk about John Carpenter’s Christine (1983) for our Halloween episode!Christine was released into theaters on December 9, 1983, on a budget of $10 million and it made $21 million at the box office.Directed by John Carpenter the man who brought us Halloween (1978) and The Thing (1982).

This film is based on a novel by Stephen King called Christine. Bill Phillips wrote the screenplay.

Produced by Richard Kobritz who also produced Salem’s Lot (Salem’s Lot VHS Movie Review)

Christine’s Cast
Keith Gordon as Arnold “Arnie” Cunningham (The Legend of Billie Jean)
John Stockwell as Dennis Guilder (Top Gun)
Alexandra Paul as Leigh Cabot (American Nightmare VHS Movie Review)
Robert Prosky as Will Darnell (Gremlins 2: The New Batch, Last Action Hero)
Harry Dean Stanton as Detective Rudolph “Rudy” Junkins (Alien, Pretty in Pink)

Christine’s Synopsis
A nerdy high school student named Arne buys a busted 1958 Plymouth Fury and falls in love with it while rebuilding the car. As Arne drives the car around, named Christine, it slowly changes him. Christine is more than a car; she’s possessed by an unknown evil entity that wreaks havoc in Rockbridge, California.

Fun Facts
According to John Carpenter, Christine was not a film he had planned on directing, saying that he directed the film as “a job” as opposed to a “personal project.” He had previously directed The Thing (1982), which had done poorly at the box office and led to a critical backlash. In retrospect, Carpenter stated that upon reading Christine, he felt that “It just wasn’t very frightening. But it was something I needed to do at that time for my career.”

King’s novel, the source material for Carpenter’s film, made it clear that the car was possessed by the evil spirit of its previous owner, Roland D. LeBay, whereas the film version of the story shows that the evil spirit surrounding the car was present on the day it was built. Other elements from the novel were altered for the film, particularly the execution of the death scenes, which the filmmakers opted for a more “cinematic approach.”

You can buy the Blu-ray on Amazon that has deleted scenes and commentary with director John Carpenter and Keith Gordon.

Bonus Movie Review: Halloween (2018)

Halloween (2018) was released into theaters on September 19, 2018, with a budget of $10 million.

This is the eleventh installment in the Halloween film series and a direct sequel to the 1978 film of the same name.

Directed by David Gordon Green (Pineapple Express)

Written by Jeff Fradley, Danny McBride (Eastbound & Down) and David Gordon Green.

Based on characters by John Carpenter and Debra Hill

Halloween (2018) Cast
Jamie Lee Curtis as Laurie Strode
Judy Greer as Karen
Andi Matichak as Allyson
Will Patton as Frank Hawkins
Virginia Gardner as Vicky
Haluk Bilginer as Dr. Ranbir Sartain

Halloween (2018) Storyline
Laurie Strode comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.

Come back next week when we review The Rage: Carrie 2 with special guest The Jersey Ghouls.

Discuss these movies and more on our Facebook page.

You can also listen to us on iTunes, Podbean, and Youtube!

You can email us at analogjonestof@gmail.com with any questions or comments.

All is right with the world when it’s the Halloween season and Michael Meyers is back. And not only is David Gordon Green’s new, direct sequel to John Carpenter’s original 1978 Halloween a landmark reboot for the franchise, it’s one of the year’s finest films, period. Skepticism naturally grew at the film’s announcement, as Green and his co-writer, Danny McBride, both of whom broke into the industry via their comedic voices, seemed like a peculiar fit for the project. Yet, nothing could be further from the truth as Halloween brings the perfect amount of fear and anxiety just in time for the upcoming holiday.

The film alludes to Michael Meyers’ capture after falling from the second story balcony in the original, and has since spent 40 years in confinement at Smith’s Grove Sanitarium. But when a now 60+ years old Meyers is scheduled to be relocated to a new facility, the serial killer escapes once again to return and terrorize the only town he’s ever known. Meanwhile, back in Haddonfield, Laurie Strode (Jamie Lee Curtis) has sacrificed a familial bond with her daughter (Judy Greer) and grand-daughter (Andi Matichak) in exchange for a harshly over-prepared and weaponized lifestyle as she patiently awaits the killer’s inevitable return.

Halloween circumvents the horror norm with a strict detail to its characters, both old and new. Laurie’s newfound gun-loving personality as a result of her traumatic experiences opens up a whole new world of possibilities that film explores brilliantly. On the other hand, David Gordon Green and Danny McBride’s screenplay introduces a host of new faces that also manage to leave an imprint on the film. In fact, this Halloween offers the most well-rounded teen storylines since the franchise’s inception four decades ago. However, not all is rosy with this praiseworthy new installment. The film takes an egregious twist as it navigates towards the third act, one that was clearly included as a means to put Michael Meyers at a specific location, but one that could have been avoided countless other ways. Also, this latest effort doesn’t quite hit the ground running as it sputters out of the gate, but eventually gains its traction upon Michael’s escape and never looks back. In addition to a tightly wound script, Halloween offers massive gore and violence that perfectly complements what the series is all about and provides an abundance of callbacks to its multiple predecessors. David Gordon Green and Danny McBride may not have been loyal fans’ first choice to reboot the franchise, yet we all should be grateful of the choice.

GRADE: 4/5

For more reviews, trailers and movie lists visit MCDAVE’s host site

Prior to the NYCC panel, 20th Century Fox unveiled a teaser for the film, depicting Caesar’s likeness in a flurry of snow with the voice over of his speech from Dawn Of The Planet Of The Apes. But us fans attended the Q&A panel were also treated to three more videos, which included a full trailer!

https://www.youtube.com/watch?v=RcXP7f-JMAU

In War for the Planet of the Apes, the third chapter of the critically acclaimed blockbuster franchise, Caesar and his apes are forced into a deadly conflict with an army of humans led by a ruthless Colonel. After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind. As the journey finally brings them face to face, Caesar and the Colonel are pitted against each other in an epic battle that will determine the fate of both their species and the future of the planet.

The first was a behind-the-scenes clip that mainly broke down shots from the trailer with video of the actors and early CGI renderings explaining how the ‘Planet of the Apes’ movies are made. The other two previews were a bit more fulfilling, the filmmakers revealed an unfinished scene and debuted the first full trailer. The effects seemed pretty finished so we can only assume the full trailer should be released very soon. Below is a description of the events that unfolded during the trailer.

The teaser opens with a squad of well-armed and highly-trained soldiers searching a dark cave. In the cave, ape architecture (log platforms, bridges, and other structures) is visible. A soldier’s comm crackles when, out of the black, Caesar grabs him and tosses him to the ground – picking up his radio headset to listen-in. They’re searching for him – they’re on a mission to assassinate him. The footage then cuts to the film’s antagonist “Colonel” (Woody Harrelson), decked out in black war paint, repelling out of the waterfall – with Caesar pursuing and leaping off a ledge after him.

The rest of the footage is a sizzle reel that, like most teaser trailers, presents the majority of its shots out of context – intended to set the stage for the state of the world and returning characters in War for the Planet of the Apes rather than outright spoil the story. The footage reveals apes, bowing in respect to Caesar, presenting their leader with human captives. We see shots of a fiery battle, and wintery mountain compound where the Colonel, along with his soldiers, mount their war against the apes. The Colonel narrates throughout, acknowledging the irony that humans created the apes, and nature has been punishing them ever since, while stating that his army is prepared for a final stand – to do all they can to prevent the world from becoming a “planet of apes.” Finally, the teaser reveals Caesar on his knees before the Colonel – who cocks a handgun and presses the barrel into Caesar’s forehead. Caesar, in turn, snarls and pushes his face against the gun.

‘War for the Planet of the Apes’ goes down in theaters July 14, 2017.

Just minutes ago, FX has announced that they’re bringing their Emmy-nominated comedy/spy show to the San Diego Comic-Con.

On Thursday, July 21, the entire Archer cast will perform live aboard a 222-foot long yacht at the 5th Avenue Landing. Additionally, fans will be able to enjoy live entertainment, food, drinks, giveaways, and a photo booth and lounge while the yacht is docked at the marina.

The ARCHER Live! event will feature H. Jon Benjamin (Archer), Aisha Tyler (Lana), Jessica Walter (Malory Archer), Judy Greer (Cheryl Tunt), Chris Parnell (Cyril Figgis), Amber Nash (Pam Poovey), Lucky Yates (Krieger), series creator/executive producer Adam Reed (Ray Gillette), and executive producer Matt Thompson.

Inspiration-Hornblower-starboard-850
How would you like to spend the night with the ‘Archer’ cast aboard this beauty?

Tickets are available on EventBrite.com or by registering through the PlayStation Vue app. It should be noted that those wishing to attend must be at least 21 years of age. As of this writing, all tickets were ‘sold out’, but fans are encouraged to sign up for the waiting list as tickets may become available in the near future. Again, this event is free and it doesn’t appear that a pass to the San Diego Comic-Con itself is required to attend ARCHER Live! Boarding begins at 6:30 P.M. with the show scheduled to begin at 8 P.M.

Geekscapists, click on this link and act fast! Hopefully we will see you all at San Diego Comic-Con!

Archer is about to go through some major changes. Again.

It’s been quite a rollercoaster few seasons for Archer. Besides the thematic escalation, there have been changes to the dynamic of that kooky office as well; They’re not even named ISIS anymore, and for good (and unfortunate) reasons. Archer Vice was a bold experiment that, however divisive its reception, proved that this golden age of television is a space for bold exploration.

But the show goes on, and Archer more or less returned to its regular antics and familiar spaces last season, including a bottle episode where the whole gang was stuck in their office elevator. What can we expect this season? I went to San Diego Comic-Con and spoke to the people responsible for Archer to find out.

I think that there’s a lot of changes, specifically when it comes to the power structures and the relationship between the characters,” said Casey Willis, the show’s executive producer. Lucky Yates, who provides the voice for the mad Krieger (and the face for Ray!) echoed that sentiment. “There’s been some role shifts and some sort of status shifts within the group, is really all I can say.” I tried to egg him on to give more, but he said he values his role on the show “a little too much.”

Will these changes be permanent? “Who knows,” said Yates. “The core of the show … is our relationships between our cast of characters. No matter what their occupation or whatever is. Like relationships, they evolve and change and things shift around. Suddenly good guys are bad guys, and all that kind of shit. As long as that keeps going and moving around, I think we’ll be all right.”

“You’re going to see us working hard for the money this season. It will be fun to see everybody putting their various levels of espionage skills to the test.” Aisha Tyler is naturally charismatic, which tends to happen if you’re selected to host things like E3 conferences and Whose Line Is It Anyway? Her portrayal of the iron-willed Lana has endeared fans to both her and her character over the years. “[We] are the worst spies ever and don’t seem to have any jobs. You kind of saw us turn to cocaine dealing, which we weren’t very good at either, mainly because Pam just kept … turning it into foodstuffs and then bottling it down. [And] Lana is obviously the best spy on the show, the most confident, and I think you’ll see that … going forward this season.”

“We’re not airing an episode at Comic-Con because it’s so secret that we can’t reveal anything because we’ll ruin it all,” added Amber Nash, who portrays the wonderful Pam in Archer. “There’s some big stuff happening. The fun thing is, just like when we did Archer Vice, the dynamic between the characters is what the show is, no matter what they’re doing, it’s always going to be those guys being those guys. We’ve done two episodes so far, and the scripts are even funnier than last season. It’s really exciting.”

I tried guessing if that means someone Archer takes over the organization. “I don’t know if Archer has the capacity to really take over,” said Willis. Could someone like Cheryl? “That would be awesome.” He shifts a little. “I mean, that could be it.”

So I asked Cheryl. “I don’t know the plan,” Judy Greer told me in a noisy press room at Comic-Con. She sounds exactly like Cheryl: speech, tone, inflection, vocabulary. It was awesome, to the point it was almost kind of scary. “I don’t ask. I assume they would tell me if I asked, but it’s more fun for me to get the script and … learn it that way. They told me before we started sort of the new concept. There was a concept they were talking about and they had mentioned that to me, but otherwise, it’s way more fun to just get the script and read it.”

After nearly seven years of getting scripts, I wondered if anything still surprises its cast. “I feel like I’m always surprised,” Greer said. “I just can’t believe the mind of Adam Reed. It genuinely shocks me every time I read a new script. Even when he kind of came up with Archer Vice, I was like, ‘Who would do that?’ The show’s a total hit … and it just keeps getting more and more of a following and you’re just going to change the whole thing? Totally fearless. Totally exciting. So smart. So interesting. “

Chris Parnell, a Saturday Night Live veteran who plays the try-hard Cyril, says he’s surprised at “how consistently [series creator] Adam [Reed] is able to keep writing the show, and write it with such great jokes and scenarios and detail.” What doesn’t surprise him? “In terms of where he puts us or what he does with us, nothing shocks me.”

But one thing did shock him: I asked Chris what he thought of Cyril being a type of spirit animal for those who forever try hard but fail. We all know one, and I know several. They frequently relate to Cyril, but what did comedy veteran Parnell think about his popularity with those kinds of viewers? It surprised him. Looking in my eye, Parnell says I’ve told him “something, in a way … because people say how much they love Cyril. And it’s interesting to hear that maybe that’s a part of why. Because I hadn’t actually thought of that.”

Returning to the topic of Adam Reed, Judy Greer noted with eyes open and darting. “I’m always shocked by him and how he can come up with this stuff. Where does it come from?”

I couldn’t find out where it comes from in the mind of Adam Reed, the mastermind behind this massive cult show. This seventh season has managed to attract the likes of Patton Oswald and Oscar-winner J.K. Simmons as guest stars. “They’ll both be in a few episodes,” Reed said. But as the show gets a little long in the tooth, what could possibly be next? As Reed puts it, Archer is “limitless.”

“All things we couldn’t probably do live action, because they’d be expensive, but I’d really love to do a submarine episode.” Reed acknowledges that similar submarine episodes have already been done before on the show, but he wishes to tackle it more properly soon. “I’m fascinated with submarine movies,” he puts it.

Is anything off the table when it comes to Archer? Turns out, there are limits. “For me, things that remind me of bad news in real life. Just because it’s a bummer to write,” Reed admitted. “I don’t think there’s anything where [FX] would go, ‘Oh, that’s too much.’ When we’ve talked about terrorists, they’ve been obviously made up terrorists, like the Free New Finland Army or whatever … I guess it’s self-editing, but FX would let us do whatever, I’m sure. Except throw a baby. They won’t let us throw a baby.”

Wait, what?

“Archer was babysitting for … the prostitute’s baby.” I remembered the episode. “He was going to throw a baby to disarm a gunman, and FX was like, ‘You can’t do that.’ I think Archer threw the baby up in the air and when everybody looked at the baby, Archer kicked the gun out of the guy’s hand and then caught the baby. Usually we turn in an episode and they’re like, ‘Great, thanks for the episode,’ but that one scene they watched over, to make sure, how high is the baby going, is the baby in danger at all during the process? They’re a baby-friendly network.”

Jessica Walters, who plays Mallory Archer, the matriarch of the spy organization, is a film and TV legend. She’s not above gross comedy, “but compared to some of the stuff on cable, I don’t think we’re that risqué.” Sitting next to Jessica is intimidating. She’s nothing like the venom-spewing Mallory, but her presence commands you direct her attention to her yet she’s as sweet as mint candy. Being used to the screeching, rigid Mallory, hearing Walters speak soft was oddly comforting amidst the busy Comic-Con press room. “I just love [playing Mallory]. It’s so much fun to have something that you really care about to do, and make a living at it. It’s incredible. Like a dream still.”

“Dude, it blows my mind,” Yates tells me about playing Krieger on Archer. “Not too long ago, I was just a con-goer. I was an attendee. We have Dragon-Con in Atlanta and I go to it every year. Now suddenly I’m on the other side of the panel tables … The first time I saw a guy dressed as Krieger was at Dragon-Con. I went up to him and I was nerding out about him so much. He was like, ‘Yeah, cool.’ I was like, ‘I’m sorry. I play Krieger on the show.’ He was like, ‘What?’ The two of us were just like, ‘But, you!’”

Much of the people who work on Archer still can’t snap themselves out of the madness that is both Comic-Con and the show’s popularity. That includes its creator, Adam Reed.

“I didn’t think I would be sitting here even in season one. I didn’t think the pilot would get picked up. When it did, that just floored me. The ratings were terrible the first season, it was sort of on the bubble, the Winter Olympics were that year, and I think just because the Olympics went  off or something, and then people were like, “Let’s check out this other show.” FX stuck with it, but I didn’t think it would have been the success that it is at all, so I’m continually amazed.”

Archer begins its seventh season this fall on FX.