Archer is about to go through some major changes. Again.

It’s been quite a rollercoaster few seasons for Archer. Besides the thematic escalation, there have been changes to the dynamic of that kooky office as well; They’re not even named ISIS anymore, and for good (and unfortunate) reasons. Archer Vice was a bold experiment that, however divisive its reception, proved that this golden age of television is a space for bold exploration.

But the show goes on, and Archer more or less returned to its regular antics and familiar spaces last season, including a bottle episode where the whole gang was stuck in their office elevator. What can we expect this season? I went to San Diego Comic-Con and spoke to the people responsible for Archer to find out.

I think that there’s a lot of changes, specifically when it comes to the power structures and the relationship between the characters,” said Casey Willis, the show’s executive producer. Lucky Yates, who provides the voice for the mad Krieger (and the face for Ray!) echoed that sentiment. “There’s been some role shifts and some sort of status shifts within the group, is really all I can say.” I tried to egg him on to give more, but he said he values his role on the show “a little too much.”

Will these changes be permanent? “Who knows,” said Yates. “The core of the show … is our relationships between our cast of characters. No matter what their occupation or whatever is. Like relationships, they evolve and change and things shift around. Suddenly good guys are bad guys, and all that kind of shit. As long as that keeps going and moving around, I think we’ll be all right.”

“You’re going to see us working hard for the money this season. It will be fun to see everybody putting their various levels of espionage skills to the test.” Aisha Tyler is naturally charismatic, which tends to happen if you’re selected to host things like E3 conferences and Whose Line Is It Anyway? Her portrayal of the iron-willed Lana has endeared fans to both her and her character over the years. “[We] are the worst spies ever and don’t seem to have any jobs. You kind of saw us turn to cocaine dealing, which we weren’t very good at either, mainly because Pam just kept … turning it into foodstuffs and then bottling it down. [And] Lana is obviously the best spy on the show, the most confident, and I think you’ll see that … going forward this season.”

“We’re not airing an episode at Comic-Con because it’s so secret that we can’t reveal anything because we’ll ruin it all,” added Amber Nash, who portrays the wonderful Pam in Archer. “There’s some big stuff happening. The fun thing is, just like when we did Archer Vice, the dynamic between the characters is what the show is, no matter what they’re doing, it’s always going to be those guys being those guys. We’ve done two episodes so far, and the scripts are even funnier than last season. It’s really exciting.”

I tried guessing if that means someone Archer takes over the organization. “I don’t know if Archer has the capacity to really take over,” said Willis. Could someone like Cheryl? “That would be awesome.” He shifts a little. “I mean, that could be it.”

So I asked Cheryl. “I don’t know the plan,” Judy Greer told me in a noisy press room at Comic-Con. She sounds exactly like Cheryl: speech, tone, inflection, vocabulary. It was awesome, to the point it was almost kind of scary. “I don’t ask. I assume they would tell me if I asked, but it’s more fun for me to get the script and … learn it that way. They told me before we started sort of the new concept. There was a concept they were talking about and they had mentioned that to me, but otherwise, it’s way more fun to just get the script and read it.”

After nearly seven years of getting scripts, I wondered if anything still surprises its cast. “I feel like I’m always surprised,” Greer said. “I just can’t believe the mind of Adam Reed. It genuinely shocks me every time I read a new script. Even when he kind of came up with Archer Vice, I was like, ‘Who would do that?’ The show’s a total hit … and it just keeps getting more and more of a following and you’re just going to change the whole thing? Totally fearless. Totally exciting. So smart. So interesting. “

Chris Parnell, a Saturday Night Live veteran who plays the try-hard Cyril, says he’s surprised at “how consistently [series creator] Adam [Reed] is able to keep writing the show, and write it with such great jokes and scenarios and detail.” What doesn’t surprise him? “In terms of where he puts us or what he does with us, nothing shocks me.”

But one thing did shock him: I asked Chris what he thought of Cyril being a type of spirit animal for those who forever try hard but fail. We all know one, and I know several. They frequently relate to Cyril, but what did comedy veteran Parnell think about his popularity with those kinds of viewers? It surprised him. Looking in my eye, Parnell says I’ve told him “something, in a way … because people say how much they love Cyril. And it’s interesting to hear that maybe that’s a part of why. Because I hadn’t actually thought of that.”

Returning to the topic of Adam Reed, Judy Greer noted with eyes open and darting. “I’m always shocked by him and how he can come up with this stuff. Where does it come from?”

I couldn’t find out where it comes from in the mind of Adam Reed, the mastermind behind this massive cult show. This seventh season has managed to attract the likes of Patton Oswald and Oscar-winner J.K. Simmons as guest stars. “They’ll both be in a few episodes,” Reed said. But as the show gets a little long in the tooth, what could possibly be next? As Reed puts it, Archer is “limitless.”

“All things we couldn’t probably do live action, because they’d be expensive, but I’d really love to do a submarine episode.” Reed acknowledges that similar submarine episodes have already been done before on the show, but he wishes to tackle it more properly soon. “I’m fascinated with submarine movies,” he puts it.

Is anything off the table when it comes to Archer? Turns out, there are limits. “For me, things that remind me of bad news in real life. Just because it’s a bummer to write,” Reed admitted. “I don’t think there’s anything where [FX] would go, ‘Oh, that’s too much.’ When we’ve talked about terrorists, they’ve been obviously made up terrorists, like the Free New Finland Army or whatever … I guess it’s self-editing, but FX would let us do whatever, I’m sure. Except throw a baby. They won’t let us throw a baby.”

Wait, what?

“Archer was babysitting for … the prostitute’s baby.” I remembered the episode. “He was going to throw a baby to disarm a gunman, and FX was like, ‘You can’t do that.’ I think Archer threw the baby up in the air and when everybody looked at the baby, Archer kicked the gun out of the guy’s hand and then caught the baby. Usually we turn in an episode and they’re like, ‘Great, thanks for the episode,’ but that one scene they watched over, to make sure, how high is the baby going, is the baby in danger at all during the process? They’re a baby-friendly network.”

Jessica Walters, who plays Mallory Archer, the matriarch of the spy organization, is a film and TV legend. She’s not above gross comedy, “but compared to some of the stuff on cable, I don’t think we’re that risqué.” Sitting next to Jessica is intimidating. She’s nothing like the venom-spewing Mallory, but her presence commands you direct her attention to her yet she’s as sweet as mint candy. Being used to the screeching, rigid Mallory, hearing Walters speak soft was oddly comforting amidst the busy Comic-Con press room. “I just love [playing Mallory]. It’s so much fun to have something that you really care about to do, and make a living at it. It’s incredible. Like a dream still.”

“Dude, it blows my mind,” Yates tells me about playing Krieger on Archer. “Not too long ago, I was just a con-goer. I was an attendee. We have Dragon-Con in Atlanta and I go to it every year. Now suddenly I’m on the other side of the panel tables … The first time I saw a guy dressed as Krieger was at Dragon-Con. I went up to him and I was nerding out about him so much. He was like, ‘Yeah, cool.’ I was like, ‘I’m sorry. I play Krieger on the show.’ He was like, ‘What?’ The two of us were just like, ‘But, you!’”

Much of the people who work on Archer still can’t snap themselves out of the madness that is both Comic-Con and the show’s popularity. That includes its creator, Adam Reed.

“I didn’t think I would be sitting here even in season one. I didn’t think the pilot would get picked up. When it did, that just floored me. The ratings were terrible the first season, it was sort of on the bubble, the Winter Olympics were that year, and I think just because the Olympics went  off or something, and then people were like, “Let’s check out this other show.” FX stuck with it, but I didn’t think it would have been the success that it is at all, so I’m continually amazed.”

Archer begins its seventh season this fall on FX.

Let’s just get right to it. The main protagonist, Sterling Archer (voiced by H. Jon Benjamin), is essentially the American douchebag version of James Bond. There. I said it. Everything about him screams “selfish, though oddly charming, asshole.” The writers have taken tropes from every spy movie, television show, comic book or whatever piece of media you can think of and jacked it up to 11. Archer is basically the embodiment of Hollywood machismo, though slightly more refined. With an iron liver, combat and trade craft training, and an unhealthy obsession with Burt Reynolds, he is the everyman of espionage. The more American part of the show is that their agency ISIS is a completely private agency and perpetually on the verge of bankruptcy. I mean, can we get more American than that these days?

Sterling Archer
Sterling Archer

Archer is arguably the most successful show currently on FX, and in its fourth season, with a fifth confirmed. We’re really here to figure out just why it’s so popular. I mean, it was created by Adam Reed, the creator of the cult favorites Sealab 2021 and Frisky Dingo. Though it’s animated, in no way is it a kid’s show. It may be the single most non-PC program on television, primetime or otherwise. I can certainly see that being a part of its allure, as is the almost constant innuendo (not that I’m complaining, of course.) His self-centeredness is epic in scope, as is his nearly complete lack of compassion for others. His “skills” are a mix of James Bond and Frank Drebin (look it up, kids) and really half skill/half dumb luck. He really is awesome and ludicrous at the same time. The thing is, he’s not the only thing people keep coming back for. There are plenty of other characters and factors to draw viewers.

Lana Kane
Lana Kane

As I said, there’s not just Sterling Archer to pin the success of the show on, but also the supporting cast. I would say the runner-up is Archer’s ex, Lana Kane. She is ironically very sensitive to non-PC language and innuendo, especially when it comes from either Sterling or Malory Archer. The interactions between these three are one of the reasons fans love the character (voiced by Aisha Tyler), as is the history between them, known or otherwise. The two butt heads more often than Carol (or was it Cheryl?) changes her name or “Dr.” Krieger develops a mad-sciencey experiment. Then there’s Archer’s mother, Malory, who really needs her own separate article. There’s just so much wrong with that relationship and even just her. So let’s move down to Cyril. Honestly, just the fact that we’re not even sure what his and Lana’s relationship is anymore is probably a big part of why I keep watching. The froggy little accountant for ISIS somehow always manages to find money out of thin air. Speaking of frogs, the farm-raised (and it certainly shows) head of Human Resources, Pam, is easily one of the funnier ISIS employees. Aside from Lana, the openly gay Ray Gillette is the only really qualified and dependable field agent at ISIS. Like everyone else, he is incredibly non-PC, though generally asks that others be so.

(clockwise from top) Krieger, Carol, Pam, Archer, Ray and Cyril
(clockwise from top) Krieger, Carol, Pam, Archer, Ray and Cyril

With all of that considered, the best part may be just how outlandish the characters and scripts really are on a given season. It’s ridiculous to the point of being like nothing else on television, and as close to NSFW you can get in a cartoon this side of Ren and Stimpy. With all of the classic spy tropes, innuendo, crude humor and near nudity, it’s perfect for college kids and their only slightly more mature parents. All of this adds to the insane beauty of Archer, which is a strange mash up of stuff that, on paper, should not work, but somehow does with a screwed up perfection. While many of the episodes are very standalone, there are plenty that work within the larger narrative, but I feel like that’ll take a while to really get to a true finishing point. Until then, let’s all sit back, relax and enjoy the best/weirdest/funniest damn animated series since the heyday of The Simpsons.