Dear Mr. Watterson was one of my favorite documentaries of this year. Joel Allen Schroeder was able to perfectly capture all the elements that make Calvin & Hobbes fans love the world Watterson created. It’s currently available on their website, check it out now!

Opening Music is Pop Punk Fairy Tale by Backyard Superheroes found on their album Falling With Style.

Follow Saint Mort on Facebook and Twitter

Subscribe to Us on iTunes

 

Happy Halloween Geekscape! This is my favorite month of the year. I was born this month, New York Comic Con is usually this month and more importantly it’s Halloween so Horror movies and gore become acceptable.

My obsession of Horror Movies and Music have helped to lead into a love of anything that combines both. So Here’s 9 Horror Themed Groups you possibly have never heard of (and 1 Notoriously awful Rap Group who I already professed my love for in the past).

Enjoy!

Blaster the Rocketman – American Werewolf

I first discovered Blaster when one of my favorite groups Calibretto covered their song I’m Only Humanoid on their final album. It was my favorite song on that particular album and I had to hear the original. I was shocked how different they sounded to Calibretto (who was mostly surf-rock inspired punk). Blaster the Rocketman was a popular but short lived Christian Horror-Punk band out of Indiana known for it’s bizarre Dickies/Dead Kennedys inspired sound and for singing songs about Werewolves, Robots and Frankenstein.

The Cramps – Creature from the Black Leather Lagoon

I’m pretty sure the first time I heard of The Cramps was through Return of the Living Dead with their song Surfin’ Dead. I’d heard a few other songs over the years that I thought were okay but it wasn’t until earlier this year that I managed to find a decent chunk of their discography at local flea markets and discovered how incredible this band is. Their blend of Horror themed lyrics and Psychobilly music is perfect October driving music.

Dead Man’s Bones – My Body’s a Zombie For You

Usually when an actor has a band, that actor becomes the man focus of the group and all that people market. This may have been the case for Dead Man’s Bones, but when I discovered them I had no clue that Ryan Gosling was in the band. I was more focused on the Danny Elfmanisk sounds of the Children’s Choir to even pay attention to the lead vocals. They may very well maybe the best band with a celebrity singer.

Deadlines – Go Go To the Graveyard

The second (and last) christian horror punk band on the list. I discovered them on a Tooth & Nail comp back when I was in high school. It was my first exposure to a band that sang specifically about horror movies and I Loved every second of it. I was always entertained to find out that shortly after the album was released the label was forced to put a card in the album explaining the group wasn’t satanic and simply enjoyed horror movies.

Groovie Ghoulies – Running With Bigfoot

Much like the Cramps I’ve just recently started to appreciate the Groovie Ghoulies even though I’ve known of them since I bought Short Music for Short People back in the late 90’s/early 2000’s. What’s shocking about this group to me is that despite their name at least half their songs have no horror element at all. Instead the focus on love songs and 50’s rock covers. Regardless their 3 decade long career has been full of lots of great monster inspired melodies.

Harley Poe – Corpse Grinding Man

Harley Poe is undeniably one of my all time favorite bands. Formed around the time that Joe Whiteford’s old band Calibretto was starting to break up he stepped away from Surf-Punk into more Folk-Punk. Each song has a nice blend of Comedy, Depravity and Catchiness. For more info on Harley Poe check out my interview with him on the newest episode of the Saint Mort Show.

Ichabod Crane – Nudes For Satan

It’s possible you’ve never heard of Ichabod Crane. I wouldn’t know them if I didn’t host a podcast with their lead singer (Reddit Horror Club Podcast, Please subscribe). However despite my general distaste towards Death Metal/Trash and all of their early albums I was floored when Scott sent me the demo of their new song Nudes for Satan. It starts off sounding like a Mystik Spiral song (and I should know as I just rewatched all 5 seasons) but ends up turning it a fantastic throw back to the 80’s hair metal songs you’d hear in your favorite horror sequels (Looking at you Dokken’s Dream Warriors)

Insane Clown Posse – Fonz Pond

I have been open of my love of ICP. I wrote a Guilty Pleasure article about them, I had the director of American Juggalos on my podcast and I own a large portion of their discography. Are they amazing rappers? Not really. But they’re entertaining and their beats in particular have always caught my ear. Their album Bang! Boom! Pow! received some of their best reviews in their career (including a handful of 3 star reviews). The above song is one of my favorites off the album.

Nick Cave & The Bad Seeds – Stagger Lee

Now Nick Cave isn’t exactly a Horror themed band in general, however their song Red Right Hand is hard to hear and not immediately think of the Scream franchise. Plus they have the brilliant album Murder Ballads (My favorite of their albums personally) which writes various songs from the perspective of a serial killer. It’s not Halloween if I don’t sit and listen to that album at least once.

Sykotik Sinfoney – Manic Depresso

I will never forget the day I discovered Sykotik Sinfoney. I was a huge fan of Full Moon Pictures and had seen the trailer to Bad Channels. Being that it was a horror movie about rock music I knew I had to see it, that’s when I discovered the most bizarre band who has ever existed. For years I knew of their one song in the movie and nothing else, however thanks to the internet I was able to purchase a copy of their unreleased album and watch tons of videos of them live in the 90’s. Guitarist Brian Young now performs with David Lee Roth and the band’s sound has called ahead of it’s time.

 

This week I was able to sit down with a new-friend of mine Actress/Acting Coach Dana Michael. Dana is a funny and smart actress who runs her own acting school and blog with acting advice.

Check out her website after you listen to the episode!

The intro music contains the song Doo Wop from Yale, Massachusetts ‘ album Act Like You’ve Been There.

Follow Saint Mort on Facebook and Twitter

Subscribe to Us on iTunes

 

 

Back in 1983, Dr. Demento favorite “Weird Al” released his self-titled debut album. Yankovic has been one of my musical heroes; he represents everything that’s great about music, and he’s someone who the world thought would be a novelty act and a one hit wonder. Instead, he wowed them with an impressive career (outlasting about 90% of the artists he’s parodied) who can do justice to any genre and make us laugh time and time again. He’s won multiple awards, had a feature length film become a cult classic, is considered one of the greatest live performers of all time and had a beef with at least two hip-hop legends (Coolio and Eminem).

To celebrate the 30 years of music I’ve decided to sit down, relisten to every album and rank them from worst to best. There’s a few things we should discuss beforehand about what elements I was looking for in these albums:

First, we choose not to cover any of the compilations or greatest hits releases. This seems like a no brainer, but I feel like someone out there will complain that “The Food Album” isn’t ranked and that’s their favorite Yankovic record.

Second, this isn’t the most important albums or best selling albums list. This is based on how good the album is. My factoring was based on (a) how good the songs are, (b) if the parodies hold up, and (c) how good the originals are.

Third, there’s no favoritism to a popular song. Just because Fat (possibly Al’s best parody) appears on Even Worse, that doesn’t justify the record as being his best unless the other tracks hold that same strength. Again a no brainer, but people will point out that the album with their favorite song on it being ranked low. It’s not a comment on the song’s quality, but the record as a whole.

Finally, there is no bad Weird Al album. Even the lowest ranked album on this list is still a great record. Yankovic (in my highly biased opinion) can do literally no wrong.

14.Alpalooza

I’m confident that I’m going to lose people on this first one. They’ll say “But what about Polka Party?” and “I really like Bedrock Anthem”. First off, Bedrock Anthem is definitely one of the worst parodies Al ever did, even Red Hot Chili Peppers were disappointed and felt it was a phoned in parody. If you ask me, most of this album feels phoned in. It really is his “sell-out” album. Many of the songs (Bedrock Anthem, Talk Soup) were recorded for other projects (Flintsones movie soundtrack and a new theme song to the E! show). It’s contains all of Al’s worst originals and lackluster parodies. The only highlights are Livin in the Fridge and Bohemian Polka.

220px-WeirdAl-PeterAndTheWolf

13. Peter and the Wolf

Few people know this record exists. I didn’t until Al was giving it away for a charity auction. I eventually tracked down a copy of it and was mostly disappointed. It’s funny. But it’s worth one listen and nothing more. The only reason this isn’t lower is that I have to admit that it’s a very ambitious project, specifically given that just 2 years earlier Polka Party’s poor sales almost ruined his career. Yankovic had JUST gotten himself back into the public eye and followed it up with this easily forgettable (and frankly unmarketable) album. If  you can track down a copy it’s worth a listen… but not much more.

12. UHF Soundtrack

UHF is one of the funniest movies ever made. Sadly, the soundtrack doesn’t contain many laughs. The highlights of the record include the theme song, the Money for Nothing parody and the handful of fake commercials from the movie. However, when you remove the visuals from those commercials it’s not nearly as entertaining. It contains all of Al’s weakest parodies and personally my least favorite polka (as I’m not a huge Rolling Stones fan). Its poor sales and the disappointing box office release basically ended Yankovic’s career until Nirvana gave Al a reason to reemerge.

220px-Weirdalpoodlehat

11. Poodle Hat

Despite having two previous releases (Bad Hair Day and Running with Scissors) being massive hits, Poodle Hat is one of Al’s worst selling records. There’s two reasons for this. First is that there was never a music video made for any songs (Eminem halted production of the Couch Potato music video) and secondly… it’s not that good of a record. It pains me to say that because I love songs on this album but it takes forever for the album to really pick up (not until the Angry White Boy Polka at track 5; which happens to be my favorite of all the polkas). Most of the parodies are forgettable and the originals (excluding the insanely impressive Hardware Store) are pretty mediocre. It’s a shame really because the few songs that work… are amazing but the rest hit the ground with a thud.

10. Polka Party!

This was/is Al’s lowest selling album (with the UHF soundtrack being a very close second). This record would have killed his career if it wasn’t for Fat two years later. Most people would probably rank this as his worst album (I’m sure even Al would) but I simply can’t: I’ve learned that while the parodies eventually become out-dated, it’s the originals that really determine the relisten value of Yankovic’s records and Polka Party simply has too many great originals to completely dismiss. Christmas At Ground Zero is a hilarious juxtaposition of post-apocalyptic story telling over a cheesy christmas tune and his Talking Heads style parody Dog Eat Dog is almost as spot on as his Devo (Dare to Be Stupid) and They Might Be Giants (Everything You Know is Wrong) style parodies

Weird_Al_Yankovic_-_Off_the_Deep_End

9. Off The Deep End

After a lull in his career following the disappointing box office draw of UHF Yankovic was struck by inspiration when Nirvana blew up on the scene. Off the Deep End is like the reverse of Poodle Hat. Poodle Hat I complained it took too long to get going, Off the Deep End starts off so strong and then falls apart near the end (but is saved by the beautiful closing track You Don’t Love Me Anymore). However despite complaints when this album succeeds, it succeeds in a big way. Smells Like Nirvana was huge because it was a beautiful parody of not just Nirvana but the entire grunge movement.

8. Even Worse

This is one of three albums that saved Al’s career (the second being the previously mentioned Off the Dead End). After Polka Party’s poor response Al leaped back into the public eye by lampooning Michael Jackson once again and he went big (literally). Fat is leaps and bounds a better song (and video) than Eat It. On that sad day when Al leaves this world forever it will be Fat and Amish Paradise that he will be most remembered for (you may quote me on that). Strangely enough, it was also the only song on the album to get a music video. It’s a shame since it has some fantastic tracks on it (including Lasagna, You Make Me and his Beastie Boys parody Twister). The third album to save his career was…

220px-Soli4

7. Straight Outta Lynwood

Yankovic followed up the disappointing Poodle Hat with his highest selling record (at the time) thanks to the massive White & Nerdy. This album deserved all the praise it received. Beyond the fact that all the parodies work and most of the originals are equally great this is the first album where we find Al using his comedy to get a little political. Songs like I’ll Sue Ya and Don’t Download This Song are hilarious but still contain a statement about our society. This has continued into his new more recent music.

6. In 3-D

The sophmore slump certainly didn’t exist in the world of Al Yankovic. His 2nd album was undeniably his biggest of the 80’s (and one of his biggest of all time). It was on this record that the “Weird Al” we know and love came out more strongly. In 3-D gave us our first ever Weird Al polka and our first of 2 massive Michael Jackson parodies. However while Eat It was a massive hit my favorite track is the follow up single I Lost on Jeopardy. I still can’t hear Greg Kihn Band’s original version and not immediately think of the parody lyrics instead.

220px-Alpocalypse

5. Apocalypse

Straight Outta Lynwood was Al’s highest selling record until the following album release which outsold it and hit his highest billboard position. It contains nothing but perfect parodies and originals as he blasts through parodies of todays top artists and does style parodies for some classic groups like Queen, Meat Loaf and The Doors. Continuing the ‘sincere statements’ hidden in comedy songs found on Straight Outta Lynwood is TMZ (a parody of Taylor Swifts You Belong to Me) which discuss our generations obsession with celebrities. The highlights though are Ringtone and Stop Forwarding That Crap to Me.

4. “Weird Al” Yankovic

I’ve read/heard that Al is not particularly proud of his debut. What’s ironic is one of his complaints (There’s an accordian on every song) is part of the appeal to me. Yankovic always had an anarchic approach to music but his debut could almost be called punk rock. Between his nasally voice, his covers of The Knack and Joan Jett and the dark humored lyrics of songs like Mr. Frump in the Iron Lung all help make this record the underappreciated gem in his collection.

220px-Running_with_Scissors_(Weird_Al_Yankovic_album_-_cover_art)

3. Running With Scissors

After the massive success of Amish Paradise, Al Yankovic disappeared for a few years until he found the perfect parody. It came not from a new song or artist but the long awaited Star Wars Prequel The Phantom Menace. He blended it with American Pie (released 3 decades earlier) and a massive hit was born. While I do love The Saga Begins I think the highlight of the album is in either the follow-up single It’s All About the Pentiums or the 11 minute long ranble-fest called Albuquerque. It’s hard to really pick a favorite on the record though since basically every song hits the ball out of the park.

2. Dare to Be Stupid

It may not have sold as well as In 3-D and didn’t contain a hit as massive as Eat It but Dare to Be Stupid is the highlight of Yankovic’s early career. This is the record where I believe Al’s brilliant originals really started to show their power. Songs like One More Minute, This is the Life and the title track are all the highlights of the album. On top of those classics it also contains fan-favorite (and long time encore/closing song) Yoda. This is “Weird Al” stewed to perfection. In fact only one record has been able to one up it in the 27 years since it’s release.

220px-BadHairDayCover

1. Bad Hair Day

One could argue I’m being biased. This was the first “Weird Al” album I ever owned, Amish Paradise was the first song I ever heard by him and it’s one of his most famous releases. Regardless of all that, this album has stood the test of time better than any other record he’s made. Not only do all the parodies still retain the same comedic value over a decade later but the originals are all masterpieces however the highlight of this record (and to this day the best style parody Al has ever done will always be his They Might Be Giants inspired Everything You Know is Wrong. If you are a child of the 90’s this entire album probably always will have a place in your heart.

Matt Kelly is the host of The Saint Mort Show podcast, active on twitter and constantly updating his blog Pure Mattitude.

I remember kids in my elementary school who weren’t allowed to watch The Simpsons; people just couldn’t help but find Bart Simpson’s rebellious attitude too much for young children to handle. I’m pretty sure those same parents lost their shit on March 8, 1993 when Mike Judge’s Beavis and Butthead hit the airwaves.

 

456x330

 

MTV’s gruesome twosome spawned from an animated short Judge crafted in 1992. MTV immediately signed him to create a TV series which would depict our beloved braindead menaces to society as MTV’s key demographic.

 

The show was composed of short animated films involving our favorite dangers to everyone (including themselves) intercut with clips of them watching MTV and mocking music videos. When I was a kid, I recall only caring about the music videos, as I found the animated shorts rather stupid and repetitive. Now at 27, I think that they are an achievement of comedic gold that to this day are painfully underrated.

 

MTV’s decision to air the show was clearly a smart one, as it’s likely one of the most defining aspects of the station in the 1990’s. While the 80’s were very music video heavy, Beavis and Butthead kicked off the new direction of the station. In the early 1990’s there were shows like Idiot Box and Liquid Television, but Beavis and Butthead (along with The State and The Real World) really exploded the station into the realm of programmed, story driven shows and full 30 minute blocks of time not dedicated to music videos.

 

Beavis and Butthead  spawned a widely profitable feature film as well as a spin-off series (Daria), and multiple video games. However, while finically successful, with it came much controversy; the franchise was blamed for fires, animal cruelty, and various cases of property damage. Most of these accusations were cleverly mocked by the writers in future episodes. The most popular incident was in an episode called Lightning Strikes; after watching a documentary on Ben Franklin, the two decide to fly a kite during a thunderstorm. Their reckless behaviour then draws media attention that immediately blames Beavis and Butthead’s actions on the influence of Howard Stern and Rock Music.

 

The music video segments are still some of the biggest highlights in the show’s history. For whatever reason, these otherwise idiotic characters have strangely brilliant observations when it comes to critiquing music videos. At one point commenting “It’s like in all these videos now – they just get a couple of weird dudes, shake the camera and just do a bunch of crap” (this was while watching Archers of Loaf’s Web in Front). One of my favorite lines in the entire series came from a segment critiquing Metallica’s For Whom the Bell Tolls, simply stating “Sit your ass down Lars and play the drums like your supposed to”. I’m fairly confident the plenty of other Metallica fans were saying similar things in 2000.

 


 

After 5 years of lambasting music videos, a wrap sheet of controversy, and a feature length film, they ended their run with their 200th episode, ‘Beavis and Butthead are Dead’ on November 28th 1997. Since the series, Mike Judge has enjoyed a successful career writing King of the Hill and directing three box offices bombs that all became cult classics on home video. Last year the series came back to its home and the duo got right to work, this time destroying UFC fights, Jersey Shore and amateur YouTube videos. I know I’m more than happy to welcome these two lovable idiots back to the airwaves!

If you read my last Retroactive Thinking article you’re probably more than aware that I love Christmas. I love the every aspect of it, the movies, the old TV specials and most importantly the music. Over the years I’ve definitely collected such an eclectic collection of bizarre christmas songs. I’ve sent enough of these songs to Jonathan that he finally just said ‘listen loser, just put it in a fucking article and leave me alone’… so here we are.

I don’t recommend playing most of these songs at family christmas parties… however if you’re just having a gathering with friends… these could go over well…. but not likely.

Twisted Sister “Heavy Metal Christmas” – Let’s kick this off with a song that I once heard someone refer to as “not just the worst christmas cover of all time but the worst song ever”. You see when Twisted Sister decided it was time to FINALLY release a Christmas album (seriously Dee Snyder what the fuck took you so long!) they decided that simply covering 12 Days of Christmas just would NOT do justice, they needed to re-write this song to be more METAL thus Heavy Metal Christmas was born. No longer will you have to wonder what to get the metal head in your life this christmas. Clearly they want tattered shirts, spandex pants and skull earrings (among other things).

Atom and His Package “What WE do on Christmas” – Christmas isn’t just for christians obviously, well I mean sorta. There’s other holidays this time of the year, specifically Hanukkah which is what Atom and His Package decided to write about in his song What WE do on Christmas. Adam Goren (The Underground Laptop Pop Punker turned Science teacher) wrote this song a Christmas comp that reveals the secret meetings that the Jews have been having every Christmas Day plotting out their global takeover. Being that Adam is one of the friendliest guys on the planet he ends the song apologizing if he offended anyone. Check out Atom on the Saint Mort Show

Size 14 “Mrs. Claus” – Size 14 is a punk band from the earliest days of Drive-Thru Records. While they never received much fame the band was heavily featured in the indie comedy 100 Women and the lead singer Linus of Hollywood started up a record label and joined Nerf Herder.  However they had a song early on in their career on appeared on Christmas Gone Wrong. This comp was a collection of christmas songs by punk bands on Drive Thru at the time, it now goes for like $300 used on eBay occasionally. The highlight track is Size 14’s ode to banging Mrs. Claus and ruining christmas for everyone.

Harley Poe “It’s Christmas Time Again” – One of my all time favorite bands since I was young was Calibretto 13. Calibretto 13 was a christian surf punk band in the same vein as Dead Kennedy’s. When they broke up the lead singer formed Harley Poe which was not a christian band at all (hear the whole story of his change of heart when he appeared on the Saint mort Show). One of the first songs they ever released was on a comp called “A Very Standard Christmas” (they were on a label called Standard Recording Records) about Killer Santa Claus. I’d like to believe he wrote it after watching the 2005 masterpiece Santa’s Slay.

Ben Folds “Bizarre Christmas Incident” Ben Folds is one of my favorite singer/songwriters but somehow this song escaped me for a quite a few years. The first time I heard it though, I loved it. The song tells the hilarious story of Santa Claus getting stuck in Ben’s chimney and dying. It’s hard to not love a song with the chorus “Santa he’s a big fat fuck/Came down the chimney and got his fat ass stuck”.

mc chris “Evergreen” – Nerdcore (but not Nerdcore) rapper mc chris wrote this song for his album Eatings Not Cheating. The song tells of a crazy adventure one christmas with him and his drug dealer.

Enjoy your party crashing this weekend!

Check out more of Matt Kelly’s Christmas lists on his blog Pure Mattitude and his Song-A-Day Facebook Page

I will never understand people who hate Christmas. I know that they exist. I’ve had conversations with many of them. I just still don’t understand it. Maybe it’s the nostalgic person in me that fondly remembers Christmas holidays of the past. Curled up on the couch, fire in the fireplace and Christmas specials on TV.

For years, I’d eagerly await December, when I could watch Garfield’s Christmas Special, Christmas at the Playhouse and A Very Claymation Christmas. However, my favorite as a child (and as an adult) was the beautiful Muppet Family Christmas. It’s a genuine crime that this special has yet to get a proper DVD release (Little Shop of Horrors finally got a Director’s Cut release this year so I’m still hopeful that I’ll get my beloved Christmas special on DVD one day).

The Muppets and Christmas just seem like a match made in heaven. The Muppets are like Christmas 365. I’m forced to quote Walter from last years The Muppets film. “As Long as there are talking frogs and singing bears and swedish chefs and boomerang fish the world couldn’t be that bad a place. As long as there are Muppets. There is hope”

Behind the helm was Jim Henson. He had that magic “something” that made us believe anything was possible. He believed life was meant to be fun and dreamed to be a person who made the world a better place for having lived it. In the eyes of the world he fulfilled his dream and when he died the Muppets would die with him.

That’s what makes The Muppet Christmas Carol so important. The first Muppet film made without Jim as well as original muppeteer Richard Hunt the film would literally make or break the Muppets’ staying power. Henson’s son Brian would helm the director’s chair and Kermit would be performed by Steve Whitmire.

This mostly faithful (or as faithful as The Muppets could be) adaptation of Charles Dickens classic was the perfect way to show that The Muppets had not lost an ounce of their magic and power. The tale is filled with comedy (mostly presented by Gonzo’s performance as Charles Dickens and his sidekick Rizzo the Rat) as well as heartwarming (and occasionally heartbreaking) moments.

Michael Caine is brilliantly cast as Scrooge and makes the transition from mean-spirited, sorrowful and joyful so seamlessly that he forces you to go through all of these emotions along with him. Years later when I finally took the time to read the novella it was him that I visioned most out of every previous performance I’d seen.

Originally, it was proposed that the Ghosts would be performed by Miss Piggy, Scooter and Gonzo but the idea was scrapped when it was decided these iconic Muppet characters would only distract viewers from the emotional leverage of these ghosts. It was a brilliant idea. Each ghost has their own unique puppeteering style. Be it the weightless Marionette style of the Ghost of Christmas Past, the full body costume of the Ghost of Christmas Past or the frighteningly clocked Ghost of Christmas Yet to Come, they have their own innovative touch of magic that only the muppets could produce.

However, while the performances, the puppetry and script all help drive the story, the most memorable moments come from the brilliant songwriting of Paul Williams. Much like when he wrote songs for The Muppet’s debut film The Muppet Movie, The Muppets Christmas Carol contains a wonderful blending of themes. Williams’ songs all have an upbeat feeling and themes about love and the magic of Christmas, yet he still allows them to have a hint of sadness to them.

While my favorite song of the film has always been “It Feels Like Christmas”, the highlight is “When Love Is Gone”, a song cut from the theatrical release because Disney studios found it to be too serious to keep a child’s attention. While Williams and Henson both fought to keep the song in the movie, it wasn’t until the Home Video release that the song was returned to the film (leaving the theatrical release with an awkward and obvious cut). In it, the farewell song from Scrooge’s lost-love Belle eventually turns into a duet between the girl of his past and Scrooge of the present. What I love about this is it implies that after all these years, Scrooge still remembers the words Belle said when she left him.

So was the Muppets take on this classic tale of love, Christmas and redemption a box office success? Sadly. No. While the film is wonderful and was well received critically, it failed to reach the high expectations that Disney had set for it. In 1992, it faced the competition of Home Alone 2: Lost in New York and Aladdin (which was still in theaters after months of release). Still, while grossing $27 Million, it didn’t completely bomb, it did sent the early message that The Muppets may not survive without their creator. It wasn’t until 4 years later that the franchise would rediscover success, when the Muppets returned in the successful Muppet Treasure Island. But it was a temporary victory. 1999’s The Muppets From Space marked the beginning of a slow decline into obscurity, where they stayed until last year’s The Muppets revived them in a fashion that only thousands of Muppet fans could dream of a decade earlier.

Despite the poor box office (second lowest Muppet box office at the time), the film has developed a cult following and has become a quintessential film of the season. Today, the film is now 20 years old. I still fondly remember seeing it in theaters when I was 7 with my mother and then best friend Mac (who I have lost contact with and may have been killed by a bear during a circus accident). I was completely obsessed with the film, laughing at all the appropriate points and even feeling sadness when Tiny Tim had died. In the end, perhaps that’s why we love The Muppets, because no one seems to do Love and Joy quite like them.

Okay kiddies, back in the days before internet and DVD burns Hollywood was threatened by the VCR. Their fear was that people could record any movie off television they wanted and thus would have a reason to enter a movie theater again. It was a completely unrealistic and absurd fear.

So when I was a kid I taped Young Frankenstein off Television (commercials and all). It was one of my favorite movies for a few reasons. Firstly because it was one of my grandfather’s favorite movies, another reason is because it’s a hilarious and well made movie. So why am I telling you this?

The first time I ever heard of Elvira was from that tape. Every single commercial break was a 15 minute ad for the television premiere of this movie. I’ll always remember hearing the line “looks like Gumby on Steroids” repeatedly and not have any clue what it meant. But I was curious what this movie was about. I don’t know why my parents decided it was okay but when I was about 8 I saw Elvira Mistress of the Dark for the first time. I really loved it (despite the fact that the movie is a giant sex joke that went right over my head) however this was the first time I’ve seen it in a quite a few years.

Elvira was best known for two things. Her Television show and her Charles Addams style morbid comedy. Admittedly most of her gimmick was stolen from Vampira (who unsuccessfully attempted to sue her in the 80s) but for a brief period of time she was  a genuine star. Making a theatric feature for her was not an unrealistic place to take her character and despite it’s many flaws the movie still remains a good cheesy 80’s good time.

Elvira is sick of hosting her horror show and dreams of starring in her own Vegas stage show. However she’s just quit and needs $50,000 to get the show off the ground. In a stroke of great time she gets a letter informing her of the passing of her great aunt. At the will reading Elvira expects to gain lots of cash and get her show off the ground but instead she inherits a house.

Elvira is disappointed but hopeful she can sell the old mansion for the money she needs. While the whole ultra conservative town manages to keep her from getting a job or selling the house, Elvira’s uncle keeps asking her for an old family recipe book instead the house. Elvira promises to find it and sell it to him. She finds the recipe book and discovers that it’s actually a spell book and she’s part of a long line of witches.

Elvira uses her new found magic to fight her evil uncle, win over the town and gain the money neccessary for her Vegas show. The show is complete insanity filled with half naked muscle men dressed like demons, a rap song and tassel dance. Here’s the video (NSFW I suppose)

The film was released to lukewarm reviews and even earned Cassandra Peterson (that’s Elvira if you didn’t know) a Razzie award for worst actress. However I feel like the the things that made this movie dated (possibly as early as 1989) are part of the charm. The film literally OOZES the 80’s (rapping, a flashdance parody and even a Scooby Doo reference). I also am a sucker for the few practical effects that appear in the film specifically the casserole monster.

One thing I never really noticed is that everyone who meets Elvira immediately wants to rape her. It’s like watching Teeth. I’m not sure what their attraction except for possible her big beautiful eyes.

The film eventually got a sequel that no one has ever watched and last year Cassandra retired the character forever at the first Comikaze so it’s safe to say that the heyday of Elvira is gone. It seems that the days of any ‘late night horror shows’ are over with. I miss my Joe Bob Briggs, Mystery Science Theater 3000 and Elvira and I can’t wait for it to come back one day.

Well that’s all I got. Enjoy your Halloween.

Oh I almost forgot to mention Elvira has huge tits.

Last week I discussed 80’s slasher movies specifically with My Bloody Valentine. Popcorn is one of the films of the late 80’s/early 90’s that are frequently looked at as the nail in the coffin to the slasher genre until Scream in 1996. What’s ironic is that Popcorn isn’t a bad movie at all… in fact it’s satirical look at slasher films almost makes it Scream before there was a Scream (although you could also categorize Student Bodies and There’s Nothing Out There in that category).

Popcorn follows a group of film students who’s program is looking like it’ll be closed down unless they find some funding. One of the students (Toby) proposes hosting an all night horror show screening various horror films with different gimmicks (3D, Oderama and Shock-o-Vision). Meanwhile another student Maggie finds herself haunted by a strange image of a man every night, the character is the inspiration for her current screenplay.

While setting up for the festival they find an old lost film called Possessor. The strange avan garde film involves a man (ironically the one from Maggie’s dreams) yelling Possessor, the film suddenly cuts. Their teacher explains to them that the film is made by the cult leader/film maker Lanyard Gates. After the screening of Possessor he killed his family on stage and set the theater on fire killing all who inhabited it.

While clearly shook up by the event the students move forward with their film festival. It proves to be a huge success and they pack the theater with attendees. However behind the scenes a strange killer is slashing up each student (using the gimmicks to his advantage a few times). A nice twist to this particular film is that our killer makes masks of each one of his victims faces to allow him to move unnoticed from one victim to the next. Ridiculous? Yes. Kinda awesome? Hell Yeah.

Finally we’re down to Maggie and Toby. It’s revealed that Toby is the actual killer (duh) and Maggie and he are siblings. Furthermore their father is non-other than Lanyard Gates, both survived the Possessor screening however while Maggie was unscarred Toby is actually badly burnt up under the mask he’s been wearing. He decides to complete his father’s vision. However a gimmick malfunction kills him before the audience (who cheers at his death not realizing it’s not part of the show — kind of like Scream 2).

My favorite aspect of this movie is the film festival itself. Director Mark Herrier and writer Alan Omsby did an excellent job of writing cheesy films that properly represent their time period. My favorite being the ultimate campy 3-D fright flick Mosquito.

Despite all it’s short comings the film is a good fun time. There’s some awkwardness (since the movie was shot in Jamaica all the kids listen to Jamaican music), and some jokes fall flat but in general the film is genuinely one of the better slasher films (so long as you shut your mind off on the ridiculousness of the whole ‘mask’ thing).

If I could be involved in remaking any horror movie it’d be this one. I would however do it much like Chillerama. I’d get 3 other directors to film the short films screened at the festival and then another director to film the wrap around story.

If you’ve never seen this underground little slasher classic you’re in luck. A special edition DVD has been announced (although no clue when it’ll be out) with a retrospective documentary and commentaries.

Episode 36 of the Saint Mort Show Matt sits down with long time friend and musician Andrew Emsley. Matt has been trying to get Andrew on the show since the very beginning but their schedules always conflicted it. It was also to finally get to discuss the various musician revamps Andrew has had over his career from vocalist of a praise and worship band, to a shitty creed style rock band, to an acoustic punk group, solo artist and dupstep dj. His ever evolving sound all stems from where he is in his life. If you’ve ever wanted to write and perform music Andrew has a great history of stories to tell.

 

Subscribe to Us on iTunes

I’ll confess right off the bat. The biggest reason that I picked this particular film was because yesterday was my birthday. But I do love this movie even though it’s one of the most ridiculous slasher films of the 80’s (and trust me that’s saying something).

You see in the 1980’s Slasher films EXPLODED. While you had plenty of great franchise films like Halloween, Friday the 13th and Nightmare on Elm Street you also had plenty of one shot slashers mostly cashing in on a holiday. These films varied in quality from the intentionally good (The Prowler), unintentionally good (Sleepaway Camp) and painfully bad (Splatter High). Now obviously with Happy Birthday To Me they’d run out of holidays (by this time Halloween, Friday the 13th, April Fool’s Day, Christmas, Valentine’s Day and Graduation had already been claimed).

This movie is absolutely ridiculous but we’ll get to that in a minute let’s start off by explaining the plot a bit.

You see the movie follows Ginny a pretty & popular high school senior. She’s part of the “Top Ten” which is a group of the richest, smartest and snobbest students. Someone is killing off the various students. And man, do they ever kill them off.

The movie was advertised with the tagline “6 of the most bizarre deaths you’ll ever see” and that is not a false advertisement. I won’t spoil these glorious deaths (however the producers already spoiled one by making it the poster).

After killing almost all of the Top Ten Ginny begins to believe she may be the killer. She comes home on her birthday to find all her friends dead bodies sitting around a table and an exact look-a-like of herself.

Almost as if it were an ending to Scooby Doo the doppelganger removes her mask revealing herself to be one of Ginny’s friends Ann. Ginny kills Ann just as the police walk in. The audience never finds out if Ginny is arrested for the murders or able to prove her  innocence.

This is what makes the movie shine where other films from this time failed. Not only is it beyond outrageous with it’s murders and the way the killer is revealed only to end on a dark and tragic conclusion. Unlike most slasher films where there’s always someone there to witness the survivor killing the masked murderer the films also pretend that ‘life moves on like normal’ (this excludes franchises like Scream that follows the survivors over a span of films). The reality is that you were just surrounded by various dead bodies and most of the people you know and love have been killed, there’s no happy ending regardless if the boogeyman is dead or not.

Hmmm that was kinda darker than intended.

Anyway my point is that it’s blend of dark humor and intense death scenes make this film more entertaining than some of the other 80’s slasher one-offs. Go check it out, it’s October damn it!

If you’re my around my age (22-31) you grew up in a magical time where channels like HBO, Showtime and Cinemax were a new and exciting channel. Like many of us who grew up in those days you would see some weird movies on those channels. Due to being a new channel they could only get strange movies at first. Movies like Killer Klowns From Outer Space, Re-Animator, Freaked and Little Monsters.

There was one particular film I always remembered but the title escaped me. All I ever remembered about the movie was that (a) smoke rose from the house, (b) a couch ate someone and (c) the kid gets nailed into a coffin. When the internet first started to become a viable source of information I’d search website after website for some clue as to what this mystery movie was. It wasn’t until one day on the badmovies.org forums when I finally got a lead. Someone said it was either Saturday the 14th or it’s sequel Saturday the 14th Strikes Back, but they warned me that they’re pretty terrible.

Now I’m not going to say this particular movie is “good” but it’s certainly better than the original. The film doesn’t follow any characters or plot points of the first Saturday the 14th but instead is a random and slapsticky comedy/horror in the same realm as Attack of the Killer Tomatoes.

Our main character is 16 year old Eddie Baxter. His family moves into a new house that they inherited from his uncle. The house has cracks in the basement where smoke is constantly rising. Eddie realizes that this smoke contains various evil demons with in it. These demons possess his family members as well as bring random pieces of furniture to life and allows various monsters to reside in the house. Eventually Eddie is the only member of the family left without being possessed. It’s up to him to save the family (and the entire world).

You know that when the biggest names in your horror film are Ray Walston and Avery Schreiber that you’ve got a movie that’s 90% comedy and 10% horror. Sadly 90% of that comedy fails to actually provide laughs. However there are also points where the absurdity levels reach a point where you have no option but to chuckle at the straight faced way that they deliver the more insane moments.

This is definitely a film that basically survives strictly on nostalgia. If you watch this movie having grew up with it you’ll know that it’s bad but you’ll be overwhelmed by the memories of the film. You’ll know it’s bad but you won’t care.

The film isn’t completely terrible though. There’s some cool looking puppets as well as entertaining stop motion throughout. There’s something moderately charming about the fact that the film never takes a second to stop. It’s one bad gag and bad joke after another. While the film doesn’t hold the same level of “so bad it’s good” praise that a Troll 2 or Plan 9 will receive it’s probably the only film where you get to see a werewolf spy on an olympic gold medalist in the shower.

If you placed a gun to my head and asked me to name the greatest zombie movie ever made, with very little hesitation I’d say Return of the Living Dead. In a recent episode of my podcast Reddit Horror Club we reviewed this very film. The fact is most of what you know about horror movies stemmed from this “parody” more than the classics like Night of the Living Dead and Dawn of the Dead.

It was Return of the Living Dead that first introduced the concept of zombies eating brains, it was also in this film that you first see zombies that can run (for better or for worse). But that’s not why I love that particular film, I love it because it’s a fun movie with some of the best looking zombies ever committed to film. If you consider yourself a zombie fan and you’ve yet to see it, this must be fixed.

Now… let’s talk about Return of the Living Dead Part 2

One can almost argue the film is a reboot more than anything. So many elements of the movie are similar (including many characters from the first ROLD returning as similar characters with similar dialogue). It’s basically a kid’s friendly zombie film, the MPAA was going to give it a PG-13 rating if not for one particular sequence involving a zombie getting cut in half. For whatever reason the director refused and decided to stick with the R (which good for him because the effect is one of the best ones in the movie).

Being that it’s a kid friendly film instead of following a group of 8 punk rockers in a grave yard we follow a young boy named Jesse Wilson. Jesse becomes friends with two bullies who take him to their club house. While there they discover a barrel of Trioxin (which turns you into a Zombie). The bullies lock him in an old mausoleum while they tamper with the barrel eventually spraying themselves (and the entire graveyard) in the deadly gas.

As expected the dead begin to rise leaving Jesse one of the only people that totally understands what happens.

The film currently holds a 0% freshness on Rotten Tomatoes. This movie is bad but it’s fair from 0% awful. The audience reviews were a 46^ which I think is at least slightly more fair.

There are elements that movie does a little incorrectly. They push the comedy heavier than before and while the original was funny is a slightly satirical way this film focuses on more slapstick humor as well as a Michael Jackson/Thriller Zombie. The silliness is just that silly. Nothing is laugh out loud funny in the film to the level that the original would make you laugh. Despite having directed a few horror films before and afterwards director Ken Wiederhorn hated horror movies which would explain his constant desire to stay away from the horror and play up the comedy. Most of the cast seems to have disliked his directing style and have negative memories on the whole experience.

Despite all the issues with silliness the movie is still extremely fun. While they play every  piece of horror with their tongue firmly in their cheek they didn’t skimp on the zombie effects. Be it puppets or make up each zombie has their own unique design and personality.

I love this movie to death and I’m sure a big part of it is because it literally oozes 80’s. They will never make a movie like this again (probably not a bad thing) but despite the fact that everyone involved hated the experience it looks like they’re having fun and that definitely helps make the movie a fun experience.

Go rent this and the original, turn your brain off and enjoy one of the greatest zombie movies ever made and a film where they shamelessly kill various bullies and turn them into zombies as well.

This past January American Reunion was released. The film immediately forced me to come to terms with the fact that my 10 year reunion is only a year or so away (it also forced me to admit that I enjoyed some of the direct to DVD American Pie Movies). What I guess my biggest fear is that I won’t be interesting enough. Whenever I tell anyone this they also respond with “Just tell them you invented Post-it Notes”.

I feel bad even including this as a Guilt Pleasure. Most people who have seen it have liked it, it made enough money for a shitty Made-For-TV Prequel and it’s got a 69% freshness on Rotten Tomatoes. To be fair, I only really picked it because I do love this movie more than natural and I thought I could tie it in with the new movie Bachelorette (because you know it’s about people who were ridiculed in High school… okay I admit it, it’s a bit of a stretch).

When Romy and Michele hear about their 10 year reunion they’re extremely excited to see their old classmates. Since graduating the two have moved to Los Angeles where they’re both single and living a life full of parties and fun. Michele is unemployed while Romy is a cashier. In an act of desperation to put an end to their ‘nerdy’ high school background they decide to create a fake life for themselves as successful business women.

Their lie is that they invented Post-Its. Their ruse lasts only a brief period of time at the reunion. They remain being mocked by the same people that harassed them previously. However the people who truly appreciated them for the unique people that they are show them the love and respect they never had in High School. Former popular girl turned Vogue Magazine associate fashion editor praises the clothing Romy and Michele made themselves and with a loan from another successful classmate create their own clothing line.

Romy and Michele could have been a painful failure of a comedy. The characters could have been obnoxious and annoying but Mira Sorvino and Lisa Kudrow made them adorable and likable. Furthermore Janeane Garofalo gives her funniest film performance ever has the miserable goth girl Heather Mooney (correction: Second best I almost forget Wet Hot American Summer existed).

The story of their redemption from High School losers to success is a touching one. The flashbacks to their high school days are genuinely heartbreaking. Even if we weren’t the one’s picked on like them, we saw the people who were like them.

The final message of the movie in my eyes is that you have to be true to yourself. While it’s nice that Romy and Michele end up having a successful clothing store. I’d have been just as happy if the film just ended with the two of them realizing that success isn’t how much money you made or the jobs you have but how happy you are with your own life.

I guess I got a little too preachy on this Guilty Pleasure didn’t I? Let me throw in some curses to bring it back to it’s normally low-brow caliber. Fuck Penis Shit Balls.

So this weekend absolutely no one will be rushing out to the theaters to see For a Good Time, Call… or at least that’s my prediction. However I’ve been wrong previously. I decided that this week’s guilty pleasure should be focused on one of my favorite romantic comedies of the last couple years. While the film wasn’t completely hated on it was seen as extremely mediocre and underwhelming however since it was one of two ‘friends having sex but not dating’ movies.

Both of these movies (the other being Friends With Benefits) starred male leads that I have no opinion of. I was a little shocked to discover that I liked Ashton Kutcher better than Justin Timberlake (yeah I know, like I said I was shocked). But Ashton isn’t what made me love this movie, it’s the witty satire on Television, relationships and friendships.

The movie takes the “When Harry Met Sally” method of starting with our leads meeting 15 years earlier when they were kids. They meet again a few years later at a college party and again at a swap meet. These early segments aren’t exactly crucial beyond giving the characters a reason to talk at the swap meet and the party.

Finally we’re in present day Ashton’s character (Adam Franklin) works on a High School Musical like set. He wants to be a writer but so far is just a general PA. Meanwhile Emma (Natalie Portman) is in the middle of her residency and has no time for relationships.

Adam’s rich actor father has recently started dating Adam’s ex girlfriend which puts an obvious strain on their relationship. Adam’s only solution is to text every single woman in his phone until he gets a hook-up while doing this he drinks himself stupid. He wakes up the next morning completely naked surrounded by people he doesn’t know. Eventually Emma shows up explains to him that he texted her, she gave him her address and he showed up drunk and started stripping for her.

While he starts getting dressed the random hook-up. They decided that this is exactly what they need in their lives and start having random sex over the next few weeks. Predictably Adam begins to fall for Emma and things become awkward between the two. Emma decides they both need to sleep with someone else but Adam refuses so they go their separate ways and Adam’s ex leaves his father. Adam realizes how awful of a person she really is. Luckily Emma comes back to him and they begin dating. Credits roll.

Yes this movie is extremely predictable. I won’t pretend it’s not. But is that really a bad thing? No one watches a romantic comedy expecting to see Memento, you want to see a couple meet, fall in love, break up and get back together. It’s a simple again, it’s why we watch them.

Elizabeth Meriwether’s screenplay is full of witty one liners, sexy situations and a story that manages to stay fresh regardless of the whole predictable nature of the film. Meanwhile Ivan Reitman directs some of the hottest softcore sex sequences put in mainstream cinema, the fact that these sex scenes also involve Natalie Portman just makes things even more enjoyable.

I’m not going to call this guilty pleasure a must see but if you want a romantic comedy for a date night which you can enjoy as well. It’s worth checking out.

The Amityville movies are in general pretty terrible. This would be because they’re based on a hoax (theoretically) and adapted from a book that wasn’t very good. I recently took the time to sit down and read the Amityville Horror and it’s a terrible read, yet a very interesting read at the same time.

After reading the book I wrote a short essay on my opinion of the book as a whole in my blog Pure Mattitude. You can read the whole thing if you want but I’ll give you a quick exert from my essay.

I’m not going to lie, after reading it I’m convinced that the events of the book really happened. I say that in the sense that no one could fabricate something this fucking boring and try to sell it as exciting unless it really happened.

The books “paranormal activity” involve “Windows breaking during a storm”, “car trouble” and “going to the same bar as the person who murdered his family a few years earlier”.

This awful and dull book lead to a feature film and 8 sequels. They are all pretty bad to the point of painfulness. Sadly due to the fact that pretty much all the movies are terrible people don’t really recognize the only one that’s moderately interesting; Amityville Horror II: The Possession.

You see while the first Amityville Horror is based on a very potential hoax and all the other sequels are simply made-up stories Amityville Horror II is the only thing based on a proven event, the DeFeo murders.

Now for the sake of creative liberties the names were changed to the Montelli family but the film is based on Murder in Amityville by Hans Holzer. The book (later renamed Amityville: Fact or Fiction?) tries to propose that Ronald Defeo Jr was possessed when he murdered his family.

The movie enters some dark and demented elements like a violent and abusive father as well as an incest filled relationship between brother and sister. But we’ll get to that in a second. First let’s go through the plot a bit.

When the Montelli (aka the Defeo’s) family moves into the Amityville house thinks get weird right away. Windows start opening and closing, paintbrushes come to life and paint hateful messages on the wall and eldest son Sonny starts hearing messages in his walkman.

Dolores asks the local priest to bless the house but his driven away by the abusive and violent husband Anthony (played extremely over the top by Burt Young). While the family goes to church so Anthony can apologize their eldest son Sonny (Son… Sonny… ugh) becomes possessed. HIs first act as a now demon possessed teenager is to bang the shit out of his sister (who is played by Diane Franklin aka Monique the French exchange student from Better Off Dead so really… who can blame him?).

As Sonny falls deeper into the possession his face begins to take on a more demonic appearance (because hey, it worked in The Exorcist). Eventually he’s driven to murdering his entire family on his birthday.

The young priest from earlier takes interest in Sonny an believing that he is possessed decides to exorcism him. While he may not be cleared of his murder charges, Sonny will be able to be himself again. The film ends implying that the priest is now possessed, if he is we won’t ever find out because the next sequel was a 3-D film about a demon living in the basement.

These final 30 minutes is what I find most interesting in this film. The demonic make-up is top notch during the final exorcism sequence. Sonny is caked in slime, contacts and rotting features. While the exorcism isn’t on the same level as other famous exorcism sequences (aka The Exorcist), it’s still quite good. While much of the sequence where Sonny’ becomes possessed is pretty absurd, the special effects and makeup remain quite impressive.

All in all the movie’s not terrible. There are some slow points and some of the performances leave something to be desired. Burt Young’s performance of the violent, abusive and cruel father for instance constantly walks the line between frightening and hilarious. The first scene in which he bites the youngest child and then beats Dolores when she tries to protect them is genuinely disturbing. On the flip side (just 10 minutes later) when he’s beating a child and screaming at the priest the sequence is so outrageously cruel that you find yourself chuckling a little.

On the opposite end of the spectrum Jack Magner’s performance of Sonny Montelli is quite energetic and well done (particularly given how ridiculous the possession sequence was shot). Sadly his only other performance was as “young serviceman” in Firestarter. I don’t even know if he is still alive as his IMDb page has little to no information on him.

In one of the more ridiculous moments of cinema history stemmed from the resolution of a lawsuit. George Lutz (the real life ‘victim’ of the first Amityville Horror) intended to have the sequel be based on the book Amityville Horror Part II. The book by John G Jones has the tagline “The terrifying true story continues” but then has a disclaimer stating “This book is a work of fiction, the author created this story”. When producer Dino De Laurentiis went with in a different direction Lutz attempted (unsuccessfully) to sue. However Lutz did win the right to put posters in theaters informing everyone this film has “no affliction with George and Kathy Lutz” (because you see an Amityville horror film for them and not a possessed and demonic house).

While the movie had mixed and negative reviews some critics (shockingly enough Roger Ebert) did see this as an improvement on the original (because it is). However the movie debuted at #1 it’s opening weekend and opened the door for Amityville everything (including possessed clocks and dollhouses). The Amityville Horror series is undeniably the worst horror franchise out there, but you still shouldn’t write off this particular sequel.

In 2002 (aka 10 years ago) the movie opened #1 in the box office despite negative reviews. It’s success indirectly lead to a sequel as well as other kids movies based on old cartoons (Josie and the Pussycats came out first but it was far from a box office smash). So is Scooby-Doo really that terrible?

No. It’s not. I mean it’s not good. But it’s far from awful. What I see this movie I can see two movies battling to be the superior. James Gunn has been very open about the fact that his script was definitely a PG-13 adaptation (like The Brady Bunch and Josie and the Pussycats before it) contains such elements as Shaggy being a stoner as well as Velma and Daphne being secretly lesbians (and by very open I mean I think I heard him say that on Doug Loves Movies once) and then there’s the PG movie that Warner Bros wanted. This was confirmed by Sarah Michelle Gellar who reported that after all the cast signed on the script was made more family friendly.

There are definitely elements in the film that got to stay in the final product. One of my favorites being a joke in which upon Shaggy’s meeting of a girl name Mary Jane replies “That is like my favorite name ever” as well as his introduction being him grilling to the song “Pass the Dutchie” by Musical Youth. But I’m getting ahead of myself.

The movie opens on the infamous mystery solving team (Mystery Inc)’s final mystery. After solving the case of the Luna ghost the group of extremely old meddling kids break up over various egos (specifically Fred, Daphne and Velma). Shaggy and Scooby remain optimistic that they will reunite again. And they do… 2 years later when they’re all summoned to solve the mystery of Spooky Island.

Park owner Erine Mondavarious (Rowan Atkinson) informs the group of his theory that an evil curse is being placed on his guests. The wild partying college kids leave sober and super aggressive.

While trying to solve the mystery old wounds are reopened. Velma still feels pushed aside for being dorky and less attractive than Daphne. Her obviously crush on Fred gets in the way of her crime solving and Fred is as womanizing always.

The gang eventually overcomes their differences and solves the mystery. Mondavarious isn’t Mondavrious at all but infact Scrappy Doo in disguise. Scrappy has invited the gang there to get revenge for them abandoning him (ironically due to HIS ego).

This was James Gunn’s third script having previously written the Specials and Troma’s Tromeo & Juliet (which Gunn claims in Lloyd Kaufman’s book Make Your Own Damn Movie is the film that got him Scooby-Doo). Gunn is a true horror fan (as evident in his scripts Dawn of the Dead and Slither) and while I don’t know if he had much influence on the casting of the film, I’d like to believe it was his choice to give Miguel A Nunez Jr (Return of the Living Dead, Friday the 13th Part V) a small role.

Regardless of who did the casting they should be rewarded. Every actor is perfectly cast (specifically Matthew Lillard who doesn’t get enough praise for his perfect performance of Shaggy). They also managed to make the ordinarily gorgeous Linda Cardellini a believably dorky and overlooked Velma.

It’s the elements of the PG-13 script this movie almost was (a few of the scenes found in the deleted scenes of the DVD) that make this movie worth watching. The film could have been hilarious. I’ve mentioned it a few times already but since Josie and the Pussycats has been covered previously in this column I’ll say that ideally that’s what this movie could have been.

A few of the elements added to make it more kid friendly make me chuckle (specifically Shaggy and Scooby’s farting contest… juvenile yes but I love a good fart joke). However in the long run the kid friendly aspects lack the same charm and entertainment level as what Gunn was clearly intending to do.

My other complaint has to do with the special effects. This was the same year as Lord of the Rings: The Two Towers and while they obviously didn’t have the same $94 Million Dollar Budget Jackson had, I wish Scooby, Scrappy and the other monsters had the texture of Gollum and little less the cartoony look of Jar Jar Binks.

All in All the final product isn’t terrible. It’s just a mediocre movie that you can tell could have been much better. The sequel Scooby Doo 2: Monsters Unleashed received a five word review from Leonard Maltin who simply said “It is what it is”. Just a fun fact to leave you on.

This summer there was a tour that was so full of nostalgia that I was genuinely angered by my lack of job and the high price of admission. The Tour was the Summerland Tour which featured a literal who’s who of 90’s alt-rockers. Everclear, Gin Blossoms, Sugar Ray, Marcy’s Playground and Lit all toured the united states reminded people in their late 20’s-early 30’s how much fun the 90’s music scene used to be.

Three of the 5 bands are undeniably some of the most successful bands of the decade. Everclear had 5+ hit singles, Gin Blossoms had at least four and Sugar Ray had about the same. It’s hard to really understand why the extended an olive branch to one and two hit wonders like Marcy’s Playground and Lit… unless of course for the fact that they’re amazing bands, particularly Lit.

In a recent interview with the Kidd Chris Show, Sugar Ray singer Mark McGrath was asked “Who’s the band that impresses you the most on the show?” and he quickly said “Lit”. The band exploded in 1999 with their catchy single “My Own Worst Enemy”. Even 10+ years later I still hear this song covered by many a local band and it almost always gets the crowd screaming along, it’s just one of those rock songs so perfectly constructed with memorable hooks and lyrics that it’s hard to become excited when you hear it.

The band had two moderately successful follow-up singles “Zip-Lock” and “Miserable” before falling into obscurity. I picked up my copy of their platinum selling record A Place in the Sun for $1 at a used CD store a few years ago. What stuck out/shocked me the most was how the record holds up.

Lit managed to craft and relatively genreless record. They put together a mixing pot of music ranging from Pop Punk, Metal, Alternative Rock and even a Ska song which lead to a record that accapulates all of 90’s radio (minus rap) in a 12 song time capsile. While that lack of focus lead to many average to negative reviews, I think it’s the very thing that allows the record to hold up now.

The opening track Four (the song is called Four, it’s the first song, it’s weird). Feels like a modern day arena rock song just exploding into heavy rock with a sound so full you almost forget that it’s all being created by 4 dudes (hey… maybe that’s what the song title means?).

Songs like Lovely Day (my favorite track) and Miserable (my least favorite track) both show off guitarist Jeremy Popoff’s ear for good guitar hooks and using guitar pedals to create truly unique and bizarre guitar solos.

It’s a shame that A. Jay Popoff isn’t more recognized for his vocal styles. He has a strong and unique voice and while his songwriting could always use some work (look no further than Perfect One which may be one of the cheesiest love songs the 90’s had to offer… and that’s saying a lot) he can really sell the cheesiness by having a real sincerity in his singing.

I’m going to be honest, I love Ska music. It was my favorite genre for years and still remains the genre I go to when I need to cheer up. That being said Lit’s “ska” song Happy isn’t a Ska song as much as it’s just a rock song with horns (Like Chicago) that being said.. I appreciate Lit’s effort at trying to do Ska, thankfully this was their only attempt.

It’s not shocking that I love 90’s one-hit wonders. Almost all the past guilty pleasures that are music related are one-hit wonders (see Harvey Danger, The New Radicals and Ugly Kid Joe for example). However unlike those artists who had moderately decent records beyond their one big hit (except New Radicals who only released one album) I’ve never bothered to purchase other Lit records. Not really sure why not since I love this album from start to finish.

All in all if you’re a fan of 90’s radio and strayed away from Lit’s massive record A Place in the Sun assume there’d only be one or two good songs I suggest you give the record a shot. Chances are you can find it in your local thrift shop for a buck or two.

Kids are idiots.

There I said it. We were all thinking it. Every single one of us at one time was a kid and at that time we were an idiot. Some people try to pretend they weren’t idiots. They say things like “That movie is terrible, even when I was a kid I knew it was bad”. No you didn’t. You’re a liar. At that time you enjoyed the taste of your own boogers and walked around with your bowel movements swimming around your ass. Your ability to have ‘taste’ in things was weak at best.

I’m not exempt from this “kids are idiots” thing. Because when I was a kid I thought Mac & Me was a better movie than E.T. I want to say that I don’t still feel this way (because I really don’t) but I’ve also realized that I own Mac & Me on both DVD and VHS yet I own no copies of E.T. so… maybe I do still believe that. Some people never stop being an idiot.

Mac & Me isn’t so much a movie as it’s a 90 minute commercial for McDonald’s starring a Mysterious Alien Creature (aka MAC) and a boy in a wheelchair. But I’m getting ahead of myself right now, let’s break this down a little better.

The movie opens on MAC’s home planet. Mac and his family are transported to Earth while searching for food and immediately break free from the laboratory that captured them. Mac gets separated from his family and ends up in the car of the Cruise family as they are moving into a new home.

Eric (a handicapped boy) discovers Mac and makes it his goal to help Mac reconnect with his family and return to their home planet. Actually I’m going to stop explaining the plot, if you’ve never seen it just think of the plot of E.T. it’s basically the same plot. Just with MAJOR product placement.

You see, remember that iconic Reese’s Pieces moment in E.T.? Well , imagine if that scene happened every 5 or 10 minutes and you’ll start to understand how bad the produce placement is. I mean for starters the alien is named after a McDonald’s sandwich, he survives off of Skittles and Coca-Cola and best of all there’s a giant dance sequence (while MAC’s disguised as a bear) in a McDonald’s (featuring Ronald McDonald).

This Always Happened at my McDonalds

I’m not saying that subliminal messages like this work. But I just took a break from writing to pick up chicken McNuggets. People will say this wasn’t product placement because the filmmaker says they never received payment from any of the products that appear in the movie. That’d be easier to believe if you didn’t have this trailer.

You see this film has bad reputation, but much like Joan Jett I don’t give a damn. I love and embrace this movie, but not just for the so bad, it’s good quality (although it helps). I remember always loving the design of Mac, even though he’s terrifying looking and has DSL constantly puckered on his face.

I guess it’s impossible for me to not mention the cliff sequence. If you’re not familiar with the scene I speak of, you’ve definitely never seen the movie. As I said earlier Eric is in a wheelchair, when he first sees Mac he chases him (well… wheels at him) suddenly he loses control and begins wheeling down a cliff. Without warning we get this incredible shot of a manniquinn strapped to a wheelchair falling into the water below. Mac of course saves Eric and their friendship begins to bloom. Don’t believe me? Here’s the infamous moment

The clip has developed a cult following when it became a running gag on Conan O’Brien’s show to play this clip whenever Paul Rudd was on (Even though he has absolutely nothing to do with the film, the biggest name in the film is either Jennifer Aniston as an uncredited extra or Ronald McDonald as himself). Perhaps if Paul continues doing this we’ll eventually see the Mac & Me sequel since the movie does promise that they will be back!

That’s My Boy seems to be keeping with Adam Sandler’s recent career decision of making us feel sorry and hatred for the once untouchable comedic god. When I was in Elementary School and Junior High I can’t think of a single boy in my grade that didn’t worship Sandler and Farley. In the 90’s Sandler was a hero to a generation. That generation who grew up knowing Happy Gilmore and Billy Madison by heart. That generation who knows all the famous Jews thanks to all 3 Chanukah songs. It’s also that generation who gets completely confused when we see Sandler starring, writing or producing movies like Grown Ups, Bucky Larson, Jack & Jill and That’s My Boy.

The SNL alumni also managed to make a name for himself in the 90’s as a musician. His first album They’re All Going to Laugh You is a critically hated but commercially massive comedy album that is one of the funniest records the 90’s had to offer. It’s follow up What the Hell Happened to Me? did a record high and continues to be the best selling comedy album since Nielson Soundscan began tracking in 1991. Ironically “What the hell happened…” was the question on many fans’ lips the following year when Sandler released What’s Your Name?

After an album heavy on long vulgar skits (like The Goat, a skit that many a teenage boy quoted to each other when parents weren’t home) Sandler released a record of all songs. The record sold well enough (over 500,000 copies) but in general the album was greeted with mostly shoulder shrugs and scratched heads. For me though, even at 12, I loved this album immediately.

Sandler is a musician. He’s not the greatest singer in history nor is his guitar playing earth shattering, but he’s always been someone who loved music. Many of his classic SNL segments were based on music (including Red Hooded Sweatshirt found on this record). Listening to his songs you hear another side of this comedian Adam Sandler. While in film he’s typically a short-tempered man screaming about “something” and in his skits he’s usually spouting as many four-letter words and potty humor humanly possible in songs he can suddenly become someone you sympathize with.

This doesn’t mean that the four-letter words and potty humor doesn’t find their way into songs (look no further than Bad Boyfriend, Dancin’ and Patsin’ and The Goat Song for plenty of vulgarity) but mostly the songs come from the perspective of the outcast.

This is the key-element in my mind to people’s immediate rejection of this record. It’s definitely a rug being pulled out from you. You go out and pick up an Adam Sandler record you expect something that will make you laugh out loud. Some of the songs do that (Voodoo, Corduroy Blues) but you’re completely side swiped when a song like Pickin’ Daisies comes on.

Pickin’ Daisies tells the story of a young boy (I always imagined him about 10) who gets picked on mercilessly by kids at school. His dad is ashamed by him but he finds comfort with his mom. He doesn’t care that he has to do girly things with her. She provides him with comfort. The song ends with him thinking about years down the line when him and all his classmates are in an old folks together and he’ll have memories of his mother to comfort him. Sandler tries to make the song humorous with his “mother voice” and a few of the things the mother says, but at the end of the day the song is delightful mix of sweet and sad.

Even elements as something as ridiculous and vulgar as The Goat Song leaves you wanting to sympathize with the battered and abused goat. When he sings ‘Thank you old man for saving my life, thank you again and again/You could have let them barbaque me, instead you acted like a friend’ have a strange sweetness to them. However it’s in Lonesome Kicker (the lone single) where Sandler’s sympathetic comedy shines through strongest.

Sandler wears Bruce Springsteen’s sound better than the (so-called) Boss himself. The song tells the humorous but sad life of a field goal kicker Andre Kristacovitchlalinski, Jr. While there are plenty of short jokes and lyrics about his lack of respect there’s also lines like “I hope that the cameras don’t come in to close or they might see the tears in my eyes” that are sung with such sincerity that you can’t help but feel a little bad for this fictional foreigner

I think Sandler wanted to prove to the world that he was a musician as well as a comedian. You don’t write a song like Listenin to the Radio without having a love and desire to play music. But he made a fatal mistake in performing under his name. People see Adam Sandler they think “comedy”, it’s the exact same reason why Donald Glover raps under the alias Childish Gambino. People have an Adam Sandler expectation and when rapid-fans don’t understand why that expectation isn’t being met they’re unhappy. Regardless of how great the product may be (read some comments on the Punch-Drunk Love thread on IMDb for proof).

I can defend What’s Your Name? and I can explain why I think Sandler made the choices that he did… but I still can’t explain Jack & Jill to you. Sorry

This Friday people will be getting their 80’s Cock Rock on through the newest musical-turned-movie Rock of Ages. The 80’s was a great time for rock, but few remember it was also a great time for bad-musicals. No I’m not about to talk about unexplained cult-classic Xanadu. I’m talking about a musical so bad, so confusing that at it’s premiere the screen was damaged by audience members throwing their complimentary soundtracks at the screen. I’m talking about 1980’s confusing futuristic disco religion allegory The Apple.

The Apple takes place in the distant future of 1994. Compared to most science fiction predictions of the future… 2001: A Space Odyssey was a closer prediction… by a lot. For starters 1994 (based on this film) the world is still dominated by disco.

The film starts off in a futuristic convention center where an American Idol like singing contest is occurring, the winner will get a record contract to BIM (so I guess they got that right). Voting is based on heart-beats (sure).

Disco group Pandi and Dandi are the fan favorites but it’s a close call when canadian hippie duo Alphie and Bibi. Their song is about Love. They look like they’re going to win until they are sabotaged and booed off the stage. Alphie and Bibi refuse to take this sitting down and mark up to BIM owner Mr. Boogalow’s after party.

He’s impressed by their spunk and signs them. Quickly they are introduced into a world of drugs and sex. Alphie storms off but Bibi sticks around and drinks up the stardom. Eventually she realizes the evils of BIM (and the fact that Mr. Boogalow is clearly the devil) and returns to Alphie in a hippie community.

Now what happens next is what makes this movie fantastic. If you haven’t seen this film, but plan on it then don’t read the next paragraph because it’s so magical it will cause your brain to explode. In fact stop reading and watch the movie because I’m posting a picture too.

Mr. Boogalow and BIM arrive to arrest the hippie community when God arrives in a flying white Rolls Royce lands form the sky. He takes the hippies to ‘somewhere new, away from Mr Boogalow’s influence’ and flies away.

I can’t wrap my head around the writing and pitching of this movie and this sequence specifically but I don’t care. It’s the most magical moment in film history.

I’m a huge fan of The Apple. It’s cheesy and admittedly bad but I adore it. The music is surprising decent, the acting is… passable and the costume design is beyond flamboyant. The star of the show is how terrible the choreography is. Specifically since it was done by So You Think You Can Dance head judge Nigel Lythgoe.

This movie is one of those special films where they fail at almost everything. You must see it to believe it.

When he’s not watching Rock and Roll Musicals Matt Kelly is hosting The Saint Mort Show, Co-hosting the Reddit Horror Club Podcast, Writing in his blog Pure Mattitude, Tweeting and running Dollar Monday Promotions

Episode 31 Matt goes to Philadelphia Wizard World and interviews Lloyd Kaufman of Troma Pictures, John Pata and Adam Bartlett behind Dead Weight, Nick Davis the Creator of A Teddy Bear Tale and Marc Zicree author of Twilight Zone Companion and creator of Space Command

Troma Pictures
Dead Weight
Space Command
A Teddy Bear Tale

Find Us on iTunes

This week I got to sit down with guests Charlie Chan and Josh Ireson. I’ve known both of these guys for a couple years so it was fun to discuss past shows, hang outs and urban legends. It’s a more personal episode, I hope y’all don’t mind!

SHOW NOTES:
Team Goldie’s Website
With Life In Mind’s Facebook
Charlie Chan Entertainment
Roots in Stereo Facebook
Fowl Play Website

Be sure to check out my twitter, Facebook group and blog!

Find Us on iTunes

 

Episode 27 Matt interviews Fabien Matorell about his Lloyd Kaufman documentary Tromatized and musician Lily Bee.

I was tired while recording the ‘between segments’ so I apologize to the audience for the hushed talking and special apologies to Lily Bee for setting up the audio incorrectly so it sounds like us talking in two separate rooms with a single microphone sitting in the middle of the hallway.

SHOW NOTES:

TEAM GOLDIE’S WEBSITE
TROMATIZED SITE
FOWL PLAY’S WEBSITE
HARLEY POE’S WEBSITE
LILY BEE’S WEBSITE
PUNCHY’S PILOTS’ SITE
JOE WHITEFORD OF HARLEY POE’S EPISODE OF SAINT MORT SHOW

Read some fun stories about the recording of this episode at my blog – PureMattitude.com

Find Us on iTunes

There are plenty of songs that were number one hits that are beyond confusing. For starters you’re not going to see me defending Los Del Rio or Right Said Fred anytime soon. The fact is there are two types of one hit wonders, ones that deserve the title (Baha Men, Gerardo) and once’s that don’t (Harvey Danger, The New Radicals) despite what 99.9% of the music world will have you believe Afroman belongs in the latter group.

In the summer of 2001 you couldn’t avoid the hit single Because I Got High. The comedic song about a man who’s life has crumbled do to his marijuana abuse was easily the hit of the summer. It started as an independent release that got big thanks to Napster. It caught the ear of Howard Stern who made the song a huge hit and got Afroman signed to Universal Records. The song was featured in multiple films (most popularly in Jay and Silent Bob Strike Back).

The song was ‘released’ on Afroman’s “debut” album The Good Times. The album was actually a compilation of the best songs off Afroman’s first three independent albums. The follow up single Crazy Rap didn’t chart as well as Universal had anticipated and Afroman was quickly dropped. However he still records and releases independent albums to this day (most recently 2009’s Frobama: Head of State his 13th album).

So why am I defending Afroman? What possible reason could I give to support his music?

Well for starters it’s fucking hilarious. Because I Got High was a funny novelty song sure but the real gold is on the rest of the album. Songs like Crazy Rap (where Afroman raps about every girl he’s had sex with for 6 minutes) or She Won’t Let Me Fuck have a delightfully perverted sense of humor. What makes the whole album extra ridiculous is that when he’s rapping (Palmdale) or singing (Hush) he’s above average at both.

Admittedly the subject matter never extends from either Drugs (Tumbleweed), Sex (Crazy Rap) or Alcohol (Let’s All Get Drunk), but that is part of the appeal. I remember when the album first came out reading an interview with Afroman (aka Joseph Foreman) and he said that the persona of Afroman was a satirical version of all the stereotypes of black culture. THis is most clear in the song Tall Cans where he repeatedly talks about ‘Walking down the street with some chicken and forty’.

So if Afroman is so great? Why haven’t I heard of him (or his 13 albums) in years? After the success of The Good Times, Afroman got out of his six record contact with Universal Records. And in 2004 began releasing his independent records starting with Afroholic…The Even Better Times. Afroholic is a double disc album packed with parodies of songs like the Cheers Theme (Nobody Knows Your Name) and Jack and Diana (Jackin Afroman) which tell various reasons why he left Universal as well as original new songs.

There’s multiple reason Afroman gives for leaving the label (He didn’t like the fame, Universal took all of his money) but I think the song Whack Rappers shows that his biggest issue was with hip-hop himself.

Despite the obscurity the rapper continues to be popular in Underground hip-hop. He has appeared at the Gathering of the Juggalos and even performed guitar with one of my favorite bands Eels. Turns out he’s also a good guitarist.

Tell us about your guilty pleasures in the official guilty pleasures thread.

I write blogs, I podcast, I tweet, I Make Music I am Matt Kelly.

In Episode 8 of The Saint Mort Show we are being reviewed by Professor Comedy. Regardless of his interruptions and notes I power through and interview Greatest Movie Ever! host Paul Chapman, Mitch Donaberger (Simpsons Expert) and as a Mother’s Day treat my Mom Donna Kelly

 

Twenty years ago, the world lost Jim Henson. I was four years old at the time, but I remember learning about his death a few months later on the television special “The Muppets Celebrate Jim Henson.” While in college years later, I purchased a bootleg of the broadcast on eBay and it’s always been one of my most prized possessions.

Jim Henson has always been my biggest influence. While movies like Star Wars and Jaws made me want to make movies, and Kevin Smith showed me that it’s possible to make it with just a cheap camera and your friends, Jim Henson taught me that anything was possible. It’s hard to reflect on a person who I never met and who died before I was out of pre-school. I could use my assumptions and write about his importance and influence on the entertainment industry, but first I want to talk about his influence and importance to me.


I was born about a year before my parents were married. They didn’t have a place to live at the time so the first year-and-a-half was spent at my mom’s parent’s house. While she went to work, my grandfather would baby-sit me and had me watch Sesame Street and The Muppet Show reruns. I’ve always loved the Muppets. As far back as pre-school I remember watching many Sesame Street VHS tapes. I’d listen to songs like Ladybug Picnic, Alligator King and Telephone Rock roughly three times a day and wore through the VHS tapes to the point where they could no longer play.

Perhaps it was because of that first year of my life that I developed a very close relationship with my grandfather. Our family would have parties and while everyone was drinking and watching football, I’d hang out with my grandpop in his music room. We’d listen to old jazz records, he’d play his banjo, and we’d always watch either the Marx Brothers, Mel Brooks or Muppet films. The Muppets helped shape my concept of comedy and their influence is noticeable in multiple comedians and comedy writers ranging from comedy troupes like The State and Stephen Lynch to directors like Lloyd Kaufman and Kevin Smith. Comedian Chris Hardwick even referred to the Muppets as one of his two biggest influences on the twelfth episode of his podcast “The Nerdist” (The following episodes his guests WERE The Muppets).

I come from a family (at least on my mother’s side) where everyone is a musician. When we’d have parties, there were always different family members performing songs. But the show stopper was when my Uncle Tommy (who was an amateur stand-up comedian/impersonator) would get a Kermit the Frog puppet and sing Rainbow Connection while my grandfather played banjo. Still, somewhere around junior high I really stopped caring about Jim Henson and the Muppets. It wasn’t like I stopped liking them – I just never thought about them any more. It wasn’t until my grandfather’s death in 2001 when they reentered my mind. The day after his funeral, I turned on the TV and was greeted by Kermit the Frog singing Rainbow Connection in the opening credits of The Muppet Movie. I immediately broke down crying. This brutal moment had reopened a door into the world of Jim Henson for me.

Every person who’s ever worked with Henson says the same thing when they’re interviewed about him: He was friendly, funny and always coming up with new ideas. In a world where it feels like every movie is full of CGI and 3-D effects, we sometimes forget how wonderful the practical effects of the past were. While movies like Deep Blue Sea and the Star Wars prequels look cheesy and dated already, a movie like Labyrinth still shines with fantastical wonderment.

It’s easy for me to say that Jim Henson is the reason I write or direct or do comedy. What people forget are the other things that Henson inspired in us and taught us. He taught many of us how to read and write through his characters on Sesame Street (and his legacy has continued to educate long after his death). He taught us to love each other, to care about each other, to believe in ourselves and of the unlimited powers of our imagination. 

What always made things work for Henson was the way he depicted his characters. They were human – legit real creations – that were so much more than just pieces of felt and ping pong balls. When you watch the Muppet Show, you identify with these characters, be it the glamorous Miss Piggy, the misunderstood Gonzo, the stuggling artist Fozzie, the always relaxed Rowlf, or Kermit, who has the most daunting task of all the Muppets: struggling to keep everything together. I sincerely believe that everyone can be connected with a Muppet. But what made these characters so special and such an impact on generations of people young and old were the ways that they interacted with each other. They fought and they performed, but at the end of the day, they cared about each other. The Muppeteers were friends, and those friendships came through in the characters.  

There’s a song lyric that has always made me think of Henson. The lyric is from the song “Pure Imagination” from the 1973 film “Willie Wonka and the Chocolate Factory”: “If you want to view paradise/Simply look around and view it/Anything you want to do/Want to change the world, there’s nothing to it.” Jim Henson made the world believe that anything was possible. He created wonderfully elaborate worlds in his films. He made us all believe that as long as we believed in ourselves, we would succeed. He was the living example of following your dreams.  

Jim Henson started his career on public access television with Sam & Friends, a show that almost immediately oozed Jim’s trademark off-key brand of humor and introduced future classic characters like Kermit and Rowlf the Dog. While producing the show, Henson started to experiment with techniques that forever changed the way puppetry was performed on television. Until that point, it had always been a ventriloquist act, but Henson used monitors and raised sets in order to allow puppeteers to hold puppets over their heads and watch their performances on the screens. He made a living using the puppets to make commercials, appear on talk show appearances and even directed an award-winning short film called Time Piece. However it was when Joan Ganz Cooney and the team at the Children’s Television Workshop approached him about their educational show Sesame Street that Henson truly got to shine. 

It was there that Henson began to build a legacy with a new version of Kermit the Frog, in addition to Oscar the Grouch, Bert and Ernie, Cookie Monster and Big Bird – just to name a few.  Henson always downplayed his role in the success of the show, but Cooney frequently praised his work and the Public Broadcast Service called him “the spark that ignited our fledgling broadcast service.”

Henson worried that he’d be typecast as only a children’s entertainer and began producing a series of adult sketches for Saturday Night Live, but the writers were not fans. Michael O’Donoghue famously stated, “I don’t write for felt.” It was from there that the groundbreaking Muppet Show began to grow. American Networks mostly rejected the series, feeling that the Muppets could only appeal to children, but it was with the help of a media mogul named Lew Grade that the show got made. Like most great shows, it was a slow burn to its popularity. But in 1979, Henson made The Muppet Movie, which became the 61st highest-grossing movie of all time and made the song Rainbow Connection a radio hit as well as the song most attributed to the Muppets.

The fame didn’t hold up forever, however. After the box office failure of Labyrinth and the low ratings for his television shows The Storyteller and The Jim Henson Hour, Henson began negotiations to sell the company to the Walt Disney Company to save the Muppets and give him more time on the creative side of show. Less than a year later, Henson began feeling flu-like symptoms and started feeling sick and constantly tired. Early on May 15, 1990, he was having trouble breathing and began coughing up blood. His ex-wife Jane Henson was by his side and she claimed in an interview with People Magazine that Jim thought he may be dying but didn’t want to bother going to the hospital. Jane said this was likely due to his desire to “not be a bother to people.” The following day, Henson died of pneumonia.

Someone recently put the entire funeral service on YouTube. While this might be a morbid thing, it’s an incredibly touching memorial filled with Dixieland music, singing, laughing and personal stories of favorite moments with Jim. There’s this constant struggle between great sadness and intense happiness for a great man who most of us never met. Many of the comments expressed a feeling of sorrow, as if they lost a close friend and not just a random celebrity. I completely identify with those sentiments, as there has never been another celebrity whose death has left such a feeling of emptiness inside me like Jim Henson’s passing.

In the last few months, I’ve been working on an EP planned for a July 20th release titled Musicians Celebrate Jim Henson, and one of the most impressive and inspiring things about this project for me has been the outpouring of love and respect that Jim Henson still has today. This is just one person’s opinion on a great man. If you grew up on Sesame Street or Muppet Babies, if you learned how to play drums from watching Animal, if as far as you’re concerned the only true Christmas special out there is when the Muppets visit Fozzie’s grandmother, then please use the Geekscape comments and share your fondest memories of this man. And especially remember how his great influence is still significant 20 years after his death. 

The following clip is from the 1990 TV special Muppets Celebrate Jim Henson. This clips sums up the man far better than I, or anyone else, could.