If you didn’t know by now, filming has begun on The Wolverine, and details are starting to leak out in small bits. The movie is set to follow Frank Miller and Chris Claremont’s legendary story arc in Japan. But this has many fans worried still due to the horrendous storyline and over abundance of characters that were seen in X-Men Origins: Wolverine. Hugh Jackman has however made numerous statements that make it seems that, just like many of us, wants to forget the last film. And now it appears that the film will be more of a reboot and less of a sequel. In a recent interview with Total Film Magazine Jackman stated the following:

“We’ve deliberately not called it Wolverine 2 because we want it to be placed and feel like a standalone picture. With an all-new cast and setting it in Japan, it’s going to give us a whole new visual aesthetic. The approach to character means we won’t be overloaded with mutants and teams and the like, so it’ll be more character-based. I think in many ways it will feel like a completely different X-Men film.”

It’s a pretty smart move to keep the title as being The Wolverine (which was actually Darren Aronofsky’s decision) to separate itself as much as possible from the previous film. And the fact that the film will not be crammed full of unnecessary characters is also good news being that some of the previous X-films have definitely suffered due to an abundance of extra characters leading to what felt like a half-assed pieced together story.

For awhile it almost seemed like this movie would never see the light of day. Especially so after Aronofsky walked away from the project. Jackman even admits that he  was worried about it never happening.

“I’m just really glad it’s happening. For a while it’s felt like a rocky ride. I think it’s the best idea we’ve had, the strongest script we’ve had and that now we really have an opportunity to make something really great. I’ve been waiting for it so long now. I think half the material in my one-man show is about the wait for The Wolverine!”

I was a little more excited myself to see what Aronofsky would have done with the character than Mangold but this news does give us a little sigh of relief. Hopefully they can pull this off and re-vitalize the franchise like First Class did.

The Wolverine claws its way into theaters on July 26, 2013.

Source: Total Film [via CoventryTelegraph]

Last week we reported that Jessica Biel had been added to the cast of The Wolverine and would be playing Viper. Talks have since broken down and Ms. Biel will not be in the movie, but that hasn’t stopped Fox from moving on and finding a new actress for the role.

Twitchfilm is reporting that Fox is in talks with actress Svetlana Khodchenkova to take over the role. Khodchenkova is a relatively unknown actress to people state-side, she was most recently seen in last year’s Tinker Tailor Soldier Spy. The movie is scheduled to begin shooting next month in Sydney, Australia.

Hugh Jackman will once again don the claws as Wolverine and James Mangold is directing. The Wolverine claws its way into theaters July 26, 2013.

So, now even if this movie sucks you can watch it for the sheer enjoyment of the beauty of Jessica Biel being in it. You read that right kiddies. Ms. Biel has joined the cast as Victoria/Viper.

According to Marvel lore Viper bounces between good and not so good and she holds some sway over Wolverine but is mostly a foe to the X-Men and Avengers.

I hated that last Wolverine movie but the recent castings has definitely increased the interest I have in this flick that started with James Mangold directing.

‘The Wolverine’ claws its way into theaters July 26, 2013.

Update: Casting news is just pouring in now! Heat Vision is reporting that not only is Will Yun Lee been cast but Brian Tee (Grim,” “Burn Notice,” The Fast and the Furious: Tokyo Drifthas also been cast.

Tee is playing Noburo Mori, a corrupt minister of justice who is about to marry the daughter of a yakuza crime lord (the daughter is Wolverine’s love interest).

Update: Deadline is reporting that Will Yun Lee (Total Recall, Hawai 5-0,” Elektra) has been cast as Harada in The Wolverine. In the comics, Kenuichio Harada is also known as the Silver Samurai. Does this mean that we will get to see Silver Samurai and his badass armor? I can only hope!

 

Superherohype is reporting that sources inside the production of The Wolverine have told them that casting  is starting to come together on the movie.  So far four new cast members have been added to the cast with more to come:

Hiroyuki Sanada (“Lost,” Rush Hour 3The Last Samurai) is set to play Shingen; veteran actor Hal Yamanouchi (The Life Aquatic with Steve ZissouPushSinbad of the Seven Seas) plays Yashida; and new discoveries Tao Okamoto and Rila Fukushima will star as Mariko and Yukio, respectively.

The Wolverine is set for release on July 26, 2013  and is being directed by James Mangold (3:10 to Yuma, Knight and Day, Walk the Line) from a script by Christopher McQuarrie (The Usual SuspectsJack Reacher). Hugh Jackman will once again don the claws as Logan aka Weapon X aka Wolverine. The story is reported to be heavily inspired by the Chris Claremont and Frank Miller four-issue mini-series from 1982. Filming is set to take place in Australia and Japan. 

I’m really hoping that this movie is decent and can make me forgot the abomination that was X-Men Origins: Wolverine. I still have nightmares about how crappy that thing was. Here’s to hoping that Fox can follow-up the awesomeness that was X-Men: First Class and with The Wolverine and give Logan the kind of movie we know he deserves.

Yesterday it was revealed that Twentieth Century Fox had registered the name Days of Future Past with the MPAA. While this might turn out to be nothing, I’d say it is pretty significant clue as to what the future holds for an X-Men First Class sequel, now scheduled to come out in Summer 2014. The idea of using Days as a template is a minor stroke of genius on the part of director Matthew Vaughn, and if Days in indeed the inspiration for the new movie, here are some reasons why it is a brilliant move.

The Original Story Is A Classic

The original Days of Future Past story was a two parter that ran in 1980, and closed out Chris Claremont and John Byrne’s legendary run on Uncanny X-Men. Along with The Dark Phoenix Saga, it is considered one of the greatest X-Men stories ever told, and one that has been revisited many a time. The original story deals with a dystopian future, one in which mutants are incarcerated in concentration camps and the city of New York is patrolled by mutant hunting Sentinel robots. An older Kitty Pryde transfers her mind into the younger, present-day Kitty Pryde, who brings the X-Men to prevent a fatal moment in history (in this instance, a political assassination) which triggers anti-mutant hysteria. The story constantly  switches between the past and the present.

One can imagine that if DOFP is used, then certain story elements would be radically altered. A character from the “future” X-Men team would need to have a physical presence in the past as well for the whole mind switch thing to work, and since the “present” scenes are presumably still in the 1960’s era (and since there is no Kitty Pryde character among the First Class kids) my money is on Mystique. With Jennifer Lawrence’s star ascending thanks to the Hunger Games, Fox will no doubt want to expand her role in a sequel. Mystique could be a member of the future X-Men, who (like the original comic) include mutants that are former enemies like Magneto among them, banded together for survival.

Days of Future Past Is A First Class Sequel AND an X4

Fox has been mulling an X4 ever since the end of Last Stand. Sure, most fans hate X3, but it made a gajillion dollars. The only reason that Fox didn’t do another one right away was because everyone’s salary would have had to double to come back, and they didn’t think it was worth it with that many principle players. But the “Future” segments of DOFP could serve as an unofficial X4, although it is likely that only Wolverine (and maybe one other member of the original cast) would still be around.  X3 killed off Cyclops, Jean and Charles Xavier (sorta) and a subsequent mutant Holocaust could get rid of the other dead weight, *cough*HalleBerry*cough*  leaving an older grizzled Wolverine and an “X-Men” team of survivors. This would be a good time to flesh out characters like Colossus and maybe even Angel, characters who just stood around in the last movie with little to no characterization. And unlike Wolverine, no one will care if those other parts are re-cast.

And let’s not pretend the leader of the future team and main returning X-Man will be anyone but Hugh Jackman as Logan; let’s face it, whether you are sick of him or not, Hugh Jackman is THE face of the X-Men franchise.  His presence alone would guarantee more asses in seats. And unlike so many other members of the original X-Men cast, he sems to genuinely love playing Wolverine, and seems happy to continue doing so for as long as he’s able. The idea of an X-Men sequel with rising stars Jennifer Lawrence and Michael Fassbender sharing top billing with Hugh Jackman must have Fox salivating right now.

It Ups The Stakes In A Post Avengers World

As far as super hero movies, especially super hero team movies are concerned, the success of Avengers just changed everything. Long gone are the days when a handful of X-Men can have a fight in the gift shop of the Statue of Liberty and people were satisfied with that.  But a dystopian future, where giant robots roam Manhattan fighting mutants? That’s thinking big, and thinking big is what the X-Men franchise will have to do from now on if it wants to compete.

It Frees Future New Films From Bad Continuity

Despite what many fans might think, First Class was not a total reboot; the opening scenes of both the original  X-Men and First Class in the German death camps are identical, not to mention just having Hugh Jackman cameo as Wolverine is letting you know this is the same universe, some minor continuity errors aside. The biggest problem is that the end of First Class contradicts the beginning of X3, where an older Charles Xavier and Magneto are still allies as late as the 1980’s, and Charles is still walking.

In the original DOFP story, the future Kitty Pryde prevents the assassination attempt that was supposed to result in her oppressive future. But upon returning to her own time, she finds it exactly the same, as she discovers you can’t change the past, only create a new, alternate timeline.

If the movie keeps this ending, it serves two purposes. One, it’s a bittersweet ending, because while Kitty (or whoever replaces Kitty in this movie) can’t save her own world, she creates a new world where the atrocities she experienced may not happen.  Second, it frees any remaining First Class sequels from the shackles of continuity; They would now be free to introduce Cyclops without worrying about him going out like a red shirt, or even redo the whole Dark Phoenix saga correctly. Storm could be introduced and not be Halle Berry. It opens up the X-Men universe again without negating the previous movies, and also not worrying about how this matches up with that. This is the same solution JJ Abrams came up with for his Star Trek reboot, and it worked there, it can work just as well in the X-Men world.

Sentinels, Sentinels, Sentinels

Along with Magneto and Dark Phoenix, the Sentinels are among the most iconic adversaries the X-Men ever faced. And yet, they’ve never made it into a movie (no, the cameo in X3 does not count) DOFP creates a perfect opportunity to introduce various types of  Sentinels. Because who the hell doesn’t wanna see the X-Men fight giant robots?

Of course, in the next few days and months, it could be revealed that DOFP isn’t really the basis for the new movie at all, and I’ll feel really silly here.

For years, Twentieth Century Fox has been the studio fanboys love to hate; from slowly killing the Alien franchise with bad sequel after bad sequel, to their treatment of their Marvel properties, let’s just say that Fox chairman Tom Rothman has a bad reputation with the geek crowd. But last summer that started to change, when both X-Men First Class and Rise of the Planet of the Apes actually ended up being….really good. And now Prometheus looks to be a legitimate sci fi movie and not just another cheap cash in like AVP. Has Rothman seen the light? In any event, people are excited about Fox genre fare for the first time in a long time. At this year’s Cinemacon in Las Vegas, several websites got the chance to quiz Rothman on several genre movies, and here are some of the tidbits that they got:

According to MTV News, who spoke to Rothman, the sequel to X-Men: First Class will begin shooting early next year; “We’re going to start shooting January 2013 for a release date of either Christmas 2013, or Summer 2014, The script is in development now. Matt, Simon Kinberg and Jane Goldman are working on it now.” In other mutant news, The Wolverine is still set in Japan and based on the famous Chris Claremont/Frank Miller mini series from the 80’s. Studio work is going to be done in Australia, but location shooting is going to be in Japan. Rothman admits to the mistakes on the last Wolverine movie, and indicates that they’re “listening to the fans” this time.  “I can just tell you on behalf of (Hugh Jackman) his goal is to make the ultimate, bad ass, berserker rage Wolverine” Also, it looks like the rumors of Chronicle director Josh Trank taking on the Fantastic Four reboot are true, as he has been brought in to develop the new FF movie: And speaking of Chronicle, that might be getting a sequel too, although Rothman said they “won’t just make a sequel to make one; the story needs to be there, one that maintains the honesty and integrity of the original.” 

In terms of the sequel to Rise of the Planet of the Apes, Rothman said (in speaking with Collider) “That’s very much on the tracks.  We’re developing a script.  Rupert Wyatt, who directed the first one, will direct the second one.  We’re pushing forward aggressively, so the script’s being written now… but the goal for us would be summer of 2014, if that’s possible.

And finally, for those excited about the fifth Die Hard movie, A Good Day to Die Hard, here’s what Rothman  had to say about this one: “John McClane, the ultimate American hero, goes to Russia.  So talk about a fish out of water, he’s completely out of water….It’s really a father-son story, which is that John McClane’s been a great cop his whole life but he’s been a pretty lousy father.  He has a grown son who he’s not really been in much touch with, and McClane thinks the son’s a fuck up—that’s a technical term. So he goes to Russia, he thinks, to bail his son out of jail, and it turns out the son’s not a fuck up, he’s the antithesis of that.  In fact, the apple has not fallen far from the tree, the apple has not fallen from the tree, which is that the son is a badder ass John McClane than John McClane.” Sounds to me like they are setting up Willis free Die Hard 6 with Jr. McClane.

For those that follow X-Men, particularly the latest spinoff ‘The Wolverine‘ which will be directed by James Mangold (Director of the movie, Cop Land), the latest development for the film is that it’s going to be shot at least in part in Sydney, Australia, due to a $12.8 million government payoff from Australia as well as other incentives. What’s even more interesting is that at this time, Sydney is going to be the primary location for shooting the film when the story dictates that Wolverine will be traveling to Japan in the story. This means that every shot of Japan will essentially be done in Australia.

At this time, at least $80 million is going to be spent in Australia, including visual effects, while post production work will be in the US. It’s certainly an interesting development, as you would figure that since the story takes place in Japan, it would be a logical decision to shoot in Japan since the primary story takes place in Japan. However, ultimately, it does depend on the production team in how he chooses to use Sydney’s locations to convince the audience that Wolverine is in Japan. There are a lot of new film stages in and around Sydney, but let’s just hope that we don’t spot a kangaroo or a  koala bear in the background of some of the exterior shots. Then again, that would already make it way better than “X-Men Origins: Wolverine” aka “The Tale of Jimmy Logan: The Man They Call Wolverine” aka “Not What We Considered a Real Wolverine Movie by Any Stretch”.

James Mangold’s “The Wolverine” is expected for a July 2013 release.

Source: http://www.deadline.com/2012/04/the-wolverine-gets-12-8-million-payment-to-shoot-in-sydney/