Danish filmmaker Anders Walter has won an Academy Award for his short film directing but now he’s on the Geekscape podcast after tackling a much larger beast: the feature film adaptation of Joe Kelly’s beloved ‘I Kill Giants’! Based on the popular Man of Action comic, the film follows a young girl’s quest to kill giant behemoths that threaten her hometown. Not an easy project to take on as an indie film! We talk about the hurdles of bringing such an ambitious story to screen, the lessons Anders learned on set and a lot, lot more! This is a giant of a filmmaking conversation so be ready for it because we really get down to brass tacks!

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Despite a momentous start to his directing career, one that includes a Best Picture Oscar win for Argo, Ben Affleck’s latest film hasn’t even made it into the awards season discussion. His new endeavor, Live by Night, a gangster flick predominantly set during the Prohibition Era in Florida, represents a bitter free-fall for the previously unscathed filmmaker. Affleck offers nothing new to the genre and any hope that another adaptation from Dennis Lehane – who also penned the source material for Affleck’s phenomenal 2007 debut, Gone Baby Gone – would be a reason for optimism, quickly falls by the wayside during the film’s forgettable first act.

After a hidden romance with an Irish Mob boss’ mistress (Sienna Miller) nearly end his life, Joe Coughlin (Affleck) returns and sells his soul the rival Italian Mob in order to exact revengeon his nemesis. Consequently, Joe ventures to Florida during Prohibition where he monopolizes the Rum industry and falls for Graciela (Zoe Saldana), a woman whose inside connections help build the empire. But as Prohibition becomes repealed, Joe’s mismanagement of his supreme position makes him a vulnerable man in a dangerous industry.

Live by Night suffers immensely by writer, director and star, Ben Affleck’s, arrogance and misguided vision. It’s obvious that Affleck desires to deliver an ambitious gangster film reminiscent of classics such as The Godfather and White Heat. However, a bloated story continually introduces a wide assortment of characters without ever fully developing them. Therefore, once these flimsy characters meet their demise, empathy is never appropriately earned. Affleck’s screenplay is riddled with flaws, but it still doesn’t feel quite as problematic as the director’s unforgivable decision to cast himself in the lead role. Either Affleck’s perception of Joe Coughlin is remarkably off, or he isn’t quite talented enough to pull-off the necessary performance. Whichever way you dissect it, the blame falls squarely on his shoulders. On the other hand, there are a few select moments of captured creativity and originality, yet they’re swallowed-whole by an assortment of mightily flawed approaches. Notable supporting turns are offered by Chris Messina, who play’s Joe’s right hand man, and Zoe Saldana. But by the time the credits finally role – which follow a dull attempt at an emotionally-charged conclusion, Live by Night reveals itself as a sad and rapid decline for a once unblemished filmmaker.

GRADE: 2.5/5

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Briefly: It’s hard to believe that the next Star Trek feature hits theatres next month, isn’t it?

After a solid (yet seeming divisive) marketing campaign thus far, Paramount today debuted two brand new, slick as hell TV spots for the upcoming film. In Beyond, “the Enterprise crew explores the furthest reaches of uncharted space, where they encounter a mysterious new enemy who puts them and everything the Federation stands for to the test.”

The second spot is especially gorgeous… and also three times as long so it’s bound to be more exciting.

In any case, you can take a look at the videos below, and be sure to let us know if you’ll be lining up for Star Trek Beyond, when it hits theatres on July 22nd!

https://youtu.be/GfJUBuejuTg

http://youtu.be/mPeDMEivXlc

After being leaked, Paramount has decided to release the official teaser trailer for ‘Star Trek Beyond’  which was to be attached to ‘Star Wars: The Force Awakens’.

With the departure of J.J. Abrams from the project, Justin Lin (Fast and the Furious) steps in for the directorial duties. The teaser already showcases that by featuring a stunt using a primitive two-wheeled vehicle to the classical tune of Beastie Boy’s Sabotage. By the looks of it this going to be a very different movie. Reminiscent of when John Woo took over directing duties for Mission Impossible and changed the tone of the franchise. Which was a good thing in my opinion, the last film was very moody and had no life into it.

The returning ‘Star Trek Beyond’ cast line up includes Chris Pine as Captain James T. Kirk, Zachary Quinto as Spock, Simon Pegg as Scotty, Karl Urban as Leonard McCoy a.k.a. Bones, Zoe Saldana as Uhura, John Cho as Hikaru Sulu and Anton Yelchin as Pavel Chekov. Idris Elba will be portraying the films secret villain role.

‘Star Trek Beyond’ will warp into theaters on July 8, 2016.

Prepare to hold onto your seats for one of 2014’s finest summer blockbusters. As Marvel continues to expand its universe and bring these stories to the big screen, its latest adaptation, Guardian’s of the Galaxy, is funnier than 22 Jump Street and more action-packed than Dawn of the Planet of the Apes. For many moviegoers, Guardians will represent the quintessential blockbuster experience. Yet, even for the non action-lovers like myself, the film is one hell of a good time.

After losing his mother to cancer and being abducted by a space ship full of outlaws as a boy, a much older Peter Quill (played by Chris Pratt) ventures throughout the galaxy listening to an old mix tape on a walk-man and stealing anything he can get his hands on. Yet, when he stumbles across a powerful orb on an abandoned planet, Peter (aka “Star-Lord”) becomes the target of an evil villain named Ronan. And once Ronan gains possession of the orb and intends to use its powers to destroy the entire galaxy, Peter must band together with a group of misfits to save everyone from annihilation.

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As someone who laughed-off the trailers and buzz surrounding James Gunn’s latest effort, Guardians of the Galaxy, I’m here to admit that I was wrong. Gunn delivers a triumphant feature that surpasses even the overly-adored 2012 cash-cow, Marvel’s The Avengers. Leading star Chris Pratt has always been a comical genius and someone I’ve admired for quite some time. Stealing the spotlight in past works such as Delivery Man and 10 Years afforded Pratt the opportunity to seize a money-printing franchise such as this, and he does so with ease. The humor is legitimate and Pratt isn’t the only one cracking jokes. Bradley Cooper, who offers his voice for the cunning raccoon, Rocket, does a fantastic job of infusing comedy into the film as well. But in addition to a multitude of laugh-out-scenes, Guardians of the Galaxy conjures up a cohesive and entertaining story that isn’t bogged down by an action-overdose. Unlike other recent over-the-top blockbusters such as Man of Steel and Iron Man 3, who attempted to replace substance with artificial action, the chase scenes and special effects are very tasteful and properly placed, making Guardians of the Galaxy a fine summer blockbuster for all types of audiences.

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Although I give James Gunn’s superhero flick a validated endorsement, it fails to begin and end without the occasional hiccup. Zoe Saldana’s character, Gamora, is clearly the weakest link. Yet, she becomes a necessary evil that we’ll gladly take in order to enjoy the rest of the experience. Furthermore, Guardians of the Galaxy constantly employs an unforgivable trait in movies, Gunn and the rest of his writers make up the rules as they go along. Without any prior explanation or understanding of the characters and their situations, important plot elements are sprung onto the audience in order to provide a smooth transition to the next scene. This is a sign of lazy writing and development that’s hard to overlook. Therefore, Guardians is a winning effort that definitely has its flaws.

If you’re still seeking out a successful summer blockbuster, look no further than James Gunn’s Guardians of the Galaxy. As the Marvel universe continues its expansion, I become more and more impressed with what they have to offer. A commitment to an engaging story through the use of comedy and appropriately measured amounts of action feel like a recipe for success, and one that’s clearly evident with Guardians of the Galaxy.

GRADE: 4/5

You can find a complete fall Oscar preview and plenty more at MCDAVE’s HOST SITE

Briefly: This looks absolutely gorgeous.

Fox has just released the first trailer for The Book of Life, which was produced by Guillermo Del Toro (if you couldn’t tell by the super-Spanish stylings and Ron Perlman’s involvement), directed by first-timer Jorge R. Gutierrez, and stars Channing Tatum, Zoe Saldana, Danny Trejo, Christina Applegate, Ron Perlman, and plenty of others.

The film follows “the journey of Manolo, a young man who is torn between fulfilling the expectations of his family and following his heart. Before choosing which path to follow, he embarks on an incredible adventure that spans three fantastical worlds where he must face his greatest fears. Rich with a fresh take on pop music favourites, The Book of Life encourages us to celebrate the past while looking forward to the future.

The animation here is really beautiful, and we can’t wait to see more. Take a look at the first trailer for The Book of Life below, and let us know what you think! The film hits theatres on October 17th!

http://youtu.be/NBw5YScs8iQ

Nominations have been handed out and we’re fresh in the swing of Oscar season. While many of us are using these precious moments to reflect on the past cinematic year, ironically, Sundance premiered one of the finest performances we may witness in 2014. Maya Forbes’ Infinitely Polar Bear has pounced onto the scene, firmly grabbing a stranglehold atop the list of films I’ve seen at the festival.

Cam (played by Mark Ruffalo) is a loving husband and father of two outspoken young girls, but Cam is also bipolar. When his temperamental breakdowns and inability to hold a job or function like an adult reach a tipping point, his wife Maggie (Zoe Saldana) separates from him and demands he seek treatment in their hometown of Boston. After stints in a hospital and a halfway house where Cam slowly learns to assume responsibility, Maggie receives an offer to get her MBA at Colombia in New York and improve their family’s insufficient financial situation. What does that mean for Cam? He must prove he can handle his manic depression and play “Mr. Mom” to his two young girls all while his wife is away at school for 18 long months.

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Infinitely Polar Bear shows a family in ruins. Clearly depicting the old adage that “sometimes love just ain’t enough”, the film wavers like the up-and-down mental state of Cam. When things are going well, the family thrives and bonds strongly together. But when times are tough, they crumble and wither into despair. Infinitely Polar Bear hits all the right keys and tackles this delicate issue with an earnest respect, one that isn’t overly sentimental. While the script is strong and the direction is on point, it’s obvious to say that the film works so well thanks in large part to another brilliant turn from Mark Ruffalo. The actor gives a realistic first-hand look into living with this illness and the horrors it can create in the family dynamic. With lunacy and tenderness blended perfectly together in his chain-smoking character, Ruffalo shows a remarkably complex individual that’s absolutely endearing. His performance alone makes Infinitely Polar Bear a great movie-watching experience, but there’s still plenty of other elevating factors to the film.

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More so than its dramatics, Maya Forbes’ phenomenal feature hammers home the comedy. Ruffalo and the pair of gifted young female actors who portray his daughters all assist in keeping the humor flowing. The gap between laughs is always short and the emotional storylines dispersed throughout are merely icing on the cake. Infinitely Polar Bear opens your eyes and makes you see the world in a different light, one that seems difficult but magnificent all at the same time. You grow with Cam and his family, in a way that makes the journey fun-filled and life affirming.

Watching Ruffalo at the top of his game makes me even more excited for another 2014 release of his, Bennett Miller’s Foxcatcher. But without getting ahead of myself, there’s greatness right here scattered throughout Infinitely Polar Bear. Ruffalo is unforgettable and his film is a fantastic ride from start to finish. Make a note, because this is one movie you won’t want to miss when it receives a general release.

GRADE: 4.5/5

 

In this week’s issue of Entertainment Weekly, there’s quite a bit of coverage for Marvel’s upcoming “Phase Two” films. Earlier today we saw some new details and concept art for Captain America: The Winter Soldier and now we have some new concept from James Gunn’s Guardians Of The Galaxy. If you know Peter Quill’s backstory, you know definitely know what scene this is. If you don’t know the backstory, you should probably go pick up a copy of Guardians Of The Galaxy #0.1 and get caught up. Kevin Fiege talked about the highly-anticipated release, which included confirmation that actress Zoe Saldana has signed on as the film’s female lead:
 
GOTG-concept-1

“Guardians takes place within the continuity of the [other movies] but it’s on the other side of the universe. We’ve always wanted to do a space movie. I’m obsessed with Star Wars, I’m obsessed with Star Trek.”

“It’s a huge story on a massive canvas,” Feige says. “We can take it to all those crazy places as long as all the characters respond in an emotionally truthful way. That’s why I believe people are going to respond to Chris Pratt and to an alien Zoë Saldana—because they did respond to that one time before [with Avatar]. And to a tree and a raccoon who, it is certainly our intention, will steal the whole movie.”

Guardians Of The Galaxy hits theaters August 1, 2014

Source: EW