The name Riley Stearns may not mean much to a majority of film lovers. Yet, while planning my movie-watching schedule for the 2019 SXSW Film Festival, I noticed Stearns name and his festival entry, The Art of Self-Defense, immediately catapulted into my list of “Must-See” films. For those of you who are unaware, Stearns delivered a sweet little indie gem with his heady and unpredictable 2014 debut feature, Faults, which starred his now ex-wife, Mary Elizabeth Winstead. The film boasted a compelling story, superb performances and refined direction, enough so that it’s had me circling back to Stearns’ name over the past five years, hoping to see something new in the works. The Art of Self-Defense has finally arrived and Riley Stearns gives us more of the same with his follow-up feature that generated a ton of buzz out of this year’s SXSW festival.

Jesse Eisenberg stars as Casey, a timid loner who lives at home with his pet cat. And one night a lack of pet food sends Casey wandering to the store in the dark and dangerous nighttime hours of his home city. On the journey Casey becomes swarmed by a gang of fully-cloaked motorcyclists who violently attack him. This mugging prompts Casey to take up karate at a nearby dojo where his sensei (Alessandro Nivola) helps instill a newfound confidence in the young man that he must eventually use to confront his attacker.

The Art of Self-Defense tiptoes the line of absurdism in a beautiful dance of rich originality that uses a gripping character study to unveil thematic elements of destructive male chauvinism in our modern society. In such a short amount of screen time, Casey goes from methodically crunching numbers at his bookkeeper job to openly displaying full-fledged porno scenes on his computer screen for all the office to see. This transformation, while so unnatural for many reasons, feels so desperately genuine and serves as a microcosm for everything that’s brilliant about the film. In such a tightly-wound 105-minute package, Stearns delivers a darkly comedic and immersive experience that culminates much like his debut film, Faults, with a monstrous bang that’s so unforgettably fulfilling. Jesse Eisenberg proves the perfect casting choice for Casey, as he hits every awkward note with immense precision. Yet, the true star of the film is Alessandro Nivola, whose supporting turn leaves its fingerprints on every square inch of the film. Tentatively scheduled for a June 21st release date, The Art of Self-Defense is a film worthy of your time and attention, and it comes from a filmmaker whose future continues to shine bright.

GRADE: 4/5

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You guys are officially spoiled! Two Ian Kerner wrap up Specials in two weeks on top of the main podcast! And if you haven’t seen ‘Batman V Superman: Dawn of Justice’ yet… you definitely will be spoiled as there are SPOILERS EVERYWHERE! This is the most controversial comic book film in recent memory and to wade through the ashes of this past weekend’s enormous opening, Ian Kerner and I take the movie on piece by piece! It’s not always pretty but you might just learn a lot (or even change your opinions on the film)! What was good? What made sense? What had us scratching our heads? It’s all here so sit back and enjoy!

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Our friends over at CBM have just reported on a possible plot/synopsis leak for the upcoming Batman V. Superman. 

Apparently Odeon Cinemas, a movie theater chain in the UK, had put up a new description for the March 2016 release. At the time of this writing Odeon has taken down the page.

At long last, see Batman and Superman square off against each other in ‘Batman V Superman: Dawn Of Justice’, an epic superhero showdown which will change both their lives forever. 
 
Clark Kent doesn’t trust Gotham’s mysterious masked vigilante. Bruce Wayne doesn’t trust the alien who nearly destroyed Metropolis. And Lex Luthor, who hates Superman more than anyone, is manipulating both of them for his own twisted ends. 
 
Choose your side: the Man of Steel or the Dark Knight? Learn the answer to the age-old question – who would win? – in ‘Batman V Superman: Dawn Of Justice’.

If this is accurate, and an official synopsis from the studio, then this sheds a whole new light on Jesse Eisenberg’s Lex Luthor.

The SDCC trailer has given us a broad idea of what the direction of the film will be like. Batman thinks Superman is a menace and needs to be stopped, but if what Odeon Cinemas has posted if official, then it makes Luthor’s involvement much more important.

 

 

I’ve never been an avid reader, so it’s safe to assume that I haven’t wrapped my brain around David Foster Wallace’s groundbreaking 1,079 page 1996 novel, Infinite Jest. Having very little prior knowledge of this unusual author who’s known for always wearing his trademark bandanna, even though the idea of this personal choice representing some preconceived “fashion statement” would have ran maddening circles around his mind until it nearly exploded, I was intrigued to learn more about Wallace through a very impressive team of collaborators. Filmmaker James Ponsoldt’s early work is impressive all on its own, but he emerged onto the scene in a big way with his most recent success, The Spectacular Now. And once you add two narrow, yet immense, acting talents like Jesse Eisenberg and Jason Segel into the mix, The End of the Tour becomes an indie drama I wouldn’t think to miss.

Upon hearing news of David Foster Wallace’s (Segel) tragic suicide in 2008, David Lipsky (Eisenberg) fishes through his closet and listens to some old cassette tapes. These conversations transport Lipsky back to 1996 where the one time Rolling Stone reporter embarked on a five-day journey with the lonely, albeit it brilliant, critically acclaimed author. As these two free-thinkers travel around the final dates of Wallace’s book tour together, their interactions break down barriers and evolve into philosophical discussions surrounding society, fame and addiction. Conversations that Lipsky and the rest of the world will cherish long after the sad loss of this progressive writer.

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James Ponsoldt’s The End of the Tour is a captivating and highly personal examination of the human psyche. Brought to life through the transcending performances of its two leading stars, the film’s rich dialogue is both existential and enthralling. Jason Segel is an absolute revelation who embraces his portrayal of David Foster Wallace with an obvious sense of passion and respect. To experience The End of the Tour is to discover avenues of life and existence that often go ignored and become lost in the mundane patterns of every day behaviors. The film delivers an exuberance and awareness to one’s cognitive being that’s utterly refreshing. Ponsoldt places his audience into the unique perspective of Wallace’s forward-thinking mind and shows how terrifying and lonely it can be to find enlightenment.

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For all of the movie’s remarkable dialogue-heavy interactions and sharp mental expansion, The End of the Tour is an extremely unconventional piece of work. The film circumvents any real story or plot.. Instead, it serves an homage of sorts to David Foster Wallace and the artistic genius we lost far too young. And despite an occasional sluggish pace, The End of the Tour presses on with its convictions and shapes a delicate piece of liberating art. One that leaves a rare imprint and will stick with me forever.

Some films tell magnificent and grand stories that dazzle and excite. Others search for something deeper and more profound. It’s safe to say that The End of the Tour is the latter. David Foster Wallace believed that all different forms of entertainment can become mind-numbing and hypnotic to the point where people fail to exercise life’s greatest gift, the ability to think for yourself. That’s a valuable lesson and one that everyone deserves to hear. Thank you to James Ponsoldt, Jesse Eisenberg and Jason Segel for sharing it with me.

GRADE: 4/5

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Like Ben Affleck announced as Batman, Jesse Eisenberg’s casting as Lex Luthor was met with much criticism from fans who prefer their villains to not remind them of dicks they met in college. They’d rather their villains look like their dad, like Bryan Cranston.

Entertainment Weekly has just dropped our first look at Jesse Eisenberg as Superman’s arch nemesis, Lex Luthor, and once again I knew those who bitched and moaned about Eisenberg’s casting were once again crying about nothing. Because LOOK AT HIM.

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That’s Lex Luthor. That’s a cold son of a bitch right there. No ifs, ands, or buts about it. That is someone who is crazy enough to take down a living god.

It can be difficult to be excited about Batman v. Superman, among them for its ridiculous obsession for a dark and gritty nature that films like Guardians of the Galaxy prove that audiences just aren’t into like they were a few years ago. But I can’t help but be at least interested with every bit revealed.

Batman v. Superman: Dawn of Justice is set for March 2016.

Despite being in the full swing of the summer blockbuster season, one less-than-typical big budget film to hit theatres this month is Louis Leterrier’s Now You See Me. Leterrier, who’s best known for his direction of Clash of the Titans and Transporter 1 & 2, gives a high octane dose of magic. This mystery-thriller surprisingly delivers enough action and energy to help warrant its “blockbuster” classification. Therefore, when you head to the theatre this summer seeking out the gaudiest box-office hits possible, writing off Now You See Me as a minuscule magic-centered movie simply means, the joke’s on you.

A quartet of extremely talented street-performing illusionists and mentalists (played by Jesse Eisenberg, Woody Harrelson, Isla Fisher and Dave Franco) are summoned together to accomplish some of the grandest feats in history. But after robbing millions of dollars from a Parisian bank as their Las Vegas stage finale (without ever leaving the room), the FBI must unravel how and why these magicians are up to no good. Yet, the closer agent Dylan Hobbs (Mark Ruffalo) and famed magic-debunker Thaddeus Bradley (Morgan Freeman) get to figuring it all out, the less they actually know.

NOW YOU SEE ME

Now You See Me is an above average thrill ride possessing a completely star-studded cast and a unique story. First and foremost, Jesse Eisenberg and Mark Ruffalo lead a superb collection of new and old Hollywood greats. Legends such as Morgan Freeman, Michael Caine and the always amazing Woody Harrelson cross talents with a newer generation of stars. The result is a set of wonderfully branded characters that undoubtedly raise Now You See Me to the next level. While Eisenberg and Ruffalo lead the way, Harrelson offers his usual scene-stealing supporting efforts that never leave a dull moment for the audience. In fact, Eisenberg admittedly stated that once Harrelson was on board, the script was slightly reworked to better fit his comedic talents. And believe me, the results show. Another significant glowing aspect to the film is its carefully crafted story. Thanks to a commendable amount of originality to the script, Now You See Me constantly feels fresh and new. With all of the remakes, sequels and rehashed ideas floating around the industry, it’s refreshing to find an energetic and singular story.

Although Louis Leterrier’s Now You See Me successfully grabs the audience, the feature still manages to illustrate some significant flaws. For starters, as a film about illusionists and magicians, there was an immense focus on delivering an abundance of stunning visuals. While I can understand their desire to do so, I found some of the effects to be completely unnecessary and distracting to the movie’s finer elements. Furthermore, Now You See Me caters to a summertime audience by doing all of the work for you. As an active-viewer who enjoys thinking for himself (to a reasonably attainable and not overly-ambiguous degree), the film refuses to allow the moviegoer to dissect the mystery on their own. Containing an almost insurmountable amount of unrealistic sequences followed by an undetectable conclusion, Now You See Me requires that the audience simply watch and be entertained. At least the thrills and uniqueness make the ride enjoyable.

NOW YOU SEE ME

There will be plenty of hits and even more misses during this summer’s blockbuster season. Now You See Me is one of those films that lands somewhere in between. For sheer entertainment value, it’s well worth the price of admission. The jokes are a nice little touch, the action is beyond what you’d expect and the story isn’t very robust, but compelling nonetheless. While I wouldn’t recommend flocking to theatres to catch Now You See Me (a DVD rental will do just fine), you won’t be disappointed if you do.

Grade: 3/5

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Zombieland has found its lead!

 

Deadline has reported that The Island’s Kirk Ward will show us his version of Tallahassee in the upcoming television series. Originally played by Woody Harrelson, Ward is said to have been the original choice for the character after Zombieland writers Rhett Reese and Paul Wernick met him on the set of Invasion Iowa.

 

The Zombieland movie was quite the thrill ride, and I’d expect the television series (which the project was originally conceived as) to be more of the same!

 

Zombieland has no set premiere date, but Amazon Studios seems pretty gung-ho on the project! Maybe we’ll get a pilot in time for Halloween?

 

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Source: Deadline