Comic writer extraordinaire (and Eisner Award winner) Ed Brubaker is busting into a new form of media!

 

The multi-award winning scribe has just sold his first two television projects:

 

Rising Suns follows an American Yazuka boss fighting for his life and falling for the FBI agent who is hunting him. This one will come from 20th Century Fox, and Kyle Killen (creator of Awake and Double Life) will also serve as an executive producer.

 

NBC has also taken interest in a title from Brubaker. This one remains untitled, but will follow an agent-in-training as she erases all traces of the agent she is shadowing.

 

Of course, nothing more is known about these titles, but one from one-line synopses we have so far, they certainly sound interesting!

 

Will you be checking these out whenever they make it to the small screen?

 

Photo credit Luigi Novi

Just 11 days before we were set to return to Greendale, NBC has decided to delay the start of the school year.

It has been a tough year for Community and its fans. First, an unexpected hiatus left fans unsure if the show would ever return, then the showrunner and creator, Dan Harmon was fired from the sitcom, a shorter fourth season was ordered (which of course is better than no season at all), and now this.

NBC has not announced a new date for Community‘s return, simply stating that they needed more time to market it.

NBC’s rather unfunny Whitney has received the same delay.

If you haven’t seen Community. I highly recommend it. In my opinion, it’s the funniest show on television.

Way to Britta another one NBC.

Source: THR

NBC is currently developing a drama series based on Midnight, Mass, a Vertigo title from 2002. The title focused on occult experts Adam and Julia Kadmon as a sophisticated, sexy, globe-trotting husband and wife paranormal investigator team – based in Midnight, Massachusetts – that takes on supernatural foes, macabre mysteries and the most frightening creature of all: marriage. Evan Daugherty, who co-wrote Snow White And The Huntsman, will pen the adaptation which will be produced by Warner Bros. TV.

John Rozum, the comic’s creator, will also serve as an executive consultant on the project. This is the second time NBC and Warner Bros. TV are attempting to bring Midnight, Mass. to television. In 2009, they had plans to adapt the comic with a different writing team behind it but it never made it to the pilot stage. But with the success of shows such as Supernatural and Grimm we can most likely expect it to make it to that stage this time around.

Source: Deadline

The days of a video game and tech centric channel are now far behind us. According to sources pulled by Variety, G4 will undergo a rebranding of sorts. According to these unnamed sources, the new G4 will instead appeal to more chic topics and become GQ (as in the magazine) of TV. While these sources claim that the channel will stay true to it’s video game and tech roots, we can only wait and see.

I personally haven’t watched G4 in quite some time. Say what you will about the hosts of their various shows, but their chance to stick with their roots has come and gone. One of my earliest memories with the channel comes from their early days following the merge with TechTV.

Whatever the name may be, this rebranding will come early 2013. Get your COPS, Cheaters, and Ninja Warriors’ while you still can!

 

It’s nearly time to head back to Greendale!

TV Line has learned that Tricia Helfer (Battlestar Galactica, The Firm) will have a guest role on Community’s fourth season.

Helfer plays Lauren, and will meet Abed at an Inspector Spacetime convention.

Could Lauren be a new love interest? What about Hilda? Will Agent Robin ever return?

Community returns on October 19.

Tricia Helfer

Looks like everyones favorite drug lord is checking out a different kind of rock.

Heisenberg himself, Bryan Cranston is set to show up alongside Catherine O’Hara (SCTV, Six Feet Under, Curb Your Enthusiasm) in the final season of NBC’s 30 Rock.

TV Guide reports that we’ll finally get to meet Kenneth’s family. O’Hara is set to play his mother, and Cranston will portray her special “friend”.

Bryan Cranston is golden in nearly everything he’s in, so this is a pretty neat little tidbit. Maybe we’ll even get a Breaking Bad easter egg or two.

The 7th and final season of 30 Rock hits on October 4th

 

Sick of seeing only superheroes in the spotlight? Well, according to Deadline, NBC has started developing Hench, a new TV series from Peter Berg and Sarah Aubrey’s Film 44 and Universal TV. The series will be written by Alexandra Cunningham (Prime Suspect).

Hench centers on a regular guy who, in order to support his family, gets jobs temping for super villains. Cunningham, Berg and Aubrey executive produce.

The show is being described as a high-concept drama which means it could have a very serious tone to it. This could be an intereseting project but the fact that Peter Berg is attached to it has me a little hesitant. Yes, I am still shaking my head over Battleship.

Good news Community fans, Deadline has confirmed that the entire cast of NBC’s cult (but ratings starved) comedy series will be returning for season four. This follows last month’s semi-shocking news that creator/showrunner Dan Harmon was replaced with new showrunners David Guarascio and Moses Port.

I’ve got to wonder if Harmon’s being let go was  how they got Chevy Chase to come back for season four. For those who aren’t fans of the show and who may not be aware, Chase and Harmon had a very nasty feud that started when Chase walking off set during shooting. It then escalated when Dan Harmon gave a “fuck you, Chevy” speach at the wrap party, in front of Chase’s wife and daughter. Chevy Chase then left Harmon a veeeeery nasty voice mail (you can listen here), which Harmon later played for fans at his monthly show at Meltdown comics. To say the whole thing was handled poorly is a drastic understatement. But that’s all a thing of the past now, let’s look forward to season four!

In other Community News, there will be a Community panel at San Diego Comic-Con 2012. It will take place on Friday, July 13 at 10 a.m. in Ballroom 20. Cast-members Joel McHale, Alison Brie, Danny Pudi, Yvette Nicole Brown and Gillian Jacobs will be in attendance. Jim Rash, Donald Glover and Ken Jeong are all currently working on other projects and won’t be able to make it. It’s still unclear whether or not Chevy Chase will be there. I’m keeping my fingers crossed that Annie’s Boobs and/or Magnitude will make a special appearance. Pop pop!

#sixseasonsandamovie

Last week I posted the TV panel lineup for San Diego Comic-Con 2012 and there were a few people wondering where staples of Comic-Con past like True Blood were. Well, good news…more panels have been added. When/if more panels are announced you can we sure Geekscape will keep you posted.

THURSDAY, JULY 12

• Holliston (FearNet): Cast members from the network’s first original scripted series will join executive producers. 8:30-9:30 p.m.

FRIDAY, JULY 13

• Game of Thrones (HBO): Cast and creators TBD. Hall H.

• Spartacus (Starz): Stars Liam McIntyre and Manu Bennett will join showrunner Steven S. DeKnight for its final trip to Comic-Con heading into its last season. Room 6BCF, 5:45 p.m.-6:45 p.m.

SATURDAY, JULY 14

• Grimm (NBC): Stars David Giuntoli, Russell Hornsby, Bitsie Tulloch, Silas Weir Mitchell, Reggie Lee, Sasha Roiz and Bree Turner join EPs Jim Kouf, David Greenwalt, Norberto Barba, Sean Hayes and Todd Milliner. Room 6 A

• True Blood (HBO): Cast and creators TBD. Ballroom 20.

 

Comic-Con 2012 is fast approaching (28 days and counting) and info for it is starting to pour in. Yesterday we gave you a sneak peek at some of the Sideshow Collectibles that Marvel will be selling.

Today, we give you a look at the TV lineup for Comic-Con. Times and locations are still to come so make sure to check back and we’ll keep you updated.

THURSDAY, JULY 12

• MAD (Cartoon Network): Producers Kevin Shinick and Mark Marek in attendance. Room 6DE

• Nikita (The CW): Stars Maggie Q, Shane West and Lyndsy Fonseca join executive producer Craig Silverstein. Room 6BCF

FRIDAY, JULY 13

• Arrow (The CW): Stars including Stephen Amell join producers for a special pilot screening and discussion.Ballroom 20

• Aqua Something You Know Whatever / Squidbillies(Adult Swim): Creators Dave Willis and Jim Fortier will participate. Indigo Ballroom, Hilton San Diego Bayfront, 2-2:45 p.m.

• The Big Bang Theory (CBS): Panelists TBD. Hall H

• Bob’s Burgers (Fox): The first of many series from the “Animation Domination” block, the panel and Q&A will feature H. Jon Benjamin, John Roberts, Dan Mintz, Eugene Mirman and Kristen Schaal.

• Brickleberry (Comedy Central): Not on the Comedy Central lineup until September, the cartoon most notably features the vocal talent of familiar network faces Tosh and It’s Always Sunny in Philadelphia star Kaitlin Olson.

• Bones (Fox): EPs Hart Hanson and Stephen Nathan join stars David Boreanaz and Emily Deschanel, who had to pull out last year, to talk about the pregnancy-sidelined seventh season and the upcoming run of the primetime procedural.

• Black Dynamite (Adult Swim): Executive producer Carl Jones will join Michael Jai White, Tommy Davidson,Kym Whitley, Byron Minns,Debra Wilson, Orlando Jones and Cedric Yarbourgh. Moderated by Gary Anthony Williams. Indigo Ballroom, Hilton San Diego Bayfront, 4-4:45 p.m.

• Childrens Hospital (Adult Swim): Star/executive producer Rob Corddry and executive producer Jonathan Stern join stars Lake Bell, Erinn Hayes, Rob Huebel, Megan Mullally, Henry Winkler and Ken Marino. Hilton San Diego Bayfront, Indigo Ballroom

• Cult (The CW): Stars Matt Davis, Jessica Lucas, Alona Tal and Robert Knepper join executive producer Rockne S. O’Bannon. Room 6BCF

• NTSF:SD:SUV:: (National Terrorism Strike Force: San Diego: Sport Utility Vehicle::) (Adult Swim): Creator and star Paul Scheer, executive producer Jonathan Stern,and co-executive producer Curtis Gwinn join stars Martin Starr, Rebecca Romijn,Brandon Johnson and June Diane Raphael. Rob Corddry moderates. Indigo Ballroom, Hilton San Diego Bayfront, noon-12:45 p.m.

• Robot Chicken/Robot Chicken DC Comics Special (Adult Swim): Co-creators Seth Green and Matthew Senreich, Tom Root, Matthew Beans and star Breckin Meyer will participate alongside DC Entertainment’s Geoff Johns to preview the Robot Chicken DC Comics SpecialIndigo Ballroom, Hilton San Diego Bayfront, 3-3:45p.m.

• 666 Park Avenue (ABC): Stars Terry O’Quinn, Rachael Taylor and Dave Annable join executive producers David Wilcox and Matthew Miller. Room 6BCF

• The Venture Bros.(Adult Swim): Creators Jackson Publick and Doc Hammer will discuss their original series and answer fan questions. Indigo Ballroom, Hilton San Diego Bayfront, 11-11:45 a.m.

SATURDAY, JULY 14

• Family Guy (Fox): The Comic-Con regulars will come with a sneak peek of the upcoming season and an always tweet-worthy Q&A with Seth MacFarlane.

• The Following (Fox): Stars Kevin Bacon and James Purefoy join executive producers Kevin Williamson and Marcos Siega. Room 6BCF

• Futurama (Comedy Central): The cast of the revived toon, including Billy West, Katey Sagal, John DiMaggio and Maurice LaMarche will all be in attendance. Futurama-themed attire is encouraged — and will be rewarded.

• Glee (Fox): Stars Lea Michele, Cory Monteith, Darren Criss, Kevin McHale, Jenna Ushkowitz and Naya Rivera will join executive producer Brad Falchuk. Indigo Room at the Hilton, 6-7 p.m.

• Person of Interest (CBS): Stars and creators TBD. Room 6BCF

• Revolution (NBC): Stars Billy Burke, Giancarlo Esposito and Tracy Spiridakos join creator/executive producer Eric Kripke and director/co-executive producer Jon Favreau.Room 6BCF

• The Simpsons (Fox): 500 episodes into its record-breaking run, the Sunday stalwart returns to SDCC with a substantial tease of the upcoming installment of is annual “Treehouse of Horror” episode.

• The Vampire Diaries (The CW): Stars Nina Dobrev, Paul Wesley, Ian Somerhalder and more join executive producers/writers Kevin Williamson and Julie Plec. Ballroom 20

SUNDAY, JULY 15

• The Cleveland Show (Fox): Aiming for some sort of record, MacFarlane joins his third panel of the weekend with a screening of the Family Guy spinoff’s fourth-season premiere.

• DC Nation (Cartoon Network): Panelists TBD. Room 6BCF

• Fringe (Fox): Stars Anna Torv, Joshua Jackson, Lance Reddick, Blair Brown, Jasika Nicole and John Noble join the show’s executive producers for the panel. Hall H

• Sons of Anarchy (FX): Wrapping up the weekend is the always-entertaining series creator Kurt Sutter, who’s will be joined by castmembers Charlie Hunnam,Katey Sagal,Ron Perlman,Maggie Siff,Kim Coates,Mark Boone Junior,Tommy Flanagan,Theo Rossi,Ryan Hurst andDayton Callie for a discussion of the world of the FX series.

• Supernatural (The CW): Stars Jared Padalecki and Jensen Ackles, joined by recurring guest stars Misha Collins, Jim Beaver and Mark A. Sheppard, as well as new executive producer Jeremy Carver and consulting producer Ben Edlund. Hall H

 Source: THR

Last night in a press release from TV Guide, it was revealed that Dan Harmon would be replaced as the showrunner of Community for season 4 on NBC. Needless to say the fandom was devastated. Harmon wrote a poignant response on his tumblr last night, which made fans feel even sadder about the news and about his unjust treatment at the hands of Sony.

To try and summarize my emotions right now with a gif would be pointless.  I was scrolling through tumblr and twitter and I saw a few posts that said “why should we care if Harmon is no longer the showrunner?”  I’m going to attempt to try and put it into words, but forgive me if I fail, because the genius of this man is almost impossible to explain without experiencing it.

When I started watching Community, it grew on me exponentially each week.  It was doing things that no other show on TV was attempting to do.  I remember I started watching the show because I had been a fan of Donald Glover from his Derrick Comedy skits on youtube, but I soon discovered that Glover was just one of nine absolutely amazing cast members. Then I realized that the heart and center of the show was actually a man from named Dan Harmon, who’s twitter feed was one of the most amusing things I’d ever read. Most TV writers are faceless. You see the names at the beginning of an episode and don’t think twice about it.  TV is a disposable, lighthearted medium incapable of carrying the same weight as movies. Not so with Community.  Community is different.  It had heart.  It had a soul. That soul is and was, Dan Harmon.

When I went to Los Angeles, I had already been a fan of Harmon’s work, so naturally when I saw a tweet advertising “Harmontown” at Meltdown Comics on Sunset Boulevard, I bought tickets, intrigued.  Harmontown was a small unassuming room in the back of the comic store with folding chairs facing a large blue flag of Harmon (my user pic here on tumblr) stuck to the wall next to a podium.  After a few minutes of waiting, Jeff B Davis of Whose Line is it Anyway? came out to introduce his close friend to the stage.  And then out came Dan Harmon himself to a burst of applause, the man who had created my favorite TV show of all time.  Nothing could have prepared me for the next hour and a half.

Dan took the mic and the room went silent. He OWNED the entire galaxy in those moments. He shared stories of his life, his upbringing, his dating life and how he came to be the writer he is today.  Harmon kept joking that we weren’t getting our money’s worth (a meager $10) hearing him speak and took out a book of his personal rants from his early 20’s and began to read them aloud.

I felt an admiration that I’d never felt for anyone before as Dan shared his wisdom in the back of that comic store. He was transcendent. He had an aura. He was more than a TV writer. He was speaking everything I’d always thought about society but had been too afraid to say aloud.  He talked about feeling lonely. He talked about his self-doubts. He had been there too. Everything that I’d felt my whole life, quite possibly the greatest mind of our time had felt too, and it was comforting. Without trying to sound too creepy, I felt like he was similar to me, except infinitely more intelligent and successful. When the show ended, I nervously approached Dan.

After getting a picture with me, Dan noticed my shirt (one of the daily T shirts from Teefury), depicting various things from Greendale. He told me it was awesome and took a picture of it on his phone. The next morning he tweeted the picture. I’d never truly been starstruck in my life. I babbled incoherently about my favorite episodes of the show as Dan smiled and nodded. I’m sure he’d heard it all before.

For the next four months, I continued to regularly attend Harmontown. At this point in my life, I still had no idea what I wanted to do for a living when I graduated college.  The more I heard Dan speak, the more it became clear to me.  Then one day it all clicked.

At Harmontown one night Dan talked about how he used to lay in bed and stare at a stain on his wall that looked like a palm tree growing up and dream of moving to Los Angeles.  Then he expressed the gratitude and disbelief he felt driving down Hollywood Boulevard every day for having finally made it that far. At that moment my purpose in life was clear. I wanted to write for television, like Dan Harmon. I knew I’d never make something as good as Community, but I’ll be damned if I’ll never try.

I’ve never been inspired by someone the way I was by Dan Harmon. I took an interest in his career outside of Community ranging from The Sarah Silverman Program to his website, Channel101, for which I recently produced a comedy pilot with a fellow super fan of Harmon’s work.  I’ve never liked someone enough to call them a hero or believed in shallow celebrity worship, but I truly believe Dan the most creative person alive. You might think I’m exaggerating, and I know Dan doesn’t like to toot his own horn, so I hope that if he saw this he wouldn’t think I was weird for writing it.

The other day I graduated college with the Greendale flag on my mortarboard as I walked to receive my diploma. Now I’m about to move to Los Angeles permanently, armed only with some scripts to try and get started as a writer for television. It’s a hard road ahead, but as long as Dan’s work is out there to keep me motivated, I believe that we can keep working to make TV better. Dan turned TV into high art. He made a sitcom my favorite thing in the world. I know many people feel the same.

This is why Community won’t be the same without Dan Harmon. It makes me sick to think that creativity and genius like his aren’t appreciated by everyone in this world and that Community’s worth is weighed out in gold by greedy corporate execs who want the show to be more accessible. I’m starting to accept that the general public just might not be very smart, and it’s depressing to think that great art goes unappreciated…but we appreciate it. And we appreciate it so much, that it makes up for all the careless, talentless people who don’t. And this is why you should be upset that Dans leaving, but also happy and grateful for everything he’s done up to this point. I’ll be watching any show he works on in the future, starting with Rick and Morty, his new pilot coming to Adult Swim. “Dan Harmon is a genius and I’ll die defending his vision” is a figure of speech on tumblr, but I really do mean that.

I’ve thought about the day when I return to Harmontown to get a chance to tell Dan these things. Above all else, I want the chance to thank him. I want to thank him for not letting us accept mediocrity for entertainment.  I want to thank him for single-handedly changing the course of my direction in life. Most of all I want to thank him for inspiring me more than anyone ever has and for being my hero.

Anyway I know this is scary-long so I’ll wrap it up here even though I could probably go on all day. At Harmontown they gave away these buttons of Dan’s flag. It’s small and probably worthless, but right now I’m wearing it alone in my house, and for one of the first times in my life I actually feel proud of myself.

Thank you Dan.
#sixseasonsandamovie

After the largest online push for a show in history, Community returned to its awkward 8 PM timeslot on March 15th.  Fans (myself included) have since been anxiously waiting for May when NBC will make its decisions regarding the show’s renewal or cancellation.  Producer Neil Goldman remained optimistic at Paley Fest 2012 saying that the chances of renewal were about 70%.  In a press release issued this week, NBC announced that the final three episodes of Community’s third season will all air on one night, May 17th.

While it was announced a couple weeks back that the Community season finale would be an hour long, the reason for the conclusion now being 90 minutes is so that it correlates with “Sweeps Week.”  This is when NBC announces all of the renewals and cancellations–though we’ll actually already know by May 14th.

Since it’s return from hiatus, Community has had consistently fantastic episodes, from a Ken Burns documentary parody to the most recently a Law and Order parody in which one of the fan-favorite side characters of the show was killed off (at request of the actor).  Dan Harmon (the genius series creator) has often joked about how the show is inaccessible for the average television viewer and teased that an episode which aired last week was quite possibly the least accessible episode they’d ever done.  And yet the episode which took place almost entirely in Abed’s “Dreamatorium” (his playground for mental simulations) knocked it out of the park and became an instant favorite among critics and fans alike.

The ratings have been strong in the past few weeks, especially for NBC ratings, which are held to slightly lower standards than other networks and tend to perform relatively poorly.  On it’s first three weeks back on the air, Community out-performed American Idol and all of the other NBC shows in the 18-35 demographic.  Thanks to some great twitter giveaway contests, the show has been trending worldwide for the past six weeks in a row.  The support is definitely there and the fans have been behind the show every step of the way.

“The fans, they’re everything that we always hoped and dreamed they would be. They’re the best. They are so resourceful and organized and creative.” Said Community star Gillian Jacobs in a recent interview on IGN about the hiatus.  “It makes you want to keep fighting when you see how hard they’re fighting to keep the show on the air.”

The legacy that Community fans want the show to have is one of a show that struggled in the ratings, but it prevailed thanks to an outpouring of support.  “Communies” are confident that their show won’t go the way of Arrested Development or Freaks and Geeks, two other cult favorite shows that were canceled prematurely.  Arrested Development is actually coming back next year as well with ten all new episodes to debut simultaneously on Netflix so maybe this age of the the web and on demand allows shows not only to be rallied for but also resuscitated.

If all goes well, Community will get its #Sixseasonsandamovie.  Joel McHale hinted at future seasons in a recent interview saying “There’s graduate school, post-graduate, teaching,” he hinted. “We could slow down time.”  At the present normal running time though, NBC has announced no plans to reverse their decision regarding The Cape. I think we’re all okay with that one.


“For us, the originality of the show clearly spoke to those individuals out there in the audience who also felt unique and original. And the final thing I’ll say is it was the story of a guy who felt he had all this potential but never lived up to it. A guy who felt he had the promise to be something better than he was when we first met him. This underdog, this nerd, who’s thrust into this life and lives up to it and becomes a hero spoke to people. A lot of people saw themselves in Chuck, and want to believe that if given their own opportunity they could also become a hero.”
– Josh Schwartz, Co-Creator of Chuck


 

 

A Quick Summation of What Chuck Meant To Me aka The Reason For This Article Existing

Chuck is a show about an underachieving 25 year old guy who receives an email from an old college friend that contains tons of U.S. secrets, imprinting them into his brain and giving him “flashes” whenever he sees something from the Intersect in his head. Two government agents named John Casey and Sarah Walker are then assigned to be his handlers, but throughout the course of the series, become his friends. For five years, it combined romance, drama, comedy and action in a way that I’ve rarely seen attempted in a network show, let alone done well.

I’ve seen every episode of Chuck, some multiple times, some only once, but once Chuck finished it’s run recently, I didn’t really know what to do with myself. Where would I go to be happy, sad, angry, giddy, all the while being on the edge of my seat… every week? Where would I go for the awesome pop culture references that seemed like they were made just for me? Where would I go to reinforce my belief that there’s true love out there for every nerd, even if it may not come in the form of a beautiful CIA handler like Sarah?

Now was the time to face my own quarter-life crisis and become the hero that my friends and family always knew that I could be! I knew Chuck would have said, “don’t freak out!” so let’s start there…

 

Lesson 1:  “Don’t freak out,” or How To Channel My Emotions 

As Chuck’s handlers Casey and Sarah learned during the course of the series, Chuck is very emotional. Many a time during the series, Chuck’s emotions hindered missions, sometimes even ensuring the mission’s failure. As Chuck grew as a person and as an agent, this flappability began to change. Chuck came into his own as he burned an asset, became a handler himself, and began to formulate missions and lead a team of spies rather than always being delegated to the spy van. Part of this change involved Chuck being more realistic and more focused on the missions as his personal life began to fall into place, and part of this change involved him taking a more active role in the spy world.

For me, the journey from emotional man-child to a grown up is still in progress, but I’m taking some cues from Chuck along the way. I’m learning to use my ability to empathize to understand other people better and try to see the other side of arguments. I’m also learning to focus my energies better at work and in my personal life so that I can use that emotion to make even the most mundane things seem important.  

As a teacher, why just make standard lesson plans when you can guide students on epic adventures through literary analysis? Why simply describe two teenagers trying to fix a mess they created instead of engrossing students in a tale of two outsiders trying to save kids from a towering inferno about to burn down the church that was their safe haven? The more genuine and focused my emotion gets, the more the students will be able to see the merit of these stories and being able to analyze and use the skills they learn in class to interact with their world around them in a more substantial way. Instead of just being passengers in their own life, they can take the wheel and steer.

With regards to my personal life, I’ve always prided myself on being a good friend. That used to mean I would drop everything to be with as many friends as possible, spreading myself so thin nobody felt they were getting 100% of me. Being a good friend doesn’t mean you have to go overboard to impress people. Just be there for them. I simply needed to channel my emotions to be what my friends or family needed, whether it was a voice of reason, a devil’s advocate, or a distraction. I’m finding that my closest friends and family are noticing that the change in my emotional stability means that my ability to say no to people has increased, making it easier to just relax, take my time, and be a good friend.

 

Lesson 2: I Shouldn’t Always Be Content To Simply “Stay in the car, [like] Chuck!” But Believe In My Own Creativity

Much like Chuck, I have an almost childlike trust of others, which can be boring as I have always wanted people to like me and thus usually did what I was told. But why should I just be boring and “Stay in the car!” as Chuck’s handlers Casey and Sarah told him to in the beginning of the series? I’ve learned that I can help the “mission” and can try something new that might not have as wide an appeal to others but that I may love.

This new attitude has led me to try several creative projects this summer like making a clay maquette of Voldemort for a friend, dressing up like Lando Calrissian for Comic Con, and even starting a musical story of my life experimenting with different genres. I even had the pleasure of meeting up with Zachary Levi, Joshua Gomez, Mark Christopher Lawrence, as well as Isiah Mustafa, Olivia Munn, and Danny Pudi! I would have never gotten the chance to meet these people at this year’s Comic Con if I weren’t actively trying to step outside of my comfort zone.

I’ve also become more engaging as a teacher because I understand what may have helped me to learn certain lessons does not always work for others and that’s perfectly okay. Chuck didn’t force Casey or Sarah to change throughout the series. He was, as the quote from Gandhi says,  “the change [he] wish[ed] to see in the world.” There’s nothing wrong with using my own experiences to relate to students in a way that’s new for both of us, instead of just using the same old teaching practices that have been accumulated like an Intersect that all teachers should follow. Chuck’s not your average spy, so why should I be your average teacher?

 

Lesson 3: “True Love” Is Not a Fairy Tale, But There’s Someone Out There For Us All

The hopeless romantic in me takes the series’ ending as a chance for the couple to fall in love again as Sarah continues her life with Chuck. With that in mind, Chuck’s romantic entanglements did not always include Sarah and Sarah alone. When we meet Chuck at the beginning of the series, he has been pining for his ex-girlfriend Jill, and as Sarah enters his life as his handler, becomes his girlfriend as a cover. The next season Chuck develops real feelings for Lou the sandwich girl, and “breaks up” with Sarah, in order to pursue a “real” relationship. Unfortunately, that relationship doesn’t work out and after things get complicated with Sarah, there was Hannah, a girl that Chuck dumps in order to get back together with Sarah. Chuck genuinely had feelings for these girls and wanted things to work out with all of them, even if he subconsciously or in Hannah’s case, consciously, cared deeply for Sarah at the same time. Ultimately, he was able to slowly help Sarah realize she loved him back, get married, and get the happy ending he so richly deserves.

I haven’t always had the most luck in love, but I don’t want to go through life thinking that my ability to feel is my Achilles heel. I’d rather it be an asset that will help the right girl fall in love with me. While I’m Chuck’s age now, I am starting to realize that the less I actively look for a girlfriend, the more likely I will be to find one. Along the way, much like Chuck, I have had a long-term girlfriend who ended up not being the one, and a few girls that I dated for a while, but each of these relationships taught me a little more about what I’m looking for and what I need in a relationship as well. When you have your own life in order and you don’t need someone to complete you, someone can step in and simply add to your awesomeness and make you even better. Eventually, I have faith that somewhere out there there’s someone who will like me for me, which brings me to my final lesson.

 

Lesson 4: There’s Truth To The Saying “Always Be Yourself”

Chuck has had many roles throughout the course of the show: unofficial Nerd Herd commander, The Piranha, Rafe Gruber, The Analyst, The Intersect, Charles Carmichael… but the biggest role that Chuck plays is Charles Irving Bartowski. In fact, the best Chuck episodes were when he didn’t even have to use the intersect to save a mission. He simply used his latent geek skills. After all, Chuck is an awesome show not because he is a spy a la James Bond, but because he is a spy a la Chuck Bartowski. He chugs wine when hacking into government computers. He uses a tranquilizer gun when he has a vast arsenal at his fingertips. And he always thinks with his heart.

While sometimes this frame of mind may have left him vulnerable at times, it also infused the show with a sense of relatability uncommon to most network shows these days. You simply care more about his hero’s journey because he makes choices you’d like to think you would make in the same circumstances.

Speaking of the Intersect, remember the episode where Chuck took the emotion suppressing drug and was finally able to use the Intersect on command? As part of my quarter life “crisis”, I’ve at times suppressed my emotions to be someone that I’m not. I am guilty of thinking that my emotions and empathy for others was a weakness instead of one of my strengths. Luckily, I’ve begun to realize that trying to be more Charles Carmichael than Charles Bartowski might get me more girls or more single serving friends now, but being myself might actually bring me lasting happiness.

So in Closing…

Over the last five years, I have realized that being a hero in my own life means realizing the potential that I had all along, instead of relying on a perceived crutch or false identity to reach my potential. I don’t need an Intersect or a million dollar Volkoff fortune. I just need to believe in myself, as cheesy as that sounds. My friends and family have always known my potential and have pushed me to reach for it instead of settling for the best that I could get through easier means. I’m glad that I’ve grown secure enough to finally listen to them. And as the sun sets on this chapter of Chuck’s life, I’d like to think that my story is just coming up over the horizon, with plenty of lessons still left to learn.

 

Nerd Herd Employee of The Month: Pravin Kaipa