San Diego Comic Con is always my yearly barometer for how Geekscape is doing! Am I still having fun? Are we still meeting new people? Do people still get excited about being a part of Geekscape? Well, this year the resounding answer to all of these questions was YES! And I think this SDCC 2019 Special episode is evidence to that! We take you behind the booth to talk to Geekscape guests and contributors alike, including our friend Satine Phoenix, Dwarven Forge creator Stefan Pokorny, the director and star of your new favorite cult film ‘Velocipastor’, Rock and Roll Hall of Famer DMC and more! Along the way, Derek and I freak out over the Marvel Hall H presentation, Stephen Bay guests on the show for the first time and Matt Kelly runs the booth like a boss! It’s all here on this brand new episode… which is kinda like going to SDCC for yourself but without all of the body odor! Enjoy!

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Mega Ran and MC Lars are Nerdcore rappers at the top of their game. And they took some time off from their Rushmore of Nerdcore tour to sit with me and talk about some history. It’s like 3 old friends catching up as we talk about their separate histories and what got them into music and about the beginnings of the Nerdcore scene in general. Their most recent collaboration ‘The Dewey Decibal System’ is discussed as well as a bit of religion and politics… the things we’re supposed to not talk about on the internet. But we don’t care and we get real personal as we catch up on this special Nerdcore edition of Geekscape! Also, checkout Mega Ran’s podcast ‘Mat Mania’… brand new to the Geekscape Network!

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As I tell you in the intro, my knowledge of MC Chris was fairly minimal when he was proposed to me as a guest… but I knew he was really cool and a lot of my friends were fans and that was good enough for me! Well, after having him on the podcast I gotta tell you that I’m now a fan and he IS very cool! But the pop culture rapper, animator, comedian and actor is so much more than that! As we soon discover in our conversation, it’s not all Star Wars and comic books in MC Chris’ world (although there is a lot of that)! We get into some real talk, from his time dealing with social anxiety at NYU and playing PC games as a kid to some of the professional and personal pitfalls that followed him in his animation career. And we talk about where Chris is RIGHT NOW, in his new turn towards positivity, helping his fans out and how his upcoming tour and album are going to be the best time ever! There’s a LOT revealed on this episode (including his new album name) so listen up and enjoy!

Visit MC Chris’ Website for tour and music info!

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This week on Monday Music we’re bringing you a delicious future house remix of that crazy popular hip-hop song Broccoli. Check out the Party Pupils Remix below.

If you’ve been living under a rock lately, let me bring you up to speed. Broccoli debuted early last year from hiphop artists D.R.A.M. and Lil Yachty. It’s very much in the same boat (HAH!) as Lil Yachty’s Minnesota. In this up-and-coming sub-genre upbeat and lively, lullaby-esque melodies combine with hard hitting trap style sub-bass to bring a surprisingly cohesive song that kicks.  The lyrics that accompany the tune are just as fun and upbeat. Broccoli has hit double platinum since it’s release in April 2016.

That brings us to the track you’ve just listened to. The Party Pupils Remix takes the extremely recognizable lyrics from the original and adds a toe-tapping sidechained beat. This is how to remix a song; music producers take note.

Be sure to check out more of Party Pupils on their Facebook.

So ‘scapists, what do you think? A faithful remix of the original or utter trash? Let us know below!

We’re back after a brief hiatus, because really the only thing that came out was Kanye’s new track and by that time it was too late!

This week we’re bring our Editors favorite Canadian rapper, Drake, with his latest single. Summer Sixteen, just shows you that you can do anything when you get a Grammy nomination for a dis-track.

Last summer Drake and Meek Mills got into it, after Mills complained that Drake wasn’t promoting Mill’s new album, and accusing Drake of not writing his own tracks. What followed was a flurry of insults all penned by the Canadian. There were a few shots fired back and forth between the two, but in the end Mills had to bow out. This was of course only after getting destroyed by Drake, as well as starting a feud with 50 Cent.

Drakes newest single is viewed by some as “excessive”, but he’s been firing on all cylinders lately and doesn’t appear to be slowing down anytime soon. He takes shots at the likes of Kanye, Kendrick Lamar, DJ Khaled and eve the president!

Pickup Summer Sixteen on iTunes right now.

Give it a stream over at Stereogum right now!

This week on Monday Music, we’re going to the dirty south with Lil Wayne’s newest mixtape!

No Ceilings 2 came out a few weeks ago on Thanksgiving, but that was before I started writing these posts, SO HERE IT IS NOW!

Lil Wayne has really outdone himself this time around. No Ceilings 2, released on his own Young Money Entertainment, is a great progression from his previous release of No Ceilings. This time there were no track leaks, and when it hit on Datpiff it was met with positive reviews.

Wayne brings his own unique style to existing instrumentals. His version of Hotline Bling turns the Drake tune into a jailhouse love ballad.

The whole record has an extreme amount of sub bass, and each song really kicks you in the chest. My only complaint with the album is that sometimes, Wayne’s signature auto-tune vocals sound disjointed and overdone.

You can snag the entire No Ceilings 2 mixtape for free on Datpiff.

We’d love to hear your thoughts on this Mixtape, what do you think of Lil Wayne’s covers?

https://youtu.be/L12FwJ2Peek

After a brief hiatus The Saint Mort Show is back with an interview with Mega-Ran and K Murdock live at the TooManyGames convention. It was a blast chatting with these two and talking comics, wrestling, video games and hip hop.

If you’re curious where I’ve been I’ve been working on my new podcast Horror Movie Club. Check us out on Facebook, Twitter, Soundcloud, Reddit and Geekscape.net!

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The intersection between hip-hop and geek culture might be bigger than we previously thought. One of my fraternity brothers who raps on Soundcloud is one of the biggest gamers and anime fans I know (Cheap plug: Listen to him here.) Beyond MC Frontalot and Community fans who chill to Childish Gambino, there is a generation of new artists like XV who rap about growing up on Dragonball Z and Final Fantasy.

Nevertheless, I think everybody needs to see this (NSFW) trailer for the upcoming Straight Outta Compton.

Let’s talk about one thing before anything else: the filmmaking. From the introduction with Dr. Dre and Ice Cube revisiting old stomping grounds to the actual film itself, it’s supremely well-made and has all the makings of a culturally relevant piece of pop. I’m just so in love with how it looks. The director of the film is F. Gary Gray, whose previous works include FridayThe Negotiator, and The Italian Job.

Straight Outta Compton looks to be The Social Network for ’90s gangsta rap, about the formation of the infamous N.W.A. (Yes, there were rags-to-riches biopics before The Social Network, but allow me my shorthand.) You have your humble beginnings, doubts from loved ones, all the way to success with scantily-clad women at your side and lawyers throwing legal jargon to scare you. Seriously, you could see mirrors between this and that still-amazing Social Network trailer.

But while Straight Outta Compton has the makings of a strong yet typical biopic, if you know anything about recent American history might know what could set it apart. The racial tensions in the aftermath of Rodney King was a few years after the N.W.A.’s rise to fame, but judging from the trailer they seem to be compressing that time period. Even so, the N.W.A.’s, radical, in-your-face anthem “Fuck tha Police” and other lyrics that left little to the imagination spoke to people, and brought to the world’s attention the divides between communities and their law enforcement. That’s something we are all too familiar with today, twenty years later. The N.W.A. had a titanic presence in everything concerning that national discussion, when they became more than just hip-hop but a voice. Whether their voices helped or hurt matters, that is up to you.

In any case, the movie might be more than an average biopic and could be an extremely topical work upon release, and Geekscape adores the cinema. There are other movies coming out this year, not just Avengers: Age of Ultron and Star Wars.

Will you be seeing Straight Outta Compton? Let us know, homie.

Friday Night MC Lars and MC Frontalot will be dominating San Diego Comic Con. I was given a chance to interview the two of them separately for the show and managed to chat with them about their humble beginnings, the creation of nerd core as a genre, their upcoming albums and the acting careers of both of them.

If you haven’t yet get your tickets for the 4th annual Nerd-A-Thon

If you never heard MC Frontalot or MC Lars check out their websites.

MC LARS SITE

MC FRONTALOT SITE

LINK TO BUY COMMUNITY COLLEGE

The intro music contains the song The Doubtful Guest by Calibretto on their EP Dead By Dawn.

 

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Okay, well maybe I won’t exactly be an Indie Nerdcore Rapper – but I definitely intend on living like one in 2014. After the past few years as a promoter I can safely say I have been continually inspired by an interesting group of people – nerdcore rappers. They are some of the most passionate, driven, creative and intelligent people I have ever come across – so here are the top five ways you can channel your inner nerdcore rapper in 2014 too:

1. Do What You Love
I remember Adam Warrock was on tour with Kirby Krackle a few years ago and my dad came by to visit. My dad asked him if he had another job and Warrock hesitantly explained he quit his job as a lawyer to pursuit a career rapping about comic books and video games. I’ll never forget my dad’s response: “Well, that’s probably the best decision you’ve ever made – It sounds a hell of a lot more fun than being a lawyer.” Do what you love, who knows – you might even find out its exactly what will make your parents proud.

I made the switch after being a lawyer for three years, practicing as a litigator in DC, said Warrock. I was getting opportunities to do shows, do events; and I was being badly managed at my job. There was a moment that I truly believed I could be more successful as a musician than as an attorney, when you take out salary/money as the only factor. So I just quit one day. Been three and a half years since. I guess I made the right decision.

2. Become a Jack of All Trades
Infinitely more-so than with any career have I seen a single person take on so much responsibility and really drive their own career to accomplish their goals. From figuring out how to manage a brand, to figuring out how to publish music on iTunes, to learning how to plan a national tour and star performer – these guys have problem-solved their way into being able to launch and maintain a music career.

You have to be your own cheerleader, publicist, manager [and] online brand handler, said MeganRan. You become everyone of those roles and you must do it well before anyone will see any need to help and even after, no one will work harder than you for your dream. 

3. Find Balance
Every time I talk to MC Lars he’s either making an album, prepping for a TEDtalk, packing for an international tour or working on a kid’s show. So, every time I think I’m busy, I remember how just thinking about all of his projects make my head spin. To this day I am pretty sure he stole Hermoine’s time turner necklace. What I have learned from MC Lars is to prioritize time and projects.

You could spend all day chatting with fans on Facebook, or you could spend that time making a great song, said MC Lars.  It’s all about finding a balance between the two.

4. Apply skills from one aspect of your life to another
I remember when I was in school I would always wonder what my teachers would do in their free time, but I don’t think any of my teachers were rapping about old school video games. In a former life MegaRan was a teacher and if you’ve ever been to one of his shows its obvious he can command a crowd.

In teaching and in performing it’s all about instilling trust in your audience and being confident in what you deliver, said Megaran. I utilize a lot of techniques from the classroom — call and response, wait time, icebreakers – all kinds.

5. Don’t get hung up on perfection

Make stuff, publish it. However you can. No one can support what isn’t out there. And don’t worry if it’s not perfect, if it’s not ready. People like process. They like falling in love with someone as they figure it out. They enjoy seeing the cracks and the faultlines, so that one day, when you hopefully rise up and become a giant, they can say they were there from day one. Just get started making stuff. You’re already behind the curve. -Adam Warrock

Want to actually be an Indie Nerdcore Rapper? Here are some helpful pointers:

From MC Lars:

TuneCore is great for digital distribution, but physical distro isn’t so important any more.  My last album didn’t come out in stores, just online and to the Kickstarter supporters.  I had a ten year retrospective vinyl that I put out last year that a friend of mine helped get into Amoeba and other indie stores.  It’s all grassroots but you don’t need to put everything you release in stores… . Spotify is great because you get paid for each listen instead of just once like when someone buys your mp3 on iTunes – the cloud model is more sustainable.

 

From MegaRan:

Learning how to budget your incoming funds is the hardest thing. I just got a financial plan from a fellow musician which is really helping me, but you have to have a plan and stick to it. the money could stop at any time. I’ve also been told by veterans to keep a side hustle– a skill that you’re good at that people often need help with that can make you some additional income — graphic design, web design, mixing services, anything.

 

From Adam Warrock:

I remember hearing Chris Hardwick give advice to young comedians once. He advised them to have a weekly gig, hosting an open mic or something like that. Do the gig, every week. Never miss it. Treat it like it’s mandatory. You’re sick. You’re busy. You’re sad. You can’t miss it. The first time you go on stage when you absolutely do NOT want to be there – and you kill it – boom, you’re a professional.

 

Be sure to check out these artists in a city near you! Check their websites for tour dates:

MCLars.com

AdamWarrock.com

Megaran.com

Today is a sad day for the world of hip-hop. 1/3 of the one of the greatest (if not the greatest) hip-hop groups ever has passed. While the details on Adam “MCA” Yauch’s death are scarce we think it’s safe to assume that his long battle with cancer is the culprit.

What does this mean for music or hip-hop? Right now. It means nothing. MCA (with Mike D and King Ad Rock) fought for our right to party, and succeeded. While the group admittedly hated their most known song and refused to play it live, it was a game changer (much like everything else in the bands decade spanning career).

What started off as hardcore punk band between Adam and Mike Diamond (Mike D) eventually involved into one of the most influencial and important hip-hop groups ever (Only comparable to Run DMC and N.W.A.).

The Beastie Boys exploded in 1986 with their ground-breaking debut Licensed to Ill which took the Run DMC’s mix of rock and rap found on Raising Hell to the next level. The album even featured guitar playing from Slayer’s Kerry King on their single “No Sleep Til Brooklyn”.

Three years later the trio made a dangerous decision. Instead of making their follow-up album a carbon copy of their massive debut they crafted the greatest rap record in history. Paul’s Boutique was a flop by all standards when it was released, but now the weird sample heavy album has even been called the Sgt. Pepper of Hip Hop (which makes sense since The Beatles were sampled a few times on it).

After a three year break the Boys exploded in popularity throughout the 90’s with Check Your Head, Ill Communications and Hello Nasty. The group was never one to repeat themselves. They’d pick up their instruments and record their own beats for Check Your Head, they’re record straight hardcore punk songs and release them as singles (Sabatoge) and they’d experiment with all types of different styles with Hello Nasty.

In the 2000’s their experimentation continued to grew with the release of The Mix-Up (an all instrumental jam album) and the Concert movie Awesome, I Fucking Shot That! where 50 audience members received camcorders at their 2004 Madison Square Garden Concert and became the ‘directors’ of the concert film.

In 2009 they planned to release the album Hot Sauce Committee Part 1, however when Adam Yauch was diagnosed with cancer the album was pushed back multiple times until finally getting it’s release last year (with the name changed to Hot Sauce Committee Part 2). The album proved that the Beasties were still relevant and the most energetic performers out there.

So what does the death of MCA mean for the group? I love the Beastie Boys but to me this is the end of the band. The three piece will never find a new MCA and touring and recording as a duo won’t work. Run DMC hung up their microphones after the Death of their DJ Jam Master Jay. I can almost guarantee that the surviving Beasties will take a note from their hip-hop mentors.

It is a sad for the hip-hop community and the music world. The Beastie Boys allowed people like Eminem and Atmosphere to exist in today’s music. The best story of the group I read in a Rolling Stone magazine about the 500 greatest groups in music. Reverend Run told a story about the Beastie Boys touring with DMC and Public Enemy. He described the first show of the tour as being in the deep south and the whole tour thinking “This crowd is going to kill these three white boys.” Instead they stole the show.

“Real respects Real” said the Reverend. “They weren’t white guys acting black, they were white guys rapping about their lives. They rapped about White Castle burgers, Beer and Chicks.” Plus they were pretty damn good at doing it.

Below is a live performance they group did on Letterman in 2004 to promote To the 5 Boroughs. I think it best shows (a) why 3 Jewish White guys showed the world what Rap can sound like and (b) the level of imaginative and creative performances that will be sorely missed.