The role of The Walking Dead’s most notorious villain – known as The Governor- has been rumored to be going from everyone from Tom Savini to John Hawkes from Winter’s Bone to even Danny Trejo. But it looks like once again, a Brit nabbed the part meant for an American. Actor David Morrissey, known best for State Of Play and Dr. Who, got the part over all those other names, and is set to become a series regular in the third season which debuts this October on AMC.

In Robert Kirkman’s original comic book series, The Governor is the leader of a small settlement of survivors, and becomes the main antagonist for Rick Grimes and his group, who have mostly been hanging out on a farm all this season. The addition of the Governor should certainly shake things up for the better.

The first major casting news in MGM’s remake of Robocop has surfaced from Deadline.com, and it looks like actor Joel Kinnaman is being offered the lead in director Jose Padilha’s reboot of the beloved series. Joel who you say? Well, Joel Kinnaman has been featured in a few high profile projects lately, like AMC’s The Killing and The Girl with the Dragon Tattoo. But he hardly has the recognizability of earlier rumored leads like Michael C. Hall from Dexter. Then again, When Paul Verhoeven’s original Robocop was released back in 1987, star Peter Weller was best known for  being  in The Adventures of Buckaroo Banzai….oh, and for pinning an 11 year old Corey Haim against a wall in fit of rage during filming of the movie Firstborn (seriously, he did…Google that shit,) So in casting an relative unknown for the part of Robocop, MGM might be hoping that lighting strikes twices.

Does this man have the jawline for Robocop?

For the past eight years, since the end of Marvel’s original Avengers comic in Avengers Disassembled, the chief architect and writer for Earth’s Mightiest Heroes has been Brian Michael Bendis. Late last year, Bendis announced that after this summer’s upcoming Avengers Vs. X-Men mini-series, he would be leaving the Avengers franchise behind.  And now Bleeding Cool has the scoop on what he’s doing next: Bendis is jumping ship to the X-Men titles.

This isn’t confirmed yet of course, but Bleeding Cool has a pretty damn good track record with this kind of stuff (they broke Before Watchmen almost a full two years ago.) And there are no details as to what exactly the Bendis lead X-Men books would entail. It was less than a year ago that the Schism storyline happened, resulting in two separate branches of the team, one lead by Wolverine and one led by Cyclops, and both books have barely had any time to enjoy this new status quo. I hope Bendis doesn’t give us “X-Men: Disassembled” or something, because technically we just had that. In any event, We likely won’t see any of these Bendis X-Books till 2013 anyway, as he isn’t leaving the Avengers books till the end of this year. Plenty of time to speculate on whether or not Bendis will reveal that Luke Cage is really a mutant and make him an X-Man.

Ghostbusters 3 Moves Forward With No Bill Murray?

That Dan Aykroyd is just not giving up on the notion of a Ghostbusters III, despite the better judgment of everyone else on Earth, including original star Bill Murray. In an interview with Empire Online that appeared this week, Aykroyd stated that if Murray refused to appear as Dr. Peter Venkemen for a proposed third chapter, then they would consider re-casting the role.

I can’t imagine a worse idea than this, but there you go. One other recent rumor, that Bill Murray had shredded the script for part three that Aykroyd has sent him, only to send it back with a note attached that said “no one wants to see fat old men chasing ghosts” is apparently just that- a rumor. According to Aykroyd, “Bill Murray is not capable of such behavior. This is simply something that would not be in his nature. We have a deep, private personal relationship that transcends business. We communicate frequently and his position on the involvement in Ghostbusters 3 has been made clear and I respect that. But Bill has too much positive estimation of my writing skills to shred the work.”  I’ll totally bet he wanted to though.

The original Ghostbusters was that lighting in a bottle that you just couldn’t capture twice (I mean, we know…they tried to with part two) It was that perfect storm of script, casting and directing. If they had as hard a time repeating that magic formula once, why try again twenty five years later?  I’ll agree with Dan Aykroyd on one particular thing though, there are more cool Ghostbusters stories to tell, but maybe movies is not the way to go here. An animated series, maybe in CGI Clone Wars style, should be the way to go. After all, the 80’s cartoon show was pretty bad ass, imagine what they could do now? Sony could keep the franchise alive and viable this way, they could move more Ghostbusters shirts at Target and not tarnish the original, perfect film. Food for thought Aykroyd.

Guillermo del Toro To Helm Beauty and the Beast

Well, it feels like months since the last time I announced a project that Hellboy/Pan’s Labyrinth director Gullermo del Toro was attached to do. Well, here comes another one:  The Hollywood Reporter broke the news that del Toro is directing a new adaptation of the classic fairy tale Beauty and the Beast for Warner Brothers, with Hermione Granger herself Emma Watson as Belle. (or whatever she’ll be called in this one) This appears to be del Toro’s next directing gig after he wraps up work on his currently filming monster movie Pacific Rim.

According to the original story, the deal for this movie has been in the works since last spring when del Toro first began working with producers Denise De Novi and Alison Greenspan on a the project, which was initially an adaptation of the Robin McKinley novel Beauty: A Retelling of the Story of the Beauty and the Beast. It seems the project  has evolved since then, and is no longer a straight up adaptation of the book.  Aside from this movie, del Toro  is directing Trollhunters for Dreamworks, is developing a Haunted Mansion movie at Disney and is still attached to direct both a Dr. Jekyll and Mr. Hyde and a Frankenstein project at Universal. This guy really needs to stop saying “yes” to everything they come at him with.

It Is Official: Michael Bay To Direct Transformers 4

So, you thought you might finally be free of Michael Bay directed Transformers movies, after Bay announced last year that Dark of the Moon would be his final entry in the saga? Yeah…not so fast. Deadline.com broke the news this week that Paramount had finalized the deal for Bay to return to the director’s chair for Transformers 4 in 2014. According to the official announcement, this new Transformers movie would be a “re-imagining” of the series, with an all new cast. I’m not entirely sure how in the hell a director can re-imagine his own damn movie series. How is this not just a sequel with a new cast?

Ninja Turtles Reboot Gets A Director Too

And speaking of Mr. Bay, The long talked about live action reboot of Teenage Mutant Ninja Turtles gained a little bit more traction this week, as Jonathan Liebesman, director of last year’s pretty awful alien invasion flick Battle:Los Angeles (and the upcoming Wrath of the Titans) getting the directing honors. What worries me more than Liebesman is that the production company for this is none other than Michael Bay’s Platinum Dunes, a studio known for not having a shred of originality and only remaking classic 80’s horror films like A Nightmare on Elm Street and Friday the 13th  into glossy, soulless cash grabs. Now that they’ve run out of 80’s slashers from our youth to destroy, they are setting their sights on beloved comic book and cartoon properties.

Although TMNT came out as an indie comic in 1984, I wasn’t really into it as a kid. By the time the whole franchise hit weekday afternoon kiddy appeal and mass popularity, it was 1989/90, and I was too old for that stuff, so I really have no emotional investment in this property like many of you reading this no doubt do. But I honestly feel sorry for those of you who do, because Platinum Dunes is almost sure to piss all over your beloved Turtles. Might as well brace yourselves now kiddies.

MGM Hopes Valley Girl Is The New Grease, Or At Least The New Hairspray

MGM, in an effort to crawl out of their recent bankruptcy, is looking to exploit every last movie in their library for some kind of reboot or sequel.  Joining Red Dawn, Carrie and Robocop as the latest of their classic flicks to get the remake treatment will be none other than Valley Girl, the 1983 movie that was the first starring vehicle for a young Nicolas Cage. The original movie is pretty terrible; imagine a shitty version of a John Hughes flick and that’s pretty much Valley Girl in a nutshell. However, it does have an awesome New Wave soundtrack, which still gets some heavy rotation in my itunes library I must say. Leave me alone ok? I’m a child of the 80’s.

This time, MGM is looking to remake the movie as a musical, using all the great 80’s music, maybe hoping to be for today what Grease was to kids in the late 70’s. Although Grease had original music, and Valley Girl looks to be cover versions of classics from the likes of the Go-Go’s and the Cars. The director for this is an relative unknown named Clay Weiner (best name ever, btw) who directed a few commercials and a Nickelodeon movie. Despite name director’s wanting the job, Weiner’s demo presentation for Valley Girl was apparently so awesome, with choreographed 80’s mash-ups, it won the studio over and he got the gig.  MGM is looking to fast track this one, so expect it to be out next year, the 30th anniversary of the original film.

Personally, I think MGM should have taken this thing to Broadway instead. Clearly this movie is going to be targeted at today’s teen audience, and their knowledge of anything pre-2000 is questionable to say the least. At least the Broadway audience is the right age demographic for something like this, not to mention most “jukebox musicals” do really well, as there is nothing people love more than familiarity. And besides, this makes more sense than a Back to the Future musical, and that is said to be happening. Why not Valley Girl?

 

 

Bryans Singer and Fuller To Bring Back Star Trek To TV?

I’ve mentioned in this column before a few times in recent weeks how writer/producers Bryan Fuller and Bryan Singer are working on a Munsters reboot for NBC, now re-titled Mockingbird Lane. But these two might have more than just the Munsters in mind for television, and in fact are hoping to possibly collaborate on a new television incarnation of Star Trek in the near future.

Both Singer and Fuller are huge Trekkers; Singer even has a cameo in Star Trek: Nemesis as a random helmsman, and before producing cult series Pushing Daisies and Dead Like Me, Fuller got his start as a young staff writer on Voyager and Deep Space Nine. In late 2005, after Star Trek:Enterprise was cancelled, ending an eighteen year run of non stop Trek on television, Singer had his longtime friend and fellow writer/director Robert Meyer Burnett come up with a detailed pitch for Paramount for a new Trek show called Star Trek: Federation. Federation was set in the year 3000 to a vastly changed and declining United Federation of Planets. Singer and Burnett’s  proposal took into account how television storytelling had changed since the glory days of The Next Generation, something that Enterprise ultimately failed at. When Paramount decided to let the franchise rest on television for a while and reboot the series on the big screen instead with JJ Abrams’ film, Singer dropped pursuing his pitch. However, it’s been seven years since all that…could Singer and new colleague Fuller be reviving this idea?

My personal opinion is that while Singer and Burnett’s pitch for Federation is exactly what the franchise needs for television…now is probably not the time to do it. The movie franchise was only recently re-launched, and the first sequel does not arrive till next year. I say Let JJ Abrams and crew wrap their new Trek trilogy, and then maybe in say, 2016 (the 50th Anniversary of Star Trek) they could bring back the series to television and people would welcome it back with open arms after such a long absence.  The world of television is in major flux right now anyway, with the cost of shows growing and the viewership shrinking, and Netflix and the like becoming a new venue for showcasing new television series. Waiting a bit longer allows for the dust to settle in the television world AND whets the appetite for more television Star Trek among the general public.

 

Jessica Lange Returns To American Horror Story


Something else I mentioned in this column a few weeks back was the news that FX’s new hit series American Horror Story would effectively reboot every season, with a new haunted location and a new cast of characters and actors each time. But series producers Ryan Murphy and Brad Falchuk have made at least one concession about returning former cast members, as Jessica Lange is confirmed as returning for the second season.  

Jessica Lange was easily the show’s most valuable player, as her acting elevated the show’s sometimes cheestastic and over the top craziness to something resembling really good Grand Guignol theater. American Horror Story also got Lange a much deserved Golden Globe recently, and it would be foolish of the producers not to capitalize on Lange’s talent and buzz for as long as possible. Not much else is known yet about season two of the show, which isn’t set to debut until October. But FX released one promo image for the second season this week, which seemingly suggests not a haunted house, but a haunted hospital instead. I guess we’ll all find out just what location is haunted, as well as what other cast members will be returning, when the show comes back in the Fall.

 

Anne Rice’s Lestat Might Return To The Big Screen

For the last few years, as the vampire trend has spread through Hollywood like wildfire (or herpes) there has been one very noticeable omission: The Vampire Lestat, and all the other undead denizens of Anne Rice’s Vampire Chronicles series of novels.  But it looks like that might change very soon, as Ron Howard’s Imagine Entertainment has bought the rights to Anne Rice’s fourth Vampire novel The Tale of the Body Thief. Author Anne Rice announced the news on her Facebook page this week that Imagine has acquired the rights to Body Thief, and hired writer Lee Patterson, who wrote a well-regarded screenplay titled Snatched, to write the script. Producing with Imagine are Alex Kurtzman and Roberto Orci, the writer-producers behind  FringeStar Trek and Transformers. Say what you will about this particular writing duo, but just about everything they work on eventually gets greenlit.

While it might seems strange to effectively reboot a film series using book number four in the cycle, Tale of the Body Thief is more or less a stand alone story that only really references characters and events from the first novel Interview with the Vampire, which was already successfully made into a movie. In the novel, Lestat is killing serial killers in Miami (kind of like a vampiric version of the television series Dexter) and grows bored of existence and tries to end his life, only to find that he can’t actually die. When approached by a mortal psychic who claims he can switch bodies for a brief time and Lestat can gain his mortality back, Lestat jumps at the chance, even when the titular body thief makes off with his powerful body and he has to track him down and get it back.


Unlike the two previous installments in the Vampire Chronicles, The Vampire Lestat and The Queen of the Damned, which both have a huge cast of characters and move around in time a lot, Body Thief is a pretty linearly straight forward story that would be far easier to make into a two hour movie than the previous two books in the series. I still maintain that the first three books of the series would make for a great cable series though. Please, someone in Hollywood get on that soon.

Buffy Makes A Controversial Choice, Gets Headlines In The Process

And  while we are on the subject of vampires, arguably the most famous vampire slayer of all time, Buffy Summers, made media headlines this week for probably the most unlikeliest of reasons. SPOILERS for Buffy from here on out folks- In Joss Whedon’s current comic book continuation of the series for Dark Horse Comics (Season 9 to be precise) Buffy has found out she is pregnant. In this past week’s issue, Buffy mulls over her options about what to do with her pregnancy, and ultimately decides to get an abortion.  It isn’t a decision Buffy comes to lightly, and it is handled extremely well by writer Andrew Chambliss and series creator Whedon.


Of course, just because Buffy is planning on getting an abortion doesn’t mean she’ll be successful at it though. The character of Buffy seems convinced the father is any number of men she could have had sex with (but conveniently doesn’t remember) back in a raging house warming party in issue #1 of Season 9. However (again-SPOILERS) I would be genuinely shocked if the father of the baby is anyone other than long time vampire love Angel, whom Buffy had sex with at the end of Season 8 while both characters were in this mystical God-like state (don’t ask) Yes, those events were supposed to take place a good six months prior to the where the comic storylines take place now, but who is to say how long mystical pregnancies are supposed to last? And do you really think Joss Whedon would have the father of Buffy’s baby be some new character the readers have little emotional investment in, or have the father be none other than Buffy’s greatest lover/enemy?

Of course, if this really does end up being just  “A very special episode of Buffy the Vampire Slayer” where she gets an abortion and just has to deal with the consequences in a real life kinda way, then the father just might be a nobody. BUT…if indeed the baby can’t be aborted somehow and she is forced to have it, then I stick to my theory that the father is none other than Angel. If I’m right, then you heard it here first fellow geeks.

DC To Launch Smallville Season 11 In Comic Book Form

Taking a cue from Dark Horse Comics’ previously mentioned continuation of the Buffy the Vampire Slayer tv series, DC Comics is looking to continue the long running (ten frickin’ seasons) television series Smallville with a comic book version of Season 11. The Smallville television series ended with the Tom Welling version of Clark Kent finally wearing the cape and tights of Superman, making some longtime rabid fans of the series really happy. Seriously, just watch this one fan watch the Smallville series finale around the five minute mark-I’ve never had an orgasm this intense. 

Although previously rumored to be a series of prose novels, DC Comics have officially announced a “Smallville Season 11” comic book series this past week, which will be published digitally beginning April 13 with a new issue every week. The series will also be collected in print beginning in May. Series scribe will be Bryan Q. Miller, a former writer and story editor from the TV series, as well as former writer of the Stephanie Brown version of Batgirl which ended last year before the big DC reboot. The current plan is to pick up some six months from where the show left off, with Clark finally embracing his role as a public super hero. As part of the press release, Miller said “I couldn’t be more excited to help give seasoned viewers and new readers an all-access pass to Clark’s first year in the cape.

Smallville is certainly the most popular version of Superman in the media since the Christopher Reeve version, so continuing that version of the character seems like a no-brainer to me. My question is-which of the new DC 52 Earths is “Earth-Smallville?” And will Supes ever wear the red shorts or not? Because ya know, I find that I kinda miss those.


 

 

“Before Watchmen” Officially Announced By DC 

The big geek news of the week, easily dwarfing everything else, is the official announcement from DC Entertainment that the long rumored prequels to Alan Moore and Dave Gibbon’s seminal Watchmen would be coming this year, now officially titled Before Watchmen. To say this is a controversial movie on the part of DC is a massive understatement. The original graphic novel, originally serialized in twelve parts, is regarded as THE greatest work of comic book fiction by many, even some twenty five years after it was concluded. Author Alan Moore has long wanted no part in any continuation of his seminal work, and even had his name taken off the 2009 movie adaptation. In speaking to the New York Times, Moore had this to say about Before Watchmen“It is completely shameless. I don’t want money. What I want is for this not to happen.”

The collection of writers and artists on Before Watchmen is of the highest caliber, each tackling a different mini series based on one of the characters from the original. The announced line up of series and creators is as follows: 

 

  • RORSCHACH (4 issues) – Writer: Brian Azzarello. Artist: Lee Bermejo
  • MINUTEMEN (6 issues) – Writer/Artist: Darwyn Cooke
  • COMEDIAN (6 issues) – Writer: Brian Azzarello. Artist: J.G. Jones
  • DR. MANHATTAN (4 issues) – Writer: J. Michael Straczynski. Artist: Adam Hughes
  • NITE OWL (4 issues) – Writer: J. Michael Straczynski. Artists: Andy and Joe Kubert
  • OZYMANDIAS (6 issues) – Writer: Len Wein. Artist: Jae Lee
  • SILK SPECTRE (4 issues) – Writer: Darwyn Cooke. Artist: Amanda Conner

Also included in each mini series will be a back-up series, The Curse of the Crimson Corsair, by comics writing legend Len Wein, and art by original series colorist John Higgins–the only creative person from the original project involved in any way with this new one. I’m pretty sure some or most of these mini series will be decent, hell…maybe even great. But that’s not the point—the point is that the original author sees Watchmen as a completed project, and just to satisfy the all mighty dollar, DC has chosen to ignore his wishes.  I can’t blame any of the participants for being involved in this new project; comics don’t pay that great and if this is successful, they are all in for a great deal of money. I’d say yes if I were them too. 


 

And yes…I also realize Alan Moore is being a bit of a hypocrite on this one, calling out DC for mining his work. Considering that Moore has spent the last decade of his career mining the works of famous 19th century authors, both with his League of Extraordinary Gentlemen and Lost Girls books, it is the pot calling the kettle black a bit.  Nevertheless, those authors of those original works are long dead, and can’t give and opinion one way or the other; Moore is alive and has expressed his desire that they leave his work alone. Considering that Watchmen has sold more than two million copies and made a small fortune for DC, you’d think simply out of respect, DC EIC Dan Didio wouldn’t do this. When Paul Levitz was EIC of DC, he stopped any and all attempts at continuing Watchmen for 20+ years…and not out of  any love for Alan Moore mind you, as those two had plenty of bad blood between them; it was simply out of respect for the man who created their single most acclaimed graphic novel.

Since this project was announced, the other argument I’ve heard the most on the pro Before Watchmen side is that plenty of stories have been made over the decades for Superman, Batman, Spider-Man and the like, well beyond the original creator’s intentions. But ALL those creators knew they were creating characters for ongoing serialized magazines, while Watchmen was a complete work with a proper beginning, middle and end. It was not meant to go on forever.  While I agree that the world of Watchmen certainly is ripe for continuation, if the original creator doesn’t want it done, then it shouldn’t even be a question. 

 

Russell Crowe To Captain A Much Bigger Boat Than In Master & Commander

Darren Aronofsky’s next film, a big budget spectacle made out of the Biblical story of Noah and the flood, has started to take a little bit more shape this week. According to Deadline.com,  Aronofsky wants not only Russell Crowe as the titular Noah, but also Liam Neeson for another as yet unspecified part, although rumor has it that he will play some kind of villain (is there really a villain in the story of the Great Flood? I mean, aside from, ya know… God?) A few actors have been rumored for the part of Noah since this project was first announced, including both Christian Bale and Michael Fassbender, but both of those actors were booked for the next year or more solid. Noah is said to be going before the cameras by the summer of this year for a 2013 debut. Between this and Steven Spielberg’s Moses flick, it looks to be all about the Old Testament on the big screen next year. How long before Mel Gibson gets in on this? 

 

Evil Dead Remake Gains One, Loses One

The Evil Dead remake lost one cast member this past week, and gained another one. Actress Lily Collins (star of the upcoming Mirror Mirror and daughter of pop star Phil Collins) who was all set for the part of the female lead, had to drop out due to those pesky “scheduling conflicts.” Which probably really meant that she thought the movie was going to suck, and got a better part she could take instead. But while the production lost their female lead, they gained the part of the male lead in newcomer Shiloh Fernandez. The pretty boy actor was in last year’s Red Riding Hood, but before you fanboys get up have a coronary, he won’t be playing the part of Ash—the role Bruce Campbell made famous in the original films won’t even be in this remake. 

 

 

Back to the Future….The Musical? 

Lots of people, myself included, love to groan and moan about the fact that Hollywood is remake crazy lately. And while that’s true, there is really no place like Broadway when it comes to pushing product that is based on something else. Right now, nine out ten of the top grossing Broadway musicals are revivals of older shows , or musicals based off pre-existing material like Wicked and The Lion King. So..why not a Back to the Future musical? Writer and director Robert Zemeckis is in talks to bring his iconic 1985 film to Broadway. Zemeckis is in early discussion with co-writer Bob Gale and the film’s composer, Alan Silvestri, to adapt the film for stage. Despite all the negative reviews, Spider-Man: Turn Off The Dark has been packing them in, so Broadway is no doubt eager for another spectacle musical based off a much beloved property. And you know what? I’d MUCH rather have a musical of Back to the Future than a Part IV or a remake. If this show saves us from either of those, then more power to ‘em I say. 

 

Colin Firth To Star In West Memphis 3 Biopic 

The sad, strange saga of the Damien Echols, Jason Baldwin and Jessie Misskelley – three teenagers from West Memphis Arkansas who have been labeled by the media as the “West Memphis Three”, has been a minor obsession of mine since I first rented a documentary film called Paradise Lost on VHS way back in 1996. Watching the film, I was outraged that such a gross miscarriage of justice could be carried out and three innocent boys could be sentenced to death for a crime they clearly did not commit. The crime in question was the  brutal 1993 murders of three little boys the local community labeled as “Satanic Ritual,” mostly due to Echol’s love of horror and heavy metal music, and not based on much else. Paradise Lost was followed by two sequels, and just this year Peter Jackson produced another documentary on the subject called West of Memphis. Thanks to the efforts of Jackson and others in the entertainment biz who fought their case, last August the WM3 were finally freed from prison, although they had to give a false admission of guilt to do so. I know, it doesn’t make a lick of sense to me either. But the admission of guilt prevents the WM3 from suing the state of Arkansas for every penny it has for taking eighteen years of their lives from them. 

Now Hollywood is producing a fictionalized version of the case called The Devil’s Knot, directed by acclaimed Canadian director Atom Egoyan. Oscar winner Colin Firth has just signed on to star as Ron Lax, the private investigator whose detective work helped get the WM3 released from prison last year. The judge freed the men based in large part on evidence that Lax found. On top of that, Lax found DNA evidence that linked the stepfather of one of the murdered boys to material that was used to bind one of the victims. According to the producers, the movie “is not about how they got out of prison, It’s about how they got in.” The film will be told through Lax’s eyes as well as through the eyes of Pam Hobbs, whose son, Steven Branch, was one of the victims. Ultimately, Lax found DNA evidence linking Hobbs’ husband Terry  to the crime scene. Terry Hobbs remains free, but If this movie helps put his ass behind bars, then it will have done its job as far as I’m concerned. 

 

 


 

 

One thing DC Comics never seems to tire of is publishing Batman universe titles. Among the “New 52” relaunch, there are currently eleven Gotham centric books, with a twelfth book to be added in May when Grant Morrison’s Batman Inc. returns. Actually, the upcoming Worlds’ Finest book featuring the Huntress can also be counted as a “Bat book” so that makes thirteen. But wait, what’s that? So…maybe it will be fourteen now?? *sigh* Who can keep up?

Bleeding Cool is reporting this week the Jeff Lemire, critically acclaimed writer for DC’s Animal Man, is being looked at to write The Robins, a series focusing on the four different heroes to hold the mantle of Batman’s sidekick. Right now the official Robin is Damian Wayne, Bruce’s petulant brat of a son by way of Ra’s al Ghul’s daughter Talia. Apparently the series would focus on his tense relationships with the orginal Robin, current Nightwing and former replacement Batman Dick Grayson, his immediate predecessor in the role Tim Drake (currently going by Red Robin) and “sidekick gone bad,” the formerly dead Jason Todd. No official announcement has been made, but expect to be hearing something official on this one soon. Like I said, neither DC comics nor DC fanboys seemingly ever get tired of stories revolving around Gotham vigilantes, so if Lemire doesn’t do this soon, someone will.

 

Elfquest Movie Cancelled Yet Again

On the other side of the comics spectrum, legendary indie comic series Elfquest has been in some form of almost happening  as a movie or television property for something like twenty five years now, and pre-production is seemingly always halted at the last minute. The last studio to get the rights were Warner Brothers for a big screen adaptation in 2008, and now they have officially announced that the project has been put in turnaround yet again.  Richard and Wendy Pini’s Elfquest was originally a very successful long running fantasy series, running from 1978-1984, and then from 1987-2003 in the form of various sequels and spin-offs. Along with books like Teenage Mutant Ninja Turtles, Elfquest began an indie comics revolution over a decade before Image Comics even started. But while Ninja Turtles and others went on to great fame and many media adaptations, Elfquest always stalled out for some reason, despite how marketable the premise is.  The original run of the title had a very definitive beginning, middle and end, and would make for a great series of movies, and yet all attempts at bringing this series to life have crumbled.

I was a great fan of the original run of Elfquest, having discovered the original stories when Marvel Comics began reprinting them way back in 1985. In my opinion, they would make for a great cable television series, and am kind of shocked that in light of the success of Game of Thrones, no one has considered this yet. Warner Brothers now say that they don’t want to compete with their own two part Hobbit films, but they’ve known those were coming since well before 2008. One has to wonder if the creators of the series, Wendy and Richard Pini, are just plain difficult to deal with, thus ending all media interpretations before they’ve started. I can’t really think of another reason such a successful series hasn’t made the transition yet to other media. I certainly think it is long overdue.


Spielberg Gets All Old Testament On Our Asses

It seems ever since 1993 or so, Steven Spielberg has been getting in touch with his whole Jewish-ness in a huge way. First there was his Holocaust movie (Schindler’s List-duh) then his whole “Israelis are Bad Asses” movie (Munich) and now he is about to get as in touch with his Jewish heritage as one can get—the Old Testament. Warner Brothers is looking to lock down Spielberg for “Gods and Kings”, said to be a “gritty” take on the story of Moses and the Ten Commandments.  While the idea of another filmmaker’s “gritty” take of the Bible would make me cringe in normal circumstances (need I remind anyone of Passion of the Christ mania?) I’m sure Spielberg will knock this outta the park if given the chance. One thing this movie won’t be in is in 3D; Spielberg has gone on record as saying he won’t ever shoot a live action film on anything but standard film, and to shoot in 3D requires digital cameras. Add to that that he has said he’ll never  post convert a movie to 3D, so we can at least count our blessings in that regard. Gods and Kings is said to start shooting in 2013, after Spielberg finishes his latest geek centric sci-fi movie Robopocalypse


 

Fantastic Four and The Crow Reboots May Have Their Directors

We’ve known for about two years that Twentieth Century Fox was planning on rebooting the Fantastic Four movie franchise, but in that time there has been almost no news regarding who the creative personnel behind the camera are going to be. But reports recently have Josh Trank, the director of the upcoming found footage super powers movie Chronicle, as Fox’s first choice to direct the reboot. So far he has only that one movie to his name, and since no one has really seen it, no one really knows if this is a good move or not on Fox’s part.  Fox has to make a Fantastic Four movie within a certain amount of time, or the rights will revert back to Marvel (the same holds true for X-Men and Daredevil) The current rumor making the rounds is that like X-Men: First Class, the FF reboot will be set in the same early 60’s era that the comic book series was born in, and in fact might share a “movie-verse” with the new X-Men: First Class series much like Marvel Studios is doing with their Avengers movies. Of course, whether or not this rumor is true or just fanboy wishful thinking remains to be seen, but this time I hope the overly imaginative fanboys are on to something here. Because that would be all kinds of cool if it were true.

….and speaking of reboots, that reboot that absolutely nobody wants -along with that rumored Buffy reboot – The Crow now has a new director as well in the form of Spanish filmmaker F. Javier Gutierrez, with screenwriter Jesse Wigutow getting the writing honors. Gutierrez has directed one full length movie so far, the Spanish end of the world film Before the Fall, but this would be first American movie, and certainly his first big budget movie. While I think that The Crow is a uniquely “of its time” movie, I suppose the wave of 90’s nostalgia that has hit might actually give this movie an actual shot at not only getting made, but maybe making some bank as well. The first casting rumor that hit last year was that Bradley Cooper was asked to play undead rocker Eric Draven, which sounds a lot like that Kevin Smith story where producer Jon Peters once wanted Sean Penn to play Superman– it is so wrong headed a choice that it almost has to be true that some suit thought it was a good idea. Scary fact: When the Crow remake actually hits, it will be twenty years since the original was made. Yes, you are that old…and so am I.

Drive Sequel Forthcoming?

And finally, this one is heavy in the “Maybe” file, but it seems that indie hit and critical darling Drive might be getting a sequel. The original novel is getting one for sure, as author John Sallis’ Driven is hitting book stores and Amazon in April. The official synopsis for Driven goes like this: Six years later – Phoenix. Out of nowhere someone wants Driver dead. Who? Why? Big mistake…” When asked this past week if he would consider making a movie out of Driven, director Nicolas Winding Refn said “Well I think that… hmm. Let me just say that I haven’t made up my mind yet. Stranger things have happened…” If Refn comes back, no doubt Gosling would as well. Sure sounds like at least a “maybe” to me. Hopefully we might be seeing that sweet Scorpion jacket and those tight ass jeans again before too long.

Star Wars Live Action Series Gets A Title, But Don’t Hold Your Breath To See It Anytime Soon

The Star Wars live action television series has been talked about and rumored about ever since it was announced by George Lucas around the time that Revenge of the Sith was released in 2005. Well, almost seven years later there is STILL no show anywhere on the air, but we now know two things now—the working title, Star Wars: Underworld, and the fact that this show is still several years away from even beginning production. The reasons? Money, plain and simple.

When Entertainment Weekly asked if the series was still three to four years away, Lucasfilm producer Rick McCallum (while doing the rounds promoting Lucasfilm’s Red Tails movie) said “probably even longer.Because I think we don’t have the technology yet to be able to do it for the level of money that it would have to be done. Plus, the world of television is imploding. No one knows whether you should make a network show or a cable show. I’m really excited about it though, and I hope George does do it. I really do.” Over fifty scripts for the series have already been written, and are sitting on a shelf waiting for the cost of effects to go down.


As to just what the premise of the show will be about, McCallum confirmed years of online rumors by admitting it was about the rise of the intergalactic crime world at the same time the Empire begins to take control of the galaxy, in the twenty odd years between Episodes III and IV.  As Entertainment Weekly so keenly pointed out this week, a number of last minute cancellations for Expanded Universe (comics, games, novels) projects have made many fans raise their eyebrows about just who and what will be involved with the series. For example, George Lucas ordered that popular Jedi rogue character Quinlan Vos survive the Star Wars: Republic comics series; author A.C. Crispin’s proposed young Princess Leia novel series was canceled abruptly, as was a young Boba Fett novel. Could all three characters factor into the series in someway? It seems so, as Lucas is saving these characters’ stories for something, and they’d all fit into the timeline this show is set in. Jedi Quinlan Vos has long been rumored to be saved by Lucas for something bigger, he even gets a name drop in Revenge of the Sith. Will he be a Jedi hiding from the Empire among the scum and villainy that is fighting the newborn regime? That alone makes for an awesome premise for a show.

My personal opinion is that this series will debut in 2017, the 40th Anniversary of the original Star Wars. By that time, The Clone Wars animated series should be long done, and all the original films will have been released in 3D. Also by that time the cost of doing a Star Wars series should have gone down considerably. Let’s see if ol’ George is even around by then to produce a Star Wars series. 

DC Comics’ New 52 Wave 2 Announced For May

Well, one of things I said I was looking forward to the most for 2012 in my year end list has been announced already, and we’re only two weeks into the new year!  In a press release this week, DC announced the first six titles of Wave 2 of the New 52, and there were some shoe-ins as well as some surprises to be found.

Starting in May, we’ll get the return of Batman Incorporated, written by returning Bat writer Grant Morrison, with art by Chris Burnham. This will begin the conclusion of Morrison’s Batman epic he started back in 2007 when he started on the old Batman book. Then we have Earth-2, written by James Robinson with art by the fabulous Nicola Scott. The official logline for this one is “The greatest heroes on a parallel Earth, the Justice Society combats threats that will set them on a collision course with other worlds.” The second Earth-2 related title is World’s Finest, written by former DC President Paul Levitz, with art by George Perez and Kevin Maguire. The description for this one is as follows- “Stranded on our world from a parallel reality, Huntress and Power Girl struggle to find their way back to Earth 2.” Dial H will be The first ongoing series from acclaimed novelist China Miéville, and will be a new spin on the classic Dial H for Hero comics from the 60’s that featured one teenager turning into a different super hero every time he dialed the words H-E-R-O on his magic dial thingy. Then there’s G.I. Combat, from former Green Arrow writer J.T. Krul and artist Ariel Olivetti, and finally The Ravagers, from 90’s Spider-Man Writer Howard Mackie and artist Ian Churchill. Spinning off from Teen Titans and Superboy, this series will be about four superpowered teens on the run and fighting against the organization that wants to turn them into villains. The six new series will replace Blackhawks, Hawk and Dove, Men of War, Mister Terrific , O.M.A.C. and Static Shock, all of which will conclude with their eighth issues in April.The cancellation of these titles is no real shock as they were among the lowest selling of the New 52. (Although I’d be surprised to see GI Combat do significantly better than Men of War for example) Also sad is that two of the books with African American leads are getting the ax…but sadly, sales were just not there for those books. At least DC tried.

Most surprising and pleasing (for me anyway) is the announcement of the new World’s Finest series featuring Power Girl and Huntress; I always liked the original version of the Huntress, who was Helena Wayne the daughter of the Earth-2 Batman and Catwoman.  She was ret-conned out of existence in the 1985 mini series Crisis on Infinite Earths and replaced with Helena Bertinelli, the vigilante daughter of a mob boss.  Nothing against the Bertinelli version of Huntress, but there is something just conceptually cooler about the bad ass offspring of Batman and Catwoman to me. And of course the return of Grant Morrison on Batman and James Robinson to the JSA is enough to make me do the fanboy squeal. 


 

Sony Moving Forward On Dragon Tattoo Sequels

Despite supposedly “underperforming” this past Christmas, at least according to some pundits, Sony is still going forward with plans to finish off Steig Larson’s Millenium Trilogy, of which The Girl With The Dragon Tattoo was merely the first book. The other two books in the trilogy, The Girl Who Played With Fire and The Girl Who Kicked The Hornet’s Nest were already made into films in the author’s native Sweden.

Dragon Tattoo is poised to make north of $100 million dollars at the domestic box office, which is really, really good for an R-rated adult drama with very dark themes and controversial subject matter. I find it hard to believe Sony thought this movie was going to bring in $200 million like it was a family style blockbuster. The age of Fatal Attraction and Silence of the Lambs, adult R rated fare that made blockbuster style money, are long over. More adults than ever choose to wait for cable or Netflix instead of seeing movies with annoying teenagers texting on their phones in the theater. The fact that Dragon Tattoo made as much as it has is a small achievement really.

Now what Sony has to do is find a way to make these movies more cheaply; Dragon Tattoo cost a reported $90 million, an absurd amount for a movie that has no special effects and is (more or less) a small intimate thriller. David Fincher is well known for his astronomical budgets; his brilliant movie Zodiac for example cost a fairly outrageous $65 million a few years back, for what was also just a crime thriller. If Sony gets almost anyone else to direct the next two films, they’ll almost certainly be made for a lot less than what Fincher would have delivered them for. David Fincher is said to already be moving on to making 20,000 Leagues Under the Sea for Disney, where he can spend like crazy. But at least there it makes sense.

Universal Studios Turns 100, Restores Classics

This year, Universal Studios turns a century old, and to celebrate they announced this week they are meticulously restoring thirteen of their most classic films for preservation, and in most cases, for upcoming Blu ray releases as well. The thirteen titles chosen from the Universal library for restoration are All Quiet on the Western Front, Dracula (both English and Spanish versions) Frankenstein, The Bride of Frankenstein, Buck Privates, The Birds, To Kill A Mockingbird, The Sting, Jaws, Schindler’s List, Out of Africa, and Pillow Talk.  In addition, Universal unveiled their new logo for the 100th Anniversary this week as well.


As a film geek/Blu-ray enthusiast I’m thrilled beyond belief that at least one studio out there is really putting an effort into restoring their libraries of classic films for public consumption. The early 1930’s Universal Monster films have needed heavy restoration for decades, and the thought of a Universal Monsters Blu ray box set coming for Halloween makes me wish it was October already. Also so relieved to finally own some of the long awaited Spielberg classics in High-def as well, as it looks like I’ll be replacing my old standard definition DVD’s of Jaws and E.T. sooner rather than later. Hopefully Raiders of the Lost Ark won’t be far behind, as Paramount Studios also turns 100 this year, and is expecting to be making their own announcements regarding their vast library of films soon, including the Indiana Jones movies.

A Bit of Random TV News Bites

And lastly, two new potential television projects were announced this week that should be of interest to geek viewers, should they ever see the light of day that is. The first one is DC Comics’ Green Arrow for the CW network; Green Arrow of course is no stranger to that particular network, as the character (played by Justin Hartley) was a regular on Smallville for the last several seasons. It seems this version won’t be a spin off of Smallville however, instead the producers are opting to start the concept from scratch.

The series is being put together by Green Lantern movie co-writers Greg Berlanti and Marc Guggenheim and Fringe and Vampire Diaries alum Andrew Kreisberg, who also wrote the recent Green Arrow/Black Canary comic book series. Although the names behind Green Lantern movie should give you pause, having read Berlanti and Guggenheim’s original draft of Green Lantern, I don’t put the blame on those guys. One source said the show would focus on “Team Arrow”—does that mean we’ll see Black Canary and Aresenal on the show? Time will tell.

Also announced to possibly become a series is a serialized take on none other than Bram Stoker’s Dracula. Deadline reports that the NBC network is teaming up with producers Tony Krantz and Colin Callender for a Dracula series set for both the U.S. and international market. The project has a “script-to-series” commitment, which means that it won’t go through a pilot stage but straight to series if the NBC suits like the script. Dracula will be set in the 1890s, it is described as “Dangerous Liaisons meets The Tudors— a big, sweeping international soap opera that is young, sexy and supernatural” Personally, I have a hard time seeing this flying on NBC; genre shows just don’t succeed on any of the big four networks almost ever. But then again, NBC owns Sy-Fy Channel, so maybe the show will end up there? Who knows, hopefully this is more than just chasing after the Twilight/True Blood/Vampire Diaries audience, but that is probably all it is.  All I know is I desperately want a tv series on cable based on Anne Rice’s Vampire Chronicles and instead I’m getting Dracula..again. I guess that’s the power of being a public domain property.


 

 

 

Carrie Remake Gets A Director

The remake of Stephen King’s classic novel Carrie that I mentioned a few months back has started to pick up steam for MGM and Screen Gems, which is probably not a good thing  if you ask me. According to Deadline, it now looks like director Kimberly Pierce, who most famously made the movie Boys Don’t Cry over a decade ago now, is the person who landed the job.  Even though Boys created a big debut splash for Pierce, not to mention getting an Oscar for lead actress Hilary Swank, after that Pierce more or less vanished from movie making. She directed an episode of The L Word, and then returned to features for the 2008 flick Stop Loss…. and that pretty much covers it. I wish Pierce the best of luck, because she’s gonna need it.  Sissy Spacek and Piper Laurie turned in the performances of their lives with the original version, and topping those is gonna be tough to say the very least. They attempted to with a TV movie a decade or so back, and that failed to inspire anyone.

It will be interesting to see how this story works for modern kids; certainly the bullying angle hasn’t changed much since 1976 when the original movie debuted, that’s for damn sure. Even though I imagine 90% of the target audience of teens and twenty somethings for this new movie have never seen the original, much like Psycho, everyone knows what the climax of the movie is…it is part of our cultural consciousness now. It doesn’t matter if you’ve seen the original or not.  With the surprise essentially ruined by years of pop culture parodies and references, what will they change to make this version stand out? Maybe a version with an alternate ending, where Carrie just has a great time at the Prom, and runs off with her prom date Tommy Ross and leaves her crazy ass mother to rot? Oddly enough, every year or two when I pop in my DVD of Carrie, I think to myself “It would be nice if one day I turn this movie on, and Carrie just has a damn happy ending. Just this one time.” If Pierce gives us THAT twist…then I might become an advocate of this movie.


Trek 2 FINALLY Gets Its Villain

Well, the villain for Star Trek 2 has been cast finally, and it turns out it isn’t anyone who had been rumored before. Benedict Cumberpatch, best known for playing the title character in the BBC series Sherlock, has nabbed the part once thought to be Benecio del Toro’s, and then rumored to go to a few other actors after he turned it down for money reasons. Although who the villain is going to be is still under wraps, the casting of pasty white, skinny and Anglo Cumberpatch indicates that it will not be Khan (although I guess stranger things have happened)  Cumberpatch is having quite the year; aside from starring as Sherlock Holmes, he is the voice/motion capture artist for Smaug the dragon in The Hobbit, and was also in Steven Spielberg’s War Horse and Tinkor, Tailor, Soldier, Spy.

In another indication that JJ Abrams and the producers of Trek are avid BBC watchers -aside from casting Spaced star Simon Pegg for the first movie of course- is the news that another part for Trek 2 has been filled by Dr.Who alum Noel Clarke. So far, there is no name given for the role, but Variety reports that Clarke will be playing “a family man with a wife and young daughter.  Which really tells us nothing. Still, nice to see more than one person of color in the original Trek cast for a change. Filming should begin soon for the new Trek, so if expect an avalanche of Trek news and rumors for the rest of 2012. Fair warning for the New Year. 

 

 

Kanye And Jetsons: Two Words You’d Never Thought You’d See Together In A Sentence

Welcome to the first WTF news item of 2012. MTV ran a piece this week that  Kanye West was being tapped as “creative director” for the upcoming Jetsons movie that absolutely no one wants (remember The Flintstones movie? That’s why no one wants a Jetsons movie) I’m not sure what a “creative director” for a movie is;  I mean, a movie has a producer and a director and an art director…is art direction the job Kanye is going for here? I just don’t remember ever hearing the title “creative director” for a movie before.

Jetsons producer Denise Di Novi had this to say when quizzed by MTV about the Jetsons/Kanye connection this week: “Kanye’s always been a Jetsons fan, I think because he’s so into design and he loves the design aspects, So we had a fun brainstorming conversation….We heard that he knew we were working on the Jetsons. He reached out and said he’s a huge Jetsons fan. There are a lot of Jetsons fanatics out there, especially people that are into either futuristic science or design. He was interested in creatively brainstorming what we were doing with the movie and what ideas he might have. It was a really friendly, preliminary conversation.” Who knows if anything will ever come of this, The Jetsons has been in some form of development for almost twenty years at this point, and then someone always realizes that it is a terrible idea and pulls the plug. STILL…the part of me that loves a good cinematic train wreck involving high profile pop stars kind of hopes this gets made. It’s the part of me that paid to see Burlesque


 

Killer Klowns To Get  Evil Dead II Style Requel

If you’re a film geek who frequented Mom n’ Pop video stores in the 90’s, or watched cheesy movies on USA Up All Night with Rhonda back in the day, chances are you have a soft spot for cult classic Killer Klowns from Outer Space. After years and years of rumors, it seems that finally creators Charles, Edward and Stephen Chiodo, often referred to simply as “the Chiodo Brothers”,  are said to be working on a ‘requel,’  in other words, part remake of the original film and part sequel. (think Evil Dead II) Grant Cramer, who starred as  Mike Tobacco in the original movie, is set to  return to “be the mentor to the two new young leads that have to try save the world from the Klowns when they return.” Right now, the Chiodo Brothers are looking to get the proper funding for this one, but all signs are pointing to this one finally happening this time. Too bad Up All Night isn’t around anymore


 


 

 

While everyone else is waxing nostalgic over 2011, Here at The Week In Geek I’m gonna jump the gun and look ahead at the things I’m most excited about in pop culture for the upcoming year. Now this is my personal list, so before you leave comments flaming me over not including product X, Y or Z….remember, this is MY list not yours. Go make your own about shit you’re excited about. Now let’s get started…..

#10: The Return of My Super Gay Reality Shows

You can keep your Kardashians and your Teen Moms America; In January 2012 I have both  Project Runway: All Stars (Go Team Mondo!) and season four of RuPaul’s Drag Race to look forward to. Add to that the return of classic BBC sitcom Absolutely Fabulous in all new episodes next moth, and January is easily the gayest month of television of all time. Well, at least for me. I’m gonna start making the mimosas right now.


#9.The Book of Mormon Comes to Los Angeles

I’ve been wanting to see Trey Parker and Matt Stone’s musical send up of the LDS church The Book of Mormon since it was first  announced, but a trip to New York is a bit pricey for one show….or even three for that matter. But come 2012, The Book of Mormon is hitting the Pantages theater in Los Angeles from September 5th to November 25th in a special limited run, and I can’t wait to get my grubby little hands on a pair of tickets. 


#8.  Avengers VS. X-Men

Yeah, I know everyone and their uncle says they are over the big comic book crossovers that the Big Two comic publishers put out every year come summer time, but you know what?  I’m totally down for this one.  Avengers Vs. X-Men will be will debut in March and run through September. A newly repowered/redeemed Scarlet Witch after years of editorial abuse? The Return of Phoenix to the X-Men mythos? The simple fun of super heroes beating up other super heroes? Sign me up.


 #7. AIR’s Soundtrack to Le Voyage Dans La Lune (A Trip To The Moon)

One of my favorite musicians of all time, the French electronic duo AIR, were given the great honor by the French film preservation society last year of recording a new soundtrack to Georges Méliès classic Le Voyage Dans La Lune (A Trip To The Moon),  the iconic movie from the turn of the last century (recently celebrated in the film Hugo.) The score is only 14 minutes in length to match the running time of the movie, but then that project grew into a full on new album inspired by Méliès, set to debut in February. The last time AIR recorded a soundtrack to a film was for Sofia Coppola’s film The Virgin Suicides, and that was when they were a relatively new group. I can only imagine what they could come up with now. 


 #6.  Anne Rice’s The Wolf Gift

In 2003, my  all time favorite author Anne Rice stopped writing about vampires and witches and ghosts, and devoted her writing exclusively to her Lord and Savior Jesus Christ, producing several Christian themed books. Some were about the life of Jeebus himself, and some were about Angels, but all with an obviously Christian bent. While I respected Mrs. Rice’s decision, let’s just say I checked out of reading any of those. But after a very public falling out with Christianity last year (on Facebook, no less) Anne Rice returns to supernatural fiction with her first werewolf novel The Wolf Gift. Welcome back to the dark side Anne…I’ve been keeping it warm for ya. Jesus who?


 #5.  The Return of Madonna

Her Madgesty hasn’t released an album since 2008’s Hard Candy, and also hasn’t been on the road since 2009. In the meantime, a certain Lady GaGa has usurped her place in the pop culture lexicon. Well, 2012 is the year Madge officially strikes back, first by playing to the biggest (and most heterosexual) audience of her career when she plays the Super Bowl half time show, and then by releasing her new single/album/world tour/new fragrance. Time to remind all those bitches who is the true Queen. Oh, she also has a movie coming out in 2012, her directorial debut W.E, but even I know better than to care about that one.


#4.  Grant Morrisson’s Multiversity

This has been talked about for years now it seems, ever since the end of DC’s 52 mini series but it seems certain that this is finally hitting comic book store shelves in 2012. Writer Grant Morrisson’s upcoming eight part mini series from DC is set to fully explore DC’s new Multiverse, giving us glimpses into the various worlds in detail. The best part of this is that rumored to spin off from this mini is a series of ongoing regular books set on various Earths, like an Earth-2 Justice Society book, and even an “Earth 90’s” JLA book with Wally West as the Flash, etc. When Grant Morrisson’s imagination runs wild, good things usually come of it….ok, except for maybe Final Crisis. Nobody’s perfect.


#3. The Long Awaited Return of Mad Men

When it returns in early 2012, Mad Men will have been off the air for a whopping 18 months. It’s gotta be the longest wait between seasons for a television series ever. So many questions have plagued us loyal fans all these long months, like how long will Don Draper’s new trophy wife/sex-cretary last? Will Sterling/Cooper/Draper/Pryce survive the upcoming Summer of Love? Will Betty Draper finally die? *sigh* Here’s hoping. Mad Men Season four will debut on AMC in March.


#2: The Second Batch of DC’s New 52

Some were great, some were terrible, but one thing is certain: DC’s “New 52” reboot had everyone talking. Wave 2 is set to debut in 2012 (probably set to replace books like Voodoo and Men of War that no one is reading) and I’m curious as Hell as to what they’ll be. Some are rumored to be set on various parallel Earths, and some are rumored to be more horror oriented. My fanboy curiosity is at level ten right now. I can’t wait to see what DC has in store to top 2011.


#1: Movies, Movies Movies

Will 2012 be the apex of the geek friendly cinema revolution  that began in 2000/2001 with the launch of the Marvel movies and Lord of the Rings? In 2012 we’ve got The Hobbit, Alien prequel Prometheus, The Avengers, The Amazing Spider-Man, and new Quentin Tarantino flick, Pixar’s Brave, and the Joss Whedon written Cabin in the Woods. Oh, and The Dark Knight Rises.  And that’s just the biggest ones I can think of off the top of my head. Maybe if the world does end next year, it’ll go out on a high cinematic note. Well, at least for us geeks.  

So by now, being that you’re a geek reading a site called Geekscape, you’ve seen the Dark Knight Rises trailer that was released this week. And probably fifty times at that. Maybe you’ve even the seen the six minute prologue that was attached to the new Mission Impossible movie. And so you’re well aware of the “Bane Problem” being reported by everyone, everywhere. That being that you can’t understand a fucking thing Tom Hardy says under that mask of his.

The whole Bane problem has been addressed by every major nerd site, and already even has a Youtube parody out there. This being the case, you’d think Warner Brothers would be in serious panic mode….and they apparently are. But Christopher Nolan isn’t so much in panic mode. Apparently, to him it isn’t that important that you understand everything that Bane says. Nolan has responded by saying that he will only tweak the sound mix slightly, rather than totally change it. An executive  at Warner Brothers had this to say as well:  “Chris wants the audience to catch up and participate rather than push everything at them. He doesn’t want to dumb things down. You’ve got to pedal faster to keep up.” I have no idea how a character’s voice being unintelligible gibberish makes the audience dumber for not understanding him, but whatever.

So uh, subtitles maybe?

American Horror Story Will Have A Whole New Cast In Season Two. But Is That A Good Thing Or Not?

So FX’s freshman hit/#1 television Guilty Pleasure American Horror Story ended this week, wrapping up everything pretty much in a nice little bow. If you saw it (and SPOILERS from here on out if you haven’t) if it felt to you more like a series finale than a season finale, that’s because it kind of was. In talking to the press after the finale, AHS producers Ryan Murphy and Brad Falchuck revealed that next season will feature an all new haunted location, new opening credits and star a different cast entirely. Instead of anthology episodes like shows of the past, this show would have anthology seasons instead.  Some former cast members might return, but supposedly as all new characters, the way the old Twilight Zone liked to re use certain character actors over and over.

I have to say, this is kind of a ballsy and risky move from the producers, as television audiences might not turn out for what will essentially be an all new show next year that just happens to have a similar premise. It will either backfire spectacularly or pay off like gangbusters, proving that such a new and different format of essentially rotatating mini series can work. The real trick will be finding someone of the same acting caliber of actress Jessica Lange for next year. Aside from just being acting royalty, she was easily the show’s most valuable player, and I know I’m personally a lot less interested knowing she won’t be back. Can’t every haunted house on the show just have a Constance living next door? 

No Buffy Reboot Anytime Soon. Merry Christmas Geeks!

 Santa Claus brought geeks a little early Christmas present it seems; remember that Buffy the Vampire Slayer reboot movie that was announced last year? The one absolutely no one on Earth asked for or wanted, that didn’t have Joss Whedon or Sarah Michelle Gellar’s involvement? Yeah, that. Well, it looks like it has hit a major roadblock, as first time screen writer Whit Anderson was just shit canned by the producers after turning in her script last summer.  According to LA Time’s Hero Complex, Anderson’s first time screen play felt like…well, a first time screen play, and “fell far short of expectations and, in the end, was rejected completely.” And with that, she was let go. “If you’re going to bring it back, you have to do it right,… She came in with some great ideas and she had reinvented some of the lore and it was pretty cool but in the end there just wasn’t enough on the page.” 

The search for a new screenwriter is said to be on, but it was also hinted in the Times’ article that momentum has just gone out of the whole project, and the online fan backlash has scared the producers, hopefully for good. Twentieth Century Fox still owns the rights for Buffy on television, not to mention all the characters from the show who aren’t Buffy herself. I’d say with the movie seemingly not happening, it’s time to dust off the old animated series idea and bring that back, as the movie producers are far less likely to proceed with a movie with a version of “classic” Buffy out there. And we know Joss Whedon can multi task (the man once had three shows on the air at once) and it’s not like Sarah Michelle Gellar’s Ringer is probably gonna be on next season. 

 


Will Daniel Craig Be The Longest Serving Bond?

Production is just now really ramping up on the new Bond flick Skyfall, and while a lot of people were predicting that this movie will be Daniel Craig’s last outing as James Bond, it seem the producers of the series want more of him…a lot more. Various sources are reporting that Bond producer Michael G Wilson wishes Craig to star in at least five more Bond movies. Wilson is said to offer Craig a “multi-million pound deal to become the longest serving 007 of all time.” Roger Moore is currently the record holder for the actor who has starred in the most Bond films. He played 007 seven times, although Sean Connery has also played Bond seven times, but Never Say Never Again wasn’t an “official” Bond flick. Of course, Craig might not want to be tied down for that many movies, but money does indeed talk. 

 

 

No Ancient Original Cast Members In Trek Sequel, All Youngin’s This Time 

We still don’t know who the villain (or villains) will be in the new Trek movie, but we do know who won’t be in it; director JJ Abrams confirmed this week that no original series crew members will be reprising their roles for the new movie. So sorry Shatner, you missed your opportunity with the last movie when you wanted more than a cameo and the producers told you to shove it. Hopefully by the time this column comes back in 2012, we’ll at least finally know who the villain will be in Trek 2, so we can all finally shut up and stop speculating about that aspect at least. 

 


Does Christian Bale Think He Really Is Batman, Or What?

So is Christian Bale trying to prove that he really is as bad ass and fearless as Batman? Accompanied by CNN cameras, Christian Bale has been caught on film this week being assaulted by Chinese authorities, and then later pursued for over thirty minutes in a high speed chase while he attempted to leave the vicinity. Bale was there to try and meet blind human rights activist Chen Guangcheng (thank you, copy/paste function) in order to bring attention to his situation. Guangcheng has been detained on house arrest for over 15 months in typical Chinese fashion for speaking against the government. Maybe Christian was hoping if he got arrested and did some time while protesting human rights violations, people would finally stop giving him shit about that whole yelling at a crew member thing that ended up being a Youtube sensation from a couple of years ago. 

Natalie Portman Having A Fit Over Patty Jenkins Exit From Thor 2

Last week I mentioned how the second director attached to Thor 2, Patty Jenkins, walked away from the movie citing “creative differences” with Marvel Studios. Well, it now seems she didn’t so much “walk away” as she was just plain fired out of the blue. And actress Natalie Portman is apparently way pissed off about it. It seems Portman was behind Jenkins getting the job in the first place, as she was eager for a woman director to get such a huge summer tentpole type gig. Now with Jenkins being fired, Portman is said to be furious, and letting everyone at Marvel know it.

According to the Hollywood Reporter, Portman had “begun to question whether she wanted to continue acting at all right now — possibly for several years — because she wants to spend time with her baby boy”  Despite this, she was said to be excited over Thor 2 simply because her involvement would have helped another female in the business get such a high profile job.  Portman is contractually obligated to stay with the movie no matter what, and Marvel is now said to be bending over backwards and kissing her ass, making sure she’s involved in finding a replacement director for the movie. Hopefully Natalie is going to be engaged in the movie making process enough to not sleepwalk through it like she did the Star Wars prequels. I want Black Swan Natalie, not Attack of the Clones – “I’m just here for the paycheck” Natalie present.

Will Michael Chabon’s Kavalier and Clay Make It To HBO?

One of the most acclaimed novels of the past decade is The Amazing Adventures of Kavalier and Clay, Michael Chabon’s love letter to the Golden Age of comics. The book follows the lives of two cousins, Sam Clay from Brooklyn and Czech refugee Joe Kavalier, who find themselves creating a new icon in the Golden Age of the comic book industry with their super hero creation The Escapist .After winning the Pulitzer Prize for fiction back in 2001, the novel has been bandied about as a film property ever since, with nothing coming of it. At 600+ pages, the book was deemed too long for a standard movie. But now director Stephen Daldry (Billy Elliot, The Reader) is hoping to bring the novel to life not on the big screen, but as mini series on HBO. Right now this is all just talk, but Daldry seems to have it all mapped out in his head, even how many episodes the show should be. In speaking with Collider earlier in the week, he had this to say:

Yeah I wanna do Kavalier & Clay on HBO as an eight-parter. It’ll be so much better as a series, honestly. If you could put that in the article and ring up HBO and tell them that’s what I wanna do, I’d really appreciate it.

From your lips to God’s ear, Mr. Daldry. Or at least to the ears of whoever is the current HBO president in charge of programming. 

Latest Hollywood Spin On King Arthur Might Be The Latest Big Budget Movie To Get Aborted

It seems like Hollywood’s latest take on Arthurian legend, director David Dobkin’s Arthur and Lancelot, is possibly getting axed by Warner Brothers just as it was about to start production. This is after actors were cast as the two title leads, Joel Kinnaman (The Killing) and Kit Harington (Game of Thrones) The studio was clearing hoping that by hiring two television actors it would keep the budget down. But regardless, The budget went from a reported $90 million to over $130 million, and in this economy that’s a lot of money to spend…especially in this climate of rapidly declining tickets sales for movies. With higher 3D ticket prices, a lot of people are just saving their cash and waiting for Netflix or Redbox, as evidenced by lackluster attendance in 2011 at the movies. The major studios simply can’t afford to spend tons of money on movies just to break even years down the road. That’s the reason such wanted geek friendly properties like At The Mountains of Madness, The Dark Tower and Lone Ranger all got cancelled by their respective studios when the budgets got too high. Only Lone Ranger went back into production after the cost was brought way down and everyone involved agreed to a salary cut.

It seems Hollywood was banking on America reacting to their movie output the way they did during the Great Depression of the 30’s…by going to the movies A LOT. But, in this day and age we have way more entertainment options, and many of them are free. People aren’t going to rush out to the latest blockbuster just because. Hollywood is going to start having to figure out how to make these movies cheaply and economically, and maybe look to the District 9 model and less the Avatar model if they want to survive the coming decade and on.


 

OK, Seriously Clint? A Reality Show?

This last bit of news definitely goes in the “Wtf?? Really?” File; it seems the E Network is currently filming a reality show based on the lives of Clint Eastwood’s family, specifically his two teenage daughters and his 35 years- younger wife Dina. Look, I’m not the biggest Clint Eastwood fan here, I admit that. Nothing against the man, but the movies he made in his youth held no appeal for me for the most part, and his old age Oscar bait movies don’t set my world on fire either. (well, I did like Changeling well enough.) Nevertheless, the man is a legend in the truest sense of the word, I cannot deny that. The last thing he needs to do is subject himself or his family to the cultural indignity of a reality show on the E Network.

I’m gonna pretend Clint Eastwood reads Geekscape for a second and speak directly to him: reality television is simply beneath you Clint. It’s for rich people with enough money to buy themselves celeb status (see: The Kardashians, Paris Hilton) washed up former celebrities with no dignity (see: Anna Nicole Smith,The Osbournes, Gene Simmons Clan, The Two Coreys) or the worst kind, people just randomly connected to a real celebrity in one reality show who somehow get fame and a spinoff (see: that blonde ditz who fucked Hugh Hefner and now has a show, a book and a perfume.)  That’s just not you Clint. After fifty years in the business you really are Hollywood Royalty, and have never embarrassed yourself in public. Don’t subject yourself to this crap just because your daughters crave fame and didn’t inherit any of your talent or charisma. They might want this now, but they’ll thank you of saying no to it when they’re in their thirties.


Avengers VS. X-Men Announced For 2012

While it was all about Marvel Studios this past year at the movies, completely trouncing DC and Warner Brother’s Green Lantern, in the comic book world it was quite the other way around. From the moment it was announced, all anyone could talk about was DC’s “New 52” relaunch, while the only time anyone was really talking about Marvel’s Fear Itself event was pretty much to make fun of it. For the first time since 1986 maybe (the year of DC’s last big relaunch, not to mention Watchmen and The Dark Knight Returns)  DC pretty much owned Marvel. But next year, Marvel is looking to fire back big time. They’ve been teasing that “It’s Coming” since Comic Con in July, without really saying what “It” is. But now we know: Starting in April 2012, it’s Avengers VS. X-Men in a 12 part bi –weekly mini series from April though September.


The premise of A VS X  has the Phoenix Force returning to Earth looking for a new host in the form of red headed “Mutant Messiah” Hope Summers. (who didn’t see THAT coming since like 2007?) The X-Men, both Cyclops’ team on Utopia and Wolverine’s staff at the Jean Grey Institute, believe young Hope should be trained and prepared for her role as the Phoenix host, possibly hoping that young Miss Summers as the ultra powerful Phoenix can re-ignite the Mutant gene and save them their race from extinction. The Avengers however, see the Phoenix as a cosmic threat and therefore their problem, being saviors of the world and all. So, this being comics, the two teams will naturally come to blows about it. This of course will leave characters like Wolverine and Storm who are on both teams to make a final choice about just where their loyalties lie.

Unlike past Marvel events, this one isn’t being written and drawn by one writer artist team, but by a collection of Marvel’s biggest names, including Brian Bendis, Matt Fraction, Jason Aaron, Ed Brubaker, and Jonathan Hickman on writing chores, and John Romita Jr., Oliver Coipel and Adam Kubert each illustrating one four-issue “act” of series. Frank Cho will be drawing a special prologue issue in March, focusing on Hope Summers and the recently returned Scarlet Witch, whom longtime fans will remember was the last ultra powerful female mutant whom the two teams once nearly came to blows over “what to do with her” back in the House of M mini series. Unlike Fear Itself or Dark Reign, this promises fans a pretty straightforward premise even a comics newbie can get behind: Marvel’s two biggest teams kicking the shit out of each other. And who doesn’t wanna see that?

 

Thor 2 Loses Another Director

Patty Jenkins, the latest director for the sequel to Thor, has now dropped out of the project due to creative differences with Marvel Studios. This is a mere few months after director Brian Kirk (Game of Thrones) also left the project due to “creative differences” with Marvel Studios. Marvel is really getting the reputation of being uncompromising and difficult to work with, not to mention cheap. They nearly lost Samuel L. Jackson as Nick Fury for being too damn cheap after the first Iron Man. They’ve only been putting out movies since 2008, and since then they’ve had very public problems with Terrance Howard, Edward Norton, and now Mickey Rourke has been bad mouthing them a lot lately too for trimming most of his performance out of Iron Man 2. Now add two high profile exits from the same movie to the list of prickly relations with talent. I dunno, where there is this much smoke there is probably fire. Having said all that, considering that four of the five Marvel Studios films have pretty much been perfect comic book films in my book, I say we give Marvel Studios creative head Kevin Feige the benefit of the doubt on what he thinks is best for the Marvel characters under his care. He hasn’t done us wrong so far. Say what you will about Iron Man 2, it’s still better than 90% of the Marvel movie output from Fox right?

Could X-Men: First Class And Planet of the Apes Be A Sign of Things Changing Over At Fox?

Speaking of Fox and Marvel, for years now Fox co-chairman and CEO Tom Rothman has been pretty much been considered the bane of geek movie lovers everywhere. Under his supervision, a ton of shitty pandering- to – the – lowest common – denominator genre movies, more interested in having a good opening weekend than having any concern at being decent films, have been unleashed upon the masses. Of course, lots of studios do this, but Fox has had the worst reputation by far. And the worst part, they own three key Marvel properties-The X-Men, The Fantastic Four and Daredevil. With the exception of the first two X-flicks, (which, it is only fair to say, ushered in the modern comic book movie era) the rest of their Marvel movies have been…wanting to say the least. 

But this past summer, the two best genre blockbusters were from Fox, X-Men First Class and Rise of the Planet of the Apes. It seems that Rothman got the hint- let filmmakers do their thing and tell stories and stop micro managing the fuck out of them, and you’ll make movies that fans will actually like. In speaking with MTV this week, Rothman seemed to admit as much, and promised that things were changing at the studio in regards to their super hero and similar genre properties, including the upcoming sequels to X-Men First Class and reboots of the FF and Daredevil: 

I think for all of us, the bar has been raised, so we’ve got to aim high now. Marvel’s done a terrific job with their films. Where our Marvel movies are concerned or other movies like that. It’s like what we had with ‘Planet of the Apes’ this summer. I think it’s important for us to really aim high and deliver an A-level experience to the audience. 

Well, better late than never I say.

 

Will Trek II Have Khan’s Wrath On Display Or Not?

It’s been another busy week in rumor-ville for the next installment of JJ Abram’s rebooted Star Trek universe. First, El Mayimbe from Latino Review (who has an excellent track record in breaking geek movie rumors going back years now) revealed that Benecio del Toro would be playing Khan in the sequel to Star Trek. Almost immediately, equally reliable internet source Drew Mcweeney from HitFix.com said that JJ Abrams told him “not true.”  McWeeney insisted that while Abrams loved to be vague and give non committal “No comment”  answers, he had never flat out lied to him before. So if JJ says Benicio is not playing Khan, then that’s that. No Khan. 

Except, flash forward a few days later, and it is announced that Benicio is NOT playing anything in this new Trek flick, as a financial deal could not be reached. So when Abrams informed McWeeny that Del Toro wasn’t playing Khan, he could have just been revealing early that the talks with him were officially over, not that Khan wasn’t in the movie. Add to that the two actors who are being courted to replace Benecio del Toro,  Edgar Ramirez and Jordi Molla are both Latino like Ricardo Montalban (never mind that the character of Khan was meant to be East Asian, but whatever) and it seems almost a done deal. Khan Noonian Singh is the villain in Star Trek II. Again.

I’d like to point out, I’m not a fan of this news. This movie would essentially have to be a remake of the classic original series episode Space Seed, where the Enterprise crew finds a cryogenically frozen Khan and his army of super people lost in space since the year 1996. And yes, that little anachronistic fact would have to remain, as the new Trek timeline didn’t diverge from the original one till the moment James Kirk was born. If they change Khan’s time period from the late 90’s to say, the 2040’s or something, you are already committing a huge continuity gaff. So why even go there? Isn’t the point of this new Trek timeline to be free of continuity and create whole new adventures not burdened down by the past? 

There is ONE other casting bit of info that might make me believe that Khan is not the villain here; Peter Weller has joined the cast in an undisclosed role, but one that is said to be an older mentor figure to the villain. Now, we know Khan has no mentors. Could the villain be a Klingon as I long hoped for? I mean yes, they’re looking for Latino men for the part, but back in the day all the Klingons were played by dark haired swarthier guys. Just sayin’.

*Sigh* Michael Bay Set To Return For Transformers 4.

 

Despite saying in interviews earlier this year that Transformers: Dark of the Moon would be his last venture into the world of Autobots and Decepticons, it seems that Michael Bay is being wooed by Paramount to come back for a fourth loud and annoying Transformers movie, at least according to the latest rumors making the internet rounds this week. Money talks after all, and it isn’t like Michael Bay is in the movie business to tell his own personal stories or something gay like that. So any hopes you had of getting a good Transformers flick that wasn’t sexist and racist just went out the window. Sorry. No release date has been set yet for a fourth Transformers movie, but whenever it is, it will be too soon. And this coming from someone who likes the first one, even if only as a guilty pleasure. 

 

We Seem To Be Getting A Watchmen Continuation, Like It Or Not

This week’s column started with some big comics news, and will end with big comics news. Shitty comics news, but big nevertheless.  It seems the rumors of a Watchmen continuation…are sadly true. Although not 100% confirmed, Bleedingcool.com has learned that indeed, a series of various prequels to the events of Alan Moore’s classic Watchmen are being produced by DC in 2012, with the first being a mini series about Nite Owl from New Frontier’s Darwyn Cooke. Of course, it goes without saying that Alan Moore will have ZERO ZILCH NADA to do with this, except making lots and lots of bitchy comments about it in various interviews when asked about it. And why does Watchmen even NEED a prequel? Half the book was various flashbacks to the characters previous lives already. What can these new books tell us that Watchmen already didn’t? Even if they’re good, they will only beg to be compared to the original classic. Much like having Khan in the new Trek, why invite these comparisons at all? Just to get the morbid curiousity money from the fans? Morbid curiousity money or not, I suppose it does spend the same in the end though, doesn’t it?


Action Comics #1 sells for $2 mil+

Once upon a time, before the bad real estate choices and problems with the IRS, actor Nicolas Cage actually made good financial investments. One of those was a copy of Action Comics #1 that he bought back in 1997 to the tune of $150,000. Now, only 14 years later, the book which introduced Superman to the world in 1938 has jumped to over $2 million dollars ($2.16 at auction, to be exact).  Even with inflation, that is quite a jump in such a relatively short amount of time. Smart thinking on Cage’s part, I gotta say. And it is only through sheer luck that he ever got his copy back in the first place; his copy was stolen from his house back in 2000 and only recently recovered by the LAPD, when an unidentified man bought the contents of an abandoned storage locker in the San Fernando Valley. Cage reported it stolen on January 21, 2000, after noticing that it, along with two other rare comics, had been stolen from security frames mounted on the wall of his home. One of those comics that was not recovered was Batman’s first appearance in Detective Comics #27. But who knows, maybe that comics will show up in some random weird ass place at some future date. Stranger things, right?

 

Enders Game’s Casting News Galore

It seems like the long gestating film version of classic sci-fi novel Ender’s Game from author Orson Scott Card might actually be happening this time, after what seems like a million starts and stops over the past few decades. Summit Entertainment is looking for their next big thing now that Twilight is ending, and an adaptation of Ender’s Game is part of that strategy along with The Hunger Games. Gavin Hood (X-Men Origins: Wolverine) is directing, and now he has found his lead in 14 year old Asa Butterfield, most recently seen in Martin Scorcese’s Hugo. Butterfield will play the titular Ender, who is enrolled in a futuristic military battle school after Earth suffers an alien invasion. True Grit Oscar Nominee Hailee Steinfeld has also been offered the part of Petra Arkanian, one of the only girls in the battle school. The part of grizzled Colonel Hyrum Graff has been offered to none other than Harrison Ford. If Ford says yes, this would be his first real sci-fi movie in almost thirty years (assuming you don’t count Cowboys and Aliens, and really why would you?). The movie is set to start filming early next year, with a release date of March 2013. 

I am excited that the millions of fans of this novel will finally get to see it come to life on the big screen. I however will wait to see it till it’s free on cable or Netflix, as I’m not putting one penny into the bank account of odious homophobic author Orson Scott Card. I’m usually pretty good at separating the art from the artist, I still watch Roman Polanski movies after all, and I have not thrown out my copy of The Dark Knight Returns despite Frank Miller recently going bat shit crazy. But considering that Card thinks that not only should gay marriage remain illegal, but that homosexuality should be actually criminalized in this country, I just can’t bring myself to pay for this flick when it comes out. I won’t begrudge a single geek who goes to see it, I understand the lure of a beloved space epic come to big screen life, but you all are gonna have to fill me in on this when it comes out…. ’cause my ass won’t be there opening weekend.


Alice Eve To Star In Trek II?

The sequel to JJ Abram’s Star Trek is starting to really heat up; as I mentioned in my last column, Benicio del Toro has been offered the role of the lead villain -who has yet to be named, and may or may not be Khan. Now actress Alice Eve has been offered an unspecified role. Although the rumor mill says the part is to be an all new one, for my money she’s  probably going to be playing Carol Marcus, who as Trek fans know is the mother of Kirk’s son David from Wrath of Khan.  The backstory of Kirk and Marcus was never really shown, so this would be an interesting opportunity to showcase that love affair. Another rumor mentions that the new female lead might be a Vulcan female and possible love interest for Kirk, to mirror the Vulcan/Human relationship of Spock and Uhura. 

Aronofsky’s Noah – Bale out, Fassbender In?

After writer/director Darren Aronofsky bailed on doing The Wolverine for Fox, he quickly set up his next project, a big budget version of the Biblical story of Noah and the Ark. Concept art for Noah has already been seen in the trailer for his graphic novel version of the story which is set to be released soon. (Aronofsky released a graphic novel of his script for The Fountain before the film ever hit theaters as well.) His first choice for Noah was Christian Bale, but I guess after The Dark Knight Rises he wants something smaller and less epic-y.  The rumor mill is leaning towards actor Micheal Fassbender as Bale’s replacement, which means that after Inglorious Basterds, X-Men: First Class and the upcoming Prometheus, this might seal his rep as THE geek movie icon of the decade….and it’s only 2011. The synopsis for the graphic novel has already been released, and one can imagine the movie will follow the same template:

“It was a world without hope, a world with no rain and no crops, dominated by warlords and their barbarian hordes. In this cruel world, Noah was a good man. Seasoned fighter, mage and healer but he only wanted peace for him and his family. Yet every night, Noah was beset by visions of an endless flood, symbolizing the destruction of all life. Gradually he began to understand the message sent him by the Creator. He had decided to punish the men and kill them until the last. But he gave Noah a last chance to preserve life on Earth.” 

 

Chris Meloni To Join True Blood

In a last bit of casting news, actor Chris Meloni (Oz, Law and Order: Special Victims Unit) has been offered a major part in the fifth season of HBO’s True Blood which is set to start filming pretty much any minute now.  Meloni is set to play a an incredibly old and powerful vampire who is a key player in the whole vampire “Authority” that has been mentioned as running the vampire world from behind the scenes since way back in season one. He is going to be joined by actress Lucy Griffiths, who is also set to join as a member of the Authority as well as Eric Northman’s “sister” Nora. True Blood season five is set to premiere in June of 2012.

 

Bryan Singer Set To Direct The Munsters For NBC 

In my previous column, I mentioned that the television reboot of classic sitcom The Munsters for NBC got an interesting producer in the form of Bryan Fuller, formerly of Pushing Daisies and Wonderfalls. And now things got a little more A-list, with X-Men and Usual Suspects director Bryan Singer attached as the director for the pilot episode. This wouldn’t be the first time Singer has directed a pilot for television; he also directed the pilot episode for Fox’s House, for which he remains an executive producer.  Both Bryans Fuller and Singer give this whole endeavor a level of class that it seriously needs if it intends to click and not go the way of the recent reboot of Charlie’s Angels. Good or bad, my feeling is that the very concept of The Munsters is a little too quirky for modern day network audiences, who only want variations of CSI, NCIS or Law and Order, with reality shows thrown in. It seems cable tv is the home for something like this. 

 


Tarsem To Direct Big Screen Samurai Jack? 

Indian director Tarsem is riding high after getting his Greek Myth opus The Immortals to open to #1 around the world last weekend, and in press for the movie he let it drop that he hopes to someday direct a big screen adaptation of Genndy Tartakovsky’s Cartoon Network series Samurai Jack. At the premiere for The Immortals, Tarsem told The Hollywood Reporter  that while he has little interest in making a comic book movie, he would “love Samurai Jack. I would love to direct that. It’s brilliant. The speed, it embraces where it comes from. I find that comic strip films are halfway grounded. They don’t play my chord. But I love Samurai Jack. I love the animation.

The series, which ran for three seasons from 2001-04, told the story of an ancient Japanese warrior lost in a strange futuristic time trying to find his way home. It didn’t have much room for dialogue or story really, but had awesome visuals and kinetic action sequences, so after having seen The Immortals I could totally see Tarsem make a pretty kick ass Jack movie. This isn’t the first time a Samurai Jack flick has been rumored by the way; last time it was Brett Ratner who wanted to make it. Suddenly Tarsem doesn’t sound so bad now does he?

Harry Potter’s David Yates To Direct Dr Who: The Movie

Yes people, we have reached that point…the point where they are rebooting properties while the original properties are still running. It sounds like a joke, but it’s not. Harry Potter 5-8 director David Yates is in the early stages of joining with the BBC in making a big screen version of Dr. Who. Yes, the same Dr. Who that is still currently running and has been since 2005. This new version will have no connection to the current television version, and seems to just be an attempt to use the name and basic premise to make yet another big budget sci-fi spectacle. Here is what Yates had to say about his take on the beloved Doctor:

“We’re looking at writers now. We’re going to spend two to three years to get it right. It needs quite a radical transformation to take it into the bigger arena.”

“Bigger Arena” = Less plot, more action/effects, if you read between the lines. Hey, it worked for the Star Trek reboot, but that franchise was dead. To do this to a currently thriving series seems so, so weird. And potentially confusing. The question is, which needless reboot will make it to theaters first, this one or Battlestar Galactica? Or will it be Buffy? Or none? 

 

Akira Casts Kirsten Stewart? Take The Gun Out Of Your Mouth Now Geeks.

The news about the live action remake of anime classic Akira keeps getting worse and worse with each passing week. As if the the whole white washing/race bending of the project wasn’t bad enough, Warner Brothers seems intent on casting shitty actors in the main roles like Garrett Hedlund from TRON, and now it seems they’ve made an offer to Twilight’s Kristen Stewart for the female lead. This is dumb, not just because Stewart plays snotty, bored and aloof in every role she’s in (even as Joan Jett! Seriously, watch The Runaways) but because the Twilight factor is pure poison to every movie that isn’t Twilight. Male moviegoers want nothing to do whatsoever with the Twilight franchise they are forced to sit through in order to get a blow job that weekend from their girlfriends, and female Twi-hards don’t want to see their Twicons (see how I made a new word there) in anything but their famous roles. Just look at the box office takes for Robert Pattinson’s Water for Elephants and and Taylor Lautner’s Abduction. Where were the obsessive fans then?? If they aren’t vampires or werewolves, the girlies just don’t wanna see ‘em and ruin the illusions that that’s who they really are. So do us geeks at least ONE favor Warners, and find someone who is not Kristen Stewart and who is actually talented and not just doing it for the paycheck.

Tim Burton’s New Movie Sounds Just Like A Tim Burton Movie Is Supposed To

Although he’s still wrapping up shooting on two different movies right now (Dark Shadows and Frankenweenie) Tim Burton is already looking for his next project. It was reported this week that Burton is looking to direct a live action adaptation of the recently released novel from author Ransom Riggs,  Miss Peregrine’s Home For Peculiar Children. The plot of the novel, according to Deadline.com who broke the story, “involves Jacob, a 16-year-old whose childhood was filled with stories his grandfather told him about an orphanage for unusual children. Among the residents: a girl who could hold fire in her hands, another whose feet never touched the ground, and twins who communicated without speaking. When his beloved grandfather dies unexpectedly but leaves a message behind for his grandson, the teen heads off to his grandfather’s home on an isolated island off Wales. There he discovers the abandoned remains of Miss Peregrine’s Home for Peculiar Children. It is in great disrepair and as Jacob explores its bedrooms and hallways, he can see the children were more than peculiar, they might have been there because they were dangerous. And he can’t shake the feeling they are still lurking around.” Yup, this sounds right up Burton’s alley, but at least it is based on a relatively fresh novel and not some old television show like Dark Shadows or the rumored stop motion Addams Family movie. 


Despite his sell-out movies of the past decade (Alice in Wonderland, Charlie and the Chocolate Factory and worst of all, Planet of the Apes) Burton occasionally still does something that reminds everyone why we loved him in the first place. Sweeney Todd was one recent example, Big Fish another. This sounds like something that fits squarely in the Burton wheelhouse and still be something he can be passionate about, certainly more than another big screen version of the Addams Family or something. I remain optimistic that the Burton who gave us Pee-Wee’s Big Adventure, Edward Scissorhands, Ed Wood, Beetlejuice and Jack Skellington still lives in there somewhere.

Bryan Fuller Revives The Munsters For NBC 

Speaking of reviving old pseudo goth tv shows from the 60’s like Dark Shadows and Addams Family, it seems producer Bryan Fuller is looking to do the same for the small screen with a new version of 60’s classic series The Munsters for NBC. On the offset, the idea of a Munsters revival (their second, there was a “New Munsters” in the late 80’s) sounds downright awful. But then, Bryan Fuller’s Pushing Daises was brilliant, and his other short lived series Wonderfalls got equal acclaim. Could Fuller actually make something interesting out of what sounds like a soulless cash grab?? The pilot is said to feature “striking visuals mixed with all the classic Munsters archetypes.” Pushing Daisies also had really striking visuals, especially for a weekly show, so this I can believe. In fact, it often looked pretty Tim Burton-y if I do say so.

The description in the original Deadline article shows that this series will feature the “origin story” of the family, with Grandpa Sam Dracula being the one who assembled Herman because no man was good enough for his daughter Lily, a sexy vampire herself. Lily’s niece Marilyn the freak is actually normal, and Lily and Herman’s only child, Eddie, has his werewolf tendencies surface in puberty. None of this sounds too far off what the classic series was. Now, I’ve always been more of an Addams Family guy myself; while the Munsters looked cool, they were essentially a boring normal suburban family in freak drag. The Addams not only looked weird, they were weird. They were the real deal. If anyone can take the Munsters concept though and make it kinda cool and Addamsy, I’d say Fuller has as much a chance as anyone. Now lets see if this gets past pilot stage, or ends up a bootleged cautionary tale like the failed Wonder Woman pilot


Justice League Movie Rumor # 1,452

I think I keep running every rumor in regards to a big screen Justice League movie in the hope that if I keep reporting it, it’ll become real. I’m a DC boy till the end ya see. The latest rumor comes from little known comic book site Cosmic Book News, and it’s a doozy. Ok, this is probably bullshit, which is why I’m running this last, but it’s the JLA and a rumor, so I’m gonna add fuel to the fire. ‘Cause that’s what I do. Here is what they had to say:

 “Plans are being put together for Justice League movie for either a 2015 or 2016 release. DC Entertainment will be spearheading the film, and it will be distributed by Warner Bros. and Legendary Pictures. Geoff Johns, DC Comics Chief Creative Officer and Co-Producer on the Green Lantern movie, will be on the Justice League movie as an Executive Producer, and will be doing the initial treatment for the film before a writer is brought on to pen the screenplay.”

There’s more in the original article, about not only a Green Lantern sequel leading into a shared DC Universe onscreen, but also how a Man of Steel sequel would come before a Justice League film. The only reason why I might add any credibility to this rumor at this point is the notion that Geoff Johns is coming up with the treatment for the script. Just about everything in his new rebooted Justice League book from DC reads like a screenplay for a big budget movie.I can’t help but think this is John’s intent here. Marvel’s The Ultimates ended up being a key inspiration to their upcoming Avengers movie, could DC be looking to do the same?  



Is Benecio del Toro Our Trek II Villain? 

It looks like the first new casting for the sequel to JJ Abrams Star Trek reboot has occurred, and it looks to be the part of the lead villain. It seems Benecio del Toro is Abrams first (and so far only) choice for the movie’s bad guy, and an offer has been made. What we don’t know yet is who the villain is. Everyone seems to assume the villain is going to be Khan Noonian Singh, simply because the last movie designated as Star Trek II had Ricardo Montalban’s Khan as the villain. Also, del Toro is latino like Montalban was (Khan however, was supposed to be East Indian or something. Go figure.) Hopefully, Benecio is going to play a Klingon bad guy instead. I mean, they barely have to add those forehead ridges, he kind of already looks the part doesn’t he?

Oscar Drama, 2012

It seems the biggest story out of Hollywood this week was the resignation of Brett Ratner, movie director hack du jour and all around insufferable douchebag, from directing duties for the 2012 Academy Awards. And when he walked, so did his choice for host Eddie Murphy, who could have really used the opportunity for another comeback. Here’s how everything apparently went down this week, to the best of my knowledge: First, at a recent speaking engagement, when talking about his latest movie Tower Heist, when asked about whether or not he had his actors rehearse, Ratner dropped this lovely nugget “rehearsal is for fags.”  No one really knows what he meant by that, but at the end of the day all that mattered was that he dropped the f-bomb for seemingly no reason. At first, the Academy gave him a slap on the wrist and essentially said “you better not do it again.” But as many people pointed out, if Ratner had said the N word, or any other kind of derogatory slur, his ass would have been out instantly. All the Academy did was perpetuate the notion that homophobia is that last permissible form of discrimination. 

Well, within a day Brett Ratner resigned as director of the Oscars, and within another day his choice of host Eddie Murphy walked with him. The Academy scrambled to find a replacement, and found one in scary muppet looking producer Brian Grazer. Grazer offered Murphy a chance to stay on as host, but for some reason he declined, I guess in a show of loyalty to Ratner. In a last minute save for an Oscar host, in came the safest choice possible…Billy Crystal.


As boring as Crystal is a choice for host, I’m glad that Ratner is out. And NOT just because of X-Men The Last Stand, which as a geek I’ll hold against him forever. Ratner is the epitome of douchey bro-dude type, the kind that goes on Howard Stern and talks about all the starlets he’s “banged” (In fact he did that too this past week, name dropping Olivia Munn and Lindsay Lohan).  He’s like every bad frat boy trait all in one person. And the Oscars, well….they’re the gay Super Bowl.  Ratner would have just turned the Oscars into the regular Super Bowl. Well you know what hetero America? You already have a Super Bowl. Let my people keep ours.

Leonardo da Vinci, Super Hero?

Speaking of de-gaying things, it looks like Universal, last week so open about the shitty movies they make, is looking to produce yet another one. This time, they’ve had the genius idea of making an action adventure movie (and potential franchise) out of the adventures of young Leonardo Da Vinci. According to Variety, the studio is now developing a project simply called Leonardo, which will follow a young da Vinci as the main character and action hero. Based on a spec script by Jonny Kurzman, the project will see the famous artist/inventor go on an adventure to “stop Renaissance Europe from returning to the Dark Ages.”  Okay, maybe it isn’t that  horrible an idea, it just sounds like it could go wrong a million different ways and become a massive cheese fest. One thing is almost for certain….any aspects of Leonardo’s homosexuality is gonna be nixed and replaced with a nubile young female love interest. Just watch. Hence what I said about de-gaying earlier. Hey, why not get Brett Ratner to direct this one? He needs a gig now.


 

Brian K. Vaughn Brings Stephen King’s Under The Dome To Showtime

It seems the past few weeks in this here column I keep writing about various Stephen King projects in various stages of development, whether it is The Stand or The Dark Tower or something. Well, prepare to add one more to that list; it seems Brian K. Vaughn, the author of Y: The Last Man, Ex Machina and one of the staff writers on seasons 2-5 of Lost, has been tapped to write an adaptation of King’s novel Under The Dome. Dome is about the citizens of a Maine vacation town forced to do battle with supernatural forces when their town becomes enclosed by a mysterious dome. This is being set up by Dreamworks a series for Showtime, although whether or not it is a mini series or a regular series remains unknown. This is now just hitting the writing phase, so don’t expect to see this baby until 2013 at the earliest.

Kung Fu Returns, To Be Directed By Chet From Weird Science

It wouldn’t be a week in geek news without reports of something getting rebooted or sequelized; this time it is classic TV series Kung Fu getting the reboot treatment as a feature film. The 1972-75 series was about a Shaolin Monk named Kwai Chang Caine (David Carradine) who fled to America after killing the Chinese Emperor’s nephew. While wandering the Old West, he searches for his brother and attempts to stop evil whenever he comes across it. Or, as Jules in Pulp Fiction simply put it “he walks the Earth, meet people and gets in adventures.” Now comes the left field part-the director isn’t Quentin Tarantino as one might expect, since he not only made that  Kung-Fu reference in Pulp Fiction, but actually cast David Carradine as Bill in Kill Bill. Whenever this rumor has been floated around before, he always seemed like the obvious choice. But nope, it’s not QT, it’s Bill Paxton. Not sure what to think of this choice, but I did like his horror movie from a few years back Frailty, so I supposed this could be interesting. I just hope they don’t cast another white guy as a half Asian, or worse, Keanu Reeves.


 

American Horror Story Gets Picked Up

 

In what is seemingly the fastest pick-up for a second season in the FX network’s history, American Horror Story has been renewed for a second season after only airing four episodes. So far, Ryan Murphy and Brad Falchuk’s American Horror Story has been FX’s highest rated first season of any of their series ever, and they are wasting no time capitalizing on it by issuing this early renewal. After Glee and Nip/Tuck, AHS is their third hit series for Fox.

I’m gonna admit, I am seriously addicted to this show. It essentially rips off every horror movie ever made mind you. I mean, you get a riff on the creepy dead twins from The Shining, a young girl’s hair going gray from fear like in A Nightmare on Elm Street, and a mentally challenged girl being shoved into the tiny closet by her mother like in Carrie. And really, that’s just for starters. Hell, they even lift iconic pieces of music from Psycho and Bram Stoker’s Dracula. I guess all this theft doesn’t bother me too much simply because none of these horror movie tropes have ever been used in an ongoing narrative like this. I guess that makes this kind of original in an odd way.


Having said all that, the show is highly entertaining trash. It’s like Melrose Place, but with ghosts. And MP was a guilty pleasure back in the day, I never missed it. And then there’s the awesome Jessica Lange, who is way too good for this show, but steals every scene she’s in. So this show is the true definition of guilty pleasure for me, even more so than the equally trashy and addictive True Blood, because at least on True Blood they seem to be aware of what they are and don’t take themselves half as serious as the producers behind this show seem to do. You can tell they think they’re making something arty (uh, no) But it is just so trashy and campy and fun I can’t resist it. So I for one am happy this show has given me a new cheesy  supernatural soap to watch, and am thrilled we’re already getting a year two.

Anne Rice Slams Sparkly Twilight Vamps

 When one celebrity says something nice about another in print or in social media, it never makes headlines. But when they say something even mildly considered negative, it seems every news outlet runs with it. This is what happened this past week, when Vampire Chronicles author Anne Rice posted on her Facebook page just what her famous vampire characters Lestat and Louis have to say about the ever popular Twilight vampires:


 “Lestat and Louis feel sorry for vampires that sparkle in the sun. They would never hurt immortals who choose to spend eternity going to high school over and over again in a small town, anymore than they would hurt the physically disabled or the mentally challenged. My vampires possess gravitas. They can afford to be merciful.”


  Oh, Snap. Obviously the post was made in good fun (Rice has gone out of her way since then to say she was only poking fun, and has nothing against Meyer or Twilight) but of course, the media has since turned this into some kind of war. But as a huge lover of Rice’s Vampire Chronicles and a true hater of the whole Twilight phenomenon (on multiple levels) I’ll admit that reading this brought a bit of happiness to my black little heart.

 

Clash of the Titans 3 Already A Go?

  

Clash of the Titans 2, AKA Wrath of the Titans, has barely entered the post production phase and Warner Brothers has already announced a Clash of the Titans 3. Way to count your chickens before they hatch there, Warners! The screenwriters behind Wrath, Dan Mazeau and David Leslie Johnson, have been hired to write part three, with the hope that the movie begin filming next year. Sam Worthington is expected to return as well. Hopefully part two is WAY better than part one was, or this might go down is the most unwanted trilogy in the history of cinema. Was anyone really clamoring for this out there? Or like me were they perfectly willing to forget it ever happened?

 

Joss Whedon’s Secret Movie Announced

Apparently, between the big screen version of The Avengers, overseeing (and occasionally writing) Buffy the Vampire Slayer: Season 9 from Dark Horse Comics, and mounting a new film version of Much Ado About Nothing, Joss Whedon was simply not busy enough. Nope, he’s now got another project on his slate, a film he’s writing (but not directing) called In Your Eyes. Described as a “metaphysical love story about two seemingly polar opposites who are deeply connected in ways neither could have ever imagined.” Apparently Whedon wrote this years ago and put it on a shelf, but now that he and his wife Kai Cole have started their own mini production company Bellwether Films, a lot of older Whedon ideas might now see the light of day. The director for In Your Eyes is Brin Hill, who already has several award winning short films to his credit.


Head of Universal Studios Gets Real.

In an interview with Movieline magazine this week, Universal Studios president Ron Meyer was pretty open and candid about many of their recent movies being, well…pretty shitty. Cowboys & Aliens wasn’t good enough. Forget all the smart people involved in it, it wasn’t good enough, all those little creatures bouncing around were crappy. I think it was a mediocre movie, and we all did a mediocre job with it. Land of the Lost was just crap, I mean, there was no excuse for it. The best intentions all went wrong. Scott Pilgrim, I think, was actually kind of a good movie. [Addressing a small section of the audience, cheering.] But none of you guys went! And you didn’t tell your friends to go! But, you know, it happens.”

 Cowboys & Aliens didn’t deserve better. Land of the Lost didn’t deserve better. Scott Pilgrim did deserve better, but it just didn’t capture enough of the imaginations of people, and it was one of those things where it didn’t cost a lot so it wasn’t a big loss. Cowboys & Aliens was a big loss, and Land of the Lost was a huge loss. We misfired. We were wrong. We did it badly, and I think we’re all guilty of it. I have to take first responsibility because I’m part of it, but we all did a mediocre job and we paid the price for it. It happens. They’re talented people. Certainly you couldn’t have more talented people involved in Cowboys & Aliens, but it took, you know, ten smart and talented people to come up with a mediocre movie. It just happens.”

However, the recent movie that got the most harsh treatment had to be The Wolfman:  “One of the worst movies we ever made was Wolfman. Wolfman and Babe 2 are two of the shittiest movies we put out. The cast was awful. The director was wrong. Benicio [del Toro] stunk. It all stunk.” 

Damn. It is hard to get a CEO to ever be that honest when their product sucks, but while I realize that Meyer is getting a lot of praise for being truthful, at the same time I think he is being kind of tacky here too. Not only that, he’s throwing a lot of good movies under the bus simply because they didn’t make money. Babe 2: Pig in the City was critically liked (a lot of people love it more than the first) and has a fresh Rotten Tomatoes score.  It is hardly the worst movie they’ve ever put out, but it  lost the studio a lot of money. This just shows that to a Meyer, a bad movie is simply one that loses a lot of money. I mean, since Babe 2, Universal has put out crap like Van Helsing and I Now Pronounce You Chuck and Larry. But since they made more money they are “better?” While it is nice to have someone at the head of a company admit their mistakes, it sucks that the everyone in charge now is someone who cares very little for the creative process and only the bottom line.

 

 

 

 

 

 

The Evil Dead Remake

A little bit of horror news just in time for Halloween. We’ve known for awhile that a remake of The Evil Dead was coming, and that original director Sam Raimi was coming on board as a producer along with original star Bruce Campbell. They had hinted several times in interviews that this would not be a straight up remake, but that there would be some kind of twist to make it different. Bloodydisgusting.com seems to have the scoop on just what this twist will be…so fair warning, this is SPOILER territory: 

“the “new spin” is the motivation behind the trip, with the lead character taking his younger sister to the family’s cabin to help her kick her drug addiction. Without her drugs she becomes insane and difficult to control, which makes it impossible to see that she’s actually possessed.”

I dunno if that’s big enough to count as a “twist.”  More like a wrinkle maybe. I should add that I still feel robbed of a Freddy vs. Jason vs. Ash movie, so if we’re getting Bruce Campell as anything but Ash in his promised cameo for this new version, I’m gonna be disappointed for sure. This is pretty much his last chance.

Ben Affleck May Take On Stephen King’s The Stand

There have been rumors going around now for several months of a big screen adaptation of Stephen King’s classic novel The Stand over at Warner Brothers. The last time The Stand was produced it was for a 1994 television mini-series. Now it seems that Warner Brothers have found their choice of director; the job belongs to Ben Affleck….that is, if he wants it. 

After making two successful ensemble dramas, Gone Baby Gone and The Town, Warner Brothers figures he can tackle a similarly large cast for King’s epic. But this will be on a larger scale than Affleck is used to. Both Gone Baby Gone and The Town were miniscule budgets in comparison to what The Stand would no doubt require. Maybe Affleck doesn’t think he’s ready for this kind of movie yet. Or maybe he wants to only do smaller films and not studio tentpoles. After all, this week it was also announced that Affleck was looking to direct a bio pic on Boston crime kingpin Whitey Bulger. A lot of people are reading this as his way of telling Warner Brothers “not interested in your apocalypse movie”. A crime movie seems more in his wheelhouse. Of course, it is possible he’ll find a way to do both. Just five years ago, the thought that the other half of “Bennifer” and the star of Pearl Harbor and Paycheck would attempt to direct Stephen King’s classic would have sent shivers up the spines of geekdom, but with just two movies Affleck has proved his directing chops. There are a lot of worse choices out there.  

In other Stephen King related news, it looks like Ron Howard’s ambitious version of the The Dark Tower as both a  movie and a television series, which was recently cancelled by Universal due to an astronomical budget, is back on again. This time with the televsion portion winding up on cable. “We’re going to do it with HBO,” producer Brian Grazer said in an MTV interview. “We’ll do the TV with HBO, and we’ll do the movie with — to be determined. We’ll do it right.” Since HBO is part of the overall Time/Warner company, I’d say it is a safe bet the movie will be a Warner Brothers film. Grazer also said that he thinks Javier Bardem will still be on board to star as protaganist Roland Deschain. With the success of Game of Thrones, I can easily see HBO wanting in on this in the worst way. In addition, Grazer says that $50 million has been shaved off the budget and that the ending has been changed in an effort to woo the studios and get this baby made.

Welcome to Erff…..Again!

Listen up, you children of the 90’s…it looks like you are getting your long rumored Independence Day sequels from Fox after all. It seems now that ID4 director Roland Emmerich has finally done his “serious” film (the just released Shakespeare conspiracy movie Anonymous) he has been able to tear himself away from his mansion full of teenage male hustlers (just trust me) long enough to write an outline for not only an Independence Day 2 but also a part three. Because, you know, everything needs to be a trilogy. Right now, the big sticking point for Fox is whether or not they can get Will Smith to return apparently. (why just Smith? No love for Jeff Goldblum?) See, Smith wants not only $50 million for both movies, which would shoot back-to-back, but wants parts in the movie for his wife Jada and his daughter Willow (God help us). Fox is trying to decide whether to proceed without him or just re-write the whole thing from scratch and save themselves a ton of money. Fox is notoriously cheap, so I’m guessing no Will Smith and the clan for this one. But I could wind up being wrong. 


I honestly have no horse in this race, as I never much cared for the original Independence Day. It felt like a pale imitation of the great sci-fi blockbusters of the late 70’s and 80’s from Spielberg and Zemekis and Lucas, but with none of the heart and half the brains. It was so trying to be the 90’s generation’s Star Wars moment, but that came three years later with The Matrix instead. Are the children of the 90’s as eager for this as mine was for a new Star Wars to arrive sixteen years past the last one?  I guess we’ll find out.

It would be awesome though if the movie takes place like fifty years later, after humanity has regrouped and rebuilt all their precious monuments and created a new peaceful world government, only to have the aliens come back and blow all the same shit up right after they finish the Empire State Building II or something. I’d totally watch that shit.

Stephen Spielberg Admits that Indiana Jones 4 Sucked 

 Well, okay…not really. But c’mon. Read between the lines of this quote that he gave this week about Kingdom of the Crystal Skull:

 “I’m very happy with the movie. I always have been… I sympathize with people who didn’t like the MacGuffin (the Alien artifacts) because I never liked the MacGuffin. George and I had big arguments about the MacGuffin. I didn’t want these things to be either aliens or inter-dimensional beings. But I am loyal to my best friend. When he writes a story he believes in – even if I don’t believe in it – I’m going to shoot the movie the way George envisaged it. I’ll add my own touches, I’ll bring my own cast in, I’ll shoot the way I want to shoot it, but I will always defer to George as the storyteller of the Indy series. I will never fight him on that.”

 *Sigh* First off, the MacGuffin wasn’t so much what sucked. It didn’t matter that the Crystal Skulls were alien, anymore than it mattered that the Ark of the Covenant and the Holy Grail were God’s lost toys, or the Shankara Stones from Temple of Doom belonged to….well, whoever the fuck they belonged to. What sucks is that we SEE the aliens, and their damn ship, in all their bad CGI glory. That would have been like if we saw God with a flowing white robe and long beard show up at the end of Raiders to melt the Nazis, instead of just showing his handiwork. The mystery was taken out. That is what made it suck, along with Shia swinging with the monkeys, exotic locations that are clearly CGI, and flying nuked fridges. To Spielberg’s credit, he admits that the nuking the fridge was HIS idea, so he doesn’t blame it all on Uncle George. 


 “What people really jumped at was Indy climbing into a refrigerator and getting blown into the sky by an atom-bomb blast. Blame me. Don’t blame George. That was my silly idea. People stopped saying “jump the shark”. They now say, ‘nuked the fridge’. I’m proud of that. I’m glad I was able to bring that into popular culture.”

Spielberg pledges to do better with Indy 5, but this best way to do better is to not do it at all. Having said that, if George Lucas wants to make a CGI Indiana Jones Adventures series, set in the 30/40’s by the same team who brought us Clone Wars, that I am totally down for. 

Where Art Thou, Wally West?

And finally, a small tidbit for you comics fans: If you’re a fan of the Wally West version of The Flash, don’t hold your breath for his return; it appears that despite a proposal on the desk of EIC Dan Didio from the current Flash creative team of Francis Manapul and Brian Buccellato, Wally isn’t seeing the light of day at DC any time soon. Here is what they told Comic Book Resources in an interview this week: “The pitch (for a Wally West series) is on Dan Didio’s desk…lets see if he finds it! That’s all there really is to say!”  Why is it there can be multiple Green Lanterns but only one Flash? Anyone at DC wanna answer that for me? 

 


 

Welcome to the New York Comic Con edition of the Week In Geek. Lots of comics news coming out of New York this past weekend, almost all mostly from Marvel, but with a smidge of DC news thrown in there for ya. And maybe even a bit of news about Marvel Studios’ post Avengers plans too. But first, the biggest announcements from the actual comics side of Marvel….

Dexter Comes To Comics

One of the more surprising announcements Marvel made at NY Comic Con was the acquisition of the Dexter license, to be launched as a new series in 2012. But before you get too excited over this bit of news, this will be a series set in the universe of the Dexter novels, not the popular Showtime television series about America’s most lovable serial killer. In fact, the author of the original novels, Jeff Lindsay will be writing the comics himself.



While the book source of HBO’s True Blood, Charlaine Harris’ Southern Vampire Mysteries, has almost as big a following as the show, it is my understanding that the Dexter novels just plain suck in comparison to the television series, and after the first season the show pretty much went in their own direction leaving the novel’s continuity aside. It will be interesting to see if fans respond to a Dexter Morgan who bears no resemblance to actor Michael C. Hall. As a huge fan of the television series, I’d be interested in a comic series set in the show’s continuity, but am not too sure about reading this one. The real question is will most fans see this as anything but discount aisle Dexter?

The Phoenix Returns in 2012

Marvel has been teasing that “It’s Coming” for a good week or two since before New York Comic Con, and now we know what “It” is- – In 2012, the Phoenix force returns in a series brought to you from what seems to be at least half the stable of Marvel A List creators; upcoming Wolverine and the X-Men writer Jason Aaron, as well as writers Brian Bendis, Ed Brubaker, Matt Fraction, Jonathan Hickman, along with superstar artists Olivier Coipel, Adam Kubert, and John Romita Jr. *phew* Whether this is just the return of Phoenix entity, or the return of Jean Grey herself (who has been dead since 2004) remains to be seen. In fact, no other information was given outside of creative personnel attached to the project. All we know is there is a project…whether it is a mini, ongoing or one shot is a mystery still. Personally, I hope the rumors of Cyclops having an affair with Storm turn out to be true, and a returned Jean walks in on her ex husband boning her married best friend. ‘Cause that would be HAWT. Look, you all can read comics for the battles and powers and shit, but this is what I want in my comics. Don’t judge me.



 Avengers, Avengers, & More Avengers

 

Didn’t think Avengers, New Avengers, Avengers Academy and Secret Avengers were enough Avenger titles coming from Marvel? Well, you’re in for a treat then, because in an effort to tie in with the upcoming movie version of the Marvel team, Brian Bendis will soon be adding yet another ongoing Avengers comics to his plate with Avengers Assemble, reuniting him once more with his former Ultimate Spider-Man partner Mark Bagley. The team will consist almost entirely of the movie line-up: Cap, Iron Man, The Hulk, Black Widow and Hawkeye, sporting a costume that looks a Hell of a lot like his movie gear. But strangely…no sign of Thor in the promotional image released by Marvel at Comic Con. However, he WAS originally there, as seen in the sketch below. Avengers Assemble is set to debut in March of next year. 


 Marvel Studios Avengers Movie Panel… And Avengers Phase 2? 

While we are on the subject of the movie Avengers, the big panel of NY Comic Con was of course The Avengers movie panel, which featured Chris Evans, Cobie Smulders, Tom Hiddleston, Mark Ruffalo, and Clark Gregg as well as Marvel Studios president Kevin Feige. (Joss Whedon, RDJ, Chris Hemsworth, and Scarlet Johansson sat this one out) A clip was shown of Black Widow recruiting Banner into the Avengers fold, as well as one of a conversation between Tony Stark and Loki. 

But I suppose the real news coming out of Comic Con is that 2013’s Iron Man 3 is stage one of what will eventually lead into an eventual  Avengers 2. This what Feige had to say in terms of phase two of Marvel’s Avengers initiative:



“We’ve already announced Iron Man 3 and Thor 2; both of those will be spread out within 2013,” explained Feige. “We haven’t announced yet the 2014 movies, but we are working on a draft of Captain America 2, Guardians of the Galaxy, and some of these other ones we’ve been talking about for a while. Ant-Man I’m hoping we can get off the ground sometime soon. If these first group of films – “phase one” of this Avengers saga starting with Iron Man and ending with Avengers – has an overarching theme, which it does. As people sort of watch all the movies together and then watch The Avengers movie, they’ll see this big picture we’ve been building towards… we have started working on the bones and structure and threading for a phase two. It does start with Iron Man 3 and if it all works – which we hope it does – culminates in another Avengers film.”

 

In short…the Marvel Cinematic universe ain’t going anywhere anytime soon.

There wasn’t a lot of DC Comics news at NY Comic Con oddly enough (A Geoff Johns scripted/Gary Frank illustrated Shazam! series is coming as a back up in Justice League next year, but that’s pretty much it as far as major surprises) but therewas a hint dropped by DC animated movies producer Bruce Timm as to an upcoming possible animated film….it seems Blackest Night could be coming sometime soon….

    

Ok, that’s a wrap on NY Comic Con…on to Hollywood news for the week….

Matt Reeves To Direct The  Twilight Zone For Warner Brothers 

Though various names had been bandied about in recent weeks, including Christopher Nolan (yeah right) Michael Bay (huh?? Really?) and Alfonso Cuaron, it looks like the directing gig for Warner Brother’s upcoming Twilight Zone movie is Cloverfield director Matt Reeves. Not much is known about the movie, except that it will not be an adaptation of any episodes, or be an anthology movie like the 1983 movie was. In other words, it will be an all new story aping the name Twilight Zone, and have nothing to do with Rod Serling’s classic television series. While I’m all for big budget original material on the big screen, why even call this The Twilight Zone then? *Sigh* In any case, Matt Reeves’ remake of Let the Right One In was shockingly good, but no one saw it, so I imagine he must come cheap right now for Warner Brothers. At least he’s cheap and talented.

 



 

Hey, Remember Micronauts? No?? Well, They’re Getting A Movie Anyway.

Before Transformers were everyone’s little robot toys of choice, there were The Micronauts. These robots weren’t from outer space like the the Autobots though, they were from inner space.  Which is actually kinda gross when you think about it. Anyway, much like Transformers in the 80’s, both toy lines originated in Japan, then were brought to North America and re-branded to greater success by an American toy company. Both lines had long running Marvel Comics series as well. But Micronauts only lasted as a toy line from 1976-1980, when the Mego Toy Company cancelled the still popular line. It should be noted that prior to the early 80’s, the American government had a strict ban on kid’s programming being nothing but glorified commercials for toys. This ban that was lifted during the Reagan years, allowing for my childhood to be filled with 30 minute toy ads pretending to be stories, a trend which continues today. Had Micronauts had the advantage of a cartoon, it might have had the longevity of Transformers. Or at least Go-Bots.

In any case, with the popularity of the Transformers movies, current Micronauts rights holder Hasbro and Paramount are looking to launch this property to the big screen as well. And in my humble opinion, they are putting them in better hands than Transformers ever was with Michael Bay; it looks like Micronauts are getting not only JJ Abrams as their producer, but now have Paul Wernick and Rhett Reese, the writers behind Zombieland, working on the script. These two also wrote a much loved script for Deadpool, one that if Fox has any brains they will actually make one day. And unlike Transformers, this property doesn’t have nearly the same fervent following, meaning Wernick and Rheese can pretty much do whatever they want with it, and maybe only piss off a couple of angry guys in their 40’s who run a Micronauts fan site. On the negative flip side of that, almost no one under forty even remembers this property, so this one will rely on the name brand of JJ Abrams more than the name brand of the toys.

Bryan Singer’s Battlestar Gets Some Traction

It appears that director Bryan Singer’s long gestating big screen version of Battlestar Galactica may be finally coming closer to fruition. It was announced on Deadline.com that Singer has hired screenwriter John Orloff to write the script for a Battlestar reboot for Universal. I like Singer’s work a lot, but this really seems like a stupid ass idea. BSG was JUST rebooted not even a decade ago, and only ended last year. In fact, a new prequel series called Battlestar Galactica: Blood and Chrome is set to debut next year on the SyFy Channel. So what… Universal is going to have two competing Battlestar continuities at the same time?? *ugh* I have a migraine now. Look, say what you will about the last few seasons of Battlestar (yes, I’m looking at you Jonathan London…and I’m not saying I don’t agree btw) but the first couple seasons of BSG are as good as it gets…why re-do the whole destruction of Caprica/exodus of the 12 colonies story again so soon? Jesus, wait at least a decade or so. Next thing ya know, they’ll be introducing a concept and rebooting it at the same time. 


 

Akira Finally Gets The Greenlight

After more stops and starts than thought humanly possible, it looks like Warner Brothers decided to shit and not get off the pot (to use vulgar slang) and finally commit to producing the live action adaptation of manga/anime classic Akira for producer Leonardo Dicaprio. The studio finally made it all official with a greenlight for a $90 million dollar budget and a spring 2012 start date this week. Jaume Collett-Serra (Unknown) is directing, and Warner’s press release even has a synopsis for the Steve Kloves (Harry Potter) written script:

Set in New Manhattan, the cyberpunk sci-fi epic follows the leader of a biker gang who must save his friend, discovered with potentially destructive psychokintetic abilities from government medical experiments.”

Ok, so aside from “New Manhattan” replacing “Neo Tokyo,” this sounds about right, doesn’t it? Well, ok besides that there is also the sad fact that with this being set in America now and not Japan this means this will be another ethnic white-wash like the live action version of The Last Airbender was (at least in the leads…I imagine the title character of Akira will still be Asian, ’cause I don’t know a lot of white folk with that name) Now for the really bad news: One of the two lead roles, either Tetsuo or Kaneda, is being offered to Garrett Hedlund, star of TRON: Legacy. God only knows why. Look, I liked TRON…it was pretty and had an awesome score. And as far as I’m concerned, Hedlund is sex on a stick; when I die and go to Heaven I hope I get ten identical copies of him to do with as I please. But the guy can’t act his way out of a grocery bag. Are there really NO actors in Hollywood who are sexy and appealing and can also act?? Is Hollywood really this desperate for good leading men? Color me worried for this one.

Zombieland Might Be Coming To TV

 Looks like plans for a Zombieland sequel are currently cancelled in favor of a television series instead. The script for Zombieland was originally conceived of a pilot for television after all, so this transition doesn’t seem so ill fitting. And with the success of The Walking Dead, we all knew another zombie show was coming sooner or later. This version is being produced by Fox, but I have a hunch that this is being targeted more towards FX than the actual Fox Network. I can’t image in the broadcast television censors would allow for that much gore, even in this day and age. 

One thing is sure: If this show goes through, they NEED Woody Harrelson as Twinkie loving zombie killer Tallahassee. Emma Stone, Jesse Eisenberg have their movie stardom on the ascend right now, so there is no chance they will reprise their roles, but Zombieland was Harrelson’s comeback after a string of flops, and I could see him doing a series again for television, especially if its on cable. You can re-cast the others, but Harrelson owns Tallahassee. I imagine we will be hearing more about this project sooner rather than later, maybe even in time for the 2012-13 season.


 



 

 

Darth Maul Returns, And Learn The Secret Origin of the Star Wars Galaxy

Just about anyone reading this who wasn’t five when Star Wars Episode I: The Phantom Menace came out pretty much hates it. Between Jar-Jar and baby Anakin, there aren’t a hell of a lot of positive things one can say about it…oh, except for that one cool thing: Darth Maul. He barely speaks during the film, but his lightsaber duel with Obi Wan Kenobi and Qui Gon Jinn remains the best lightsaber fight in the entire saga, at least from a technical standpoint. And Darth Maul is one of the coolest ever designs for a villain, like…well, ever. And then he gets cut in half and goes out like a chump, the biggest wasted opportunity in sci-fi movie history.

Luckily, David Filoni and the producers of the animated series Clone Wars have announced this week that Darth Maul will be returning to life this season on the show, and not just for a one off episode either. There’s a lot of ground that has not been covered as far as Darth Maul is concerned, so there’s a lot of room to grow with him” says Filoni, speaking to USA Today. I have often said that Clone Wars is the sweet lemonade made from the lemons of the prequels (aside from the annual episode every season dealing with the Gungans. Naturally, those always suck.) But Filoni I trust to make good on the promise of epic coolness that was Darth Maul.


In other Star Wars related news, Dark Horse Comics, in an early New York Comic Con announcement, have announced Star Wars: Dawn of the Jedi.”  This will be an ongoing set of 5-issue miniseries launching February 1, 2012  with an introductory #0 issue, with #1 following two weeks later. Written by former Star Wars comics creator John Ostrander and drawn by artist Jan Duursema (both of Star Wars: Legacy), this series is set at quite literally “Year Zero” of the Star Wars timeline, exactly 36,453 BBY (In Star Wars Nerd terminology, BBY means “Before the Battle of Yavin”; in slightly less nerdy terminology 36, 453 years before the events of Episode IV: A New Hope. So now ya know). This is an era before lightsabers, before anyone even knew what the Force really was. For hardcore Star Wars fans who always wondered how that whole galaxy far, far away came to be, this could make for a truly fun series.


The Lone Ranger Is A Go, At Least It Is As I’m Writing This…

It’s happening, it’s not happening, then it is, then it isn’t….now it is again. I dunno, I give up. Anyway, yeah…it seems Disney’s “Will They Or Won’t They” movie of the year, The Lone Ranger, is happening after all. According to Variety, director Gore Verbinski, producer Jerry Bruckheimer, and stars Johnny Depp and Armie Hammer will all take 20% paycuts, and certain payments will be deferred until The Lone Ranger starts making actual money. Bruckheimer Films will be responsible for any cost overruns this time as well. Seems the House of Mouse is covering all their financial bases this time. Ted Elliott and Terry Rossio (from the Pirates movies… Editor: and the made/unmade Monkey Island script) reworked the script by Justin Haythe (Revolutionary Road) to remove a few costly sequences involving supernatural elements that require a lot of special effects work. So now the formerly $250 Million dollar western is going to cost “only” $215 million. Without any supernatural elements in it though, what the hell costs even $215 for a freakin’ Western?? As it stands now, The Lone Ranger is set to bow on May 31st, 2013. But ya never know, with this movie I could be singing a WHOLE different tune in next week’s column.


Buffy Reunions All The Rage At The CW This Fall

The CW Network, the bastard child of the old WB Network and UPN, is staging not one, but two reunions for cast members of one of the old WB Network’s signature show Buffy the Vampire Slayer. Apparently Supernatural is re-uniting Buffy and Angel alumni James Marsters (Spike) and Charisma Carpenter (Coredelia Chase) for an episode airing October 21st. The episode will be titled, “Shut Up, Dr. Phil,” and in it Carpenter plays a witch who casts a spell on a small town, upon learning that her husband (Marsters) cheated on her.


Meanwhile, former slayer Sarah Michelle Gellar’s new show Ringer is staging a Buffy reunion as well, as Amber Benson (who played Tara for 3 seasons of Buffy) is making a guest appearance on the tenth episode of the series scheduled to air sometime in November. And according to Gellar, Benson won’t be the only Buffy alum to be guest starring soon. I think you can rule out either Alyson Hannigan (Willow) or Nicholas Brendan (Xander) ever making special appearances though…apparently, there is no love lost between any of those actors. My guess is Michelle Trachtenberg, who played Buffy’s kid sister Dawn, shows up before too long though. Just a hunch.

Thor 2 Director Official

 Although it had been rumored for several weeks now, it is now official: Patty Jenkins, the director of Monster, is the new director for Thor 2. Curiously, also announced with the hiring of their new director, Marvel Studios also changed the release date for Thor 2 from July 2013 to November of that year. No reason was given, except maybe their feeling is that Summer 2013 is crowded already, and Thor already has a good shot at an opening weekend in the Fall season due to being a sequel to an already successful movie franchise. Principal photography is still set for the early part of next year.


The JLA Show Up In Your Lucky Charms

What, you didn’t think I’d finish a whole column of the Week in Geek without making at least one mention of a DC Comics property did you? Silly Rabbit.

This week, in a pre-New York Comic Con announcement, DC Comics has announced a partnership with General Mills to distribute 12 million DC Comics featuring the Justice League in boxes of their cereals. The four separate  24-page comics will be formatted as 5 inches by 7 inches and free of ads, except for a mention that they’re “brought to you by Big G cereals.” The stories will begin in the comics, but continue online.


I find this interesting, as more kids will read these DC Comics than any “New 52” promotion that DC could ever hope for, and yet all the images look like the DC Characters in their classic pre-52 costumes. If you really wanted to get the masses in on you whole new direction, wouldn’t this be the time to do it? In any case…I’m glad the classic versions of these characters are still going to be floating out there somewhere.

And finally, I’d like to mention that my thoughts are with anyone and everyone affected by the tragedy in Seal Beach, California this week. I realize these horrible shooting rampages happen like at least once a year somewhere in the United States, and for most of you reading this, this is just another one of those, but this one hit very close to home as it happened in my own back yard.

I grew up and still live in an unincorporated part of Orange County that borders two cities, one of which is Seal Beach, so in most ways I consider this my home town. Many nights of my youth were spent on the Seal Beach pier wasting time with my friends, and I still go there on many occasions. Not more than two weeks would go by that I didn’t frequent the shopping center where this tragedy happened. That my home town is now known for the worst mass murder in Orange County history does not fill me with pride, but I know the residents of Seal Beach will recover and bounce back. I’d say my prayers are with the victims, but I’m not a religious person…. I’ll just go with my thoughts are with them, and hope that will be enough. 


 

 


I really loved the first issue of Brian Azzarello and Cliff Chiang’s Wonder Woman. Like, a lot. I knew that new Wonder Woman writer Brian Azzarello was not a fan of the character prior to coming onto the book, so I’d be lying if I said I didn’t initially think he was going to change everything about her. In many interviews prior to the release of Wonder Woman #1, Azzarello went on the record stating he was not a fan of the character and never really read any comics regarding her. While sometimes having a fresh take on a character and not a hard core fan’s take is refreshing, when you do get a non fan, it can also result in someone who doesn’t quite understand what makes that character tick. But after reading that first issue, it seem all my worrying was for nothing. 

But when the story hit the NY Post this week that Wonder Woman’s origin would be “fundamentally changed,” suddenly all of my worst fears were realizedWonder Woman would soon get a daddy.

For those reading this who don’t know, the classic origin of Wonder Woman is that she is the daughter of Queen Hippolyta of the Amazons, who asked the Goddesses of Olympus to bring her a child. Transforming a clay statue (and in later versions, a mound of clay on a beach) into her daughter Diana. In her original inception, Wonder Woman had no father. As of Wonder Woman #3 released next month, it will be revealed that Diana’s mother lied to her all this time, and that her father was really Zeus, King of the Olympian Gods all along.


Of course, we don’t know yet just how Zeus is going to be Wonder Woman’s father. “Father” may be more of a figurative term in this case.  Maybe Zeus breathed his “divine spark” into the clay statue of baby Diana giving it life, and she wasn’t the product of an illicit affair between himself and the Amazon Queen Hippolyta. If that is the case, it still sucks, and makes a far more powerful male figure the more important role in Diana’s creation, but it sucks slightly less.

I will stick around to see how the story plays out. But so far all the quotes from Azzarello and Jim Lee seem to suggest that Zeus is the father to Diana in the traditional way. Most importantly, seeing as how DC decided to get press for this comic in the mainstream, it would suggest this is going to be far more likely a traditional father relationship. A “slight” change like Zeus playing the Blue Fairy to Wonder Woman’s Pinocchio isn’t enough to make headlines. So I’m writing this article based on that assumption. If I’m proven wrong I’ll happily eat crow later on.


I can think of a lot of reasons why this is stupid and against the feminist intent of the character, but for the purposes of this article I will just keep to the top five reasons why this change to Wonder Woman’s paternity is a slap in the face to everything she was created to stand for. 

#1. It Doesn’t Respect History, Or The Intent of Wonder Woman’s Creator 

People often talk about super heroes as our modern myths, and they’re right…they very much are. And although aspects of those characters may change with each decade, their core aspects remain. Superman is and always will be Kal-El, rocketed to Earth from the dead plant Krypton. What Krypton looks like might change, but that core concept does not. And when there are hints that it might change, just watch the fans uproar. A few years back, JJ Abrams wrote a movie script where Krypton did not explode and his parents didn’t die; fans had an online riot. That version of Superman was never produced, and many say the fan’s reactions to this huge change in the mythos was the reason. Same with Batman; he will always be the little boy who lost his parents in that alley. Certain aspects of these stories are just sacred. 

When William Marston created Wonder Woman in the early 40’s, he knew exactly what he was doing. He didn’t simply forget to type in the name for Wonder Woman’s father in that first story, he deliberately made Diana the creation of a woman, birthed magically into life by a female Goddess, and raised and trained by an army of powerful women. For Marston, the notion of female strength not reliant on men in any way was paramount to what he was trying to convey to young girls. For DC to go and change that very crucial aspect now is like spitting in the eye of Marston and what he wanted Wonder Woman to represent.  

Wonder Woman was a hero who didn’t need a powerful male figure to set her on her hero’s journey. Her power, her family, her closest supporting cast (minus love interest Steve Trevor) were all women. It was a radical as Hell concept in 1941, and apparently it is still too alienating for the vast majority of heterosexual male readers who need some kind of male power to be behind any strong woman, or they just can’t relate to it. 

 


It should be noted that this would not be the first time Wonder Woman was given a father. Her original 1942 origin story by creator William Marston had her as a clay statue brought to life by Aphrodite, and born on Paradise Island. However, after the 1954 publication of  Seduction of the Innocent” and the implications that the Amazons were all lesbians, DC re-wrote the Amazonian history. The Amazons now all had husbands who died in some far off war, leaving them all grieving widows who went to grieve forever on some distant island (how healthy.)  Diana presumably had a mortal father (who is never named) and gets her powers from a variety of Gods and Goddesses upon birth, including Hercules, who according to ancient myth, raped Diana’s mother Hippolyta. That must have made for one seriously awkward christening party. 

 


However, this new origin didn’t last too long; by the early 70’s, the classic “clay statue comes to life” origin is restored, and the notion of Diana ever having had a father is dropped. Her post Crisis on Infinite Earths reboot reinforced the notion of Diana being born from clay, only this time at the moment of her birth the Goddesses of Olympus each granted Diana a special gift. (Hermes was the only male God who gave Diana any powers this time) It was a nice combination of both her earlier origin stories, but kept Diana fatherless as was the original intent. 

#2. The “She’s Too Unrelatable” Excuse Is Stupid.

“In this case, making her a god actually makes her more human, more relatable,” DC co-publisher Jim Lee   

This is just lame to me. Not a single comic book reader who reads Superman is the sole survivor of their species and was rocketed to Earth. Not a single reader of Batman was a billionaire who watched their parents die and spent his whole life training to be a super hero. So I fail to see how having a father who is a philandering God is more relatable to readers.  

Everybody’s got a father, Even if he’s not the nicest guy in the world.” – Brian Azzarello

 No. Some people don’t have fathers. They just have sperm donors. Thousands of women use modern science to have children without fathers in everything but the technical sense. Diana does not need to have a father figure to be relatable. 

Being birthed from clay is part of Greek mythology. In myth, the Titan Prometheus formed mankind out of mud and clay and gave them life. The Ancient Greeks would create clay statues of bulls and “imbue” them with life before destroying them in a “sacrifice” to honor their Gods. Having Diana being birthed from clay simply keeps the character rooted to her Greek mythological roots. And seriously, if you’re reading super hero comics about people with magic powers fighting mythical beasts and are worried about that aspect being too far fetched, you’re into the wrong genre. Go watch Grey’s Anatomy or something.

#3. Queen Hippolyta Was The Ultimate Bad-Ass Single Mom 

You might say to yourself “well, isn’t she still?” After all, indications are that new parentage or not, Zeus was not around to raise the young Princess Diana this time either, leaving Hippolyta as a single mother still. The difference is that before, Hippolyta was a single mother because she CHOSE to be one, not because she got wooed by a God who then kicked her to the curb. It makes Hippolyta look very foolish, especially considering she was once duped by Hercules, resulting in her people being conquered and raped. And then centuries later, she falls for the same line with Hercules’ own father Zeus?? Way to make Hippolyta a weak character DC. Thanks a lot. 

 


 

 #4. Daddy Issues For Super Heroes Is Soooo TIRED 

It seems all super heroes these days have “daddy issues.” Superman is seemingly always trying to live up to the expectations of both of his dead fathers, Jor-El and Jonathan Kent. If you look at the 1978 movie, Superman has this strong relationship with Jor-El beyond the grave, and yet we don’t know jack about his mother Lara. While Marlon Brando talks and talks, she is just nowhere. She is essentially a non character. It is more or less the same in the comics too.

Batman doesn’t fair much better. Thomas Wayne’s great deeds and his legacy to the city of Gotham are always mentioned in the comics and in Batman Begins, but Martha Wayne is just a series of pearls hitting the pavement. Again, it seems the mothers of the two most well know super heroes are not much more than birthing cows. Spider-Man’s Uncle Ben is the father figure who imparted knowledge about being a man to Peter, and while his Aunt May is still alive, she’s just a doddering old woman who exists mainly to give Peter someone to worry about constantly. Then there’s Aquaman, Green Lantern, Iron Man, Thor, Daredevil…the list of major super heroes with father issues is a long one. And it doesn’t need to get any longer. 

 


Wonder Woman was different though. The only strong parent figure in her life was her mother. Now with this change, it means the true source of her power is an absentee father. She’s either going to be constantly trying to live down or live up to Zeus.  

This is not to say you can’t be a strong female character and have a father figure. That would be an incredibly silly notion, as most women have fathers and many have amazing father figures. But to take a seventy year old story that didn’t have a father figure on force one onto it to make it “more relatable” is insulting. It was insulting to Marston’s legacy when it was done in 1958 to keep in line with American social norms, and it is just as insulting now.

#5. This Is Already Wonder GIRL’S Origin!! 

The half breed Demi-God origin has already been used, by none other than Wonder Woman’s protégé Wonder Girl. Not the original Donna Troy version, but Cassie Sandsmark, the second Wonder Girl. Her mother was a mortal romanced by Zeus, which resulted in her super powered birth, and that’s where she gets her powers from. Transferring Cassie’s origin story to Wonder Woman feels like a demotion for Diana. I wonder how angry fanboys would be if DC changed Bruce Wayne’s parents to circus performers like Robin’s were. THEN we’d see some serious nerd outrage. 

It’s also just very unoriginal. Zeus fathered tons of half breed Demi-Gods in mythology, most notably Hercules. Why just make Wonder Woman a female Hercules? And being the daughter of the King of the Gods is already Thor’s deal. Birthed from clay was (in terms of comic book super heroes) unique to Wonder Woman. Making her just like Marvel’s Herc and Thor is just another effort from DC to make Diana less like herself and more like characters from other places who happen to sell more comics. And just shows how seemingly ashamed DC is of all the things that make Wonder Woman unique. 

 

DC has been criticized a lot since this “New 52” initiative was announced as being ant-feminist, and in the cases of Catwoman and (especially) Starfire in Red Hood and the Outlaws, downright misogynist. Aside from Gail Simone, there are no female creators as part of the new 52 line of books, something they have taken a lot of flack for. And now they’ve taken a crucial feminist aspect of their premiere female character and removed it. If there was any indication that there is no female oversight at DC editorial, this has gotta be it. I simply can’t imagine the DC of old, run by the likes of Jenette Khan, would have allowed something like this to fly. But it’s a boy’s club at DC now it seems, and Wonder Woman is seemingly just the latest victim. I just hope she’s the last. 


 

Could It Be Over For The Simpsons?

Most of you reading this have never lived in a world without The Simpsons. The show has been airing since the Fall of 1989, and with twenty three seasons in, it had never shown signs of going away anytime soon. But that might all change here very soon, and of course it will be due to money.

Apparently contract negotiation talks between the voice cast and Twentieth Century Fox have stalled, and the higher ups at Fox want the cast to take a 45% pay cut, which would leave the main cast members with something like $4 million a season. Even though the show is a perennial and a classic, the ratings are not what they were back in their 90’s heyday. Nevertheless, The Simpsons has a certain amount of prestige as the longest running scripted show on television, and as just part of the overall Fox brand. They don’t wanna let it go unless they’re forced to.  But according to Fox “we cannot produce future seasons under its current financial model.

There is one thing though that is keeping hope alive for Simpsons fans; if the show were to be cancelled, it would actually be more profitable to Fox ; a report on Deadline.com spelled it all out; according to a recent article there “Fox has been hamstrung by a 17-year-old deal that limits syndication to local TV stations. At the time, cable was a relatively insignificant contributor to major off-network syndication revenues… but over the ensuing years, cable grew to be as big an opportunity as (if not bigger than) local broadcast…But if the show is canceled, then the restriction evaporates and Fox can offer reruns to additional markets — especially cable or an online service such as Netflix. Fox can score $1.5M for each of 506 episodes. That delivers $750M.”

Since Deadline reported this fact, the cast of the series has reportedly backed down on their demands and is said to be ready to sign a new deal for a few more seasons as early as next week. But who knows, all it takes is one member of the cast to be unwilling to play ball, and the whole thing falls through… and then Homer will have eaten his last doughnut. 


Dexter Wants More Money Too

Speaking of actors wanting more money, Michael C. Hall of Dexter is also having a tough time negotiating with his bosses at Showtime. His original contract was for six seasons of the show, and the sixth season is about to wrap up filming. But Dexter remains Showtime’s signature series, as well as their highest rated. Last week’s sixth season premiere was the series’ highest-rated premiere ever and Showtime’s best original series opener in at least 14 years. That fact alone should give Hall a bit of leverage.

Right now it seems Showtime wants to pay Hall $20 million for two more seasons of the show, while Hall wants $24 million. Hopefully Showtime realizes this isn’t a Two and a Half Men situation; Michael C Hall IS Dexter, he can’t be replaced with Ashton Kutcher or someone. Plus, the man turned in an awesome performance while battling cancer. I mean really…you should give him the extra four million just for that Showtime, ya greedy bastards.

As a huge fan of the show, I really just hope the show ends with the writers aware whichever season they are currently working on is the last one, giving them time to wrap up the series in a spectacular fashion. Whether the show ends with Dexter Morgan riding off into the sunset or in the Florida electric chair, it needs to go out in a creatively satisfying way.

Disney Once Again Re-Releases Their Classics To The Big Screen

With the massive success of The Lion King 3D behind them, Disney took the opportunity this week to announce even more big screen re-releases for some of their most beloved films. Coming in 2012 will be Beauty and the Beast 3D and Finding Nemo 3D. In 2013, Monsters, Inc. and The Little Mermaid will get the same treatment, probably with Blu-ray releases following soon after.

 

Now, usually in this column I rant and rave against all the 3D cash grabs by the studios, but I’m giving Disney not only a pass on this one, but kudos.  For fifty plus years, Disney re-released their classic films to theater screens at least once a decade.  This practice extended well into the video age and into the early 90’s. A movie like Peter Pan or Snow White and the Seven Dwarves  would always get released to insure a new generation of kids got to enjoy the Disney theatrical experience. At some point though, around the time DVD took off in the late 90’s, Disney let go of this practice and simply released the classic films to home video, foregoing the theatrical run. While it is great that they are making them available for purchase, not giving kids the chance to see the classics on the big screen is a crime. The success of Lion King in theaters (despite the fact that it comes out on Blu-ray this very week) proves this. I wish they weren’t being released in 3D, but if that’s the only way I get to experience Ariel and Belle and Nemo again on the big screen, then so be it. I say bring it on Disney.

Details Emerge On Cartoon Network’s DC Nation

 

A few months back, I reported in this column about a new block of programming set to debut on Cartoon Network next year called DC Nation. It was said the block would contain two half hour DC Comics related series as well as “other things.” But just want those “other things” were has remained a mystery, until now. 

This week at a press conference in the UK, Cartoon Network president of programming Sam Register unveiled the content of DC Nation. In addition to the currently running Young Justice animated show and the upcoming Green Lantern: The Animated Series, DC Nation would debut a brand new CGI Batman half hour show called Beware The Batman in 2013. The showrunner for this series is Glen Murakami, a protégé of Bruce Timm and the man behind Teen Titans and formerly Batman Beyond on the old Kid’s WB Network.

Beware the Batman would feature not only the titular Dark Knight, but also a “gun toting” Alfred as well as female ninja Katana as sort of female sidekick. (It was noted that Katana would not be a replacement for Robin, meaning Robin would likely show up at some point.) The character of Katana was first introduced as a member of Batman’s team The Outsiders in the comics, so making her part of the Bat-Family is not that far fetched really.  Also the villains on the show would include more recent creations and not just the Joker, Two Face etc. Professor Pyg and the Circus of the Strange, introduced in Grant Morrison’s recent Batman run, are going to be among the first villains used on the show. That fact alone has me excited about this series.


Also between half hour shows, DC Nation will showcase a series of shorts featuring a variety of characters from the DC Universe; Aardman Animation (Wallace and Gromit) will be creating new claymation Batman shorts, Plastic Man and the Doom Patrol will be getting animated shorts, and the creator behind My Little Pony: Friendship is Magic working on a series of animated shorts teaming Wonder Girl, Batgirl, Supergirl called Super Best Friends Forever. I am more excited about that last one than any grown man has any right to be.

DC Comics Crisis Clusterfuck:

So the first month of DC’s “New 52” relaunch is behind us, and by all accounts has been a massive sales success. One thing remains clear from reading the majority of the new 52 books though….DC Continuity is a giant freaking mess right now. And it might have just become even more confusing. This past weekend, DC Comics EIC Dan Didio went on Twitter and made this statement:

“Brace yourself, but after further review, there have been no Crisis events in the New DCU.”

Ok, this little nugget of information makes continuity an even bigger clusterfuck than it was before. Let’s examine the evidence of why (in young person’s terminology, as I’m way too old to use these phrases in real life) this is a FAIL, and why is some cases, it could be a WIN.

  


-No Crisis on Infinite Earths means Barry Allen never died, which means Wally West never became the Flash. That is a huge FAIL

-Also a huge mistake is that if the original Crisis never occurred, then the Anti-Monitor and Superboy-Prime, two villains who both had huge parts to play in the Sinestro Corps War, were never around. All the recent Green Lantern stuff is said to still be in continuity, but without those two characters, then that whole story falls apart without them. Another FAIL

…however, no Crisis means instead of just 52 worlds in the Multiverse, there are and infinite number again. That goes down as a WIN.

-No Identity Crisis means Ralph and Sue Dibny are probably still alive in the new DCU somewhere. This also means Sue Dibny was never raped aboard the JLA Satellite by Dr. Light and the League never performed a bunch of mind wipes on villains. I’m gonna go with WIN here if it means we get Mr. & Mrs. Elongated Man back alive and happily married.

-No Infinite Crisis means Blue Beetle Ted Kord never got shot in the head by Maxwell Lord, and Maxwell Lord never got killed by Wonder Woman. I’m not even sure Ted Kord is or was ever Blue Beetle in this new DCU, but it now means he could pop up at any time. So…tentative WIN?

Final Crisis sucked, but no Final Crisis means Darkseid never shot Batman with the Omega Bullet, sending him back in time leaving Dick Grayson as Batman for a year. Except…it has already been revealed that Dick WAS Batman for a year in this new timeline, so how and why that happened remains unclear. So this is a FAIL.

Blackest Night and Brightest Day are said to have happened…both Swamp Thing #1 and Hawk and Dove #1 make mentions of their title characters coming back from beyond the grave in those series. However, other characters who died and came back like Firestorm are now “brand new” characters in the new DCU. Others like Martian Manhunter and Aquaman probably never kicked the bucket in the new DCU at all. Have a headache yet? ‘Cause I do. FAIL FAIL FAIL.

It is clear now that DC really is making this up as they go along, and really have no idea what they’re doing.  They should have made this a totally clean reboot and just said so from the get go, but fear of alienating the long time fans kept them from doing so. DC needs to get their writers in a room for a weekend, hash out just what the fuck is part of this new five year timeline, and publish a new History of the DC Universe Mini Series and just settle what did or did not happen once and for all, and then everyone can move on and just enjoy (or not enjoy) the damn comics.

OK, One Last DC Comics Related Thing And Then I’ll Stop


Pics this week of Russell Crowe as Jor-El and Amy Adams as Lois Lane taken on the Vancouver set of Man of Steel surfaced. Jor-El looks kinda Lord of the Rings-ish, certainly a different look for Jor-El. But then, Krypton has never had a set “look.” Just this past decade alone we’ve had three versions of Krypton in the comics, and we’re about to get another one. So I’m ok with this.

Amy Adams it appears is going to be our first ginger Lois Lane. I know I’m being anal retentive and lame…. but seriously….Lois has ALWAYS been a brunette in the comics and in her media appearances. She’s one of the most famous brunette female characters in pop fiction. With all the millions she is getting for this part, she really couldn’t have just dyed her hair? I mean, Amy Adams has done so for other roles, but not for one as iconic as Lois Lane? *sigh* I know I’ll get over it, but stuff like this bugs me. And yes, it bugged me when Catwoman was a blonde in Batman Returns too. I still love Michelle Pfeiffer in the role, don’t get me wrong, but a little adherence to the looks of the characters matters to this comics geek. 

New IDW Star Trek Comic Will Hint At Things For Trek Sequel

Star Trek recently returned to the world of comics with a new series coming out from IDW Publishing. This new Trek comic is unique in that Bob Orci, one of the screenwriters for the 2009 big screen reboot of the series, is “executive producer” for this new comic book. The mission statement of this new comic is to re-tell classic episodes of the original series, but with the twist that these versions of those stories will be taking place in the new timeline that the most recent movie takes place in. So things may play out differently than the versions that originally played on television screens back in 1967. Orci has recently stated that certain elements of what will be in the upcoming new Trek sequel (set to come out in either 2012 or 2013) will be first introduced in the new comic book series. So all you hard core Trek fans might want to start picking this series up just to have something new to pick apart and look for spoilers in.


 

 

The Shining 2 Coming Soon?

No, not a sequel to Stanley Kubrick’s classic film, but a sequel to Stephen King’s original 1977 novel is coming, some thirty five years later. It would follow Jack Torrance’s son Danny (and presumably Tony, “the little boy who lives in his mouth”) into adulthood. The novel is tentatively called Doctor Sleep – and features a Danny, now aged 40, working at a hospice for the terminally ill in upstate New York. He is technically an orderly at the hospice, but his real work is to help make “crossing over” somewhat easier for the patients with his “Shining” abilities. And that’s when things get a little bat shit crazy, as Danny will be forced to deal with a group of psychic vampires. Here is how King described it at a recent event:

“I knew that there were bad people in this story that were like vampires, only that what they sucked out was not blood but psychic energy from special people like Danny Torrance,” King said. “And I came to realize these people were called The Tribe, and they move around a lot…They all have these kinda pirate names, because pirates is sort of what they are.”

Say what you want, but I could see this being kinda cool, despite the fact that everyone online is shitting on this idea already. And what I’m gonna say next might be a little controversial, but I don’t think the original novel of The Shining is that great as to be untouchable. It’s a decent read, don’t get me wrong, but it has some really lame stuff like the topiary animals coming to life,  and it ends with the Overlook Hotel exploding for fuck’s sake.  Kubrick took the raw elements of King’s novel and made something way more terrifying out of them. The book is fine, but has no subtlety. The movie on the other hand, is a masterpiece. As long as they don’t attempt to make a sequel to Kubrick’s film, I’m more than fine with the continuing adventures of Danny Torrance in novel form.

Justice League Doom Re-Unites JLU TV Voice Cast

The late Dwayne McDuffie’s final script featuring the DC Comics characters has been officially announced as coming out early next year this week; Justice League Doom will be the latest straight to video DC animated film from the Bruce Timm factory. It will be loosely based on the Mark Waid JLA storyline Tower of Babel from around a decade ago, where Ra’s al Ghul broke into the Batcave, stole all of Bruce Wayne’s secret files on how to defeat his JLA teammates should the need arise, and used it against them one by one. Instead of Ra’s this time though, it will be the Legion of Doom who are the main antagonists instead.

What makes this movie special to long time DC Animated Universe fans is that this particular feature reunites almost all of the voice cast from the television DCU as created by Bruce Timm. Kevin Conroy returns as Batman, Tim Daly reprises his Superman The Animated Series role, and most of the original Justice League cast returns as well, including Michael Rosenbaum as the Flash, Susan Eisenberg as Wonder Woman, and Carl Lumbly as J’onn J’onzz. Nathan Fillion is Green Lantern Hal Jordan, replacing the animated series GL John Stewart, so no Phil Lammar this time sadly. Somebody’s always left out of these reunions. I mean, how many replacement Jan and Cindy Brady’s were there over the years??

The Justice League Unlimited animated series ended in 2006 after 91 episodes, but ever since then fans have been clamoring for a continuation of some kind. While there have been many animated DC Universe movies, even some featuring the Justice League, all have used different voice actors and character designs than their earlier DCAU counterparts in an effort to set them apart. Seeing as this was McDuffie’s last work on these characters ever, it would have been nice to make this a full fledged coda to the animated DC Universe and use the Timm-verse versions of these characters one last time. In any event, DC fans and fans of McDuffies will have something to look forward to when Justice League: Doom hits early in 2012.

Mortal Kombat Returns To Theaters

As one of the few video games to make the successful transition to movies, it makes sense that Mortal Kombat is the latest series to be getting the reboot treatment. Back in January of last year, it was reported that Warner Bros. was mulling over the possibility of making a new Mortal Kombat movie and hired a writer named Oren Uziel to write the script. Then the following June, director Kevin Tancharoen, along with Uziel, made an unofficial viral short film as a way of getting people excited about a potential reboot.  The short film then led into the web series Mortal Kombat: Rebirth, once again written by Uziel and directed by Tancharoen.  Now the web-series has finally brought about the reboot to being a reality. Reports are that New Line Cinema  has picked up the movie and plans to start shooting next year.  As only seems fair, Uziel will write the script and Tancharoen will direct it. It seems New Line hopes to have this in theaters in 2013 to coincide with the new Mortal Kombat video game coming out that year. Highly doubtful is that any of the original cast members will be returning…sorry all of you Michael Jai White fans out there.


 

Welcome to the Jean Grey Institute For Higher Learning

As part of the fallout of this year’s mutant crossover event X-Men Schism, we’ve known for awhile that Wolverine was setting up his own team of X-Men apart from Cyclops’ group on the island sanctuary of Utopia. The moral conflict behind the Schism story is that Wolverine doesn’t believe in putting children in danger until they are fully trained adults, and let’s just say Cyclops is a lot more flexible on what he believes “combat ready age” is.

Now this week Marvel revealed that as part of the fallout of Schism, Wolverine is going back to Westchester County N.Y. to open up the “The Jean Grey Institute For Higher Learning,” and setting himself up in the Prof. Xavier role. This an interesting switch up that defies long time reader expectations for both characters, with former goody goody Scott Summers as the militant separatist and Logan as the more disciplined headmaster looking over a bunch of kids; and yet given the past several years of X-Men stories, it is one that makes sense. But… if this is the Jean Grey school and not the Xavier School, shouldn’t Wolverine’s team be called The J-Men and not the X-Men? Just sayin’.

The Avengers Make Their Checkout Aisle Debut

It is a right of passage for super hero movies these days to make their big mainstream debut to the masses on an Entertainment Weekly cover, usually utilizing some really bad photoshop, and having everyone in an awkward pose. This week, it was the Avengers’ turn at bat. This pic would have way more impact if we hadn’t already seen a million spy pics and videos on the set all summer long of the Avengers cast in action. And what’s with Mark Ruffulo’s “I’m angry” face?? What is Thor staring off at, and why does Chris Evans look like he really, really has to pee? I have no doubt the final product will be great, but this cover is pretty uninspiring really. 


 

Pandora Comes To The Magic Kingdom

In what has to be one of the most left field announcement s of the week, James Cameron and the Walt Disney Company have decided to join forces to bring the world of Avatar to the Disney theme parks. The first park that will have any kind of “Avatar Land” will be Disney’s Animal Kingdom in Florida, and then they will slowly roll out the other Avatar attractions at the other parks as time goes on. At first Cameron though this was gonna be a simulator attraction, much like Star Tours, but this is going to apparently be much bigger, although no real details have been released as of yet. Construction for the first Avatar land is set to begin in 2013.

Frankly, despite the fact that Avatar is the biggest movie ever made (not adjusting for inflation of course) it remains to be seen what the long term legacy of such a property is. Right now, Avatar 2 and Avatar 3 are scheduled for 2014 and 2015, but what if those two sequels are less Empire Strikes Back and Return of the Jedi, and more Matrix Reloaded/Revolutions?  I think it takes a while for a property to become a classic, and the jury is still out on the cultural longevity of Avatar. 

My sources says that the only reason Disney even pursued this is because they know Universal wants it, and this is just the latest in an ongoing feud between the two theme park giants. In any event, expect lots of little kids in blue face paint at a Disney Park near you in the not too distant future.

Justin Lin Off Terminator 5? Maybe, Maybe Not

Recently it was reported that the director of the past three Fast and the Furious movies, Justin Lin, was developing a sequel to The Terminator franchise with Arnold onboard in some capacity. Shooting was set to start at the end of next year. But now it looks like due to his commitment to Fast Six, that is looking less and less likely to happen. After three of those movies, I’m shocked that Lin doesn’t wanna do something else at this point that doesn’t involve cars and racing, but money talks I guess.

The current Terminator rights holders, Annapurna Films, want to get this movie rolling by the end of next year, but right now there is no script and no nothing really, so if they wait long enough, it is possible that Lin could come back onboard. One interesting thing is that while James Cameron is not officially part of any T5 in any real capacity, as a favor to his buddy Arnold he has been involved in some brainstorming sessions for the potential sequels when Lin was still involved.

Whatever happens, the rights to the Terminator franchise revert back to James Cameron in 2018, meaning if someone else is gonna finish this saga off, they don’t really have long to squeeze out much more than a couple more movies, especially if they want old ass Arnold in them still. I actually wish the rights would revert to Cameron sooner, so he can save the world from more bastardizations of his saga. Although….pssst….secret….I kinda liked Rise of the Machines. Don’t judge me.

Thor 2 Gets A New Director. Already.

 

In other changes of director news, it looks like Thor 2 is losing its director, himself only announced last month, that being Game of Throne’s Brian Kirk. Instead, we are possibly going to be getting our second Marvel film to be directed by a woman (the first was Punisher War Zone, believe it or not). Patty Jenkins, who directed the Charlize Theron “I got ugly to get an Oscar” movie Monster, is said to be next in line to direct this one. Of course, it might be that she won’t work out either and in a few weeks I’m talking about Kenneth Branagh coming back again or something.  You just never know with Marvel Studios. Kevin Feige, Marvel Studios president also gave a brief update on Thor 2 and what it would entail, but he seemingly did confirm the return of Natalie Portman as Jane Foster, which I wasn’t sure about since she’s all little miss Oscar winner right now. Here is what he had to say:

“Thor 2 will primarily be the journey of that character, of he and Jane Foster (Natalie Portman) and how the new dynamic with his father is working out, as well as what are the broader stakes for The Nine Worlds.”

Some Details Surface on Mass Effect Movie

I’m not a gamer, but I often here amongst the geek chatter that if there were one video game besides Halo with the potential to be made into a decent blockbuster movie, it would be Mass Effect.  Legendary Pictures announced at this past Comic Con that they were still pursing this property as a big budget movie, but not much has been heard about it since July.

This week though, via the Legendary Pictures official blog, some details leaked out, including that the main character, Commander Shepard would be male in the movie (in the game, you have the option of making Shepard male or female) and that the movie would be more of an adaptation of the world presented in the game rather than any single storyline. Whether or not this gets made or goes the way of the Halo movie is anyone’s guess at this point, but Legendary Pictures seems committed to getting it done, at least for the time being. 

Dark Shadows Official Cast Pic Released

Last week I showed the strange spy pic taken of Johnny Depp on the set of Tim Burton’s Dark Shadows movie, looking more like Michael Jackson than vampire Barnabas Collins. Well, in response to the overwhelmingly bad reaction that pic resulted in, Warner Brothers have released an official pic of the cast, and damn if Depp doesn’t look JUST like original Barnabas Jonathan Frid here. They even gave him Frid’s big ol’ Dumbo ears via prosthetics. This movie may well be terrible, but I love that they are keeping it in the period the original show was set in (actually, the movie is set in 1972, the year the show went off the air) If it is gonna be a trainwreck, I hope it is at least an enjoyable, massive trainwreck. 


 

The Spectre Might Haunt Fox

Remember a few weeks back I mentioned a Deadman series was on tap for the CW? Well, looks like another supernatural DC hero is getting a crack at television, as Fox is developing a series based on The Spectre. Deadline.com says that Brandon Camp, creator of Fox’s short lived series John Doewill write and executive produce this one. All the project has right now is a script apparently. What isn’t known is which version of the character will be used; the original (and most well known) was murdered cop Jim Corrigan, who returned from the afterlife as a vengeful spirit. This version was created by Superman co-creator Jerry Siegel, and lasted from 1940 till about 1995.

The most recent version of the Spectre was another murdered police officer, Crispus Allen. Both versions were often referred to in the comics as the embodiment of God’s Wrath. I’d bet real money that particular aspect of his character won’t be used on television. I’d also bet money that The Spectre’s second incarnation, that of Green Lantern Hal Jordan, will never, ever be used or referenced on any Spectre series (just a hunch). I can’t see Fox rolling with this series to be honest. It doesn’t seem like a fit there….maybe it’ll be developed at Fox only to wind up as a companion piece for Deadman on the CW. Now that would make more sense.

JJ Abrams Officially On Board To Direct Star Trek II

Many might file this story under the “no shit” file, but the truth is despite being heavily rumored and expected for more than two years, it has never been a sure thing that JJ Abrams would return to direct a sequel to his Star Trek reboot. But now according to many sources, it is a done deal and shooting is expected to start as soon as this December.  What is not certain is just when the movie is being released….it is either going to be a Holiday 2012 release or a Summer 2013 release. Both seasons are already crowded, but the Holiday season has always been a good time to release Trek movies…only Wrath of Khan and Search for Spock were summer releases, and the most financially successful entries into the series (Voyage Home and First Contact) were Holiday movies.  In any event, those worried that someone like Brett Ratner or someone else hacky like that was coming in to replace Abrams can now breathe a sigh of relief. Trek remains in the right hands.


 

Johnny Depp Dark Shadows Pics Surface

The first spy pics of Johnny Depp as vampire Barnabas Collins in next year’s Tim Burton directed Dark Shadows have surfaced, and they look, well….. pretty much how one would expect a Tim Burton vampire to look like. Strangely, Johnny Depp looks less like Jonathan Frid (the original Barnabas from the 60’s soap opera) and much more like Michael Jackson in his later more freaktastic years. Many said Depp’s performance in Charlie and the Chocolate Factory was Michael-esque, and now it appears he is mimicking his appearance as well. Maybe this vampire won’t drink blood, just “Jesus Juice”.

Spielberg To Bring Out  Indy, E.T. On Blu-ray In 2012 

So far, the past year has been a good one for Blu-ray geeks waiting for their favorite classic films to get released in high def format. We got the Alien series, Back to the Future, The Lord of the Rings extended editions, and coming soon such long awaited releases like Pulp Fiction and, oh yeah, freakin’ Star Wars. 

But there are a still a few “Holy Grail” titles left to come out in high definition, and a good chunk of them come from one Steven Spielberg. At least four of those titles are coming out next year though, as at a 30th Anniversary screening for Raiders of the Lost Ark this weekthe bearded one revealed that the entire Indiana Jones series is finally coming to Blu-ray next year. As to when, that is up to the other bearded one, executive producer George Lucas; it might be Spring, or as late as Fall of next year.

Also coming next year is E.T. just in time for that  movies 30th Anniversary.  At the screening, Spielberg did an informal poll among the audience about whether or not the new Blu Ray should include the revised 2002 version, the one with the CGI E.T. and the stupid walkie talkies replacing guns amongst the federal agents. When asked if they wanted the “new and improved version” the audience shouted a resounding “NO!” and Spielberg said the release would only be the classic version. Unlike Lucas, it seems Spielberg isn’t quite so stubborn, and can admit when past mistakes were mistakes. 

 

Star Trek The Next Generation Comes To Blu Too

In other high def news, Trekkies can rejoice, as Star Trek the Next Generation is also coming to HD very soon it appears. The original Star Trek got a high def conversion a few years ago, but that show was shot and edited on good old fashioned 35mm film. The Next Generation however, while shot on 35mm film, was edited on video tape like almost all shows of that era. What this means is that all the special effects were composited on standard definition video and need to be totally redone, AND the show has to be re-edited from scratch from the original camera negative. This is a very expensive and painstaking process, and much more difficult to do than the original series was.

However, if the series is to extend its life in syndication, going HD can only end up bringing Paramount a lot more money in the long run, beyond just Blu-ray sales. A sampler disc for this Christmas is said to be being worked on right now, with the original pilot “Encounter at Farpoint” as well as fan favorite episodes “The Inner Light” and “Sins of the Father” said to be on it. The question on a lot of fan’s minds right now is whether or not the series will be reproduced in the original 4:3 aspect ratio or expanded to 16:9 for modern widescreen televisions. Since the original film was shot on 35mm, there is extra footage to the sides that can be used, so “cropping” would be minimal, but still…how will purists react to a widescreen Next Gen? We’ll know in December, when this “sampler” Blu-ray is said to be hitting store shelves.

I turned 13 when Star Trek: The Next Generation premiered, and turned 20 right as it went off the air, so my formative years were spent with the crew of the Enterprise –D.  Old re-runs of Next Gen are like my warm milk or a snuggly teddy bear to fall asleep to, but on my LDC television those old DVD’s look like ass now. Bring on the Blurays I say.

More 80’s Movies Are Coming Back To Theaters. At Least They Ain’t Remakes

The movie that made Tom Cruise a mega star twenty five years ago, Top Gun, is coming back to theaters in 2012, and in 3D no less. Looks like no one told Paramount that America is officially sick of 3D, especially cheaply upconverted to 3D movies that were not shot in that format. In fact, the anti-3D feeling is so pervasive that many feel that recent movies like Shark Night and Fright Night would have done a hell of a lot better at the box office than they did if they were released 2D only. Most theaters were putting the 3D versions up on the majority of their screens, and people just didn’t wanna pay an extra three bucks for movies that play the same in regular old 2D, so they just skipped them all together rather that find a theater that only showed the regular version.

Also coming back to theaters soon, and thankfully NOT in 3D, is Ghostbusters. Apparently, with both releases, their respective studios are trying to determine what the audience is for these movies today, as Ghostbusters is said to be getting a part three soon, and a possible Top Gun 2 is also on the drawing boards. While I would love for Ghostbusters to reach a whole new generation of people (it remains one of the best movies of all time) I kinda hope the box office take isn’t that great, as I don’t want a Ghostbusters 3 any time soon. Having to sit through Ghostbusters 2 was enough. 



Kevin Smith’s Secret Stash To Hit Basic Cable

Just because Kevin Smith is quitting making movies after his next flick, his hockey movie titled Hit Somebody, it doesn’t mean he’s getting out of the filmed entertainment business. Actually, far from it. Smith has just sold AMC a six episode reality series is set in his Red Bank New Jersey comic book shop, Jay and Silent Bob’s Secret Stash. The proprietors of said establishment, Kevin’s boyhood friends Walt Flanagan and Bryan Johnson, and the antics that go on in their store, are also the subject of the weekly podcast “Tell ‘em, Steve-Dave!” (a reference to a line from Smith’s movie Mallrats), Apparently, at some point when looking for reality content for AMC, the suits at the network were told about the podcast and realized that it would make for a great reality show, what with all the crazy stories of people looking to trade their collectibles in for some quick cash. Kinda like Pawn Stars, only for geeks. 

As soon as the show’s pick up by AMC was announced, Kevin Smith released this statement: 

“Draper.  Meth.  Zombies.  This show couldn’t be on a better network.  AMC is to television what Miramax was to cinema back when I first got in the game: they’re the premier destination for any story-teller looking to spin an offbeat yarn that no other outlet has the stones to touch. And as if I didn’t love them enough, now they’re putting my friends on TV!   I’m ecstatic, proud, and extremely lucky to be in bed with a network I watch religiously anyway.  And if they’d pushed just a little harder in the negotiations, I’d have done this show for no payment beyond early access to every episode of Mad MenBreaking Bad and The Walking Dead.” 

 

Wolverine To Add A Viper?

Screenwriter Mark Bomback (Jack the Giant Killer,as well as the upcoming remake of Total Recall) is has been tapped by Fox to re-write Christopher McQuarrie’s script for Jame’s Mangold’s The Wolverine.  Apparently,  the story is still set to be based on the Chris Claremont/Frank Miller 1982 mini-series. The script has been praised pretty universally from those lucky few who have read it, so I wonder why a major re-write is needed. I was hoping between X-Men First Class and Rise of the Planet of the Apes, Fox was turning a new leaf, but redoing what seems like a solid script by the guy who wrote Live Free And Die Hard and the remake of Race To Witch Mountain doesn’t put me at ease.

The entire cast will be comprised of Japanese and Japanese-American actors except for the character of Viper, who’s described as the white secretary for Japan’s Minister of Justice.  Of course, in the Marvel comics version, Viper is the green haired Madame Hydra, who has tangled with Wolverine on many occasions and even married him (not sure what the status of that marriage is. Was that ret-conned out? Someone out there who is a bigger Wolverine fan than me is gonna need to tell me.) Due to HYDRA being used in the Captain America movie, I’m not sure if they can be used in a Fox X-Men flick, but maybe Fox snagged the rights to Viper at some point separate to the rest of HYDRA. Like I mentioned in last week’s column, filming for the Wolverine has been pushed to early 2012 in Vancouver, so we won’t see this movie till 2013 at the earliest at this point.

Amy Adams To Possibly Star In American Version Of The Orphanage 

One of the best horror films of the past decade was the Guillermo del Toro produced ghost story The Orphanage. The Spanish film, directed by J.A. Bayona, was released in 2007, and ever since then there have been rumors of an American Remake. Now it looks like four years later, the remake is getting some traction at New Line Cinema, with Amy Adams circling the part of the lead for director Mark Pellington. Guillermo del Toro is producing the remake just like he produced the original, so that bodes somewhat well for this version sticking to the source somewhat. Hopefully this will be better than most crappy American remakes of great foreign horror films, like the horrible Jessica Alba version of Korean horror classic The Eye. When asked about the remake of his movie, director of the original film Bayona had this to say:  

“The Americans have all the money in the world but can’t do anything, while we can do whatever we want but don’t have the money” and “The American industry doesn’t take chances, that’s why they make remakes of movies that were already big hits” 

Yup, this statement sounds right on the money to me. Hopefully The Orphanage will fare better than so many other horror remakes before it. 

 

Long Ranger Movie Not Dead After All? 

A few weeks back I reported that Disney had pulled the plug on the Gore Verbinski directed big screen version of The Lone Ranger,starring Johnny Depp as Tonto, due to the reported budget of $250 million dollars. I may have spoken too soon, as now it seems that Disney is looking to try and salvage this project at a lower budget, and possibly with a new director. *sigh* I can’t keep up. Problem is,  Johnny Depp is very loyal to his directors (just look at how many Tim Burton movies he has made) and has now made four films with Verbinski. According to those close to Johnny Depp’s camp, if Verbinski walks, then so does Johnny. Disney is still trying to bring the budget down, but want this at lower than $200 million no matter what. 

 

I personally hope Disney sticks to their guns on this one. $250 million is a ridiculous budget for a western, even a western that is said to have some werewolves in it as this version is said to have. If District 9 can be made for $30 million bucks, and Rise of the Planet of the Apes for something less than $100, there is no real reason why The Long Ranger can’t be made for less that two hundred frickin’ million dollars, werewolves or not. It just feels like greed on the part of Verbinski and Depp, who are looking to get ridiculous upfront salaries for doing this project.  The one person I feel bad for in the whole scenario is Armie Hammer, who was set to star as the title character, and this might have been his deserved break into stardom after a great turn in The Social Network last year.

Small Tidbit of Info of David Fincher’s 20,000 Leagues Remake Surface 

And speaking of Disney, the first news to leak in a long time about the upcoming remake of Jules Verne’s 20,000 Leagues Under the Sea, set to be directed by David Fincher, came in an interview with screenwriter Scott Z. Burns over at Cinemablend.com. Apparently from the sound of it, several liberties are set to be taken with the original Jules Verne novel, maybe just keeping the basic premise and changing everything else. According to Burns, “his job isn’t to turn a book into a movie, it’s to be inspired by the book and then go write a movie.”  

While the movie isn’t going to be totally motion capture, according to Fincher, it will be “70% mo cap, maybe more.” The original 1954 film was a big success for Disney back in the day, and getting an A List director like Fincher adds a lot of pedigree to what could be just another remake of a classic novel. But the question is can a director like Fincher, not known for being very compromising, work for a studio like Disney? Time will tell if this doesn’t fall apart like Aronofsky on Wolverine. Some directors are just not cut out for making big studio tentpoles, and my gut tells me Fincher is one of those. 

 


 

On this, the eve of DC Comic’s biggest change to their status quo in over twenty five years,*  let us look back to a time when DC Comics almost experienced a much bigger upheaval than any mere continuity shift; back to a time when their characters almost merged with those of #1 rival Marvel Comics. And I don’t mean for some special event like the 90’s Amalgam Comics thing, where Wolverine fused with Batman to become Dark Claw for all of one minute. I mean one where Marvel would have been publishing Superman, Batman and the Justice League on a regular basis. Believe it or not kids, this almost happened. Modern day geeks would not have had the notion of “Marvel Vs. DC” in their vocabulary, as they would have all essentially been one big universe. Had this happened, the face of modern day comics would no doubt be totally different because of it.

While the post Crisis On Infinite Earths universe (Crisis being the 1985 mini series that rebooted the DC Universe) was a game changer for DC Comics in a huge way, they almost had another even bigger game changer a few years before. This one would have profoundly affected how the comic book industry grew and changed, and would have no doubt altered how super heroes were perceived for a whole generation following. You see, Marvel Comics almost bought the rights to the DC Comics characters….and tried to do so not once, but twice.


 

A Little Backstory 

In the eighties, Marvel Comics was the clear winner in comic book sales and market share, and by a significant margin too. It wasn’t always like this though; when Marvel emerged in the 1960’s, they were the underdog. As Atlas comics they had been around for a long time, and before that they were around as Timely comics. But it wasn’t until Fantastic Four #1 in 1961 that they officially became the Marvel Comics Group, and spawned a “Marvel Universe” of super hero titles to rival DC. 

Around the mid-to late sixties, they began to put a dent into DC Comic’s dominance of the comic book field, but still only a dent. By 1969, the only Marvel book in the Top 10 comics sales list was The Amazing Spider-Manthe rest of the top sellers list was still dominated by Superman and Batman titles, with some Archie titles thrown in for good measure. It should be noted however, that Marvel’s titles towered over other DC titles like Justice League of America, Green Lantern, The Flash and Wonder Woman by the end of the sixties. They made a lot of traction in a very short time.

Over the course of the following decade, as the Silver Age glow wore off and became the Bronze Age, Marvel began to regularly trounce DC in sales. As with all things edgy and new in popular culture, Marvel started off as the cooler, hipper underdog and slowly became the mainstream choice, kinda like how only hippies and counter culture types wore long hair and beards in the sixties, and by the seventies your suburban dad did too. 

 

The DC Implosion

As an answer to Marvel’s new dominance, in 1975 DC Comics decided to begin what was referred to as the “DC Explosion.”  For the next three years, DC introduced 57 new ongoing titles. Their hope was to overtake Marvel’s market share by sheer force of numbers. Sadly for DC, fans didn’t take to new books like Black Lightning and Shade, The Changing Man. Marvel Comics continued to kick their ass effortlessly. In 1978, the DC Explosion became the DC Implosion, as the publisher cancelled over two dozen titles in one big gesture.


 

There have been various reasons given why it was that DC instead experienced ongoing poor sales, the worst of it being in the winter of 1977/78. Excuses ranged from blizzards that winter, which disrupted distribution, to the overall inflation and recession of the time resulting in a serious decrease in readership in the late 70’s. And while Marvel was kicking DC’s ass sales wise, unlike DC Comics, they were not owned by a huge conglomerate like Warner Brothers, and they felt the sting of decreased readership as well. It has been said by many that the runaway success of Marvel’s Star Wars comic series helped them fight off bankruptcy and keep them in the black. Think about that next time you slag off George Lucas: Star Wars not only started modern geekdom, it helped save Marvel Comics from going bye-bye.

 

 


So in 1979, with DC Comics suffering badly on the publishing side, the offices of Marvel, newly profitable thanks to that Galaxy far, far away, started the first chatter about licensing the DC characters for publishing. This never got beyond the initial talking stages, but word must have reached editorial at DC, because by the start of the new decade, things started to change over at the world’s oldest comic book publisher.

Super Powered Teens Help Save DC Comics

In 1980, three long term Marvel creators, writer Marv Wolfman (Tomb of Dracula) artist George Perez (Avengers, Fantastic Four) and editor Len Wein (writer of Spider-Man, Hulk, creator of Wolverine) defected to DC Comics. Newly anointed publisher Jenette Khan wanted some of that Mighty Marvel Mojo at DC, and landing all three of these guys was quite a coup. And one of the first things they pitched to Khan was a re-launch of  60’s team The Teen Titans. It was Wein who said he approached her with the idea, and Khan thought they were nuts. “The last time we cancelled that book, it was making a profit when we cancelled it, we were just so embarrassed by the creative content. Why in Heaven’s name would you think I’d let you revive that book now??” According to Len Wein, without missing a beat, Marv Wolfman said “because we’ll do it right.” To her credit, Khan simply said “Oh, ok. Good. Go do that.” And they were off to the races.

Jenette Khan must have also been thinking about the success story of the X-Men book for Marvel. In the 60’s, X-Men had been a second tier selling title for Marvel, never gaining the traction or sales of books like Spider-Man, Fantastic Four or The Incredible Hulk.  It was cancelled in 1970, but in 1975 it had been revived, keeping a few core characters like Prof. X, Cyclops and Jean Grey and adding a whole new group of characters to the team. It eventually became Marvel’s biggest success story. Khan must have hoped that the same formula would work on the Teen Titans. And it did.

The first issue of The New Teen Titans, debuting in the late summer of 1980, sold five times what all the other DC books were selling. It was neck and neck with Uncanny X-Men as the #1 comic book in the industry. The success of Titans helped evolve the character of Robin/Dick Grayson from the Burt Ward “Holy Fill-In-The-Blank” joke into his own hero Nightwing, it turned Kid Flash from just another side-kick into the character who would inherit the Flash legacy for a whole generation of readers, and gave comic book readers a prominent male African American hero whose name didn’t have the word “Black” in it with Cyborg.


At the same time as Titans launched, the Legion of Super Heroes, those teenagers from the future who played back up to Superboy for over twenty years at that point, finally ditched their anchor. Superboy and the Legion of Super-Heroes simply became Legion of Super Heroes, and sales soared. The epic “Great Darkness Saga” which ran for almost a year, had the future heroes take on a 30th Century version of Darkseid. Thanks to all of these teen heroes, DC Comics was rebounding on the publishing side…but two titles, no matter how well they sold, couldn’t make up for lack of interest in the rest of the line. No one was caring about Superman, Batman, Wonder Woman and the Justice League. Titans and Legion helped stave off Marvel for a while, but in early 1984 Marvel would almost start publishing the DC heroes. And this time it was DC owners Warner Communications who were looking to unload their characters.

How It All Went Down, According to Jim Shooter

In early 1984, the then head of Warners Bill Sarnoff called Marvel Editor in Chief Jim Shooter. According to Shooter’s recollections, “Bill said, more or less, that Marvel seemed to be able to turn a substantial profit on publishing comics, as opposed to DC, which consistently lost money, a lot of money, and had for a long time. On the other hand, LCA (Licensing Corporation of America), Warner’s licensing arm did very well with the DC properties, while Marvel  didn’t seem to do much licensing.  In other words, Warners made a fortune from Superman Underoos and lunchboxes and toys, but the comics were dying. Marvel seemed to know how to make money off comics. Warners would still own the characters, Marvel would simply license them the way they licensed Transformers, GI Joe and Star Wars. But since they licensed them, they could have them interact with the Marvel Universe characters whenever they wanted (just like the Marvel heroes would often guest star in Transformers and such) effectively making them one big universe.

 


 

At first, Marvel president Jim Galton said “no thanks” under the incredibly stupid line of thinking that if Warners didn’t want those characters, they must not be any good. How one can climb to become president of Marvel Comics and not understand the cultural significance of Superman, Batman and Wonder Woman boggles my mind, but there it was.

Marvel EIC Jim Shooter saw things differently. According to Shooter, he approached the president of Marvel trying not to sound too crazed, I explained that they were great characters and that the DC editorial people were, frankly, doing a pretty poor job with them. And that we could do better. A lot better. It took me about three days to put together a presentable plan. The first part of the business plan was the publishing plan. I decided that we should launch with seven titles and build from there, if all went well. The titles were: 

SUPERMAN 
BATMAN 
WONDER WOMAN 
GREEN LANTERN 
TEEN TITANS 
JUSTICE LEAGUE 
LEGION OF SUPER HEROES 

(curiously missing: The Flash. Wonder what that was about?)

Plans were written down. Projections were made. Shooter thought they would sell 39 million copies in the first two years, generating about roughly $3,500,000. Then the rumors leaked… Marvel superstar artist John Byrne came into the Marvel offices with a cover to “Superman#1 – First Marvel Issue!” Once the news leaked, the notion that Marvel’s purchase of the DC license would violate anti-trust laws and create a monopoly scared the bean counters at Marvel, and that was the end of it. After a few days, the plug was pulled on the whole thing just as fast as it was dreamed up.


The Aftermath 

The almost sale of the DC characters to Marvel in 1984 must have put the fear of God into the editors at DC. By the following year, DC had hired Titans creators Marv Wolfman and George Perez to massively re-haul their entire universe with the 12 part mini series Crisis on Infinite Earths. This led John Byrne to quit Marvel and do the Superman re-boot he wanted called Man of Steel. Frank Miller did Batman Year One, and George Perez rebooted Wonder Woman. All were massive hits. The DC Trinity stopped just selling toys and t-shirts and other various crap, they started selling actual comic books again. The fear of being just another Marvel label made DC step up their game in a huge way. This also led DC to be more adult and daring, allowing for the publishing of edgier adult books like Watchmen, The Dark Knight Returns and Swamp Thing. I can’t imagine 80’s Marvel allowing any of these things. There would have just been no way. And in turn, it is hard to imagine what the comic book industry would look like now if some of these books had never been made. 

I firmly believe everything worked out for the best.The two universes should remain separate and in creative competition with each other. Still…I really wish I had a peek into that alternate universe, the one where Marvel and DC co-existed under one roof for the past quarter century. Imagine all of the stories of Iron Man Tony Stark hanging out with Green Lantern Hal Jordan, of Wonder Woman dating Thor, of newspaper rivals Clark Kent and Peter Parker. Would comic books have become an even bigger part of popular culture, or might there not even be a comic book world today? It is impossible to know, but the 8 year old kid in me who devoured Uncanny X-Men/New Teen Titans over and over again is still curious about what could have been.

 


 

*With this “New 52,” DC is not throwing away 75 years worth of continuity….this is DC throwing away 25 years worth of continuity. The 1985/86 mini-series Crisis On Infinite Earths re-wrote and re-structured the then 50 year old DC Universe continuity in a huge way. This reboot was possibly just as big or more so than anything this new 52 has to throw at us. Every single Superman and Wonder Woman story prior to 1986 was tossed out a window, and most of Batman’s stories were as well. The continuity of Green Lantern, The Flash and the Justice League remained (mostly) intact, and the most popular DC titles of the day, Teen Titans and Legion of Super Heroes were mostly allowed to continue, continuity intact, as well (the same way that both the super popular Batman and Green Lantern franchises are having most of their stories remain intact for this new post Flashpoint universe). So while this reboot is a big deal, it is no bigger a deal than anything done a quarter century ago.

 

 

This article couldn’t have been written without having read The Titans Companion by Glen Cadigan (2005) and Jim Shooter’s blog, so a special thanks to both.

 

D23: Disney Expo 2011

This past Saturday I got to attend the D23 Disney Convention at the Anaheim Convention Center. By now you’ve probably read all about the Avengers footage that was shown, not to mention the official announcement of the two new Pixar films as well as details on The Muppets and John Carter. I really wanted to give my own personal insight into these presentations, but sadly, due to this con being a total clusterfuck of bad management and barely any available staff, I was unable to see any of the Disney Studios panels. I was not a happy camper.

Unlike San Diego Comic Con, which always has a standby line going for the big panel rooms like Hall H or Ballroom 20, once the room films up for the Arena (the Anaheim version of Hall H) they close off the lines until whenever the next panel is set to start. When I asked a member of the staff why they do this instead of keeping a standby line going at all times, they just shrugged and said “we don’t have enough staff or volunteers to manage that.”  If this Con is going to survive, a word of advice to those who run it: Get your shit together please. Other than that whole fiasco, D23 was a pleasant enough convention, but really only worth going  to if you’re a really huge Disneyphile, and also if you’re able to withstand the constant rotation of Disney’s greatest hits blaring into every speaker at all times. After the fifteenth time I heard A Spoonful of Sugar I was about ready to go postal. 


Sam Raimi’s Oz 

Of all the Disney movies that were showcased at D23 and got a lot of press, one movie that was presented but didn’t get a lot of online attention was Sam Raimi’s Oz the Great and Powerful, Disney’s latest attempt at reviving the L. Frank Baum’s Oz universe. Their last attempt, 1985’s Return to Oz, was a huge flop (although Disney in the 80’s wasn’t what Disney is today to be sure).  

 This movie stars James Franco as Oscar Diggs, a late 19th century charlatan magician and lothario who gets swept away to Oz in a hot air balloon and finds in this new world a chance to re-invent himself as a powerful Wizard. The three witches Evanora (Rachel Weisz), Theodora (Mila Kunis) and Glinda (Michelle Williams) have a part to play in all of this as well. Because of the massive success of the musical Wicked, a whole generation now sees the “Wicked Witch of the West” as Elphaba, a heroic figure, so it will be interesting to see them go back and make her a villain again. Maybe future children will grow up thinking the Wicked Witch of the West had a multiple personality disorder or something.


One cool tidbit of info dropped at D23 was that  Raimi will be doing his filming of the Kansas portions of the movie in sepia tone and 4:3 aspect ratio, just like the original classic, and then opening up the world of Oz to color. Of course, this will once again be in 3D. *Yawn* Clearly, Disney is hoping to have similar success to what they had with Alice in Wonderland, but by 2013 isn’t everyone gonna be totally over 3D?  Aren’t they over it now??

Wolverine Pushed Back…Again. 

First this movie loses director Darren Aronofsky, and now it appears to have hit yet another snag. The Wolverine was meant to start shooting this Fall in Vancouver with new director James Mangold, with some shooting to be done later in Japan, but apparently filming has now been pushed back to Spring 2012. Poor Hugh Jackman just can’t catch a break with this flick, it seems. 

In the old days (well, not so old actually, as recently as last year), Fox would have pushed this movie through whether it was ready to go or not just to meet a release date, but maybe that studio got tired of their horrible reputation with genre fans. After all, two of the best blockbuster type movies this summer were X-Men First Class and Rise of the Planet of the Apes. A Year ago I would have never believed it, given how Fox has creatively operated as a studio for the better part of a decade. If pushing it back means that we get a better movie, then by all means…take your time. We’ll wait. 


Yet Another New Star Trek Series Proposal?

You might remember a few months back, I mentioned that Bryan Singer and Free Enterprise writer/director Rob Burnett had proposed a new Trek series to Paramount called Federation. Turns out that they weren’t the only ones to do so. The latest to make his intentions for a new Trek show known is a producer named David Foster and his company 1497 Productions. Foster envisions a series set in the “Prime” Trek universe (not the reboot alternate universe of the new JJ Abrams flick) and set some time after the era of Next Generation/DS9/Voyager.  He didn’t give very many details about the proposal, but he did give a little bit of info in an interview with Trekweb:


 

“The series concept is fully developed, subject to change of course, with a solid 5-7 year series plan, pilot script and a conceptualized finale that intends to define Star Trek for generations, extensive character bios, costume and ship/set designs, and more. This is a drastic departure from the typical 8-10 page treatment of the previously pitched Star Trek series ideas that have not included even a pilot script”.


The series is highly energized with a much younger cast, and uses cutting-edge future technologies with newly envisioned special effects and designs. It includes Klingons, Ferengi, Andorians, Vulcans, Trill, and many more. The Klingons are getting very restless since the Praxis incident forced them to come to the peace tables, and are tired of having to rely on the Federation for support. The Ferengi have discovered a vast new resource that has propelled them towards instant riches and power beyond anything they have previously experienced.”

 

 




In an article earlier this year with AfterElton.com, it was revealed that this proposed new series would finally include some openly gay and lesbian characters, something the supposedly all inclusive Trek universe has failed to include in the last four series.



My unsolicited advice to Paramount: Let at least one more Star Trek film come out before launching a new series on television. Maybe even let JJ Abrams finish a whole new Trek Trilogy. By that time, almost a decade will have passed since Trek was on TV, and people will be ready for it again. Over saturation and too much product killed Trek the last time… be careful not to let it happen again.


 

Bill S. Preston, Esq. Makes Documentary About Napster 

It seems like only yesterday that a friend told me about this cool program called Napster, where I could get any and every song I wanted on my computer… for free, and within minutes. That was eleven years ago now, in the the summer of 2000, and for that brief magic summer it seemed like everyday was like Christmas, as I found all kinds of rare songs I’d been searching for for years on Napster. Of course, as we all know, Napster came crashing down in flames, but in its wake we got iTunes, (not to mention a million other ways to get music and such for free). Without Napster, we might now be living in a very different world in terms of how we get our media.

 

 

 


Now it seems that none other than Alex Winter (yes, as in Bill of “Bill and Ted” fame) is making a documentary about the rise and fall of Napster. Originally set to be a narrative film, plans changed, in part no doubt because of Justin Timberlake’s recent and very memorable portrayal of Napster co-founder Sean Parker in The Social Network. It is possible that he maybe wanted to steer clear of any other fictional portrayals of the guy so soon after David Fincher’s movie. Winter has been trying to get this launched as a feature for the better part of a decade but now VH1 has come in to help co-fund it as a documentary. Here is what Winter has to say about the project:

The rise and fall of Napster and the birth of peer-to-peer file-sharing technology created by Shawn Fanning when he was a college student, changed music and movies, and made possible everything from Julian Assange, WikiLeaks to the iPod and Facebook. It became an expression of youth revolt, and contributed to a complete shift in how information, media and governments work. And it is a fascinating human story, where this 18-year-old kid invents a peer-to-peer file-sharing system, and brings it to the world six months later.  

Napster really did change the world, and I think it is high time someone chronicled their rise and rather spectacular fall. Hopefully this will be a documentary worthy of the subject matter. And just for the entertainment value alone, I hope Sean Parker is as douchey as his portrayal in the movies.

DC’s Deadman Comes To The CW

Finally this week, news leaked that the CW Network is looking to replace Smallville next year with a rather unlikely DC Comics hero: Deadman. Deadman is a long running DC Comics character who first appeared in 1967, and while never headlining much more than a back-up feature or an occasional mini- series, he has nevertheless remained a DC Universe mainstay. Deadman’s backstory is that he is really Boston Brand, a murdered trapeze artist whose spirit possesses various human hosts in an effort to solve his own murder. I imagine the pitch to the network was something like “it’s a supernatural Quantum Leap!”  And ya know what…it kinda is. 

DC CCO Geoff Johns has recently brought Deadman back to prominence in Brightest Day, and looks to be adding him to the new Justice League as well. Looks like after 45 years as a C-Lister, Boston Brand is ready for the big time. The person developing this series for the CW is Eric Kripke, the creator behind the CW’s longest currently running series Supernatural. For many, this means the series is in good hands. Deadman has a very memorable look to him. I honestly hope that they don’t change him into some pretty boy when he’s supposed to be pasty white with an awesome oversized flared collar. I mean, he’s a ghost, keep him creepy.



Are We Getting A World’s Finest Team Up Movie?

There is a lot of speculation about what is going to happen to the Batman franchise after The Dark Knight Rises is released and Christopher Nolan is finished with his Batman trilogy.  According to ThinkMcFlyThink.com, it appears that Warner Brothers is resurrecting the idea of a Batman/Superman team up movie.

Those of you readers who’ve been around awhile know that a Batman/Superman team-up was once going to be Warner Brother’s way of reviving both the Batman franchise (after the disaster of Batman & Robin) and Superman (after Superman IV, and frankly just years of being away from movie screens at that point). A script was written by the screenwriter of Seven, Andrew Kevin Walker, and Wolfgang Peterson was set to direct. As usual with Warner Brothers and their DC super hero properties, they got cold feet at the last minute (see also: Joss Whedon’s Wonder Woman, David Goyer’s Flash, George Miller’s Justice League movies). Wiser heads prevailed ultimately, and Warner decided to re-launch Batman on his own with Batman Begins, as well as Superman.  But now with Nolan’s Batman series coming to a close, what to do?


It is no secret that Warner Brothers was hoping to build towards a Justice League movie with Green Lantern, much as Marvel is doing with Avengers. But with that not working out as hoped, it looks like their new first steps at universe building are going to be teaming up Batman and Superman instead. They are hoping to get Christian Bale to reprise his role as Batman, and are prepared to offer him a shitload of money to do so, but are aware that he will likely say “No way” without Nolan involved. Superman will almost certainly be played by new Man of Steel Henry Cavill however.

The studio is supposed to be taking two separate directions with the project, one with an older Kal-El mentoring a new Batman, and another with an older Batman mentoring a new Superman freshly arrived on the scene. Depending on who they get to play Batman will determine which version of the movie gets made. I just wanna know why they can’t just be around the same damn age like they are in the comics? The soonest we could see this is 2014, as Man of Steel doesn’t come out till 2013. 

 Ridley Scott Returns To The World Of Replicants


 

Ok, this had to seriously be the WTF geeks news of the year.  Remember last year it was reported that a Warner Brothers subsidary company called Alcon Entertainment was looking to produce “prequels and sequels” to Ridley Scott’s classic 1982 Science Fiction film Blade Runner? Fanboys everywhere gagged. Blade Runner is widely considered THE greatest science fiction film ever made, topping many lists from genre magazines like Total Film and Empire.  Making a sequel just sounds…blasphemous. And it isn’t like Ridley Scott would have anything to do with something like this, right? 

Well, this week Alcon Entertainment announced that Ridley Scott would return to the world of Bladerunner, nearly thirty years later, to direct another feature. 

Here’s what is known:  Harrison Ford will almost certainly NOT be back. I think after watching him sleepwalk through Kingdom of the Crystal Skull, we’re all ok with that.  Talking to the LA Times, producer Andrew Kosove had this to say: 

“In no way do I speak for Ridley Scott. But if you’re asking me will this movie have anything to do with Harrison Ford, the answer is no. This is a total reinvention, and in my mind that means doing everything fresh, including casting.” 

I suppose that with Ridley Scott returning to the world he created in Alien thirty plus years later with his forthcoming Prometheus, his returning to the world of Blade Runner should not be so surprising really. There are a lot of rumors going around that Ridley Scott has a lot of ambitious original ideas for science fiction films that he couldn’t get financed, so he presented them as sequels (or in the case of Alien) prequels to his now classic films, and he instantly got a greenlight, since the studios only want to greenlight tentpoles movies that are name brands these days. If that is what he’s doing, then he’s a smart cookie, and a sneaky one at that. 

 

Strange to think that nearly thirty years ago, the original Bladerunner bombed so badly that it sunk the Ladd Company, the group that financed it. Thirty years later, Blade Runner is a “brand name”, not to mention a classic. Funny how things work out. Unless you’re the Ladd Company.

Bradley Cooper Ditches The Crow

Casting Bradley Cooper as gothy undead rocker Eric Draven for the remake of The Crow had to be one of the worst casting choices I’d ever heard. There is something so fratty and douchey about him, he is not very rock n’ roll. Like, at all. Apparently, Bradley Cooper agrees, as he dropped out of the project this week. Apparently, now circling this remake are equally terrible choices Channing Tatum and Mark Whalberg. Have the producers of this new Crow movie ever even see the original, or read the original comic? All I can think of is this sounds like some kind of parody. Every single one of these guys is wrong for this movie. Here is hoping this project ends up dying a quiet death. And unlike Eric Draven, doesn’t come back.

 

 

Lone Ranger Shitcanned By Disney

In a surprise move this week, Disney cancelled their upcoming new take on The Lone Ranger, which was set to star Johnny Depp as Tonto and The Social Network’s Armie Hammer as the title character. The reason, apparently, was that the budget had soared to $250 million dollars. Yes, you read right: $250 million dollars… for a western. Yeah, I don’t blame Disney for this one. At all. 

Budgets are spiraling out of control on these summer tentpole movies, and it makes it very difficult to make a profit on some of them, even when they are massive hits. This new take on the Lone Ranger was to have a twist on the mythology, with the Lone Ranger and Tonto fighting off Werewolves in the old west (The Lone Ranger fires silver bullets you see… so someone had the bright idea to bring in werewolves; in related news: studio execs have picked up that Twilight is popular). Still, werewolves or not, there is no reason why what is still essentially a western needs to cost that much. Disney must have looked at the slick looking movie versions of Thor and Captain America that only cost them around $150 million each, and realized there is zero reason that Gore Verbinski can’t do the exact same. This project might spring back to life, if Disney can lower the budget, but until then, the mouse house has put their foot down. 

 

Captain America 2 Tidbits 

Earlier this week, screenwriters for Captain America, Chris Markus and Stephan McFeely, have revealed just who they would want to see in an upcoming sequel. It looks like longtime Captain America partner from back in the 70’s, The Falcon, might be introduced in a Cap 2, as well as Peggy Carter’s niece (or cousin, depending and who is writing that particular Captain America comic book) Sharon Carter, who was an agent of SHIELD and long time Cap love interest…. before she shot him! Here is what they had to say in an interview with NBC: 

“We want both of them! Sharon is meaty, almost to a point where you get a little uncomfortable because her relation to Peggy has shifted over the years, as time has passed. She’s the sister, she’s the cousin, she’s the niece. You have to walk a fine line there because it does seem like you’re dating your girlfriend’s daughter. Falcon is awesome. We can’t play with time so much to have Cap go back to Harlem in the ’70’s and clean up the streets, but it would be awesome to go straight up, like, ‘Shaft’ with Cap and the Falcon.” 

Will a Cap sequel have room for both characters, and a chance for Bucky to return as the Winter Soldier? Marvel Studios has been pretty good at juggling big casts, so it is possible they could make all these characters work in one movie. Time will tell. 

 

 


Welcome to the 52nd Edition of The Week In Geek. Yup, that means I’ve been writing this column for a full year now. No need to send presents or cash donations, although if you are a really hot guy I’m all for accepting donations of a different nature. Just puttin’ it out there. Allrighty then, on to the news and gossip! 

While the last attempt at an ambitious Stephen King adaptation, The Dark Tower, recently hit a brick wall, it looks like another one of his classic novels is getting the big screen treatment instead. David Yates, fresh off directing the last four Harry Potter movies, is re-teaming with his Potter scripter Steve Kloves to tackle King’s classic end of the world opus The Stand as a possible two part film for Warner Brothers. 

The Stand is one of King’s most beloved novels, and Warner Brothers needs another big film series (or at least something they can milk into a series) now that Potter is all wrapped up. The real question is, how many movies can you milk from this one novel? Even as long as that book is, Wouldn’t it be two movies, tops? Not that two movies is something to sneeze at. There was a very successful television mini series back in 1994, but even at four hours, fans complained at all the changes and omissions, so maybe a trilogy is actually a possibility here.  In any event, with Warner Brothers on much more solid financial footing than Universal lately, look for this movie to happen sooner than The Dark Tower will at this point. 

World War Z To Hit Theaters Just In Time For The Real Apocalypse 

Since we’re talking about the end of the world anyway, let’s now move on to World War Z.  In a move of marketing serendipity, Paramount has set their Zombie Apocalypse flick to open on December 21st, 2012. This, of course, is the day the Mayans predicted the end of the world. You really can’t pay for that kind of free marketing, now can you? Paramount also released their official synopsis for the movie, which seems to differ from the novel, which is told after the zombie apocalypse has occurred, as a series of multiple first person accounts, not as the zombie-pocalypse begins. But with Brad Pitt as your star, I guess you want to spend as much time with a lead that pricey as humanly possible, so instead the movie will focus on Pitt’s character. Here is the official description:

 “The story revolves around United Nations employee Gerry Lane (Pitt) who traverses the world in a race against time to stop the Zombie pandemic that is toppling armies and governments and threatening to decimate humanity itself.”

 DC New Universe Rumor Round-Up

Quite a lot of rumors have been swirling around in various channels about just what DC comics has cooked up as their second big batch of releases in the new post-Flashpoint universe. First off…there isn’t going to be another big group of releases until a few of these new 52 titles debuting in September inevitably fail *cough*Omac*cough* Some of these books may not see the light of day till a full year from now. Because so much of this new 52 initiative is meant to attract new readers, they want to keep their new universe as simple as possible, at least at first. Since some of these second wave of books will include alternate versions of Superman, Flash, Batman and others, DC has decided to wait a bit to avoid confusion.

A disclaimer: a lot of these rumors may turn out to be bullshit, but I found them interesting enough to run anyway, even if they have maybe a 50/50 chance of being accurate. Here is a list of POSSIBLE titles we might see in 2012 from the new DCU; take this moment to take your heavy grain of salt right now. 

Young Justice/JLAcademy

It looks like in addition to Teen Titans, at some point next year DC might be releasing another teen related book. Right now, they are weighing the name options for the book…it is either going to be called Justice League Academy or Young Justice. The lineup is said to be the newly introduced Aqualad, Miss Martian, former Batgirls Stephanie Brown and Cassandra Cain, and Blue Beetle.  Considering that the Young Justice animated series has been a big hit for Cartoon Network, I imagine corporate synergy would dictate that the new comic book would be called Young Justice and not Justice League Academy, especially with Marvel already having an Avengers Academy comic.

The real kicker to this rumor is that the team’s instructors are said to be Cyborg, Nightwing…as well as Flash Wally West and Donna Troy. Seemingly this was not the original plan, but the outcry over Wally and Donna being MIA at Comic Con as well as online has caused DC to change their minds. The inclusion of Wally is going to delay the book somewhat, as DC wants there to only be one Flash at the offset of this new universe.


Grant Morrison’s Multiversity Will Spin Off Books Set On Various Earths

Next summer, Grant Morrison plans to fully explore the new DC Multiverse, introduced at the end of 52, in his mini series Multiversity. We’ve got glimpses here and there of the various new Earths since 52 ended, but DC publisher Dan DiDio has been largely leaving the various DC Earths alone for Morrison to play with. And after he does in Multiversity, expect a wave of new ongoing titles from DC set in the various alternate Earths, and many of these worlds will feature characters and concepts notably missing from the initial launch of 52 titles coming in September. Here is a sample of what I’m hearing we can expect in 2012:

Earth 4, The “Watchmen” World 

Back in the 60’s, publisher Charlton Comics published their own small line of super hero comics, featuring characters like Captain Atom, The Question, and Blue Beetle. Eventually the company folded, and The original Charlton Comics heroes were purchased by DC in the mid 80’s. Originally they were meant to be the characters in  Alan Moore’s Watchmen, until DC decided to use the characters in their regular universe instead (The Watchmen characters would then end up as thinly veiled versions of the Charlton heroesNow those characters are set to appear in their own Earth, (Earth-4)  inspired by the Watchmen who they inspired in the first place. Yeah, I know it is confusing. Apparently J. Michael Straczynski wants to do a series with these characters in more Watchmenesque versions of themselves, and set on their own Earth. Maybe Captain Atom will be naked and blue this time? Let’s hope. 

 


Justice Society of America / Justice Society Infinity 

A big fuss has been made by fans about how The Justice Society seemingly does not exist in the rebooted new DC Earth, however they still do on Earth-2. Not only will the Justice Society have a World War II centric book called  Justice Society of America, but it will feature Golden Age versions of Superman, Batman and Wonder Woman fighting Nazis back in the day. For those of you who miss Power Girl and characters like Stargirl and other modern era JSAers, they will feature in a modern day title Justice Society Infinity. The concept of JSI was introduced a few years ago in a Justice Society Annual, but it seems that the events of Flashpoint will merge the current Earth’s JSA with their Earth-2 counterparts. 

 

Shazam! Becomes Thunderworld 

Grant Morrison apparently really got into Captain Marvel (as well as Wonder Woman) while writing his book Super Gods, and is set to do a Captain Marvel series called Thunderworld. Apparently the Marvel Family will no longer exist on the main DCU Earth, but will reign supreme on their own Earth (Earth-5) like they did back in the pre-Crisis days. The rumored artist for this is Cameron Stewart, who did a run on Batman and Robin with Grant. 

 


Also on their own Earth will be the New Gods. There were rumors of a Grant Morrison/Alex Ross New Gods collaboration, but that has since been debunked.  But that doesn’t mean something isn’t cooking for those characters at some point. 

 

Cyclops and Storm, Sittin’ In A Tree…

It ain’t all about DC this week. In my post Comic Con report in the column, I talked about how after the current X-Men event Schism, that Marvel would be splitting the X-Men into two groups-one featured in a rebooted Uncanny X-Men and another in a new series Wolverine and the X-Men. The Uncanny team would be lead by Emma Frost, which lead many to believe she would be carrying on in her boyfriend Cyclops’ name (which again, inferred he would die in Schism) But that is apparently not so…as Marvel just released this teaser for Astonishing X-Men in November, with an 80’s mowhawked Storm making out with Cyclops. Scandal!


 

I gotta say, I am all for this. Storm has been married to The Black Panther now for five years, and as we all know, marriage pretty much makes super heroes boring as Hell, with few exceptions. I always found it mildly insulting that Storm and Black Panther got married, it seems like a mildly racist move; “oh, they’re both African super heroes, so they must be perfect for each other.”  And yes, I am aware that this move was pushed by African American writers. That doesn’t make it not suck. It also kind of reduces Storm to “Mrs. Black Panther” despite the fact that she is frankly way more famous than he is.I was hoping the Black Panther that Storm married was really a Skrull in disguise back when the Secret Invasion series was running, but sadly, he wasn’t. 

I know for a fact that their marriage was meant to bring in African American readers, and they got a lot of press for five minutes from places like BET and Ebony magazine. But I don’t think African American readers are more attracted to married super heroes any more than white readers are, which is to say, not at all.  

But if Ororo leaves T’challa for a white man? Oh, you just know there is gonna be some press  about that, way more than her wedding ever got. And Marvel never shies away from some free press. Of course, the actual  in-story possibilities are great; after all, Emma Frost loathes Storm, and calls her a “tiresome cow” or something akin to that any chance she gets. Not to mention, Storm was Jean Grey’s best friend. What a perfect time for Jean Grey to come back! (she’s been dead like seven years now. This is like some kinda record for her) Do it Marvel, bring on the dramez! 

And speaking of Marvel…. 

Marvel and Disney set Summer 2014 Dates


It seems odd writing about movies that are not coming out for three whole years, but the studios need to think that far ahead these days. In a press release this week, the Walt Disney Company staked claims on three dates in the summer blockbuster season…all the way in 2014. Two of them are for Marvel Studios productions, the other is for a Pixar movie. They are not releasing the names of the movies (they might not even be sure yet what movies they’ll be) just the dates: May 16th, June 27th, and the Pixar movie for the end of May.

But I’m gonna take a guess anyway. I’m betting the May Marvel release is Dr. Strange, as reported last week. The June release date is technically the 4th of July Weekend release, and that just makes sense for it to be Captain America 2. (Both Iron Man 3 and Thor 2 are set for summer 2013) As for the Pixar movie,  remember last week I mentioned The Incredibles 2? I’d say that is a safe bet. If there was ever a movie that needed sequlizing from the Pixar library, I’d say The Incredibles nailed it.