If I’m being honest, The Office’s Mindy Kaling has always been an actress I’ve preferred in small doses. Therefore, upon initially viewing the trailer of her upcoming film, Late Night, one which Kaling also penned, my reservations grew with an expectation of too much face-time for the polarizing comedian. However, strong early rumblings surrounding the film forced me to reconsider my tilted assumptions and it resulted in a pleasantly surprising movie experience loaded with novel ideas and staunch creativity.

The legendary Emma Thompson stars as Katherine Newbury, an immeasurably successful Late-Night Talk Show Host with countless Emmy Awards to her resumé despite her and her entire writing staff going through the motions for the past ten years. But when Katherine decides to shake things up by hiring a new female writer to offer a fresh voice, an experience-less do-gooder named Molly (Kaling) becomes the beneficiary of this affirmative-action hire. Yet, things get amplified and the entire late-night team becomes tested when their network head (Amy Ryan) plots to replace Katherine after the season’s end, forcing Molly to quickly learn on the job and help re-brand Katherine’s career.

Late Night’s earnestly original story serves as the foundation to director Nisha Ganatra’s and Mindy Kaling’s critically adored comedy. In fact, Kaling writes herself out of the spotlight in order to let veteran performer Emma Thompson (Sense and Sensibility and Howard’s End) push the needle and she does so magnificently. Thompson’s onscreen persona, an emotional loner with no true relationship outside of her decades-long marriage, makes for the more interesting character study. Katherine Newbury is a huge celebrity who shields herself from the closest people around her, which makes for an interesting focal point as Katherine’s new annoyingly friendly writer Molly tries desperately to forge a connection. And as these two polar opposites begin warming up to one another, unforeseen conflicts arise and wonderfully shape their budding relationship. Late Night’s humor is evident but by no means overshadows the film’s finely crafted dramatic elements and robustly developed characters. Rather than taking wild, aimless shots with a rapid-fire of jokes, Kaling instead lets the humor naturally fall into place and complement the greater story and her work shines as a result. And while the film’s third act regrettably resolves all of its conflicts with a cheapened ease, Late Night’s well built and sturdy structure helps keep Nisha Ganatra’s effort standing tall by the time the credits roll.

GRADE: 3.5/5

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Fresh off a Best Director Oscar win for the pulsating drama, Traffic, Steven Soderbergh followed up his awards contender with the uptempo heist film Ocean’s Eleven. Little did he know that the film’s success would not only help spawn a trilogy of features, but it would also serve as the backbone of this weekend’s eventual spin-off, Ocean’s 8. However, this time around the “Ocean’s” brand gets a complete makeover, spearheaded by a fresh collection of capers, all of which are female, who aim to rejuvenate the energetic and comedic tone that Soderbergh crafted nearly 17 years ago.

After Debbie Ocean (Sandra Bullock), sister of the presumably deceased caper legend Danny Ocean (George Clooney), is released from prison, she immediately reconnects with her former con artist friend Lou (Cate Blanchett) in order to get back into the family business. Having more than five years in the slammer to construct the perfect plan, Debbie assembles a team of specifically talented women to help pull off an unthinkable heist at the prestigious Met Gala in New York City. Yet, the job becomes even more complicated when Debbie makes things personal by trying to pin the robbery on Claude Becker (Richard Armitage), the rat who had her put behind bars years ago.

Flawless pacing navigates Ocean’s 8 through an effortless 110 minute joy ride, fully equipped with staunch performances and loads of laughs. Academy Award Winner Sandra Bullock takes up the mantle as this new crew’s ringleader and her onscreen work proves masterful once again. Comedy and edginess have always come naturally to Bullock, making her a no-brainer for the role of Debbie Ocean. Yet, it would be neglectful to discount the other women who help bring this worthwhile summer popcorn flick together. Each character delivers a fond uniqueness that ushers a delicate balance to the entire team. Whether it’s Cate Blanchett’s foresight and voice of reason, or Sarah Paulson’s longing for thrills and adventure, everyone serves a purpose. Strong, unexpected performances are given by Rihanna, Mindy Kaling, and Neighbors 2 co-star Awkwafina, all of whom portray secondary characters as far as screen time goes, but each as essential as any singular member to the team. Let me also commend the strong work of proven stars Helena Bonham Carter and Anne Hathaway who both round out this exceptional crop of acting talent. But despite this heist film’s impressive cast, entertaining story and uptempo cadence, Ocean’s 8 suffers from a shortage of genre staples such as clever cons and misdirection, as well as an influx of unthreatening conflicts that cycle through the movie without a hitch. These shortcomings suggest a slight laziness in writing, yet they’re easily overshadowed by a fun and mindless experience that optimizes the summer movie season.

GRADE: 3.5/5

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‘Inside Out’ is the story of an 11-year-old girl, Riley (Kaitlyn Dias), whose life is uprooted when her father (Kyle MacLachlan) takes a new job in San Francisco. The move turns out to be tougher than she expected goes as expected as she has a hard time adjusting to her new home and school, while still missing her old friends.

Meanwhile inside her mind, the five emotions are running the show in the headquarters: Joy, Sadness, Disgust, Fear, and Anger. Together they are responsible for how Riley deals with situations with the proper emotional responses. The move also disrupts life in headquarters as Joy and Sadness have a scuffle and get inadvertently sucked up by one of the long-term memory tube. Now the two go on a bi-polar adventure in a race to help Riley regain her emotions with the help of the worlds greatest friend, BING BONG.

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As the father of a 10 year old daughter, this was hitting to close to home. I have found myself thinking about my daughter “why she is acting way to emotional” over spilled milk. Now i know it was Sadness in control. Pixar normally gets me to tear up but ‘Inside Out’ was the first to have me let out an audible cry during the film. My wife and daughter gave me a weird look as the tears rolled down my cheek. My family really enjoyed the film and really rank it high with best of the Pixar films. My only complaint was that it needed more Bing Bong. I feel like ‘Inside Out’ can be on par with Dr. Suess’ “Oh, the places you’ll go!” as a good coming of age story to experience with your kids as they grow older.

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The bonus features on the Inside Out’ Blu-ray are so abundant that they needed two discs! We get tons of interviews from a variety of people involved in production of the film. The Bonus features include:

Riley’s First Date? – This was a cute little short, it delves in the command center of Riley’s parents and how they deal with her going on her first date. It’s not the best of the Pixar shorts but it was a fun none the less. I think every down to Earth dad can relate to Riley’s dad and how he handled the situation especially when they found a common bond.  Hopefully the next short can be a Bing Bong Prequel.

LAVA (Theatrical Short Film) – When i first saw this short at the theaters before Inside Out, it set me and everyone else up emotionally. I witnessed tears shed and couples embracing each other after the short. Nothing has changed, this short got me good with its catchy tune lovely message.

Story of the Story – A film 4 years in the making, Director Pete Docter talks about the evolution of ‘Inside Out’. The original concept of the films is completely different from what we got as the final product. There was a lot of concepts that went though trial and error including teaming up Joy with all the different motions including Bing Bong to be the main protagonists for the film. Oh Bing Bong.

Paths to Pixar: The Women of Inside Out – My daughter is at a crossroads where she changes her future ambitions everyday. Lately she’s decided she wants to be an artist and animator, asking me recently for an animators table for Christmas.  So this was one of my favorites of the bonus features because it helps deliver a strong message for young woman that anything is possible with hard work and determination. This feature follows women that were involved with the making of ‘Inside Out‘ giving anecdotal experiences in achieving there dream careers. Nothing involving Bing Bong here.

https://youtu.be/udo0RATsHfk?list=PL-muvh_380Ia1thiHIsAWSh57vhRKWALT

Mixed EmotionsThe filmmakers talk about how they decided which emotions to focus on in the story and how they went about creating each one’s distinct personality and visual identity. Very early on before it was settled on Sadness, Fear and Bing Bong were the top choices. It would have been interesting to see it with Bill Hader taking the lead with Amy Pohler.

Mapping the Mind – The artists take you through the process of designing and creating the look  inside of Riley’s mind and how Command Center had evolved. One favorite area that went by the wayside was a sort of shanty town where Bing Bong lead over other imaginary friends.

Our Dads, the Filmmakers – This was a behind the scenes look at the creative process between long time collaborators Pete Docter and Michael Giacchino hosted by their daughter Elie Docter (daughter of director, Pete Docter) and Grace Giacchino (daughter of composer, Michael Giacchino).

Into the Unknown: The Sound of Inside Out – This is a cool look at the process sound designer Ren Klyce. You get a first hand look at some of the objects used in creating the aural world of ‘Inside Out’.

The Misunderstood Art of Animation Film Editing – Learn more about the crucial role of an animation film editor, who helps take the story from its earliest, most exploratory versions, to the final, polished film you see onscreen.

Deleted Scenes – This seemed more of early concepts than an actual deleted scenes.

  • Riley Grows Up – In this scene from a version of the film where the primary relationship was between Joy and Fear (then named Freddie), the emotions begin to notice a change in Riley.
  • Joy’s Decline – Joy’s struggles to make sense of the limitations on Riley’s behavior that seem to be springing up at every turn.
  • Misdirection – Joy and Freddie (Fear) encounter a group of Riley’s “retired” imaginary friends, including an early version of Big Bong.
  • Construction – Joy is guided through Riley’s mind by a radical non-conformist, Bing Bong, outraged by the demolition of older areas like Imagination Park.

https://youtu.be/4nXgLEsBFqU

‘Inside Out’ is available now on on Blu-ray, DVD and Digital Download.

Briefly: It may be hard to believe, but our little girl is growing up.

That’s right, Inside Out‘s Riley is going on her very first date.

Riley’s First Date is a new Pixar short that’s set to debut with the Inside Out Blu-Ray release on October 13th. Based on the first clip from the short (watch it below), it looks like Riley’s set to go skating with a boy (yep, that same boy from the end of the film), and her parents are not having it.

You can take a look at the clip below, and be sure to let us know just how much you loved Inside Out! We’d also love to know just how many times you cried during the feature. Me? Definitely less than 10.


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Briefly: Earlier today on Ellen, Amy Poehler and Bill Hader debuted a brand new trailer for Pixar’s next wonderful-looking feature, Inside Out.

The trailer is totally beautiful, and as with most Pixar titles (Cars 2 aside), this one looks like something special.

Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy (Amy Poehler), Fear (Bill Hader), Anger (Lewis Black), Disgust (Mindy Kaling) and Sadness (Phyllis Smith). The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley’s main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.

The new trailer shows far more footage than we saw last time around, and gives us a great idea of just what the film will be about. Ready your tissues (there’s a few tear-jerking seconds in here), take a look at the trailer below, and let us know what you think! Inside Out hits theatres on June 19th.