In recurring theme this year, Lionsgate has decided to release five more character posters ahead of the ‘Power Rangers’ reboot panel at New York Comic Con, which takes place Saturday at 2 PM.

The ‘Power Rangers’ film stars Dacre Montgomery (A Few Less Men) as Jason the Red Ranger, RJ Cyler (Me and Earl and the Dying Girl) as Billy the Blue Ranger, Naomi Scott (The 33) as Kimberly the Pink Ranger, Becky G (Empire) as Trini the Yellow Ranger, Ludi Lin (Monster Hunt) as Zack the Black Ranger, and Elizabeth Banks (The Hunger Games) as Rita Repulsa. In addition Bryan Cranston (Breaking Bad) has been announced to play Zordon with Bill Hader (“Saturday Night Live) voicing Alpha 5.

‘Power Rangers’ will morph into theaters March 24, 2017.

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Briefly: It’s tough not to stare in awe at just how gorgeous this just-released theatrical trailer for Disney’s The BFG really is. I mean, wow.

Somehow, I’ve never read the beloved Roald Dahl book that the film is based on, but it’s tough not to get excited for what looks like another mysterious Spielberg family classic.

You can take a look at the new trailer below, and be sure to let us know what you think! The BFG hits theatres on July 1st!

https://youtu.be/GZ0Bey4YUGI

The talents of three of the world’s greatest storytellers – Roald Dahl, Walt Disney and Steven Spielberg – finally unite to bring Dahl’s beloved classic “The BFG” to life. Directed by Spielberg, Disney’s “The BFG” tells the imaginative story of a young girl and the Giant who introduces her to the wonders and perils of Giant Country. The BFG (Mark Rylance), while a giant himself, is a Big Friendly Giant and nothing like the other inhabitants of Giant Country. Standing 24-feet tall with enormous ears and a keen sense of smell, he is endearingly dim-witted and keeps to himself for the most part. Giants like Bloodbottler (Bill Hader) and Fleshlumpeater (Jemaine Clement) on the other hand, are twice as big and at least twice as scary and have been known to eat humans, while the BFG prefers Snozzcumber and Frobscottle.

 

Upon her arrival in Giant Country, Sophie, a precocious 10-year-old girl from London, is initially frightened of the mysterious giant who has brought her to his cave, but soon comes to realize that the BFG is actually quite gentle and charming, and, having never met a giant before, has many questions. The BFG brings Sophie to Dream Country where he collects dreams and sends them to children, teaching her all about the magic and mystery of dreams.

 

Having both been on their own in the world up until now, their affection for one another quickly grows, but Sophie’s presence in Giant Country has attracted the unwanted attention of the other giants, who have become increasingly more bothersome. Sophie and the BFG soon depart for London to see the Queen (Penelope Wilton) and warn her of the precarious giant situation, but they must first convince the Queen and her maid, Mary (Rebecca Hall), that giants do indeed exist. Together, they come up with a plan to get rid of the giants once and for all.

Disney released the teaser trailer for its upcoming live-action adaptation of Roald Dahl’s ‘The BFG’. Directed by Steven Spielberg, the film will follow Roald Dahl’s classic novel about Sophie’s adventure with The Big Friendly Giant. This marks the first time Steven Spielberg will direct a feature for the house of mouse.

Mark Rylance (Bridge of Spies) appears as the Big Friendly Giant, with Bill Hader, Penelope Wilton and Rebecca Hall also appearing in the film.

I personally don’t remember reading the book or watching the 1989 cartoon movie, so I will have to default to my daughter about her anticipation for this film (assuming she would be excited at all).

Being that there is a perfect trifecta with Disney, Spielberg, and Dahl, I’m sure that it will be a great movie. The real question is whether or not today’s crowds will come out to see it?

Hopefully a full trailer can sway me into getting excited into the taking the family to the theaters.

Disney’s The BFG comes to theaters July 1, 2016!

https://www.youtube.com/watch?v=VG5MtenlP-A

The talents of three of the world’s greatest storytellers – Roald Dahl, Walt Disney and Steven Spielberg –
finally unite to bring Dahl’s beloved classic “The BFG” to life. Directed by Spielberg, Disney’s “The BFG” tells the imaginative story of a young girl and the Giant who introduces her to the wonders and perils of Giant Country. The BFG (Mark Rylance), while a giant himself, is a Big Friendly Giant and nothing like the other inhabitants of Giant Country. Standing 24-feet tall with enormous ears and a keen sense of smell, he is endearingly dim-witted and keeps to himself for the most part. Giants like Bloodbottler (Bill Hader) and Fleshlumpeater (Jemaine Clement) on the other hand, are twice as big and at least twice as scary and have been known to eat humans, while the BFG prefers Snozzcumber and Frobscottle.

 

Upon her arrival in Giant Country, Sophie, a precocious 10-year-old girl from London, is initially frightened of the mysterious giant who has brought her to his cave, but soon comes to realize that the BFG is actually quite gentle and charming, and, having never met a giant before, has many questions. The BFG brings Sophie to Dream Country where he collects dreams and sends them to children, teaching her all about the magic and mystery of dreams.

 

Having both been on their own in the world up until now, their affection for one another quickly grows, but Sophie’s presence in Giant Country has attracted the unwanted attention of the other giants, who have become increasingly more bothersome. Sophie and the BFG soon depart for London to see the Queen (Penelope Wilton) and warn her of the precarious giant situation, but they must first convince the Queen and her maid, Mary (Rebecca Hall), that giants do indeed exist. Together, they come up with a plan to get rid of the giants once and for all.

‘Inside Out’ is the story of an 11-year-old girl, Riley (Kaitlyn Dias), whose life is uprooted when her father (Kyle MacLachlan) takes a new job in San Francisco. The move turns out to be tougher than she expected goes as expected as she has a hard time adjusting to her new home and school, while still missing her old friends.

Meanwhile inside her mind, the five emotions are running the show in the headquarters: Joy, Sadness, Disgust, Fear, and Anger. Together they are responsible for how Riley deals with situations with the proper emotional responses. The move also disrupts life in headquarters as Joy and Sadness have a scuffle and get inadvertently sucked up by one of the long-term memory tube. Now the two go on a bi-polar adventure in a race to help Riley regain her emotions with the help of the worlds greatest friend, BING BONG.

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As the father of a 10 year old daughter, this was hitting to close to home. I have found myself thinking about my daughter “why she is acting way to emotional” over spilled milk. Now i know it was Sadness in control. Pixar normally gets me to tear up but ‘Inside Out’ was the first to have me let out an audible cry during the film. My wife and daughter gave me a weird look as the tears rolled down my cheek. My family really enjoyed the film and really rank it high with best of the Pixar films. My only complaint was that it needed more Bing Bong. I feel like ‘Inside Out’ can be on par with Dr. Suess’ “Oh, the places you’ll go!” as a good coming of age story to experience with your kids as they grow older.

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The bonus features on the Inside Out’ Blu-ray are so abundant that they needed two discs! We get tons of interviews from a variety of people involved in production of the film. The Bonus features include:

Riley’s First Date? – This was a cute little short, it delves in the command center of Riley’s parents and how they deal with her going on her first date. It’s not the best of the Pixar shorts but it was a fun none the less. I think every down to Earth dad can relate to Riley’s dad and how he handled the situation especially when they found a common bond.  Hopefully the next short can be a Bing Bong Prequel.

LAVA (Theatrical Short Film) – When i first saw this short at the theaters before Inside Out, it set me and everyone else up emotionally. I witnessed tears shed and couples embracing each other after the short. Nothing has changed, this short got me good with its catchy tune lovely message.

Story of the Story – A film 4 years in the making, Director Pete Docter talks about the evolution of ‘Inside Out’. The original concept of the films is completely different from what we got as the final product. There was a lot of concepts that went though trial and error including teaming up Joy with all the different motions including Bing Bong to be the main protagonists for the film. Oh Bing Bong.

Paths to Pixar: The Women of Inside Out – My daughter is at a crossroads where she changes her future ambitions everyday. Lately she’s decided she wants to be an artist and animator, asking me recently for an animators table for Christmas.  So this was one of my favorites of the bonus features because it helps deliver a strong message for young woman that anything is possible with hard work and determination. This feature follows women that were involved with the making of ‘Inside Out‘ giving anecdotal experiences in achieving there dream careers. Nothing involving Bing Bong here.

https://youtu.be/udo0RATsHfk?list=PL-muvh_380Ia1thiHIsAWSh57vhRKWALT

Mixed EmotionsThe filmmakers talk about how they decided which emotions to focus on in the story and how they went about creating each one’s distinct personality and visual identity. Very early on before it was settled on Sadness, Fear and Bing Bong were the top choices. It would have been interesting to see it with Bill Hader taking the lead with Amy Pohler.

Mapping the Mind – The artists take you through the process of designing and creating the look  inside of Riley’s mind and how Command Center had evolved. One favorite area that went by the wayside was a sort of shanty town where Bing Bong lead over other imaginary friends.

Our Dads, the Filmmakers – This was a behind the scenes look at the creative process between long time collaborators Pete Docter and Michael Giacchino hosted by their daughter Elie Docter (daughter of director, Pete Docter) and Grace Giacchino (daughter of composer, Michael Giacchino).

Into the Unknown: The Sound of Inside Out – This is a cool look at the process sound designer Ren Klyce. You get a first hand look at some of the objects used in creating the aural world of ‘Inside Out’.

The Misunderstood Art of Animation Film Editing – Learn more about the crucial role of an animation film editor, who helps take the story from its earliest, most exploratory versions, to the final, polished film you see onscreen.

Deleted Scenes – This seemed more of early concepts than an actual deleted scenes.

  • Riley Grows Up – In this scene from a version of the film where the primary relationship was between Joy and Fear (then named Freddie), the emotions begin to notice a change in Riley.
  • Joy’s Decline – Joy’s struggles to make sense of the limitations on Riley’s behavior that seem to be springing up at every turn.
  • Misdirection – Joy and Freddie (Fear) encounter a group of Riley’s “retired” imaginary friends, including an early version of Big Bong.
  • Construction – Joy is guided through Riley’s mind by a radical non-conformist, Bing Bong, outraged by the demolition of older areas like Imagination Park.

https://youtu.be/4nXgLEsBFqU

‘Inside Out’ is available now on on Blu-ray, DVD and Digital Download.

Briefly: It may be hard to believe, but our little girl is growing up.

That’s right, Inside Out‘s Riley is going on her very first date.

Riley’s First Date is a new Pixar short that’s set to debut with the Inside Out Blu-Ray release on October 13th. Based on the first clip from the short (watch it below), it looks like Riley’s set to go skating with a boy (yep, that same boy from the end of the film), and her parents are not having it.

You can take a look at the clip below, and be sure to let us know just how much you loved Inside Out! We’d also love to know just how many times you cried during the feature. Me? Definitely less than 10.


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Over the course of the past decade Judd Apatow has quickly evolved into Hollywood’s face of comedy. The writer, director and producer has had his hand in many of the funniest films and television shows that we’ve encountered in recent memory. But when it comes to Apatow’s pet projects, the movies he directs and holds complete control over, you can sense his desperate desire to pack a dramatic punch. For better or worse (and in most cases, worse), this fixation with tapping into his audience’s emotions inevitably launches his films past the two-hour threshold and loses sight of what we’re all seeking from a prototypical Judd Apatow film … to laugh.

Comedian Amy Schumer takes center stage as a carefree and uninhibited magazine writer who finds zero comfort in settling down with a man. But as she jumps from bedroom to bedroom, nothing can prepare her for the complexities she faces when she experiences a romantic evening the subject of her latest article, a prestigious sports surgeon named Aaron Conners (played by Bill Hader), who instantly falls for her. And as their relationship slowly begins to blossom, Amy struggles with changing her natural unencumbered perception of life.

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Despite Amy Schumer’s admirable efforts, Trainwreck fails to establish a clear tone. In fact, the film is indisputably advertised as a comedy, but it plays to a much more dramatic rhythm. And while Apatow manages to develop a few spectacular and moving onscreen moments at the hands of his talented leading star, these highlights are merely sprinkled throughout an outstretched two hour affair. Unfortunately, the jokes are almost non-existent and it’s inexcusable. Outside of a few obviously improvised and ineffective attempts at eliciting laughs, Trainwreck glosses over the humor and attempts to lure in the audience with a touching romantic story that never fully commits to the approach. Consequently, the film hangs in limbo and never rises to the occasion on either side of the spectrum.

For all of the movie’s structural shortcomings, Trainwreck does serve as a coming out party for the versatile talent, Amy Schumer. In a bit of a twist, the comedian’s emotional diversity far exceeds her improvised jokes. Therefore, Schumer should find a fair amount of future success in her transition to a big-screen actress. Along with Schumer, Bill Hader serves as a strong counterpart and the always magnificent Brie Larson also shines in a supporting role. And although Trainwreck pieces together some fine performances, LeBron James should really just stick to basketball.

As expected with any Apatow film these days, Trainwreck possesses many ups and downs throughout an over-extended story. Yet, unlike the Apatow films we’ve enjoyed in the past, the laughs aren’t right around the corner to pick you up through the sluggish moments. I will applaud the film for proving to be one of Apatow’s most exceptional dramatic examinations, as it finishes strongly with a charming and memorable finale, However, Trainwreck is light-years away from a comedy classic and plays more like a middling chick flick.

GRADE: 2.5/5

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Briefly: Earlier today on Ellen, Amy Poehler and Bill Hader debuted a brand new trailer for Pixar’s next wonderful-looking feature, Inside Out.

The trailer is totally beautiful, and as with most Pixar titles (Cars 2 aside), this one looks like something special.

Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy (Amy Poehler), Fear (Bill Hader), Anger (Lewis Black), Disgust (Mindy Kaling) and Sadness (Phyllis Smith). The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley’s main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.

The new trailer shows far more footage than we saw last time around, and gives us a great idea of just what the film will be about. Ready your tissues (there’s a few tear-jerking seconds in here), take a look at the trailer below, and let us know what you think! Inside Out hits theatres on June 19th.

The trend for movies has shifted lately. With depressing dramas crowding movie screens all across the festival circuit, films like HellionBlue RuinGod’s Pocket and Cold in July are all recent examples of this phenomena taking over the 2014 Sundance lineup. There’s generally a sigh of relief upon entering screenings for comedies, especially one starring Saturday Night Live stars Kristen Wiig and Bill Hader. However, even a laugh-fest such as Craig Johnson’s The Skeleton Twins carries a dark and gloomy tone from joke to joke. At this point, I guess we should just expect it.

A terrible set of circumstances brings together twin siblings Milo (played by Bill Hader) and Maggie (Kristen Wiig) after a decade apart. The reunion forces both of them to re-examine their lives and confront their problems, no matter the cost.

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At its core The Skeleton Twins never feels like groundbreaking material. However, this murky self-loathing drama whisks along nicely thanks to genuine heartfelt performances from a pair of comedians turned “serious” actors. Bill Hader is given more face time than his counterpart, but Kristen Wiig is equally as effective. With over seven years together on SNL, the onscreen chemistry between these two stars is simply remarkable and their voyage into dramatic acting goes without a hitch. Another welcome surprise is the direction of Craig Johnson. During a long and hysterical lip-syncing rendition of Starship’s “Nothing’s Gonna Stop Us Now”, we see a masterful use of the camera, helping to draw the audience into one of the film’s finest moments.

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Another glowing aspect revolving around The Skeleton Twins is a more expected one, the film’s outpouring of laughs and humor. Watching these estranged siblings instantly regain their lost bond through the use of comedy is absolutely priceless. In fact, almost any scene shared by Hader and Wiig is sure to generate some laughs. But the most fascinating realization is that their innate knack for jokes doesn’t seem to take take away from their dramatic execution, instead acting as a complementing force that helps give life to The Skeleton Twins.

There are plenty of reasons to enjoy this film. Outside of the wonderful performances from Hader and Wiig, Luke Wilson gives a standout supporting turn as well. The feature’s use of music is great and the story is somber, yet uplifting. While some subplots are more enticing than others and the whole excessive depression bit is clearly played up, The Skeleton Twins leaps over its blemishes and plays as a successful laugh-inducing drama.

GRADE: 4/5