Most years I have to wait until at least the fall and sometimes even into late-December, when the heavyweight Oscar contenders begin to unveil themselves across movie theaters nationwide, in order to find that special film that astonishes me on all fronts. Well, Christmas came early last night as I had the privilege of catching this year’s superb Sundance Grand Jury and Audience prize winner, Me and Earl and the Dying Girl. Recent winners of Park City’s most prestigious award, namely Whiplash and Beasts of the Southern Wild, ultimately found a large level of Oscar success. But although my instincts tell me that this year’s indie gem won’t have the same sustaining power as those previous awards season contenders, Me and Earl and the Dying Girl is still far and away the most superior of the bunch.

Based on Jesse Andrews’ novel of the same name Thomas Mann stars as Greg, a self-loathing high school senior who spends his days staying under the radar and making films with his lifelong “co-worker”, Earl (RJ Cyler). But when Greg reluctantly befriends a cancer-stricken classmate named Rachel (Olivia Cooke) at his mom’s demanding request, their relationship slowly pulls Greg out from under his shell. And as Rachel’s medical condition begins to worsen, Greg and Earl struggle to make a momentous cinematic masterpiece on her behalf.

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Beautifully infusing elements of cynicism, sarcasm, fear, tenderness and compassion, novelist turned screenwriter, Jesse Andrews, delivers a screenplay for the ages. Never before has a coming-of-age film felt so earnest and forthright. Andrews creates dialogue that’s unapologetically honest and occasionally awkward at all the right times. And through his words, budding stars Thomas Mann and Olivia Cooke give the type of spectacular performances that re-direct a career. Selecting lesser known, but equally talented, leads was a brilliant choice by director Alfonso Gomez-Rejon. These fresh faces give Me and Earl and the Dying Girl a clean slate and the pair of dynamic stars provide such a rare and unique voice to their characters. Furthermore, enough can’t be stated about the supporting turns as well, which happen to come from newbie RJ Cyler, Nick Offerman and Jon Bernthal. Of the bunch, Cyler is given the largest platform to work with and his natural comedic abilities are wonderfully counter-balanced by a soulful handling of the film’s more dramatic moments.

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For such an impressive script and cast, matching these bright spots with the stylish eye and vision of filmmaker Alfonso Gomez-Rejon only elevated the film to even greater heights. Alfonso incorporated many rare shots in his repertoire that added an enormous level of distinction to the film. Me and Earl and the Dying Girl amazes on nearly every level and displays a special blend of both humor and tenderness which is simply perfected through Rejon’s keen eye.

Throughout the brisk 104 minute affair, the film takes its audience on an unforgettable journey boasting a wide array of emotions. There were laughs and there were tears, but most importantly there was an indestructible connection between each and every moviegoer and all of the characters we fell in love with onscreen. Me and Earl and the Dying Girl is a magnificent piece of cinema that warrants a viewing from just about film lover out there, so make sure you keep your eyes peeled when the feature hit theaters this June.

GRADE: 4.5/5

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CORRECTION 1/21/2013: Previously, we reported that Diablo Cody would host the Athena Film Festival. This is an error. Ms. Cody shall co-chair the festival, which runs in February in New York. Please read on.

Earlier this month, the lineup for narrative, documentary and short films for the 2013 Athena Film Festival was announced, including screenings of Acadamy Award nominees Beasts of the Southern Wild and Brave, and the documentary WONDER WOMEN! The Untold Story of American Superheroines.

 

This year, the recipient of the Laura Ziskin Lifetime Achievement award will go to Gale Anne Hurd, producer of The Walking Dead. Diablo Cody shall co-chair of the festival, which runs February 7-10, 2013.

 

The stated mission of the festival is to promote and illustrate women and leadership. The pictures selected highlight women’s leadership in real life and the fictional world. Throughout the weekend festival, there are also many workshops and conversations with prominent filmmakers, from directors to writers to producers. The festival is held annually in New York at the women’s college, Barnard College.

 

From the official press release:

“We are proud to announce such a robust lineup for this year’s Festival,” said Kathryn Kolbert, co-founder of the Festival and the Constance Hess Williams Director of the Athena Center for Leadership Studies at Barnard College. “The variety of films and filmmakers at the festival this year exemplifies the increasing presence of female leaders in the industry.”
“The balanced mix of films represents the breadth and depth of the Festival’s mission,” said Melissa Silverstein, co-founder and artistic director of the Festival and head of Women and Hollywood, an online leader in the conversation about women’s roles in the film industry. “Each year we strive to select films that inspire filmmakers and industry members. This year’s slate is our strongest yet and continues to convey this focus.”

More information about the festival is available at the festival’s website.

 

Below are the categories and films set to screen:

 

FEATURES

Beasts of the Southern Wild

Brave

Fast Girls

Future Weather

Ginger and Rosa

The Girl

Hannah Arendt

Middle of Nowhere

La Rafle

Violeta Went to Heaven (Violeta Se Fue A Los Cielos)

DOCUMENTARIES

Band of Sisters

Birth Story: Ina May Gaskin and The Farm Midwives

Diana Vreeland: The Eye Has To Travel

Granny’s Got Game

Inocente

I Stand Corrected

Putin’s Kiss

Women Aren’t Funny

WONDER WOMEN! The Untold Story of American Superheroines

 

SHORTS

55 Socks

ABC

DEVOUT

Diamonds Are a Girl’s Best Friend

Free Kick (Libre Director)

Georgena Terry

Hilary’s Straws

In A Heartbeat

Jasad & The Queen of Contradictions

Our Rhineland

Prizefighter

Self-Portrait with Cows Going Home and Other Works: A Portrait of Sylvia Plachy

She, Who Excels in Solitude

Stella is 95!

Who is Pauline Park?

My wife Laura joins me on this episode to talk about the difference between the Resident Evil and Underworld films, talk fictitious characters we’d like to bang and George W Bush’s cameo in Game of Thrones. I also review Beasts of the Southern Wild, Lego Batman 2 and The Amazing Spider-Man on 3DS and Michael Bay’s Ninja Turtles gets delayed! Finally Disney might be bringing Marvel to theme parks and we both pretend we’re eating at the late 90s Marvel restaurant… that really existed! Eat up!

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Beasts of The Southern Wild is the film that has taken both the Sundance and Cannes film festivals by storm. It won the Grand Jury Prize as well as the Excellence in Cinematography Award at Sundance and won the Camera d’Or (Best First Film) at Cannes. After seeing this film it’s easy to see why it’s been winning these awards and why it’s the talk of the town. It is truly an original film and unlike anything I’ve seen in quite sometime. It poetic and mystifying all in one. I’ll be honest, up until a few weeks ago it was a movie I had never heard of, but then I saw the trailer for it and I was hooked. Now I’ve seen the film and I’ve been ranting about it to anyone who will listen.

It tells the tale of six-year-old Hushpuppy (newcomer Quvenzhané Wallis), who lives with her father Wink (another newcomer Dwight Henry) in The Bathtub, a bayou community that is cut off from the rest of the world by a levee. Young Hushpuppy believes that the natural world is in balance with the universe but when a hurricane devastates the world she knows she will do everything in her power to save her sickly father and their sinking home.

The film is told from the vantage-point of Hushpuppy and we experience everything from her perspective. Her world is not our world but we get to become part of it through her eyes and it’s quite a sight to be seen. Young Quvenzhané Wallis, who was only six when this was made gives an amazing performance, especially considering the fact that she had absolutely zero acting experience prior to this film. Her performance as Hushpuppy is what drives this film, she is the soul of this. Director Benh Zeitlin said that “she’s the moral backbone (in the film), even though everyone else is older. She always does the right thing, and never wavers” and that it was Quvenzhané’s “incredibly strong sense of right and wrong” that she brought to the character. A quality that wasn’t there prior to her being cast. “She is really wise beyond her years and really fearless and strong in this way. When I saw I sorta knew that was the character and that’s who she was gonna be.”

Dwight Henry is equally incredible in his role as Wink, Hushpuppy’s tough yet loving father. Mr. Henry as it turns out, runs a bakery in Louisiana that was across the street from where auditions were being held. He met the casting agents when they asked if they could pass out flyers in his bakery and they asked him if he wanted to audition. So, he sent in an audition tape and everyone was taken by him, but when they tried to reach him they found it nearly impossible to find him. As it turns out, this was due to the fact that they were trying to reach him in the afternoon, but being a baker he worked midnight to noon and was asleep when they were trying to get a hold of him. Once he was cast in the role, Zeitlin would discuss the character with Henry from 2am -5am as he baked. They would discuss his character and shape Wink into a character that more closely embodied Henry’s fearlessness and perseverance in the face of difficult circumstances. These are traits that really come out when you watch the film. Wink is a harsh character and his relationship with Hushpuppy is at times difficult to watch but as the film progresses you realize that there is a reasoning for the way he acts towards his daughter. He does what he must to teach his daughter how fend for herself and how to survive in a world without her father.

Wink and Hushpuppy in their boat made of junk

Enough credit can’t be given to Benh Zeitlin, director and co-writer on the film. Here he has crafted a truly remarkable film that makes you connect with these characters and their strength and fierceness despite the harshness of the world around them. He gets phenomenal performances out of the cast. He has also crafted a place that is so incredibly new yet hauntingly familiar at the same time. This is a director’s movie for sure and he can hear his voice coming through in the form of Hushpuppy throughout.  He takes us on a journey in the film and has fashioned something strange and wonderful. It’s almost as if you’re reading a poem when you see this. That sentiment may sound incredibly hokie and sure it sort of is, but that’s honestly the way I felt as I watched this piece of art.

This is a film that’s as far from the Hollywood standard as you can get. It certainly won’t appeal to everyone who sees it, but it is something that I strong urge everyone to see and experience it for yourself. In a summer that’s littered with the likes of Battleship and Rock of Ages, I think you owe it to yourselves to see a movie that has something original to say and isn’t just thrown together to make a quick buck. See this movie, I can’t urge you enough.

Beasts of The Southern Wild opens in limited release on June 27.

Score: 4.5/5