People Magazine named him the Sexiest Man alive in 2011, but since then Bradley Cooper has proven to be far more than just a handsome face. The gifted performer’s emergence as an awards season fixture, thanks to a trio of fairly recent Oscar nominations (Silver Linings PlaybookAmerican Hustle and American Sniper), has helped transform Cooper into one of Hollywood’s biggest stars. Yet, an artist is never content. Craving more responsibility and a yearning for the highest admiration possible, it’s no surprise to see Cooper transition into the director’s role for his critically-adored directorial debut, A Star Is Born. The story is one that’s often been told, as Cooper’s rendition will be the film’s fourth time in production. However, megastar Lady Gaga’s first crack at a major dramatic role and a sober Cooper’s familiarity with his alcoholic character’s struggles lend an innate chemistry that allows the film to soar.

Rock star Jackson Maine (Cooper) finds himself liquored up, as usual, after another successful concert and stuck in between his travels. Unsurprisingly, he forces his trusty driver pull over at the first bar he sees and it’s there where the rock star crosses paths with the angelic voice of Ally (Lady Gaga). Jack immediately becomes transfixed by her talents and the two share a lovely evening together, one that evolves into a loving relationship. But after Jack introduces Ally to the listening world as a backup singer on his tour, her solo career eventually takes off and this leaves Jack alone once again with nothing to do but return to his old drinking ways. Can their love thrive through the distance and separation between these two touring stars, or is devastation inevitable?

A Star Is Born reaches for the sky, bravely tackling a myriad of themes and subplots underneath its often heartbreaking love story. Aspiring singers and musicians will marvel over the film’s early depiction of Ally’s dream-like climb to fame, while others will recognize the story’s somber reflection on real-life issues like addiction and mental health. And that’s what makes A Star Is Born so impactful, the film’s daring authenticity mirrors all of our lives in some way or another. But if that wasn’t enough, Lady Gaga and Bradley Cooper deliver two of the year’s most notable turns, and ones that will be fast-tracked to January’s Oscar Nominations. The pair’s comfort in their characters’ shoes enables a natural fluidity to the film. You fall in love with Jack and Ally because you genuinely believe these performances, which helps raise the emotional stakes when times get turbulent for the couple. Throughout the film you often here Jack mumble on about having “something to say” and using your voice, it’s even a blueprint to the fabric of Cooper’s recycled tale. Ironically, Cooper uses this theme, along with many others, to tell us quite a lot about love, loss, and what it is to be alive. And after a wonderful debut feature such as this, we can only hope that Bradley Cooper continues to find something worth saying for many years to come.

GRADE: 4/5

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As we find ourselves gloriously trapped in the pinnacle of the DVD calendar year, much like February, March offers a multitude of powerhouse selections. One tactful marketing strategy has always been riding the wave of success generated from the annual Academy Awards ceremony, and 2014 is no different. Once again, the top three picks of the month all landed in my 10 Best of 2013, which means you have plenty of excellent titles to choose between.

#1. American Hustle

hustle

Nominated for a whopping 10 Academy Awards, David O. Russell’s caper comedy, American Hustle, makes its way to DVD this month. Although the film found itself shutout at the awards ceremony, there’s still plenty to love about the movie. Christian Bale headlines a lengthy list of knockout performances as Irving Rosenfeld, a deadbeat con-man who gets arrested by an FBI agent and is forced to assist the authorities in an elaborate plot to take down powerful politicians and members of the mafia. It has its flaws, but American Hustle is one of 2013’s most thrilling and entertaining joy rides and one definitely worth seeing. (March 18th)

#2. 12 Years a Slave

12 years

Unlike American Hustle, Steve McQueen’s adapted true story, 12 Years a Slave, had quite the successful showing at this past Sunday’s Oscar awards ceremony. Taking home three Academy Awards for its heartbreaking screenplay, a magnificent debut performance from Supporting Actress Lupita Nyong’o and the highly coveted Best Picture statue, 12 Years a Slave is a prototypical Oscar delight. Chiwetel Ejiofor stars as Solomon Northup, a free black man living in New York prior to the Civil War who is drugged and forced into a harsh life of slavery where he must struggle to survive. Uneasy and authentic, 12 Years a Slave isn’t the type of film you look forward to experiencing, but its one that’s saddled with great importance. (March 4th)

#3. The Wolf of Wall Street

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Martin Scorsese’s epic satire, The Wolf of Wall Street, also found itself shutout on Oscar night, but this blockbuster has blown away audiences since its Christmas Day release. Irreverent and ambitious, The Wolf of Wall Street tells the true story of stockbroker Jordan Belfort’s (played by Leonardo DiCaprio) towering rise to success and his ultimate demise. The debauchery is endless and the jokes are outrageous, in fact, there’s nothing low key and normal about Scorsese’s latest work. While some label this controversial tale as a perverse glorification of illegal activity, I view it as a comical journey into the modern day American-Dream mindset. (March 25th)

Honorable Mention: With a top three as strong as the films listed above, March is full of worthwhile secondary selections. First, there’s the crop of movies I still haven’t seen but I can’t wait to get my hands on, the list includes The Hunger Games: Catching Fire (3/7), indie sensation Kill Your Darlings (3/18) and the Academy Award Winning animated film Frozen (3/18). Three other flawed but enjoyable films finding their way to DVD this month are Out of the Furnace (3/11), one of the Coen brothers’ weakest but a still worthy feature Inside Llewyn Davis (3/11), and finally Disney’s movie about making a movie Saving Mr. Banks (3/18).

Last week the Oscar nominations were announced! There were surprises, snubs and favorites but what’s what? Luckily, I have friends who are smarter than me and have better taste! One such friend is Witney Siebold, former Geekscape writer and current movie critic for Crave Online… as well as co-host with William Bibbiani of the B-Movies Podcast! So after recording a sister episode of the B-Movies Podcast, we sat down to talk Oscars as well as Michael Douglas being cast as Hank Pym in ‘Ant-Man’, more Star Wars talk (as if there’s ever enough) and Geekscape’s very own ‘Doc of the Dead’ premiering at SXSW 2014!

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We’re less than 24 hours from one of the most exciting days on any movie prognosticator’s calendar, Oscar Nomination Day! This year, thanks to a wide spectrum of strong filmmaking, many of the races are overcrowded with talent dying to hear their name called tomorrow morning. Here’s how I envision the 6 major categories playing out, when the Nominations are announced tomorrow:

BEST SUPPORTING ACTRESS

oprah

This race seems fairly locked down, but teetering on the edge of in/out is ironically one of the most powerful women in the world, Oprah Winfrey. While I was on the anti-Oprah side of the argument, her star-power alone makes her a difficult omission by the Academy. Although the Golden Globes passes her over with ease, I don’t see the Oscars doing the same. As a result, Blue Jasmine‘s Sally Hawkins looks to be the odd-woman odd in this dogfight.

Nominees: Jennifer Lawrence (American Hustle), Lupita Nyong’o (12 Years a Slave), Julia Roberts (August: Osage County), June Squibb (Nebraska) and Oprah Winfrey (Lee Daniels’ The Butler)

BEST SUPPORTING ACTOR

hill

No one quite knows where the biggest wildcard this year, The Wolf of Wall Street, stacks up in any of the major battles. Will the Academy embrace the excellent work from a legendary director, or will they turn their back to it amidst controversy that the film glorifies its subject matter? If the Oscars go all-in with Scorsese’s work, then Jonah Hill has a legitimate shot of hearing his name called tomorrow. However, with an always over-stuffed Supporting Actor race, I find Hill to be on the outside looking in, unfortunately. The Academy will find other ways of recognizing The Wolf of Wall Street, while Jonah Hill will sadly miss the cut like other Oscar-hopefuls such as the late James Gandolfini, the “never really had a shot” James Franco and Tom Hanks for Saving Mr. Banks.

Nominees: Barkhad Abdi (Captain Phillips), Daniel Bruhl (Rush), Bradley Cooper (American Hustle), Michael Fassbender (12 Years a Slave) and Jared Leto (Dallas Buyers Club)

BEST ACTRESS

streep

Plenty has been made about Meryl Streep‘s surprising defeat this weekend at the hands of American Hustle‘s Amy Adams during the Golden Globes. But it’s important to remember that the Globes do their own thing, and it isn’t necessarily a sign of things to come. Streep has a proven track record with the Academy, and I’d put my money on those odds any day. Also, while attempting to ride the Amy-Adams-wave, I searched near and far for a proper exclusion on her behalf. Sure,American Hustle is backed by some much-needed momentum, but outside of Emma Thompson from the quickly fading Saving Mr. Banks, I just don’t see the room for Adams. Sorry, can’t sit here!

Nominees: Cate Blanchett (Blue Jasmine), Sandra Bullock (Gravity), Judi Dench (Philomena), Meryl Streep (August: Osage County) and Emma Thompson (Saving Mr. Banks)

BEST ACTOR

Leonardo Dicaprio in The Wolf Of Wall Street

Once again, we’re tasked with deciphering The Wolf of Wall Street‘s effect on the voting body. And while Jonah Hill is going to find himself couch surfing in early March, I anticipate that there’s enough love to catapult Leonardo DiCaprio into the final five. It’s a bold move considering the long documented history of Leo-snubs, even as recent as last year’s Django UnchainedChristian Bale always felt like an outsider and Inside Llewyn Davis‘ Oscar Issac never built a head of steam, but the biggest casualty at Leo’s expense is the wonderful Robert Redford. The All Is Lost star refused to play “the game” and it looks like he could very well miss out on a nomination because of of it.

Nominees: Bruce Dern (Nebraska), Leonardo DiCaprio (The Wolf of Wall Street), Chiwetel Ejiofor (12 Years a Slave), Tom Hanks (Captain Phillips) and Matthew McConaughey (Dallas Buyers Club)

BEST DIRECTOR

cuaron

When it comes to the directing race, the Golden Globes seemed to reinforce what we already knew … How can you not reward Alfonso Cuaron‘s groundbreaking work in Gravity? While there’s three secure picks along with Steve McQueen and David O. Russell, any of the other five major players find themselves scratching and clawing for the final two spots. It’s really a coin flip as to how this could unfold, but I feel like Paul Greengrass (Captain Phillips), Spike Jonze (Her) and the Coen brothers (Inside Llewyn Davis) will be left of the list.

Nominees: Alfonso Cuaron (Gravity), Steve McQueen (12 Years a Slave), Alexander Payne (Nebraska), David O. Russell (American Hustle) and Martin Scorsese (The Wolf of Wall Street)

BEST PICTURE

hustle

Finally, it’s the wacky and wild circus surrounding the Best Picture race. Ever since the rule changes have allowed anywhere from five to ten nominees depending on number of first-place votes, these predictions have become a refined art that many of us still can’t seem to master. For me, I expect nine titles to make the cut. Unfortunately, that means omissions to Blue JasminePhilomena, Lee Daniels’ The Butler and Saving Mr. Banks.

Nominees: 12 Years a SlaveAmerican HustleCaptain PhillipsDallas Buyers ClubGravityHerInside Llewyn DavisNebraska and The Wolf of Wall Street

On the final day of 2013, Jon Schnepp joins me to talk about our favorite movies of 2013… and some of our not so favourites! Will ’12 Years a Slave’ be a shoe in at the Oscars or ‘American Hustle’? Will people forget movies like ‘Gravity’ or ‘Prisoners’? What about ‘Her’ and ‘The Wolf of Wall Street’? As great as ‘Pacific Rim’ was… is it as much geek fun as ‘Man of Steel’ and ‘Thor 2’? Really, this is a super long episode because there’s just so much to talk about! As great as movies were in 2013, we help you navigate your thoughts, our thoughts and everybody’s thoughts!

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There’s a bit of significance in today’s date. Oscar voting officially begins and for the second straight year they’re going with an electronic voting system. Members of the Academy will be eligible to make their selections in every race until Weds, January 8th. At that point, the votes will be collected and organized over the course of the next week, just in time to make the first official Oscar Nominations announcement on Thursday, January 16th. So now that we understand the process and some key dates along the way, let’s examine the 6 major races.

BEST PICTURE

best picture

 

Stone Cold Locks: It feels safe to say that 12 Years a SlaveAmerican Hustle and Gravity are all destined to reach the final field of Best Picture combatants. This 3-headed monster could end up battling it out until the very end.

 

Safe Bets: At this point the next tiered group of films that you can expect to see in the Best Picture pool are comprised of some Oscar regulars from Alexander Payne’s Nebraska and the Coen brothers’ Inside Llewyn Davis. Another feature that won’t seem to fade away is Captain Phillips, which feels like a strong second rate contender that will definitely find its way into the field.

 

In the Mix: With at most 10 nominees allowed in the race, the remaining spots expect to be made up of newcomer wild cards Her and The Wolf of Wall Street, or other conventional possibilities such as Dallas Buyers Club and Saving Mr. Banks.

 

Long-Shots: Blue JasminePhilomena, late-year release Lone Survivor and Lee Daniels’ The Butler all have an outside chance of sneaking into the the big dance.

 

BEST DIRECTOR

directors

 

Stone Cold Locks: There’s really only two directors you can count on making it into the final race, they are Steve McQueen (12 Years a Slave) and Alfonso Cuaron (Gravity). The rest are, as they say in politics, “too close to call”.

 

In the Mix: The Best Director field is awfully crowded this year and it wouldn’t feel like a shock to see any of Alexander Payne (Nebraska), David O. Russell (American Hustle), Paul Greengrass (Captain Phillips), Spike Jonze (Her), Martin Scorsese (The Wolf of Wall Street) and Joel and Ethan Coen (Inside Llewyn Davis) rounding out the top 5.

 

Long-Shots: Although they seem to be against all odds, there’s the slimmest of chances that any of Woody Allen (Blue Jasmine), John Lee Hancock (Saving Mr. Banks), Lee Daniels (Lee Daniels’ The Butler) and J.C. Chandor (All Is Lost) could weasel their way into the race.

 

BEST ACTOR

actors

 

Stone Cold Locks: There appears to be a trio of lead acting performances that you can bet the farm on making it to the final five. Chiwetel Ejiofor (12 Years a Slave), Matthew McConaughey (Dallas Buyers Club) and Bruce Dern (Nebraska) all solidify a stranglehold atop the Best Actor competition.

 

In the Mix: The next tier of actors are made up of strong performances that have been acknowledged by all different types of precursors, and we still can’t get a handle on who has the inside track to sneak into the final five. Chances are it will be any of Tom Hanks (Captain Phillips), Robert Redford (All Is Lost) and Forest Whitaker (Lee Daniels’ The Butler)

 

Long-Shots: Joaquin Phoenix (Her), Leonardo DiCaprio (The Wolf of Wall Street), Christian Bale (American Hustle) and Oscar Isaac (Inside Llewyn Davis) feel a little less like long-shots and more so right on the heels of the Hanks, Redford and Whitaker class.

 

BEST ACTRESS

actress

 

Stone Cold Locks: While there’s quite a bit of intrigue surrounding most of the Oscar races, Best Actress certainly isn’t one of them. The pool of 5 is seemingly set with Emma Thompson (Saving Mr. Banks), Cate Blanchett (Blue Jasmine), Sandra Bullock (Gravity), Meryl Streep (August: Osage County) and Judi Dench (Philomena).

 

Long-Shots: The only possible threats of dethroning the top 5 are a personal favorite of mine in Brie Larson (Short Term 12), Amy Adams (American Hustle), Adele Exarchopoulos (Blue is the Warmest Color) and Julie Delpy (Before Midnight).

 

BEST SUPPORTING ACTOR

supp actor

 

Stone Cold Locks: The Best Supporting Actor contest is shaping up as a slug-fest between Michael Fassbender (12 Years a Slave) and Jared Leto (Dallas Buyers Club).

 

In the Mix: With only 3 remaining spots, it’s still too early to count out supporting roles from Daniel Bruhl (Rush), Barkhad Abdi (Captain Phillips), Jonah Hill (The Wolf of Wall Street), Bradley Cooper (American Hustle) and an always difficult to overcome posthumous performance from James Gandolfini (Enough Said).

 

Long-Shots: As the darkest of horses with the tiniest outside chance of having their names called, I’ll still mention Tom Hanks (Saving Mr. Banks) and Will Forte (Nebraska).

 

BEST SUPPORTING ACTRESS

supp actress

 

Stone Cold Locks: While I feel a little less secure calling them “locks” in the Best Supporting Actress race, the pool of 5 appears to be set. It’s fair to say that anything less than a competition between Jennifer Lawrence (American Hustle), Lupita Nyong’o (12 Years a Slave), June Squibb (Nebraska), Julia Roberts (August: Osage County) and an overrated turn from Oprah Winfrey (Lee Daniels’ The Butler) would be a surprise.

 

Long-Shots: The only possibilities of taking down one of the top 5 seem to come from Sally Hawkins (Blue Jasmine) and an even darker horse in Scarlett Johansson (Her).

 

*** Remember to keep checking back for regular Oscar updates and have a safe and Happy New Year!

 

It’s worth stopping by Movie Critic Dave’s host site and checking out tons of other cool things!

American Hustle is yet another entry into what is beginning to shape up as the Golden Era of David O. Russell’s career as a filmmaker. Following last year’s hit Silver Linings Playbook, Russell stacks his cast with many of the same faces. The film is set around two con artists and one FBI agent. The film begins by setting up the two con artists, using conventions and techniques usually found in the gangster genre. Think Casino. The first 20 or so minutes have inner monologues, tracking shots, and long takes that all take character over plot. However, as long as we’re talking about David O. Russell here, character over plot isn’t a bad thing.

American Hustle is very much a character driven film, as it should be. Christian Bale knocks this role out of the park. And Jeremy Renner? It almost made me completely forget about how static Hawkeye was in The Avengers. Moving on. Both Amy Adams and Jennifer Lawrence are definitely deserving of best acting nominations. As the film went on, I couldn’t help but think that the two were playing themselves in some scenes. This thought was solidified upon further reading that there was more than a few scenes where the actors would improv. Bradley Cooper delivers what seems to be his greatest performance yet and has great chemistry with both Adams and Bale. Regardless, an ensemble cast that works this well together should not be so quickly overlooked. American Hustle deserves audiences for this feat alone.

As hinted at earlier, Russell’s directorial style is hitting a smooth stride; a stride so flawless, so self-reflexive, you can tell he’s having fun with it. It’s a film made with the same love and care that Silver Linings came from. The director trademarks are there, such as close ups of handholding, and the various musical montages are a blast. All this while the production and costume design will have you invested in the film’s setting and story.

Aside from a few ADR and editing quips, American Hustle delivers a powerful experience, one that with themes and questions that’ll have you thinking while you’re walking out of the theater. In American Hustle, everyone hustles to survive. Do you?

American Hustle is currently in limited release and goes wide on December 20, 2013.

I’d love to talk more about the film as you all see it, so don’t be afraid to comment below!

Be sure to read MCDave’s review of the film here!

To steal a quote from Woody Harrelson in the 1992 comedy White Men Can’t Jump, filmmaker David O. Russell is “in the zone”. Russell finds himself in the midst of an unbelievable directorial stretch that will surely bring him his third consecutive Best Picture Nomination when they’re officially announced early next year. In his latest masterpiece, American Hustle, the writer/director puts a clever fictionalized spin on the FBI’s ABSCAM operation which took place in the late 1970s. So clever, in fact, that we may have found our next Academy Awards Best Picture winner.

After con man Irving Rosenfeld (Christian Bale) and his seductive mistress, Sydney Prosser (Amy Adams), are arrested for loan fraud by up-and-coming FBI agent Richie DiMaso (Bradley Cooper), they have two options: either face some serious jail time, or help DiMaso bring down four other high profile criminals. Needless to say Irving and Sydney choose the latter, assisting DiMaso in a sting operation that couples New Jersey politician Camine Polito (Jeremy Renner), countless political officials and dangerous members of the mafia. The only wild card in the matter is Irving’s wife, Rosalyn (Jennifer Lawrence), whose instability could put the whole operation in jeopardy.

hustle1

With David O. Russell’s American Hustle, you can expect a big-time splash that will leave a ripple effect on just about every major Oscar race out there. The filmmaker has coached his two previous casts to 7 … let that sink in for a minute … 7 Oscar nominations with their work in both Silver Linings Playbook and The Fighter. Current cast members Christian Bale and Jennifer Lawrence understand the greatness of Russell as he helped lead both of them to their only Academy Awards victories. As expected, American Hustle delivers no shortage of fine performances. From top to bottom the cast is excellent. It all starts with leading man Christian Bale who packs on the pounds and shaves the center of his head to truly capture the art of the comb-over. Not only does Bale display onscreen excellence yet again, he continues to remind us of his dedication to the craft. There may not be a more committed actor on the entire planet. But he is far from the only shining star, perhaps Bradley Cooper is most impressive with a towering turn as Richie DiMaso, a young FBI agent who becomes more and more obsessed with making the biggest bust in U.S. history. And let’s not forget Jennifer Lawrence. While the young actress moseys along and embraces all of the onscreen recognition and public love she’s been receiving, her performance actually feels like one of the least convincing roles in the film, although still fantastic. American Hustle‘s ensemble is spectacular and, without question, the finest of the year.

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You’ll need to search for flaws in David O. Russell’s American Hustle, but one irritating aspect is the director’s fixation on the time period. There’s no subtlety to it whatsoever. Russell continually throws the 1970 vibe right in your face by purposely calling attention to it throughout the entire film. In some ways it feels as though he sacrifices substance for style and it’s a shame. Furthermore, American Hustle does tend to drag on in its latter stages. You can sense where the movie’s headed, but Russell takes his merry old time getting there. Thankfully, the writer/director has mastered the art of story-telling and uses a sharp comedic tone to help balance his out-stretched tale of power, greed and pushing the limits. By the time American Hustle is all said and done, it’s obvious that Russell has a winning effort on his hands, one that’s assured to garner plenty of attention on its road to the Oscars.

With the clock winding down and the cinematic year coming to a screeching halt, 2013 finally has a film that stands out above the rest. American Hustle is an energetic and hilarious adventure. And despite the fact that its dramatics aren’t overly “touching” or “moving”, nor should they be, American Hustle is a fun and engaging ride that you won’t want to miss.

GRADE: 4.5/5

Check out lots of other reviews and fun movie lists at Movie Reviews By Dave.