It feels like ages ago, but back in 1996 an unknown filmmaker named Danny Boyle madehis mark on the industry by shaping an entire generation with the revolutionary heroin-addiction drama, Trainspotting. Two decades have passed and Boyle has emerged as one of Hollywood’s elite directors thanks to the overwhelming success of films like Best Picture Winner Slumdog Millionaire, for which Boyle won a Directing Oscar, and Best Picture Nominee 127 Hours. So what’s left for a man who’s clearly reached the pinnacle of his profession? How about a return to his roots with the wildly anticipated sequel, T2 Trainspotting. As this year’s official SXSW “secret screening” selection, unsuspecting audiences were given a wonderful treat.

Renton (Ewan McGregor) returns to the streets of Edinburgh 20 years after ripping off his best friend Simon (Jonny Lee Miller) by running away with their 16,000-pound score following a successful drug deal. Renton hopes to make things right with his friend and ultimately agrees to help Simon with a new money-making scheme. They bring Spud (Ewen Bremner) on board to help with the plan, all while trying to avoid the craziness of Begbie (Robert Carlyle), who’s back on the streets after escaping from prison.

There is so much to enjoy about Danny Boyle’s long-awaited return to the boys from Edinburgh, but it all begins and ends with his direction. Boyle’s sharp-style continues to impress as he plays with elements of time both visually and physically. We bear witness to decades of wear and tear to these former kings of the street, but their sense of desperation is as strong as it’s ever been. Ewan McGregor and company jump back into their roles without ever missing a beat, infusing a nostalgic energy that eases the audience into the beautifully chaotic world of Trainspotting. Clever writing also resurfaces throughout the work, transforming timely jokes into necessary plot points, all of which remind us of John Hodge’s exceptional ability to craft a story. Yet, perhaps the most fascinating element to T2 is how well the film plays as both a stand alone effort, and not just a continuation of the 1996 saga. But beyond all of the double-crossing and redemption that unravels throughout the film, Danny Boyle shows us all how a special kind of dedication and a distinct love for the characters are essential pieces to making any sequel a successful one.

GRADE: 4/5

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Spud, Renton, Sick Boy and Begbie are all back in the sequel to the monumental cult classic, Trainspotting. Check out the trailer for T2 below.

We aren’t really getting much from this trailer, other than goosebumps of seeing the original cast back together.

Trainspotting was the 1996, Danny Boyle directed, dark comedy about a group of Heroin addicts getting by in the slummy areas of Edinburgh.

Nothing much to go on plot wise, T2 will be a continuation of the story from the original.

T2; Trainspsotting hits US theaters February 10th, and UK theaters January 27th. The film stars Ewan McGregor, Ewen Bremner, Jonny Lee Miller and Robert Carlyle.

Check out the latest action packed trailer for Bryan Singer’s upcoming fantasy epic, Jack The Giant Slayer. The film, which hits theaters in a few weeks, has a fantastic cast and looks like plenty of fun.

 

 

“Jack the Giant Slayer” tells the story of an ancient war that is reignited when a young farmhand unwittingly opens a gateway between our world and a fearsome race of giants. Unleashed on the Earth for the first time in centuries, the giants strive to reclaim the land they once lost, forcing the young man, Jack, into the battle of his life to stop them. Fighting for a kingdom, its people, and the love of a brave princess, he comes face to face with the unstoppable warriors he thought only existed in legend–and gets the chance to become a legend himself.

Jack The Giant Slayer  is set to hit theaters March 1st. 2013.

 

Source: DigitalSpy

Many people believe that the Best Picture race for the 2013 Oscars has been narrowed down to three films: Zero Dark ThirtyLincoln and Les Miserables. But after seeing J.A. Bayona’s The Impossible, it’s clear that even the Academy doesn’t get it right every time. Based on a remarkable true story of survival, The Impossible follows a family separated by the 2004 tsunami that rocked Thailand, Indonesia and other parts of Southeast Asia.

Henry (played by Ewan McGregor), his wife Maria (played by Naomi Watts) and their three young sons all travel to Thailand for a winter vacation to celebrate the Christmas holiday. While experiencing the beauty and paradise of their beachfront resort, the family finds itself forever affected by one of the deadliest natural disasters in the history of the world. Divided by a tsunami that killed north of 200,000 people, the family struggles to reconnect and defy the greatest of odds.

J.A. Bayona’s The Impossible is a game-changing drama characterized by artistic direction and unparalleled acting. The young, but mightily-gifted, director uses the camera to perfection and places the moviegoer in the center of this horrific tragedy. By literally filming on top of the characters, The Impossible forces the audience to join its subjects on their unfathomable journey. In doing so, the strong bond formed between the viewers and the onscreen family becomes the foundation of the feature. This connection demands a variety of energy and emotions, making The Impossible a true testament of humanity. Even through all of the destruction and despair caused by this devastating tsunami, Bayona effectively illustrates the power of human compassion. And while sentiment can become a difficult sell, Bayona’s once-in-a-lifetime cast makes it feel effortless. Naomi Watts steals the show and stakes her claim as a legitimate Best Actress contender. Right on her heels is youngster Tom Holland who portrays the family’s eldest son Lucas. His character commands an enormous amount of screen time and Holland makes the most of every moment. It’s shocking to discover that this is Holland’s first motion picture, but the future is clearly bright for this budding star. Backed by strong direction and extraordinary performances, The Impossible stands out as one of 2012’s most compelling and moving dramas.

To be perfectly honest, there are no detrimental faults with J.A. Bayona’s latest masterpiece. One minor blemish resides in what some will call an “average” screenplay. The dialogue is adequate but nothing exemplary, and various other areas of the script mirror the same level of mediocre acceptance. However, the emotional force of the feature is carried out through Bayona’s original sense of direction and a well rounded cast. By simply serving its purpose, a less than glaring script appropriately allows for the fascinating true story to take control of the film. Playing more as a complementary figure, the screenplay never diminishes this unbelievably amazing account of survival. Even at its weakest points, The Impossible is nothing shy of cinematic euphoria.

Throughout the course of time, meaningful movies have slipped through the cracks of a blockbuster-driven society. Thankfully, I expect the Academy to find some way to acknowledge the profound work of director J.A. Bayona and his entire team. Filled with amazing visual sequences, top flight acting and a beautiful score, The Impossible is an iconic feature that should be savored by everyone. Currently playing in select theatres, make it a point to seek out The Impossible. You won’t want to miss one of 2012’s finest features.

GRADE: 5/5

When MCDave isn’t on Geekscape, he can be found at Movie Reviews By Dave