Having given us one of the decades finest films in 2012’s The Impossible, it’s no exaggeration claiming J.A. Bayona as one of Hollywood’s most overlooked filmmakers. Bayona returns in 2016 with the late-year release, A Monster Calls, a touching examination the grieving process that’s gone completely unnoticed during the awards season frenzy. But no matter how often and for how long the Globes and Oscars continue to ignore his exceptional work, Bayona continues to represent a unique voice within the industry.

Newcomer Lewis MacDougall stars as Conor, a lonely boy struggling to come to grips with the painful reality of his mother’s (Felicity Jones) terminal illness. One night at 12:07pm, the imaginative boy is visited by an enormous tree monster (voice of Liam Neeson) who promises to return on three separate occasions to tell him three different stories. These visits and their messages serve as metaphors to Conor’s real-world experiences and help him confront the issues within his own life.

Visually masterful and superbly acted, A Monster Calls stands as another successful dramatic adaption from J.A. Bayona. Youngster Lewis MacDougall does a commendable job of carrying his first feature film, thanks in large part to a wide collection of supporting performances. Yet, it’s the always brilliant Felicity Jones who commands the spotlight with her soulful turn as Conor’s ill-stricken mother. Her omission from the awards season discussion in the Best Supporting Actress race is simply unfathomable, mainly because her quality of work refuses to go unnoticed. Structurally, there are a few contrived subplots sprinkled throughout the story, some of which unfold more effectively than others, but Bayona overcomes these flaws with sensational direction and eye-popping special effects. A Monster Calls isn’t an upper echelon entry like Bayona’s previous masterpiece, yet a clever and emotional finale allow the movie to stand as another formidable effort from an impressive filmmaker.

GRADE: 3.5/5

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Briefly: The World War Z sequel just got a lot more interesting.

The Orphanage and The Impossible (both fantastic, fantastic films) director J.A Bayona has just signed on to helm Paramount’s yet untitled World War Z sequel. No information about the sequel has been announced at this point, as the film is still in search of a writer, but we do know that Brad Pitt will again produce the film (no word on whether or not he’ll also act in it).

World War Z was a major surprise for me when it released earlier this year. I was a big fan of the (very, very different) novel, and thought that the film looked like absolute crap right from the very first trailer (plot wise, and that wave of zombies looked like something out of an early PS2 game, among other things). When I finally got around to seeing it however, I actually really enjoyed it (Not as an adaptation, but simply as a film… its only similarities to the book were the title and character’s name). In any case, the HonestTrailer for the film was pretty spot on:

Are you looking forward to the sequel? What did you think of the first film? Sound out below!

Source: THR

Many people believe that the Best Picture race for the 2013 Oscars has been narrowed down to three films: Zero Dark ThirtyLincoln and Les Miserables. But after seeing J.A. Bayona’s The Impossible, it’s clear that even the Academy doesn’t get it right every time. Based on a remarkable true story of survival, The Impossible follows a family separated by the 2004 tsunami that rocked Thailand, Indonesia and other parts of Southeast Asia.

Henry (played by Ewan McGregor), his wife Maria (played by Naomi Watts) and their three young sons all travel to Thailand for a winter vacation to celebrate the Christmas holiday. While experiencing the beauty and paradise of their beachfront resort, the family finds itself forever affected by one of the deadliest natural disasters in the history of the world. Divided by a tsunami that killed north of 200,000 people, the family struggles to reconnect and defy the greatest of odds.

J.A. Bayona’s The Impossible is a game-changing drama characterized by artistic direction and unparalleled acting. The young, but mightily-gifted, director uses the camera to perfection and places the moviegoer in the center of this horrific tragedy. By literally filming on top of the characters, The Impossible forces the audience to join its subjects on their unfathomable journey. In doing so, the strong bond formed between the viewers and the onscreen family becomes the foundation of the feature. This connection demands a variety of energy and emotions, making The Impossible a true testament of humanity. Even through all of the destruction and despair caused by this devastating tsunami, Bayona effectively illustrates the power of human compassion. And while sentiment can become a difficult sell, Bayona’s once-in-a-lifetime cast makes it feel effortless. Naomi Watts steals the show and stakes her claim as a legitimate Best Actress contender. Right on her heels is youngster Tom Holland who portrays the family’s eldest son Lucas. His character commands an enormous amount of screen time and Holland makes the most of every moment. It’s shocking to discover that this is Holland’s first motion picture, but the future is clearly bright for this budding star. Backed by strong direction and extraordinary performances, The Impossible stands out as one of 2012’s most compelling and moving dramas.

To be perfectly honest, there are no detrimental faults with J.A. Bayona’s latest masterpiece. One minor blemish resides in what some will call an “average” screenplay. The dialogue is adequate but nothing exemplary, and various other areas of the script mirror the same level of mediocre acceptance. However, the emotional force of the feature is carried out through Bayona’s original sense of direction and a well rounded cast. By simply serving its purpose, a less than glaring script appropriately allows for the fascinating true story to take control of the film. Playing more as a complementary figure, the screenplay never diminishes this unbelievably amazing account of survival. Even at its weakest points, The Impossible is nothing shy of cinematic euphoria.

Throughout the course of time, meaningful movies have slipped through the cracks of a blockbuster-driven society. Thankfully, I expect the Academy to find some way to acknowledge the profound work of director J.A. Bayona and his entire team. Filled with amazing visual sequences, top flight acting and a beautiful score, The Impossible is an iconic feature that should be savored by everyone. Currently playing in select theatres, make it a point to seek out The Impossible. You won’t want to miss one of 2012’s finest features.

GRADE: 5/5

When MCDave isn’t on Geekscape, he can be found at Movie Reviews By Dave