Following an unusual career path to filmmaking that included nearly two decades of making MTV music videos for accomplished artists like REM, The Red Hot Chili Peppers, Weezer and countless others, Jonathan Dayton and Valerie Faris began their Hollywood career with a bang. The husband and wife’s debut feature Little Miss Sunshine went on to win a pair of Oscars (Best Supporting Actor and Best Original Screenplay) and earn heaps of critical praise. And despite an egregiously overlooked second feature, the superbly told fantasy love story Ruby Sparks, the couple’s latest work has them back in the spotlight.

Battle of the Sexes tells the timely true tale of female tennis great, Billie Jean King (Emma Stone), as she emerged as a beacon of the women’s liberation movement during the early 1970s. While embroiled in a bitter fight concerning equal cash prize payouts for the men’s and women’s tournament winners, King also discovers her inner desires and begins a secret and risque affair with a pretty young hair dresser named Marilyn (Andrea Riseborough). Meanwhile, 55 year old former men’s champion and gambling aficionado , Bobby Riggs (Steve Carell), comes up with a crazy sideshow idea to play King in an exhibition match, and puts on a chauvinistic display to help make it happen.

Caught in the midst of a heated social climate, Dayton and Faris’ Battle of the Sexes proudly parades its pro-feminism and pro-LGBTQ rights agenda. You’ll be hard pressed to find a single scene where King’s character is on screen and neither of those issues are involved. Consequently, the film will assuredly polarize audiences, so it’s important to take all passionate opinions regarding the movie with a grain of salt. And even though Academy Award Winning screenwriter Simon Beaufoy’s (Slumdog Millionaire) script comes off as a bit preachy, recent Oscar Winner Emma Stone and co-star Steve Carell both deliver outstanding performances. If anything, Battle of the Sexes could have used a larger dose of Steve Carell, as Bobby Riggs’ energetic character merely lurks around in the film’s first two acts, giving way to a tepid romance story between Billie and Marilyn. Both Austin Stowell, as Billie’s husband Larry King, and Andrea Riseborough fail to offer convincing and meaningful characters, which certainly creates a void in the film. Battle of the Sexes tells an interesting true story in a rather uninteresting way, making it a decent but unfulfilling watch.

GRADE: 3.5/5

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It feels like ages ago, but back in 1996 an unknown filmmaker named Danny Boyle madehis mark on the industry by shaping an entire generation with the revolutionary heroin-addiction drama, Trainspotting. Two decades have passed and Boyle has emerged as one of Hollywood’s elite directors thanks to the overwhelming success of films like Best Picture Winner Slumdog Millionaire, for which Boyle won a Directing Oscar, and Best Picture Nominee 127 Hours. So what’s left for a man who’s clearly reached the pinnacle of his profession? How about a return to his roots with the wildly anticipated sequel, T2 Trainspotting. As this year’s official SXSW “secret screening” selection, unsuspecting audiences were given a wonderful treat.

Renton (Ewan McGregor) returns to the streets of Edinburgh 20 years after ripping off his best friend Simon (Jonny Lee Miller) by running away with their 16,000-pound score following a successful drug deal. Renton hopes to make things right with his friend and ultimately agrees to help Simon with a new money-making scheme. They bring Spud (Ewen Bremner) on board to help with the plan, all while trying to avoid the craziness of Begbie (Robert Carlyle), who’s back on the streets after escaping from prison.

There is so much to enjoy about Danny Boyle’s long-awaited return to the boys from Edinburgh, but it all begins and ends with his direction. Boyle’s sharp-style continues to impress as he plays with elements of time both visually and physically. We bear witness to decades of wear and tear to these former kings of the street, but their sense of desperation is as strong as it’s ever been. Ewan McGregor and company jump back into their roles without ever missing a beat, infusing a nostalgic energy that eases the audience into the beautifully chaotic world of Trainspotting. Clever writing also resurfaces throughout the work, transforming timely jokes into necessary plot points, all of which remind us of John Hodge’s exceptional ability to craft a story. Yet, perhaps the most fascinating element to T2 is how well the film plays as both a stand alone effort, and not just a continuation of the 1996 saga. But beyond all of the double-crossing and redemption that unravels throughout the film, Danny Boyle shows us all how a special kind of dedication and a distinct love for the characters are essential pieces to making any sequel a successful one.

GRADE: 4/5

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