Tag: Tommy Wiseau

Geekscape Movie Reviews: The Disaster Artist

by MCDave

James Franco’s intimate examination of a talent-less auteur-turned-cult legend debuted as a “work in progress” selection at this year’s SXSW Festival. And although I avoided the screening while there, mostly due to the fact that I had never seen The Room before, as rumblings of its sharp-comedic effectiveness grew, so did my anticipation for the film’s release. The Disaster Artist has found its way to select screens, and while the effort is certainly a solid watch, it’s also a far cry from the comedic gold we’ve come to expect from Franco and his crew of usual suspects.

When a shy and timid actor named Greg (Dave Franco) stumbles across the fearless performer Tommy Wiseau (James Franco) in an acting class, he immediately reaches out to him in hopes of doing a scene together for class. Yet, as their bond grows, Greg learns of Tommy’s mysterious financial security and they venture to L.A. together with visions of making it big. But as the harsh realities of Tinseltown begin to set in, Tommy and Greg quickly discover that, if they want to be in a “real Hollywood movie”, they’ll have to make it themselves.

What can be said about The Disaster Artist’s source material, The Room, that hasn’t been said already? The king of the “so bad it’s good” genre, Tommy Wiseau’s hysterically awful production proves to be a worthwhile central focus for director/actor James Franco. He tackles the strange and mysterious aura of Wiseau with immaculate precision. You can sense his passion and commitment for the project, which should be fully appreciated, but Franco’s performance also suffers from his usual bouts with hyperbole, even when portraying someone as outrageous as Wiseau. In fact, there were a few moments throughout the film where I caught myself favoring James’ brother, Dave Franco’s, onscreen work over his own Golden Globe and SAG-nominated performance. And from a pure story standpoint, The Disaster Artist struggles to get off the ground running. You’re forced to wallow through a stale first act before they finally jack-up the energy with the behind-the-scenes filming of The Room. To the movie’s credit, however, it does improve with every passing minute and concludes in a truly satisfying fashion. The Disaster Artist isn’t nearly as funny as I had hoped, but it’s still a strong and respectful homage to an unskilled visionary who somehow managed to make cinematic history.

GRADE: 4/5

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The Room Part 1: Why I’ve Never Seen The Room (In Defense of the Rest of Bad Cinema)

by Saintmort

This weekend I saw The Disaster Artist and while I think it was a well made movie with good dramatic and comedic moments, it didn’t speak to me like it has for many others. It just felt like it wasn’t made for me which is weird because of my love of “So bad its good” cinema but not that weird since I’ve never seen The Room.

Yes, you read that correctly, I’ve never seen The Room. The man who hosts a podcast specifically about watching garbage films has never seen the so-called grand-daddy of them all. Many people find this shocking and to a certain extent I suppose I do too. Allow me to explain why I’ve avoided this film for over a decade.

The first big reason is because I’ve met & hung out with Tommy Wiseau on two different occasions. Neither time did I find him fun or charming. He struck me as an egotistical and cruel diva. This personality trait I believe they captured quite accurately in The Disaster Artist. The sheer fact that he is praised as an important cult figure has always rubbed me the wrong way because of these two interactions and for that reason I’ve always avoided the film.

I will say that it’s possible that I caught him on bad days. I have one friend who HATES Mick Foley because of a bad experience the only time he’d met him. Everyone else I’ve ever encountered who has met Foley has had nothing but kind words about him. So I’m open to the possibility it could be wrong place, wrong time. However if you can track down the episode of Geekscape from approximately 6 years ago you’ll see a lot of my issues.

The second reason is how I first really “saw” the movie. It was between my first and my second encounter with him. My friends showed me a very long (approximately 40 minute) episode of Nostalgia Critic about the movie. I’m not a fan of nostalgia critic, he seems like a good guy but his comedic style doesn’t really work for me. It’s basically the same reason I prefer the slightly less screamy We Hate Movies and Flop House podcast over How Did This Get Made. Angrily yelling everything doesn’t equal comedy for me.

Shortly after this, I would encounter someone (friend or stranger) quoting this movie at me damn near every week. It almost reminds me of how for a few years I just couldn’t watch Napoleon Dynamite because I had been overwhelmed with “your mom goes to college” and “numchuck skills” quotes.

Which leads into my final issue and really the main focus of this. There’s no way to say it without coming off like a hipster douchebag so I’ll just say it; It’s the most Mainstream version of “So Bad It’s Good”. It’s the Rocky Horror Picture Show of “It’s So Bad It’s Good”. It’s the Smells Like Teen Spirit of 90’s countdowns. It’s The Beatles. It’s all of those things.

That doesn’t make it a bad thing. I love all of those things. I adore the Beatles, Smells Like Teen Spirit is still a great song and Rocky Horror Picture Show is a blast. My problem is that So-Bad-It’s-Good films are a passion of mine. They’re something I adore, I love showing them to people, I love tracking them down and owning them.

Imagine if you encountered someone who exclusively listened to The Beatles, and only the Beatles, but claimed to be a music expert. Imagine someone who claimed to be a fan of Nirvana but only knew that single song. It’d be frustrating as hell.

The second we declare something “the best” anything; the search tends to end. The Room may be fantastic but is it the best? In a world full of Troll 2, Hard Ticket to Hawaii and Sleepaway Camp is it truly the best of the worst? That’s even just sticking with the more mainstream stuff. There’s some incredible and rarely talked about piece of cinema garbage.

Killer Workout has been one of my more recent loves. It’s a bafflingly film that’s more complex and confusing that necessary. There’s Nukie, the borderline unwatchable E.T. rip off. What about Invisible Maniac in which our titular character chucks someone to death with a hoagie (Something that has been a constant joke on the previously mentioned Flop House podcast) or The Guyver in which Jimmy Walker is grossly miscast as a rapping alien. The Uninvited … a film about a killer mutant cat puppet loose on a cruise ship is also a strong contender. Even this week on Shock Waves podcast the film The Evil Within was mentioned and sounds like a very promisingly terrible film. Don’t even get me started on Belly of the Beast starring Steven Seagal.

Don’t just be content with a poorly made drama from a mysterious and self-absorbed person. Explore what’s out there. Maybe instead of watching The Room for the 50th time, examine a film like S.I.C.K. (Serial Insane Clown Killer). And I? Well … I’ll stop bitching about a movie I’ve never seen and will finally watch it. This is just Part One. Tune in Next Week. I’ll be watching The Room for the first time and writing my thoughts.

Stay Tuned

James Franco To Direct A Film Based On The Making Of Tommy Wiseau’s ‘The Room’

by Derek Kraneveldt

Briefly: Here’s some interesting news for a slow, slow Saturday (aside from that cool Gotham casting anyways).

James Franco’s Rabbit Bandini production company has just picked up the film rights to The Disaster Artist: My Life Inside The Room, a book that digs deep into the production of what many consider the worst film of all-time, Tommy Wiseau’s The Room.

Here’s the synopsis for the book, which was written by actor Greg Sestero and journalist Tom Bissell:

Nineteen-year-old Greg Sestero met Tommy Wiseau at an acting school in San Francisco. Wiseau’s scenes were rivetingly wrong, yet Sestero, hypnotized by such uninhibited acting, thought, “I have to do a scene with this guy.” That impulse changed both of their lives. Wiseau seemed never to have read the rule book on interpersonal relationships (or the instruc­tions on a bottle of black hair dye), yet he generously offered to put the aspiring actor up in his LA apart­ment. Sestero’s nascent acting career first sizzled, then fizzled, resulting in Wiseau’s last-second offer to Sestero of costarring with him in The Room, a movie Wiseau wrote and planned to finance, produce, and direct—in the parking lot of a Hollywood equipment-rental shop.

 

Wiseau spent $6 million of his own money on his film, but despite the efforts of the disbelieving (and frequently fired) crew and embarrassed (and fre­quently fired) actors, the movie made no sense. Nevertheless Wiseau rented a Hollywood billboard featuring his alarming headshot and staged a red carpet premiere. The Room made $1800 at the box office and closed after two weeks. One reviewer said that watching The Room was like “getting stabbed in the head.”

 

The Disaster Artist is Greg Sestero’s laugh-out-loud funny account of how Tommy Wiseau defied every law of artistry, business, and friendship to make “the Citizen Kane of bad movies” (Entertainment Weekly), which is now an international phenomenon, with Wiseau himself beloved as an oddball celebrity. Written with award-winning journalist Tom Bissell, The Disaster Artist is an inspiring tour de force that reads like a page-turning novel, an open-hearted portrait of an enigmatic man who will improbably capture your heart.

 Franco has signed on to direct the film, and Seth Rogen and Evan Goldberg (who we’re recently in the news themselves for a long-awaited project) are set to produce?

Have you seen the film? Would you watch a movie about its creation? Sound out below!

http://youtu.be/yCj8sPCWfUw

Source: Deadline