Twenty years ago, the world lost Jim Henson. I was four years old at the time, but I remember learning about his death a few months later on the television special “The Muppets Celebrate Jim Henson.” While in college years later, I purchased a bootleg of the broadcast on eBay and it’s always been one of my most prized possessions.

Jim Henson has always been my biggest influence. While movies like Star Wars and Jaws made me want to make movies, and Kevin Smith showed me that it’s possible to make it with just a cheap camera and your friends, Jim Henson taught me that anything was possible. It’s hard to reflect on a person who I never met and who died before I was out of pre-school. I could use my assumptions and write about his importance and influence on the entertainment industry, but first I want to talk about his influence and importance to me.


I was born about a year before my parents were married. They didn’t have a place to live at the time so the first year-and-a-half was spent at my mom’s parent’s house. While she went to work, my grandfather would baby-sit me and had me watch Sesame Street and The Muppet Show reruns. I’ve always loved the Muppets. As far back as pre-school I remember watching many Sesame Street VHS tapes. I’d listen to songs like Ladybug Picnic, Alligator King and Telephone Rock roughly three times a day and wore through the VHS tapes to the point where they could no longer play.

Perhaps it was because of that first year of my life that I developed a very close relationship with my grandfather. Our family would have parties and while everyone was drinking and watching football, I’d hang out with my grandpop in his music room. We’d listen to old jazz records, he’d play his banjo, and we’d always watch either the Marx Brothers, Mel Brooks or Muppet films. The Muppets helped shape my concept of comedy and their influence is noticeable in multiple comedians and comedy writers ranging from comedy troupes like The State and Stephen Lynch to directors like Lloyd Kaufman and Kevin Smith. Comedian Chris Hardwick even referred to the Muppets as one of his two biggest influences on the twelfth episode of his podcast “The Nerdist” (The following episodes his guests WERE The Muppets).

I come from a family (at least on my mother’s side) where everyone is a musician. When we’d have parties, there were always different family members performing songs. But the show stopper was when my Uncle Tommy (who was an amateur stand-up comedian/impersonator) would get a Kermit the Frog puppet and sing Rainbow Connection while my grandfather played banjo. Still, somewhere around junior high I really stopped caring about Jim Henson and the Muppets. It wasn’t like I stopped liking them – I just never thought about them any more. It wasn’t until my grandfather’s death in 2001 when they reentered my mind. The day after his funeral, I turned on the TV and was greeted by Kermit the Frog singing Rainbow Connection in the opening credits of The Muppet Movie. I immediately broke down crying. This brutal moment had reopened a door into the world of Jim Henson for me.

Every person who’s ever worked with Henson says the same thing when they’re interviewed about him: He was friendly, funny and always coming up with new ideas. In a world where it feels like every movie is full of CGI and 3-D effects, we sometimes forget how wonderful the practical effects of the past were. While movies like Deep Blue Sea and the Star Wars prequels look cheesy and dated already, a movie like Labyrinth still shines with fantastical wonderment.

It’s easy for me to say that Jim Henson is the reason I write or direct or do comedy. What people forget are the other things that Henson inspired in us and taught us. He taught many of us how to read and write through his characters on Sesame Street (and his legacy has continued to educate long after his death). He taught us to love each other, to care about each other, to believe in ourselves and of the unlimited powers of our imagination. 

What always made things work for Henson was the way he depicted his characters. They were human – legit real creations – that were so much more than just pieces of felt and ping pong balls. When you watch the Muppet Show, you identify with these characters, be it the glamorous Miss Piggy, the misunderstood Gonzo, the stuggling artist Fozzie, the always relaxed Rowlf, or Kermit, who has the most daunting task of all the Muppets: struggling to keep everything together. I sincerely believe that everyone can be connected with a Muppet. But what made these characters so special and such an impact on generations of people young and old were the ways that they interacted with each other. They fought and they performed, but at the end of the day, they cared about each other. The Muppeteers were friends, and those friendships came through in the characters.  

There’s a song lyric that has always made me think of Henson. The lyric is from the song “Pure Imagination” from the 1973 film “Willie Wonka and the Chocolate Factory”: “If you want to view paradise/Simply look around and view it/Anything you want to do/Want to change the world, there’s nothing to it.” Jim Henson made the world believe that anything was possible. He created wonderfully elaborate worlds in his films. He made us all believe that as long as we believed in ourselves, we would succeed. He was the living example of following your dreams.  

Jim Henson started his career on public access television with Sam & Friends, a show that almost immediately oozed Jim’s trademark off-key brand of humor and introduced future classic characters like Kermit and Rowlf the Dog. While producing the show, Henson started to experiment with techniques that forever changed the way puppetry was performed on television. Until that point, it had always been a ventriloquist act, but Henson used monitors and raised sets in order to allow puppeteers to hold puppets over their heads and watch their performances on the screens. He made a living using the puppets to make commercials, appear on talk show appearances and even directed an award-winning short film called Time Piece. However it was when Joan Ganz Cooney and the team at the Children’s Television Workshop approached him about their educational show Sesame Street that Henson truly got to shine. 

It was there that Henson began to build a legacy with a new version of Kermit the Frog, in addition to Oscar the Grouch, Bert and Ernie, Cookie Monster and Big Bird – just to name a few.  Henson always downplayed his role in the success of the show, but Cooney frequently praised his work and the Public Broadcast Service called him “the spark that ignited our fledgling broadcast service.”

Henson worried that he’d be typecast as only a children’s entertainer and began producing a series of adult sketches for Saturday Night Live, but the writers were not fans. Michael O’Donoghue famously stated, “I don’t write for felt.” It was from there that the groundbreaking Muppet Show began to grow. American Networks mostly rejected the series, feeling that the Muppets could only appeal to children, but it was with the help of a media mogul named Lew Grade that the show got made. Like most great shows, it was a slow burn to its popularity. But in 1979, Henson made The Muppet Movie, which became the 61st highest-grossing movie of all time and made the song Rainbow Connection a radio hit as well as the song most attributed to the Muppets.

The fame didn’t hold up forever, however. After the box office failure of Labyrinth and the low ratings for his television shows The Storyteller and The Jim Henson Hour, Henson began negotiations to sell the company to the Walt Disney Company to save the Muppets and give him more time on the creative side of show. Less than a year later, Henson began feeling flu-like symptoms and started feeling sick and constantly tired. Early on May 15, 1990, he was having trouble breathing and began coughing up blood. His ex-wife Jane Henson was by his side and she claimed in an interview with People Magazine that Jim thought he may be dying but didn’t want to bother going to the hospital. Jane said this was likely due to his desire to “not be a bother to people.” The following day, Henson died of pneumonia.

Someone recently put the entire funeral service on YouTube. While this might be a morbid thing, it’s an incredibly touching memorial filled with Dixieland music, singing, laughing and personal stories of favorite moments with Jim. There’s this constant struggle between great sadness and intense happiness for a great man who most of us never met. Many of the comments expressed a feeling of sorrow, as if they lost a close friend and not just a random celebrity. I completely identify with those sentiments, as there has never been another celebrity whose death has left such a feeling of emptiness inside me like Jim Henson’s passing.

In the last few months, I’ve been working on an EP planned for a July 20th release titled Musicians Celebrate Jim Henson, and one of the most impressive and inspiring things about this project for me has been the outpouring of love and respect that Jim Henson still has today. This is just one person’s opinion on a great man. If you grew up on Sesame Street or Muppet Babies, if you learned how to play drums from watching Animal, if as far as you’re concerned the only true Christmas special out there is when the Muppets visit Fozzie’s grandmother, then please use the Geekscape comments and share your fondest memories of this man. And especially remember how his great influence is still significant 20 years after his death. 

The following clip is from the 1990 TV special Muppets Celebrate Jim Henson. This clips sums up the man far better than I, or anyone else, could.

 

Super-Size Me director Morgan Spurlock is supposedly teaming-up with writer/director Joss Whedon (Every show you’ve ever loved. And Dollhouse) for a documentary about San Diego Comic-Con and fanboy culture. Sources tell E! that Spurlock and Whedon are currently searching for three super geeks to follow around at this year’s Comic-Con, and the three months leading up to the mega-geek convention. No more information has been revealed at this time. Spurlock was at Comic-con last year interviewing people for the Simpsons 20th anniversary fan documentary The Simpsons 20th Anniversary Special: In 3-D! On Ice!

Via BBC News:

Filming of US television show 24 has been suspended so that its star and executive producer, Kiefer Sutherland, can undergo surgery. Twentieth Century Fox Television would not give details about the type of surgery involved, referring to it only as a “medical procedure”, but reports on other sites say the surgery was to fix a ruptured cyst, near one of the stars Kidneys.

Shooting is expected to resume again next week when Sutherland returns. Fox said the filming delay should not affect the on-air schedule of the show, which is now in its eighth series.

Tim Robbins (The Shawshank Redemption, Mystic River, The Player) has been cast in Martin Campbell’s big screen adaptation of the DC Comics superhero Green Lantern.

According to Heat Vision, Robbins will play Senator Hammond, a former astronaut and the disapproving father of the movie’s villain, Dr. Hector Hammond (played by Peter Sarsgaard). The doctor comes in contact with a meteor and becomes infused with psychic powers, genius level intellect, and telekinetic abilities. As far as I can tell, Robbins’ character was not featured in the comic series, and is a creation for the film adaptation.

The rest of the announced cast thus far includes Ryan Reynolds as the title character, Green Lantern, and Blake Lively as his love interest, Carol Ferris. Green Lantern is set to begin shooting in New Orleans this March, with the film scheduled to hi theaters on June 17th 2011.

So this is 2011… so far I’m unimpressed and I’d hate to say it but… the DVD releases this month aren’t doing much to change my lack of thrillment (yeah I just made that word up; call me up Webster). It’s going to be a short run down this month so let’s just treat it like a band-aid and just rip it off quickly as possible.

Kicking it off in Blu-Ray January 4th, and we have a variety of films ranging from the great action/westerns Once Upon a Time in Mexico and the Double Feature disc of El Marachi and Desperado, the mediocre with Coraline (3-D edition) to the shameful Ishtar, which at $18 on amazon must be desperately attempting to get back some of the $55 Million budget that it failed to make back the last 23 years. For me though The pick of the Week is only available on DVD and that would be the Complete Series of Rocky & Bullwinkle. While most of the jokes are cheesy and miss more often than hit; this cartoon set the template for the future of “adult humor in Children cartoons”.

January 11th the surf-documentary Endless Summer comes to Blu-Ray alongside cinematic masterpieces like Once Upon a Time in America and Raging Bull as well as everyone’s favorite White-Guilt movie (NO -not Avatar) Dances with Wolves. Sadly I’m not going to call any of these my pick of the week, instead I’m going to recommend picking up Piranha 3-D one of the most underappreciated films of 2010.

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After a lackluster week, get ready to spend some heavy cash on January 18th when we get a DVD and Blu-Ray release of the direct-to-DVD Death Race 2. Okay… well… maybe we won’t be getting that, but fans of weird cult movies and TV shows will be excited because I have 3 Picks this week. There’s the Roger Corman Sci-Fi Triple Feature which contains not only War of the Satellites and Not of this Earth but one of the greatest bad movies ever made Attack of the Crab Monsters. Beyond that H.R. PufNStuf and Hey Vern, It’s Ernest are both getting a DVD release (and we’re talking the complete series here).

Finally to close out the Month; Open Season 3 (groan) and Broadcast News (shrug) will be released on Blu-Ray/DVD on January 25th. Meanwhile on Blu-Ray we get The Color Purple, A Beautiful Mind and Malcolm X (you know if you want to have a “pick-me-up film festival”) however my pick of the week is Eternal Sunshine of the Spotless Mind, the best film of Jim Carrey, Michael Gondry, and Charlie Kaufman’s career.

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All that I can say at this point is… better luck next month?

Not more than a year ago I worked at a small mom and pop video store. Being that we were small and not corporate we really had no customers. However, despite our lack of visitors, we always worked in pairs of two. I assume that this was to keep us from stealing but it actually lead to working as a team. Still, when we weren’t slightly ripping off mom and pop (go netflix!) we’d discuss films (yes working at a video store is actually surprisingly a lot like the movie Clerks).

One day I was defending the right of Harold and Kumar Go to White Castle with the biggest movie snob at the store. He referred to the film as “just another stoner comedy that is a little more than mediocre”. I began to discuss with him how the movie is clearly a satire on the way racism still exists in our every day society. This is when Kevin the Movie snob told me I was “reading into the movie way too much”.

Four years later here comes the long awaited sequel Harold and Kumar Escape from Guantanamo Bay and if the first one didn’t make you see the satire, this time they make it too obvious. The question I’ve heard the most is “Do you need to see the first one to like this?” and the answer is “yes, yes you do”.

The film begins right where the last one ended. Harold and Kumar are packing and getting prepared for their trip to Amsterdam so that Harold can see his new girlfriend Maria. They get to the airport and Kumar runs into his long lost love and her fiancé. As soon as they arrive at the airport the true message behind this movie begins (take that shit, Kevin, you snobby  ass fuck). Before the plane takes off Kumar is viewed as a Taliban member in the eyes of an older woman. At this point she keeps her fear quiet but once Kumar’s homemade bong is mistaken for a chemical bomb the movie really begins.

If you haven’t seen the original movie, you should stop reading this review and go rent, buy, get a job at a video store or steal it. If you have seen it and you enjoyed it I’m sure you know that the movie was designed to be very random and strange. I was worried that this sequel was going to be literally them trying to escape from Guantanamo Bay. And while Gene Wilder and Richard Pryor made for an entertaining 90 minutes on the jailbreak plot; John Cho and Kal Penn aren’t Richard Pryor and Gene Wilder. Thankfully they’re in Guantanamo Bay for all of five minutes and then they are off trying to clear their names while a crazy Government agent (played by Rob Cordry) is trying to make them an example of America’s war on Terrorism.

Once again Neil Patrick Harris returns and once again he steals the movie. In the four years between the original and this sequel Harris came out of the closet. This makes his character all the more entertaining (with all the snorting coke off of stripper’s nipples and fucking random hookers) because it’s even more obvious that he’s not playing himself as much as a parody of every child star gone wrong (a Corey milkshake if you will).

So is the movie any good? That’s a tough question to answer. It’s funny. It’s got an interesting underlying message. You will be entertained. But in the end you just won’t feel fulfilled. It seems like the last five minutes could have gone just a little longer to bring more of a closure. Does this mean I want another Harold and Kumar movie? I’m not sure. My instinct is to say no. However, Jon Hurwitz and Hayden Scholossberg have both created such likeable characters (with the help of Kal Penn and John Cho’s charisma and chemistry) that you do want to see more of them.

Are Harold and Kumar America’s new Wayne and Garth, Bill and Ted or Jay and Silent Bob (you forgot Beavis and Butthead –Ed.)? No, they are not. Both of these characters, while being stoners, are very intelligent people who have good hearts and basically just want to be treated as equals. The movie is constantly pointing out American’s racism and even has a political agenda, which is never pushed to its full potentional.

The problem is that the film is always quickly closing the door on its own satire in lieu of gross out jokes and potty humor. This is the first film I’ve ever thought to myself “What exactly does a film need to do to get an NC-17?” Within the first 20 minutes you see Kumar climax on his own face, see a very tiny penis hidden in a rainforest of pubic hair and more Vagina then a skinamax late night soft-core porno. Don’t get me wrong. It’s all funny and entertaining. But at the same time this takes away from the interesting message the film tries to send.

Every once and a while you’ll be watching a teen flick and go… damn… that kid is so bad ass… I want to grow up to be him (this is of course when you’re 30 and slightly idolizing a “supposed” 17 year old kid). Now everyone says Ferris Bueller or Spicoli but let’s face it: they weren’t all that bad-ass (just lazy).

THESE TEENS WERE BAD ASS:

10. Mark “Hard Harry” Hunter (Christian Slater) – Pump Up the Volume

Has anyone ever watched this movie and NOT wanted to start a pirate radio station? Mark Hunter has it all… unreleased Beastie Boys tracks, thousands of fans and Samantha Mathis willing to take her shirt off for no apparent reason at all. He also taught us to “Eat your cereal with a fork and do your homework in the dark”. That lesson alone got me through freshman year of college.

9. Max Fisher (Jason Schwartzman) – Rushmore
Max Fisher isn’t a bad ass by normal standers but you can’t deny that putting on a play with explosions is pretty badass. Not to mention that he starts building an aquarium on school grounds without any permission from administrators as well as knows a guy who can get you piranhas.

8. Ruper ‘Stiles’ Stilinski (Jerry Levine) – Teen Wolf
There’s nothing like a party animal that can help you go from a typical nerd to a full blown marketing image. Wolf Mania blew up and it’s because of Stiles campaigning with “Wolf Out” t-shirts and allowing Marty McFly… I mean… Scott Howard to surf on the roof of his van all over town. And exactly “what ARE you looking at, dick nose?”

7. Dudley “Booger” Dawson (Curtis Armstrong) – Revenge of the Nerds

Okay. So with a nickname like Booger it’s easy to assume that he’s a nerd, but damn it if he’s not the coolest nerd ever. Furthermore… I never really understood why he was one of the nerds but I’m glad he was. He busts out mega joints to light up a party. He wins burping contests and he loves Pi. A major part of being “bad ass” is not giving a F*@% and Booger exemplifies this in spades.

6. Patrick Verona (Heath Ledger) – 10 Things I Hate About You
He’s a romancer. He’s slick. He’s got a sexy accent and allegedly a duck (everything but the feet and beak). Ladies in bands want to date him because after every fight he buys you an instrument and he’ll sneak out of detention just to play paintball. You try making Shakespeare this bad ass and see how far you get. Even DiCaprio came off looking like a whiny bitch and he was in The Beach screaming for 2 hours.

5. John Bender (Judd Nelson) – The Breakfast Club
This list just got real real, mofos. Can anyone even attempt to pretend that John Bender wasn’t the coolest kid ever? There’s two types of kids who go to detention: people who are complete idiots that piss you off and those who are so amazingly bad ass that it was the only way to keep them down. Plus Bart Simpson would be catch-phraseless without John Bender’s “Eat My Shorts” sequence. This bad ass dared to mess with the bull and get the horns.

4. Joel Goodsen (Tom Cruise) – Risky Business
it’s not often a high school kid gets to build a brothel in his own living room, but Joel Goodsen did it and on top of that got to bone Rebecca De Mornay so yeah, he’s sort of a personal hero of mine. There’s absolutely nothing more bad ass than boning a hot Coug before you hit 20.

3. Jim Stark (James Dean) – Rebel Without a Cause
James Dean planted the flag early on what it meant to be a bad ass teen. Jim Stark was a teen that every women wearing figure-restrictive undergarments wanted to be with and every dude wanted to be. And you couldn’t beat him. Just ask Buzz… who’s attempt at wearing a bad ass jacket cost him his life. Oh, and if you want to be his little boy toy, man-friend you don’t end up so well either.

2. Jason “J.D.” Dean (Christina Slater) – Heathers
Now I don’t support murder at all… and after Columbine it pretty much guranteed there will never be another movie like Heathers that made this kind of behavior “bad ass”. Still… do you know anyone who was able to kill all the assholes at their school and make it seem like suicide? Nope… only a true bad ass can use a corn nut to kill.

1. Rudy (Ryan Lambert) – The Monster Squad
What did you expect? He strikes a match for his smoke on his Keds. He bullies the bullies. He peeping toms on your hot sister and he nails vampire chicks with wooden stakes. Rudy even taught that fat putz Horace how to stand up and be bad ass. If you haven’t learned this valuable life lession yet… I will allow this video clip from Geekscape Episode 10: Geekscape X-treme to do the speaking for me:
http://www.youtube.com/watch?v=hckgneUr10

Now don’t you want to go back to High School and try that again?