Briefly: With just a few weeks to go until Maze Runner: The Scorch Trials hits theatres, Fox has debuted a short new trailer for the film that features a few exciting pieces of new footage.

Now, I’ve never read the series of novels by James Dashner, so I have no clue what to expect next month. All that I know is that I thoroughly enjoyed The Maze Runner, and I cannot wait to see what Thomas and the Gladers get up to next.

Take a look at the trailer below, and let us know what you think! Maze Runner: The Scorch Trials hits theatres on September 18th!

In this next chapter of the epic “Maze Runner” saga, Thomas (Dylan O’Brien) and his fellow Gladers face their greatest challenge yet: searching for clues about the mysterious and powerful organization known as WCKD. Their journey takes them to the Scorch, a desolate landscape filled with unimaginable obstacles. Teaming up with resistance fighters, the Gladers take on WCKD’s vastly superior forces and uncover its shocking plans for them all.

Frank Portman has been a big influence on me for over half my life. From his days as the songwriter and front man for the popular rock group The Mr. T Experience to his current work as an author, Frank’s writing has played a big role in how I see and reinterpret the world in my own storytelling. Obviously, I jump at the chance to talk writing with him any chance I get and in this special bonus episode we catch up to talk about his new book ‘King Dork Approximately’, the demise and resurgence of his rock band The Mr. T Experience and the herculean task of creating stories from a personal place that resonate with a larger audience. If you’re a writer or creative of any form I think you’ll love this episode!

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This year’s closing night feature at the 22nd annual Philadelphia Film Festival was Jason Reitman’s upcoming drama, Labor Day. While the selection felt a bit puzzling from the onset, I still managed to arouse some excitement for an ultra-early screening of the Christmas Day release. But despite having Academy Award Winner Kate Winslet in a starring role and Oscar-regular Jason Reitman set to direct, Labor Day is a hapless reminder that Christmas won’t be coming early this year.

Adele (Kate Winslet) is the depressed and divorced mother of her teenage son Henry. When they venture out to the grocery store to make some routine purchases, a recently escaped and wounded criminal named Frank (Josh Brolin) bullies them into harboring him for the night. Yet, what’s only intended to be a short term disruption, turns into an unexpected set of circumstances that extend throughout the entire Labor Day weekend.

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Jason Reitman’s Labor Day is a grossly dramatic affair that falls victim to an unlikely and inordinate collection of situations. Nothing about the feature makes any logical sense. Brolin stars as an escaped convict on the run who decides to spend his newly found freedom fixing cars and cleaning gutters in the middle of the day while a community-wide manhunt is under way. Although Kate Winslet and Brolin try their best to mask Reitman’s glaring onscreen absurdities with a pair of heartwarming performances, the baffling situations that arise time and time again make their efforts a lost cause. And at the end of the day, Labor Day is an imposing piece of fluff that never resonates or holds much weight.

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For all of its weaknesses, none of the blame deserves to be placed on Reitman’s fine set of cast members. Winslet and Brolin are beyond serviceable in their leading roles and additional praise should be given for youngster Gattlin Griffith’s admirable performance. Griffith truly captures the essence of a bashful and lonesome teenager struggling with his entry into adulthood and understanding of the world around him. However, outside of Reitman’s cast, the director’s latest attempt is completely off the mark. Whether it’s the hokey usage of flashbacks in the story or the off kilter manner in which the sequence of events unfold, nothing about Labor Day feels natural.

With expectations of history repeating itself, many anticipated that Labor Day would mark a triumphant return to the heart of the awards season debate for Jason Reitman. But to the contrary, elements of charm and charismatic humor that reigned prevalent in the director’s past work are nowhere to be found. As a big fan of Up in the AirJuno and even the under-seen and under-appreciated Young Adult, Reitman strays from the norm and appears extremely lost. With the success of his previous films, Reitman clearly has discovered his niche. Let’s just hope he returns there sooner rather than later.

GRADE: 2.5/5

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I’ve updated below with larger comments from both Gary Ross and Lionsgate about Gary Ross’ departure!

According to Variety, “Hunger Games” director Gary Ross, has decided that he won’t be directing the sequel “Catching Fire”, scheduled to shoot this Fall.

“As a writer and a director, I simply don’t have the time I need to write and prep the movie I would have wanted to make because of the fixed and tight production schedule,” he said in a statement released Tuesday evening.

I hadn’t read any of the Hunger Games books but I did enjoy the movie. It definitely had some scenes where you wanted to yell at the characters but you know what? WHAT WOULD YOU DO IN THE HUNGER GAMES, HUH!?! You’d be dead in 2 seconds so don’t be talkin’!

Here are Ross’ full statements:

Despite recent speculation in the media, and after difficult but sincere consideration, I have decided not to direct Catching Fire. As a writer and a director, I simply don’t have the time I need to write and prep the movie I would have wanted to make because of the fixed and tight production schedule.

I loved making The Hunger Games – it was the happiest experience of my professional life. Lionsgate was supportive of me in a manner that few directors ever experience in a franchise: they empowered me to make the film I wanted to make and backed the movie in a way that requires no explanation beyond the remarkable results. And contrary to what has been reported, negotiations with Lionsgate have not been problematic. They have also been very understanding of me through this difficult decision.

I also cannot say enough about the people I worked with: Producer Nina Jacobson, a great collaborator and a true friend; the brilliant Suzanne Collins, who entrusted us with her most amazing and important story; the gifted and remarkable Jennifer Lawrence whose performance exceeded my wildest expectations, and the rest of the incredible cast, whom I am proud to call my friends.

To the fans I want to say thank you for your support your faith, your enthusiasm and your trust. Hard as this may be to understand I am trying to keep that trust with you. Thank you all. It’s been a wonderful experience.

And here’s what Lionsgate had to say:

We’re very sorry that Gary Ross has chosen not to direct Catching Fire. We were really looking forward to making the movie with him. He did an incredible job on the first film and we are grateful for his work. This will not be the end of our relationship, as we consider Ross to be part of the Lionsgate family and look forward to working with him in the future.

They sound a little disappointed. That being said… who do you think would make a good director to take on the “Hunger Games” sequel?