In Rachel McAdams’ own words to the L.A. Times, “it’s still super-early days, and I don’t know where that’s gonna go, if it’s gonna go anywhere at all,” but word that she’s considering taking a leading role across from Benedict Cumberbatch—in the title role—of Marvel’s upcoming Doctor Strange is very exciting news. McAdams reliably turns in strong performances in romance (The Notebook), comedy (Mean Girls), action (Guy Ritchie’s Sherlock Holmes) and is lately proving her dramatic chops with True Detective. (Check out Geekscape’s coverage of True Detective here.)

Honestly—hopefully, without spoiling anything—I’ll admit that I was most into the Sherlock Holmes films when she was most on screen and part of the storyline. Hearing others in Hollywood tell it, McAdams already seems a sort of ethereal presence in Tinseltown—preferring to stick closer to her Canadian roots rather than getting lost in the glitz and glamour—which could naturally bring just the right energy to Doctor Strange.

Credit: Andrew Robinson
Credit: Andrew Robinson

If she ends up with the, as of yet unnamed, role in Strange, she’ll be joining Tilda Swinton and Chiwetel Ejiofor as well as Cumberbatch in the Scott Derrickson (writer/director of Sinister and Deliver Us from Evil) directed adaptation. I’m not sure if Derrickson’s resume gives me enough to get a bead on how he’ll handle the Strange film but I did sorta appreciate some of the choices he made directing the 2008 remake, The Day the Earth Stood Still. Overall, that film got a pretty cold reception and only almost made its budget back in stateside box-office receipts—but I doubted any update would ever be able to fill the big shoes of the original in the first place and did my best to remain open to it from there. I’m curious to see what Derrickson will do with Doctor Strange—want to give him a shot—but mostly I’m worried. I really want to see Strange a success—especially with the cast being assembled!—and I’ve got my fingers crossed.

As far as which role McAdams may be considering, at this time we can only speculate. So I will!—I’m speculating it’s Clea. I mean, who else? The Sorceress Supreme of the Dark Dimension—she and Doctor Strange are practically a package deal—it makes sense to me. McAdams has that kiss of otherworldly beauty; all she needs is the white hair. Depending on what sort of origin story is told, if Strange is already sort of established from the beginning, the film could be the story of meeting Clea and facing off together against Dormammu! We could then extrapolate that Swinton may be Umar and Ejiofor may be Dormammu, yeah?

Let’s hope there’s a bit less speculation and a whole lot more details soon!

Only Lovers Left Alive

Written and Directed by Jim Jarmusch

Cast: Tom Hiddleston, Tilda Swinton, Mia Wasikowska, John Hurt, Anton Yelchin, Jeffrey Wright

Just when you thought that vampires have already been shown and re-imagined in every which way in modern cinema, along comes Only Lovers Left Alive.

In his calm, slow story telling style, Jarmusch presents the “other” vampires. Those not engaged in internal conflicts but those savoring every bit of art and culture available. Those, whose only luggage is books. And those, who have perhaps initiated or contributed to the best works of art across centuries. We, mere mortals are the “zombies” from their point of view. Contaminating ourselves, our planet and discarding and discounting so many profound scientific discoveries. Having been alive for centuries what cheekily named Adam and Eve find sexy is knowledge, science, music, literature and art, and not at all looks or vanity. It is a refreshing look on a less glamorous version of potentially eternal life. Life filled with borderline hoarding, seclusion, and depression. Set against the decimation of Detroit and Tangier, Morocco the lonely unglamorous tone for this type of subject matter is a pleasant surprise. Some of the story plots are indeed predictable but the unique details that Jarmusch showcases in the life of the main characters are enough to make up for the predictable turns.

Mia Wasikowska does a great job of keeping her character of a train-wreck of a sister likeable all the way through. The performances of Anton Yelchin, John Hurt, and Jeffrey Wright are spot on. Hiddleston and Swinton are perfect in their parts and importantly make their plights as vampires seem quite plausible. They are engaging to watch and add much nuance to their characters.

This film however, is not for everyone. If you appreciate the sort of quiet, slow moviemaking that represents much of Jarmusch’s work you are bound to love this. For the rest, there may be a moment where your mind begins to wonder. Due to its contained storyline and small cast it’s the talent of the lovely handful of actors that carries this film.

Final Score: 3 out of 5

Ironically, since its debut at the Cannes Festival in France last year, We Need to Talk About Kevin has been the film everyone’s talking about. In retrospect, director Lynne Ramsay’s 9 year hiatus seems perfectly calculated, much like the actions of the movie’s title character Kevin. The film, which is based on a 2003 novel of the same name, has officially been in the works since 2005. Sometimes, good things are worth the wait.

We Need to Talk About Kevin follows Eva (played by Swinton), the mother of a teenage boy who executes a brutal massacre at his suburban high school. From a very early age, Eva senses something distinctly off with her first born child Kevin (played by Miller). As the years pass, Kevin’s actions become more and more destructive. Eva tries to confide in her husband Franklin (played by Reilly), yet he wants no part of it. “He’s a sweet boy” replies Franklin. Therefore, knowing she never did enough to prevent this horrific killing spree from happening, Eva spends every waking day bearing responsibility for the tragedy.

Academy Award winner Tilda Swinton leads a phenomenal cast in one of the year’s most explosive films. The actress is spot on in her role as an emotionally drained mother coping with a tremendous amount of grief and regret. The beauty behind We Need to Talk About Kevin rests in the psychology of its lead character Eva. As Swinton demonstrates perfectly, Eva’s guilt stems from two different places. First, she feels responsible for not stopping the monster she has seen brewing inside of Kevin since he was a child. Also, Eva sees far too much of herself in her son. All of her darkest qualities are brought out by Kevin and, as a result, she welcomes the abuse delivered by her community after the tragic events transpire. Such a brutally honest portrayal should have landed Swinton a Best Actress nomination at the Oscars, however, her exclusion from the ceremony was unforgivable. In addition to Swinton, Ezra Miller gives a fantastic performance as Kevin. Miller is remarkable in his role as a cold and cynical teenager. He takes command of every scene and it culminates in a spine chilling experience. Hence, We Need to Talk About Kevin succeeds, in large part, because of its amazing cast.

Lynne Ramsay does a spectacular job of masterminding an intense psychological thriller. The film creates an obsession for the audience, a desperate desire to know why Kevin has done what he’s done. All of this intrigue makes for a thought provoking movie experience. In a clever fashion, Ramsay gives enough scattered pieces of the puzzle to allow the viewer to put it all together. We Need to Talk About Kevin is wonderfully crafted and brilliantly executed. Therefore, it’s hands down one of the best films of the year.

As always, there will be a few naysayers and skeptics. Many will argue that the actions exemplified in Kevin’s early years are unrealistic and unbelievable. The young boy illustrates a stunning amount of understanding throughout his childhood. To me, however, this only strengthens the story and solidifies its authenticity. You should never take for granted the intelligence of children. And although the film progresses slowly, We Need to Talk About Kevin constantly builds in intensity and you’ll never want to peel your eyes from the screen.

Finally reaching cities across the United States in a limited release, We Need to Talk About Kevin‘s theatrical release schedule can be seen here. Now that the film is available in most cities from coast to coast, it’s a must see. And even though the movie revolves around a high school massacre, much of the violence is left to the imagination. Therefore, no excuse is good enough to miss this film.

Stars: 3 and a half stars out of 4

Grade: A-

When MCDave can’t be found on Geekscape, he’s probably doing damage at Movie Reviews By Dave