We love Giant Robots and Kaiju monsters! Even more, we love talking about them! And this past weekend, at Los Angeles Comic Con, Geekscape hosted a panel talking all about these larger than life passions of ours! Couldn’t make it? All good! Now you can listen in to a panel of expert pros and fans alike as we talk some serious deep cuts! From Voltron to Godzilla to Pacific Rim… and including all of the really obscure and hard to find movies, comics, TV shows and art inbetween, we hope you enjoy this dive into Kaiju VS Giant Robots!

Subscribe to Geekscape on iTunes!

Follow Jonathan on Twitter and Instagram!

Join the Geekscape Forever Facebook Group!

Visit Geekscape.net for more Geekscape goodness!

It is the last Loot Anime crate of 2016 and they did a fantastic job of closing out the year on a high note.

The theme this time around is “Galaxy,” with items from Sailor MoonCowboy BebopRevoltech, and Space Patrol Luluco. Join me as we unbox this month’s goodies!

\

I liked the poster art for this month. Drawn by Finni Chang, it was very pretty and the color scheme was somewhat soothing. As always, the poster’s backside detailed what was included this month. I noted that, unlike every other month since I have been doing these unboxings, there was no manga in the shipment this time.

Another flyer was also packed into the crate. This one advertised Sailor Moon R THE MOVIE‘s limited engagement in U.S. movie theaters in January. Don’t mind the black ink smudge on the logo in the second image; that is my fault.

Tying in with the Sailor Moon movie ad was this bottle opener shaped like the magical girl’s Moon Stick. It is a nice bottle opener and all but I feel like they could have done some other item and had it fit the series better. It feels heavy duty so I trust it would work on actually opening bottles. Too bad I will probably get any use out of it.

The coolest item was the plush of Ein from Cowboy Bebop. The corgi pup is relatively big, about the length of the box if measured from nose to tail. And it is so soft! Definitely a pleasant surprise!

This super-pretty keychain is the “aflutter jewel” from Space Patrol Luluco. It has some decent heft to it. All the same, I would be concerned about the shooting star portion chipping during regular use because it is a little thinner there. It might make a cool sun-catcher, though.

The only item I was kind of “meh” about was the Robotech LED lamp. It is a neat idea but feels a tad flimsy and relies on you providing your own usb charger. The item is exclusive to Loot Anime.

In this month’s phone charm, Loot Anime mascot Yume is shown in a space suit literally reaching for the stars. I liked the addition of glitter to the charm’s finish. It fits the feel and look of the art well.

To sum up, I straight-up loved this month’s crate. The series represented fit the “Galaxy” theme perfectly and the majority of the items were winners. A perfect way to round out a year of anime loot!

If this unboxing has you interested in subscribing, you can get some money off of your first Crate either by following this link or entering “Geekscape” into the promo code area upon checkout.

James Wan has been given Aquaman and Robotech. Oh boy.

Could James Wan actually change what we think about big genre movies? Maybe, maybe not. But he might change how we think about Aquaman and giant robots in pop culture.

Before Mad Max introduced the world to wild stunts on cars and badass women, Furious 7 showed the world wild stunts on cars and badass women. James Wan’s direction of the film elevated what would have been another typical Hollywood movie into a master class in precise, action filmmaking. It was a boy genius being given a fully-equipped lab to go nuts.

This is what makes James Wan an excellent choice to helm these projects. For starters, I’m already stoked about Aquaman because the casting directors made the smartest move in the history of comic book casting: Jason Mamoa. Besides being an actual savage, Mamoa is a proud Pacific Islander. What other cultures are so attached to the ocean than they? This is why people made fun of Aquaman: He looked like a rich preppy guy from Connecticut that had one trip to the Caribbean and suddenly thinks he’s cultured. Tapping into the Greek roots of Atlantis just couldn’t work in the modern eye.

But Wan had nothing to do with that. It’s just one reason to pay attention to Aquaman, because let’s acknowledge it: It’s the toughest superhero movie Warner Bros. has to make. Aquaman has had the worst PR team while somehow a psychopath in a bat costume is world-renowned. But under Wan’s eye, Aquaman might single-handedly change the paradigm.

Just try to imagine what an ocean dweller who could summon sharks and whales could look like if it was directed like this:

I’m glad Warner Bros. acknowledges this, and they’ve made two of the smartest decisions they could ever make. While the Justice League movie is awkwardly coming together, at least there’s Aquaman to look forward to.

Then there’s Robotech.

There’s the obvious out of the way: It’s vehicular warfare. Recruiting a director who just sold the world on cars going boom is a no-brainer.

But remember, this isn’t just any director of the Fast series. It’s Wan. This is the guy who masterfully showed off a car jumping in between Abu Dhabi. If Wan can bring that sensibility into a scale as big as Robotech, it could actually change what we think about giant robot movies. I’m sick of people always bringing up Transformers as you are — it’s because of that narrative that people domestically didn’t really dig the modern masterpiece Pacific Rim.

Not to ride Wan’s dick too much, but I’m a legitimate fan of his vision and his helming over Aquaman and Robotech could be actual paradigm shifters in pop culture. We may no longer scoff at Aquaman or think giant robots are dumb movies.

We might actually think they’re pretty cool.

Everyone loves Godzilla, Power Rangers, Ultra-Man, Rodan, Kamen Rider and Giant Robots! And recently, Hollywood has gotten in on the act with Kaiju and Giant Robot films like Pacific Rim and next summer’s Godzilla film. Are these Japanese mainstays the next big thing in American pop-culture (or is it just another Hollywood trend)? I’m joined by working Hollywood professionals like F.J. DeSanto (Cyborg 009), Tommy Yune (Robotech), George Krstic (Star Wars: The Clone Wars) and Gregory Snegoff (Robotech) for an in-depth discussion on the past, present, future and Americanization of Kaiju and Japanese Men in Suit properties. These properties have long since taken over Japan. Are we next!?!

Subscribe to the Geekscape podcast on iTunes!

And listen to the full conversation here:

Warner Bros. has tapped commercial director Nic Mathieu to direct their upcoming live action adaptation of the mecha-centered Japanese series Robotech. The modern approach the 80’s series, which is being produced by Akiva Goldsman and Tobey Maquire, has been in production for quite some time. Ever since 2007 to be specific. There’s been quite a few writers that have worked on the screenplay for the adaptation of the series but this is the first time a director has been attached.

 

robotech_valkyrie

 

The series is described as follows:

 

Robotech takes place at a time when Earth has developed giant robots from the technology on an alien spacecraft that crashed on a South Pacific island. Mankind is forced to use the technology to fend off three successive waves of alien invasions. The first invasion concerns a battle with a race of giant warriors who seek to retrieve their flagship’s energy source known as “protoculture,” and the planet’s survival ends up in the hands of two young pilots.

 

No release date or other details have been revealed.

 

Source: THR