“You’re invited to the most disturbing dinner party of the year. Based on a shocking true story, two men meet online and make a unique arrangement: one will kill, cook, and eat the other. Taste imagines their first and only meeting, told in real time, in a working kitchen”.

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I attended a performance of Taste knowing only as much as the statement above alludes to and I had a wickedly good time! If you are a fan of horror/the macabre or excellent theater, then you need to see Taste!

The story unfolds in real time over 90 minutes (no intermission). It starts off with fastidious Terry (played by Donal Thomas-Cappello) cooking and prepping his upscale city apartment for his guest. I loved that he actually cooked and the smell of onions added an extra dimension to the experience. Soon, nervous and awkward Vic (played by Chris L. McKenna) arrives and things are off to a rocky start. Vic does not care for the food Terry has been working on but both want to make this an evening they won’t forget.

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Terry pours a drink while Vic tries to help out in the kitchen
 
 

The set is exceptional and looks like it could be a set from a TV show. There is even a working faucet and stove! It felt like a real space that two actors inhabited and the staging worked out perfectly to show you just enough during the gory segments. There is one off stage room, the bathroom, but the actors are mostly on stage the whole time.

The acting was superb! Both gentlemen responded to each other and worked off each other’s energy. You could see the intimacy and the whole time you have a sense of voyeurism as you watch they two people try and connect. They are both so committed the whole time that you cannot look away, well, at least not until the cringe worthy parts.

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Just to give you a fair warning, this play is not for the squeamish. If you don’t mind gore or can at least stomach it, you will be fine. It is amazing that even though you know it is fake, everyone in the audience with me still cringed/groaned/gasped together. The special effects  are provided by Tony Doublin and the special makeup effects are by Gabe Bartalos. Combined with the staging, the effects make you believe the horror that is happening on stage.

Stuart Gordon directed and has brought out the best performance from his two actors. He is also known for directing Re-Animator and Re-Animator The Musical. Yes, there is blood, but not quite as much as the “splash zones” of Re-Animator The Musical. Taste was written by Benjamin Brand whose script is full of engaging dialogue. The conversations between Thomas-Capello and McKenna sound like everyday conversations, except for the whole cannibalism part (hopefully).

Taste is surprisingly funny. Most of the night is like an awkward date and the jokes that arise from those situations are fairly relatable. Even during one of the most shocking/bloody segments, there is still humor. If you want to see some intense theater, enjoy horror, and are able to laugh at gore, or if are just looking for something a little different, then you should go see Taste!

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Where: Sacred Fools Theater, 660 N. Heliotrope, Hollywood CA 90004
 
When: Now through May 17
 
Thursdays-Saturdays @ 8pm and Sundays @ 7pm
 

http://www.sacredfools.org/

Available and near North Hollywood this Wednesday (6/26)? Good. Here’s something for you to see: a special performance of Gam3rs!

Gam3rs a hilarious one man show about a guy stuck at his call center job, while he tries to lead an epic raid and is constantly interrupted by his coworker, boss and girlfriend; each conveyed entirely by his reactions (it is a one man show after all). Gam3rs is packed to capacity with nerd and geek pop culture references so everyone (especially readers of Geekscape) can relate to some part of it. Also, the show is still very amusing, even if you have never played a role playing game: we’ve all had that boss, that phone call with mom, or that conversation with a significant other that made the day that much more frustrating.

This performance will be put on by Brian Bielawski, the creator of the play, and it will be “shown to a limited number of guests to help raise funds for GAM3RS the Web Series! Please join us for this magical evening of wine, raffles, and lots of laughter. Our focus will be on the actor, as the majority of the set will already be in San Diego for the Fringe.”

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Seats are very limited, so please buy your tickets early for this one of a kind evening! Here’s where you’ll be headed:

                                             Wednesday June 26th, 8pm
                                              The SecretRoseTheatre
                                                 11246 Magnolia Blvd
                                                    NoHo Arts District
                                             North Hollywood, CA91601

For more from Gam3rs, head to http://www.gam3rsthewebsite.com/

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You may wonder what to expect when going to see a musical play based on a horror movie. Yes, there are jaunty tunes. Yes, there are dance numbers. And oh yes, there will be blood.

Re-Animator the Musical, re-opening for a limited engagement at the Hayworth Theatre in Los Angeles today before beginning its international tour, is a perfect adaptation. It is at once a completely faithful re-imagining of the 1985 cult classic and a brilliantly original stage production.

The reason for this smooth transition is probably due to multi-talented director Stuart Gordon. Not only did he co-write and direct the original film, but he also has a strong background in theatre, having founded Chicago’s legendary Organic Theatre Company over 40 years ago.

Gordon directs a brilliant roster, including the entire original cast reprising their roles from last summer’s premiere run. Chris L. McKenna and Rachel Avery give charming and poignant performances as corrupted couple Dan and Megan; Jesse Merlin is a hilariously creepy Dr. Hill; George Wendt is, as usual, adorable; the chorus members are somehow chameleonic and notable.

But the star here is Graham Skipper as the titular re-animator himself, Dr. Herbert West. It’s an uphill battle taking on a role immortalized by the irreplaceable Jeffrey Combs, but Skipper makes the character truly his own. Whether singing or staring quietly, Skipper’s West is delightfully egomaniacal, but also cuter and more likable than the film version.

Graham Skipper as Herbert West and Jesse Merlin as Dr. Hill

The songs are bouncy and fun, but you probably won’t hear a standout number that will survive past the production. The music is catchy but pretty much never ends, giving the impression of a 90-minute medley, and the lyrics are almost too seamlessly interwoven into the story for the audience to appreciate their cleverness the first time around.

Of course, one of the unique things about this particular musical is its horror aspect. Gordon has re-teamed with the special makeup effects crew of the original film to reproduce all the decapitation, evisceration, and exsanguination that horror buffs will expect. In fact, there is so much gore that the first three rows are designated as a “splash zone”, complete with complimentary ponchos.

It should be noted that the effects here are ingenious, but this isn’t movie magic; it’s closer to a circus act. The wonder is not in the production’s ability to hide the strings, but in their ability to walk the ropes. Being up close and personal, you will see exactly how an effect is achieved, and you will appreciate the results all the more for it.

If you’re a fan of horror or musical theatre, and you’re planning on being in Los Angeles in the next two months, you can’t pass up your chance to see Re-Animator The Musical. You can buy tickets at http://www.reanimatorthemusical.com/tickets.html, and as a special bonus to Geekscape readers- if you buy tickets for this opening weekend, use the discount code 008 for 50% off ticket prices!

Three days ago Google made a push to make it’s online store more like Apples. You may have noticed on your phone when you opened the marketplace you were greeted with a prompt to upgrade to Google Play. Like most, you probably just hit yes and moved on but what is really changing and what do these changes mean for you.

If we watch the hipster fueled marketing video we get the very basic understanding of what the Play change is. It centralizes and aggregates your “Google experience”. Instead of having your Google: Video, Market, Books, Apps and Music market places and accounts, you will access everything through your Play account.

Now the boffins over at Google have been pretty good with the apps and games on the Android platform. If you get a new device and log in with your account, all the stuff you bought and downloaded on the previous device will automatically start downloading right away, even the friggin backround is saved. So their big push to make the move to Play is to unify their Music and Movies market.

For the longest time the two sites were connected but still separate by having different features and access. Google music lets you upload a very LARGE collection of songs to their cloud service as it stands, and leading up to the Play name change were offering crazy cheap deals on songs an albums. On the Movie side, they offer rentals and purchases of films and television yadda yadda yadda more of the same.

The saving grace of the Android Marketplace was that it wasn’t Apple. It brought a compelling removal of the evil locked down monolith that the I-Devices brought, and that all changed when they moved to Play.

If you have an Android device that is rooted, like a good majority of people have (Cyanogen users being the most prevalent.) then you are kind of screwed. Any rentals or purchases on the Play Movies store on a rooted device will not play. They will take your money just fine but when it comes to actually consuming the content you paid money for you get a nice little warning

Well shit. Looks like in the sideways move to be more and less like Apple at the same time they’ve gone and fucked it all up. Couple that with certain Motorola devices telling Play that they are rooted when they are not Google inadvertently gave the middle finger to some of the most influential users on their devices. Geeks. Another prime example of being considered guilty before trial. All rooted users are evil pirates!

Then you have the NON-Geeks. The everyday users who bought a HTC phone from ATT when they updated their package or those who got a cheapy Android smartphone when they got upsold at Verizon. Those people have no idea what is going on.

Check out this collection of confused consumers.

Now I know what you’re thinking, those people are idiots. They are, they had to click “YES I AGREE TO THESE TERMS AND PLAY”, but these people are the ones who are most likely going to be using your market. When a Geek goes on the marketplace they usually are going there to get something specific, an app or game they were told about by another.

These consumers are easily swayed by commercials and blind marketing. The slightest problem with their Android and they will fly out and get an iPhone. Take my mother as a prime example. She had been complaining about issues with her Samsung Galaxy. Said she wants to get an iPhone 4 because it lets her “do the zoomy thing”. Holding her phone I showed her that the multi touch gesture she was thinking of also worked on her Galaxy she “Just didnt think of trying it”.

So…whats the end game for Play? The centralized content management has worked in the past with Apps and Music. If they can knock the bugs out of the rooted devices issue and figure out why Motorola hates them, then they should be “A+ Would Do Business With Again” status with geeks in a heart beat. The marketing issues will still be there. Doing a hard flip the switch on the unaware or people who are just click happy and agree to any TOS was horribly stupid. As in Microsoft BOB stupid.

I guess it’s a time will tell story. Will the features work themselves out? Will the advent of centralized code actually be a good thing? Myself, having a Nexus One with Cyanogen Mod 7 on it, I am facing the same issues the other geeks are having. Though I never really found the need to have movies or content like movies on my phone, I’m just mad because I can’t. It’s like owning a gun, sometimes you do just because you can, and GOD DAMMIT I WANT DRM FREE JERSEY SHORE!