This Friday night I rented Kin – get ready for a dark, serious, science fiction film that misfires!

Directors: Jonathan and Josh Baker
Starring: Myles Truitt, Jack Reynor, Zoë Kravitz, and James Franco
Appearances by: Dennis Quaid, Carrie Coon, and Michael B. Jordan
Theater Release Date: August 31, 2018
Runtime: 1 hour 42 minutes
Rated: PG-13

Geekscape Movie Reviews: 'Kin' | Kin Poster

Character Rundown
Myles Truitt plays Elijah Solinski, a young, adopted kid living in Detroit, and is our main protagonist.
Jack Reynor plays Jimmy Solinski, Eli’s brother who gets out of jail and plays our ever popular antihero.
Dennis Quaid plays Hal Solinski, a tough love blue-collar father and is a widower.
Zoë Kravitz plays Milly, a stripper that runs off with Elijah and Jimmy on their adventure.
James Franco plays Taylor Balik and is our main antagonist, a crime lord that supplies protection in prison.
Carrie Coon plays Morgan Hunter, an FBI agent that gets involved in a firefight at a police station.
Michael B. Jordan plays a “Cleaner.”

Quick Story Breakdown
While scrapping copper one day to sell, Eli finds a pair of futurist soldiers dead from a battle. Eli takes one of the soldier’s guns and brings it home. Jimmy, Eli’s brother, gets out of jail and needs a place to crash while he gets on his feet. Hal, Jimmy and Eli’s father, doesn’t get along with Jimmy. Hal warns Eli to watch himself around Jimmy after Eli gets kicked out of school for fighting.

While Jimmy was in prison, he needed protection and asked Taylor Balik, a local crime lord, to keep him alive while behind bars. Now, Jimmy owes $60,000 to the Balik brothers. Hal catches Jimmy and the Balik brothers trying to steal the cash out of Hal’s work safe. The robbery goes wrong, Jimmy grabs the money and runs off with Eli in Hal’s truck which leads to Taylor Balik chasing him the rest of the movie until the finale, a firefight in a police station.

Geekscape Movie Reviews: 'Kin' | Taylor Balik

Pros
The poster is badass! I’m an old video store kid, which means most of my movies are picked from the marketing. This film nailed the eye candy.

The gun that Eli finds is a dope weapon and does some severe damage. A fresh story point is that only Eli can use the gun, and its three destructive settings. Truthfully, the soldiers or cleaners look altogether is fun.

Speaking of Eli, Myles Truitt does an excellent job of secondary action. He delivers his lines well but always goes further to deepen his character with these thoughts behind his eyes and facial gestures. I hope to see Myles Truitt more in the future.

James Franco’s portrayal of the nasty and strange Taylor Balik is lovely to watch. I was more a fan of Taylor than Jimmy, which leads me into my cons.

Cons
Jimmy is a very unlikeable character. I’m not knocking Jack Reynor’s acting, he’s doing a solid job. Jimmy, on the other hand, keeps putting his brother Eli in terrible situations. The story tries to force you to like Eli and Jimmy with some brotherly mischief on this crazy road trip/chase. It’s not working, and you will find yourself cheering for Jimmy to leave Eli out of his stupid plan.

Zoë Kravitz and Carrie Coon are wasted in their roles. Kravitz plays a stripper that takes a liking to Jimmy and Eli, but I can’t tell why. Coon’s FBI agent does next to nothing. I’m wondering if her role was cut down for time.

Final Thoughts
I had a lot of hope Kin (2018) would be a quiet gem ever since I saw the trailer and the short film “Bag Man” from 2014 that Jonathan and Josh Baker did, which lead to this movie. Sadly, Kin is an action sci-fi that misses the mark and seems to be a prequel to a much better film. I know this is the Baker brothers debut film and I think there is enough here to build on. Hopefully, they get another shot and Hollywood doesn’t bury them for one failure.

Final Grade: C-

Thanks for reading, and check out our podcast Analog Jones and the Temple of Film. We are a VHS Podcast that breaks down the box art, trailers and behind the scenes.

– Stephen M. Bay

After watching A24‘s own Hereditary, I was salivating for more horror films from this independent production company. Then, Slice pops up on my Vudu and bam; I rent it after giving the trailer a view. The film’s poster made it look like an odd throwback to those Friday nights at the video store, picking a movie from the art alone. It’s got pizza, a fun font, and a werewolf on the cover, sold. Let’s see what first time director and writer Austin Vesely delivers.

The story is crowded with characters and sub-plots so hold on while we fly through them. The fictional town of Kingfisher is a world where ghosts walk among us (and have their own section of town), werewolves ride motorcycles, and other forms of magic live. When a pizza delivery driver is murdered, the cops are looking for someone to blame. Why not a ghost or a werewolf?

Mayor Tracy, played by a wonderfully wacky Chris Parnell does his best to work with the police, the press, and an odd cult led by an unnerving Vera Marcus (Marilyn Dodds Frank) to keep the town whole. Tracy paints some interesting objects in his office that gave me a good chuckle.

The now undead pizza delivery driver (played by Vesely, the director/writer) works for an outlandish pizza joint called Perfect Pizza. Paul Scheer (How Did This Get Made, The League) plays Jack, the manager, and stumbles to keep the place running after the murder. But Astrid (Zazie Beetz) puts her delivery jacket back on to help the crew of Heather (Catherine Cunningham), Joe the wise ghost (Lakin Valdez), and Scooter (Rudy Galvan) keep the pies flying out the door.

A smart but young reporter named Sadie (Rae Gray) suspects something odd is going on with the cult protesting outside the strip mall where Perfect Pizza is located. Sadie and her photographer, Jackson, (Joe Keery of Stranger Things) work together and try to figure out the secret of who the towns serial killer is.

Lastly, there’s a detective named Mike (Tim Decker) that is hell-bent on blaming Dax (Chance the Rapper) for the murders that have started. The grudge goes back many years to a previous case detective Mike swears Dax was the killer in, but of course wasn’t.

Slice jams a lot of story in 83 minutes. Most of the time I got lost on who was doing what and why. Slice had fun characters, but had too many moving parts to absorb. The film has some cheesy/funny moments that would play well with friends and some beers. Austin Vesely gives you a decent starter flick for the Halloween season, but falls flat because of the bloated plot.

Slice Needs More and Less of:

Slice needs more of Y’lan Noel. His character Big Cheese was delightfully weird and over the top. Sadly Noel’s scenes only last a few minutes and end far too quickly.

Slice needs fewer side stories, sometimes less is better. Also, Chance the Rapper’s Halloween store makeup he was wearing in his wolf form was wack. I take my werewolf makeup very serious, and this makeup job appeared rushed and unfinished. If your story wraps around a werewolf then that beast better look savage, not like a high school cosplay.

Final Grade: C

Thanks for reading, and check out our podcast Analog Jones and the Temple of Film. We are a VHS Podcast that breaks down the box art, trailers and behind the scenes.

– Stephen M. Bay

Let me just start out by saying that this movie is cool. Cool in every aspect. From shot selection, fight choreography to a brilliant 80’s soundtrack sprinkled on top. Hell, even all the iced vodka in this Berlin Wall-era film look super cool and inviting. This film oozes with personality.

I have to admit something to you. I really love action films. So read on if you want to see how much I loved this particular action film.

Even though this movie doesn’t subscribe to one kind of fighting style, it’s very reminiscent of John Wick. You may already know this, but one half of the John Wick directing team was responsible for Atomic Blonde. David Leitch did a fantastic job at capturing some brilliant fights.

A great moment from one of the many great fights in this film.

That said, there were many talking head moments that looked so beautiful. So many of the non-action shots were well composed too. I found myself interested in all the exposition of the film, and have been reliving some of these scenes in my head for days on end. However, I must also mention that while there are some great moments of dialogue, the plot can come off thin.

Quick plot run down for the two of you that don’t already know it. Lorraine (Charlize Theron) is an MI6 agent who is sent on a mission to Berlin 10 days or so before the fall of the Berlin Wall. She is to retrieve a micro film with all of the active agents on it while also uncovering a spy in her ranks. Typical action movie set up, yet I can’t help but feel like the approach is so well done that it keeps the standard plot interesting. Sure there are some great twists, but ultimately many of you just wanna see Charlize kick everyone’s ass and drink vodka, am I right?

Lighting in this movie was awesome.

Charlize Theron shines in this one. Let’s be real, she is great in like every movie post Aeon Flux. I like to think that she stopped giving a shit after Monster. By that I mean she has sought out projects that interest her. She seems to not care about what the media/industry thinks of her and goes after passion projects. Atomic Blonde has been in the works for many years now. You should check out the graphic novel it is based on. “The Coldest City” was written by Antony Johnston and drawn by Sam Hart. The film diverges from the comic in various ways. It doesn’t matter since the film retains key elements while building on an already interesting concept.

Knowing that adds a whole extra level of greatness to her character in this film. The passion and want to make this movie. It translates into a really compelling character. In the role, Charlize brings little nuances to a character that balances between being a brawler, espionage expert and a top notch lover.

She does all of this way better than Bond, Bourne, Hunt. Or any of those other spy-bitches now that I’m thinking about it.

Charlize is surrounded by an amazing supporting cast. John Goodman, Toby Jones and James McAvoy all kill it in their respective parts. Young Professor X here is basically playing his crooked cop character from Filth. But it doesn’t matter, he seems to be having so much fun in this role.

Percival (McAvoy) wears this expression for most of his screen time. And it’s great.

Sofia Boutella rounds out the cast as the only other female character. Yes she does have a pretty hot sex scene with Charlize. She’s a great actress. However, her character doesn’t do too much at advancing the story besides one moment in a bar. I have to give props to the location management team. There were so many great locations in this film. Berlin felt like the city equivalent of McAvoy’s grimy character. I haven’t seen much art dedicated to the fall of the Wall. This film really drew me in to the event in a very respectful way.

Just walkin around Berlin, looking cool.

In a Summer of great female representation, it’s a shame that more actresses aren’t in this film. That said, this movie is set in the 80’s spy world. I don’t know much about that profession aside from what we see in movies and on TV, yet I have to imagine operatives back then were more male than female.

Easily the most bad ass scene in the film is a fight on and around a stair case in a dilapidated apartment building. It’s a really well stitched together one shot that has so many moments where you see Charlize actually punching and kicking. Try and find the scene stitches. It’s not easy, that is how well this scene is composed. It’s such an intimate and surprising brawl that I like to think people will be talking about it for years to come. Several of the trailers show portions of this scene. However you really need to see this on a big screen so you can appreciate this moment in all it’s glory.

If you like action movies and are ok with a relatively thin plot…you’re going to love this movie. I want to hear what you guys think in the comments below. Let me know what you think of the film or maybe chime in with other great bad ass females in cinema.

Full disclosure, Universal Pictures and Focus Features hosted a pre party at Horton Plaza before the movie. I was given the Atomic Blonde Soundtrack on Cassette, food, drinks and a blonde wig with glasses.

These girls were great. There were a bunch of them.
Some great SWAG. Also a Walton cameo!
I decided to cosplay as Lorraine. I pull it off right?

Despite all of the pomp and circumstance of that event, I still would have loved that movie. I have since seen it a second time and enjoyed it all the same. See it in the theaters though. You really need to hear the bad ass sound design and soundtrack.

35 Years after their last theatrically released movie, The Peanuts gang is back with a brand new film.

Produced by Ice Age and Rio studio Blue Sky Studios and released by 20th Century Fox, The Peanuts Movie hopes to bring back Charles M. Schulz’s beloved characters without having to resort to today’s Hollywood trap of modernizing the series. While initially cautious about the trailer, I can happily say that this is one of the most faithful and respectful adaptions I’ve seen in a very long time.  Whether you’re young or old, there’s always something to enjoy while watching this movie.

Peanuts 1

The movie’s Plot is simple enough. Charlie Brown can’t do anything right. While everyone’s enjoying playing Hockey and building snowmen in the winter, he’s trying to fly a kite instead. It seems like no matter what he tries, he constantly gets laughed at and ridiculed by the neighborhood kids. All this changes though when the little red haired girl moves in across the street. Now in love, Charlie Brown is more determined than ever to prove to the new girl that he’s a winner. While all this is happening, Snoopy writes a daring tale about his encounter with his arch enemy, The Red Baron.Peanuts 2

The animation is absolutely stunning. Blue Sky manages to perfectly pull off just the right mixture of 3D CGI while also maintaining a 2D hand drawn style that’s usually seen in the comic strips. This opens up a very wide variety of facial expressions and really makes these characters seem alive and real. This is the studios most beautiful movie to date. I’d even go as far as to say that it even rivals some of Disney and Pixar’s best.

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The voice cast is also top notch. Just like the original movies and specials, all characters are voiced by kids who are about the same age as the characters in the movie.  Usually child actors are un-bearable to sit through, but the whole cast here really nails the characters they’re playing. In fact, some characters like Peppermint Patty, Marcie, and Linus really sound like their original actors. They were also able to keep the late Bill Melendez as the voice of Snoopy and Woodstock by using archival footage of his previous recordings.

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In terms of negatives, it’s really hard to find them with this movie. I guess if there was one common complaint I can agree with it’s that there are about 1-2 Red Baron scenes too many. It really would have been nice to use those 2 scenes to further explore and show more about the neighbor characters. The movie seems to treat the audience like they already know all the characters even though for a good amount of people, this is still their first time experiencing the series.

Peanuts 5

Overall, The Peanuts Movie is one of the most fun and heartwarming movies of the year. Blue Sky Studios should be proud of what they created. With beautiful animation, great voice acting, and a touching story, this new chapter of the adventures of Charlie Brown and his friends are worthy of standing tall with some of their most classic outings. It’s also a great refreshment from some of the other failed adaptions this year *cough* JEM *cough*.
FINAL RATING: 5/5 GO WATCH IT!

https://www.youtube.com/watch?v=xEdp5UgLwPg

Jem and the Holograms was always a special case when it came to children’s programming.

Much like the recent success of My Little Pony, Jem and the Holograms premiered on October 26th 1985 with the intention to be just another tie in cartoon aimed at young girls through Hasbro’s eyes. However, the team behind the show decided to treat the show with as much respect as they would with any regular TV show. Some of its appeal came from the fact that it was an animated soap opera that both boys & girls of all ages can enjoy.  You’d think that with Hollywood’s recent obsession to make crazy experimental movies off of 80’s-90’s properties with big budgets that surely Jem would fit in perfectly.

Enter 2015’s Jem and the Holograms, a film supposedly “based” off of said beloved franchise. Directed and produced by the same people who made 2 documentaries centering on Justin Bieber and the production house that made Paranormal Activity, surely this could only end well right? Sadly, what follows is an under budgeted, cheaply made, clichéd rags to riches story that feels more like an after school special and barley even resembles its source material. Where do I begin?Jem 1

Let’s start with story.  Here’s the synopsis of the animated series lifted directly from the season 1 DVD:

Upon the death of her father, Jerrica Benton inherits Starlight Music and finds herself the new co-owner executive alongside the greedy, power-hungry Eric Raymond. Eric is on a mission to seize complete control of Starlight Music, as well as, use it to launch to stardom his latest discovery — rockin’ rebel girl band The Misfits.

With the help of Synergy, a computer holographic machine created by her father, and a pair of special jemstar earrings, Jerrica is able to transform into the megapop sensation named Jem! With her sister, Kimber, and their band, The Holograms, Jem undertakes a battle-of-the-bands competition against Eric and The Misfits for control of Starlight Music. Can Jerrica keep her superstar identity a secret? Will The Misfits rock the charts? Will Synergy fall into the hands of evil? Watch and find out!

Jem 2

Sounds pretty cool huh? Well forget about all that because nothing mentioned above is carried to the film. Instead, we get a story about 18/19 year old Jerrica Benton who’s insecure about her singing. One night she throws on a pink wig and some make-up to record her singing under the mysterious name Jem. The next day Jerrica wakes up to find out that her sister Kimber uploaded the video to YouTube, and now Jem has become instantly internet famous to a point where she is offered a recording contract for only having 30,000 views on her video. This quickly turns her whole life upside down and now she has to struggle between her 2 identities to find out who she really is.

As you can tell, the plot follows the generic, paint by numbers story of some regular Joe Shmoe that’s all of a sudden thrust into popularity. It also doesn’t help that just like Jerrica; this movie suffers heavily from an identity crisis. At one point it wants to be a modern teen drama movie, other times it’s trying to force in un-necessary subplots that add virtually nothing to the film. Some subplots include going on a tedious treasure hunt trying to find the missing pieces of their robot Synergy so they can recover a hidden surprise that Jerrica’s father was trying to hide. The other includes a very tiresome and cliché story of Jerrica, the evil corporate band manager, trying to force Jem into signing a solo contract.
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The only problem is that the movie is so confused on what it wants to be that nothing comes together in the end, and as a result, the movie just ends up being a giant mess.  It also doesn’t help that the characters are more bland and dry than a loaf of white bread sitting out in the sun. I’ll give them credit that the cast at least tries to make their roles convincing, it’s just too bad that they have to suffer due to the clunky script or awful mis-casting. Such mis-casting is 28 year old Ryan Guzman as Rio who in the movie is trying to pass himself off as an 18 year old college intern/son of Erica Raymond. It’s so laughably bad the dialogue he’s given that it’s impossible to take him seriously every time he’s on screen.
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Another major problem with the movie is the music. In the show, there were usually 2-3 songs per episode that lasted about 45 seconds to a minute, making for some quick, but catchy songs. The movie however, tries in some areas, but sadly ends up botching them. Besides sounding like the most generic and manufactured pop songs, are too long and very forgettable.

This is another area where the movie really fails hard since you need good music in a movie adaptation that’s all about music. The worst thing about the audio is that they don’t even use their own background music. During what’s supposed to be a tense or emotional scene the background music chosen will start playing. The problem with this however, is that these BGM’S are taken from random people on YouTube playing their own music and for some reason the film seems to think randomly cutting in grainy low quality footage of said music videos would be a good idea (it isn’t.)Jem 5

Thought you heard the worst? Well I’m sorry to say, but the worst is yet to come.  When it comes to scene changes and transitions they will more often than not resort to using Google Earth. I know this film was made on a small budget of $5 million, but do they really have to be that lazy. I counted at least 6-7 times where they used this lazy excuse of transition (you can still see the Google Earth logo lazily cropped in the lower right hand corner of the screen.)

Finally, the worst part of this film is it’s mis-treatment of fans and lazy excuse of “cameos.” Throughout her rise to fame, the movie will start random cutting to cameos talking about Jem. These include Chris Pratt, Jimmy Fallon, and Dwayne “The Rock” Johnson. The only problem? It’s all archival footage. The Pratt interview was taken from a Lego Movie Interview with USA Today in which he talks about growing up with the Jem dolls and pretending to date them. The Fallon interview comes from an old episode where he and a guest reminisce about the 80’s cartoon. The 3rd and most offensive is The Rock’s cameo which was just a very low quality video that was actually about him praising Taylor Swift’s song Bad Blood.

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At the end of the day though, the fans themselves were treated the worst. When the film was originally announced, they made it a point to tell the online world that they were doing open casting for the film and that you had a chance to land a starring role in the film if you expressed how much you love Jem to them. What ended up happening was that they ended up using that footage randomly throughout the movie to show her rise in internet popularity.  The absolute biggest insult to this is that throughout all the videos you’re constantly seeing the 80’s logo and show in the background and right in front of the camera.  This alone was enough to pull me out of the movie and feel sorry for all the fans that got gipped of a proper appearance as initially advertised.

The only good thing about this movie was the end credits scene. That one scene was the only time the movie actually felt like it was actually putting in effort to be a real Jem movie. The only problem? The film ends after that.

Hint Hint.
Hint Hint.

So, after all of this should you still go see Jem and the Holograms? Yes. This is one of those rare movies that comes along every couple of years or so that completely fails in what it’s trying to do and is so horrendously bad that you have to watch it to believe it. If somehow there’s a theater near you showing this film, you should either try sneaking into it, or just going to another movie and then catching the end credits scene at least. If you want to see a more faithful adaption movie, go see The Peanuts Movie.

FINAL RATING: 0.5/5 WATCH IT! (or just watch the after credits scene)

Very few horror movies will inspire me to nearly fall off my treadmill in fright.  IFC Midnight’s Area 407 did exactly that.  Don’t worry—nothing too important is bruised.

Area 407 is one of a growing number of what are called “found footage” films.  If you don’t recognize the term, then you’ll recognize films among their number—most notably The Blair Witch Project and Paranormal Activity.

Found footage films find a logic supporting at least one video camera’s presence and attempt to use the visual perception of realism to heighten the tension.  You know, “this really happened”.  In The Blair Witch Project, three film students were making a documentary, in Paranormal Activity, husband Micah was a camera bug and eventually had security cameras installed throughout their house.  In Area 407, little sister Trisha (Abigail Schrader) steals a video camera from her older sibling, Jessie (Samantha Lester), in an enthusiastic desire to document their New Year’s Eve flight back to Los Angeles.

This is incredibly, incredibly clever.  Toss a precocious girl behind a video camera and watch her interview fellow passengers, alternating between annoying them and endearing herself to them.  We get to meet every major character pre-shitfest (technical term) and actually get attached to them before things fall into chaos.

And it is chaos.  The sisters’ lovely flight from New York goes quickly south just when the plane hits a patch of turbulence.  Now, I’m not prone to watching movies with plane crashes, but I was enrapt and absolutely horrified witnessing the— what I imagine to be— much too realistic footage of the event.  It was truly terrifying.

Once the plane is on the ground, the sisters regroup and we are properly introduced to the survivors.  Jimmy (James Lyons) is a journalist and the source of some of the camera equipment and lighting used throughout the film.  Laura (Melanie Lyons) is the lovely accented air marshal, while Charlie (Brendan Patrick Connor) fills the role of the irrational, selfish jackass who consistently manages to upset any trace of cool-headedness that might be found.  One flight attendant, Lois (Samantha Sloyan), survives as well as the now widowed Tom (Ken Garcia).

As the survivors begin to collect themselves from what could be termed an already horrible evening, Tom rushes off into the night to search for the other half of the plane which would, he wildly theorizes, contain his wife.  After a brief interval of various coping mechanisms, noises are heard in the distance.  Noises like screaming and unearthly growls.

It’s not a great time for anyone.

Things progress from bad to worse to downright sadistic as the night continues onward and the survivors realize that help is not coming and there’s a beast in the woods slowly picking them off.  With no idea of where they are and no light aside from the cameras, the group heads into the woods to find some shelter, some assistance, some thing to save them.

I loved it.  Well, I loved most of it.  The story was excellent take on a somewhat traditional tale, the dialogue was realistic for the situation, the camera work—while a bit too high quality for the found footage genre in my opinion– was lovely.  They did an excellent job of bringing it together, justifying the nearly continuous filming, and showing just enough—but not too much!—to keep me on the edge of my… treadmill.

However, there was the matter of the monster.  The movie has this pretty cool concept going on that I think is executed excellent for the style they chose.  And then, when the monster is finally revealed… it’s a letdown.  You’re sitting there going, “Oh.”

I’d liken it to meeting someone on a dating site who seems amazing.  Wonderfully written profile, gorgeous pictures, witty repartee.  And then you meet and the pictures are not only about fifteen years and fifty pounds ago, but also neglected to show that the left side of his face is melted off.  It doesn’t negate that you had some great and exciting internet exchanges, but you feel more than a bit misled.

My recommendation?  Watch it.  Watch it with full knowledge that the last two seconds of the movie are going to make you wince, and enjoy the rest of the movie as much as I did.  It released in select theaters on April 27th, but you can also find it on SundanceNOW, iTunes, Amazon Streaming, XBOX, Zune, and Playstation Unlimited.