Grand Theft Auto V definitely continued the tradition of each entry in the series being an improvement over the previous. Looking back, every release in the franchise has advanced not only the nature of open world gameplay but has pushed the limits of modern consoles. GTA V is no different. However, on top of all of these incredible reasons for calling GTA V the best of the best, it’s something else that brings Rockstar’s most recent to an even higher level. In fact, all of the open world, motion capture and technological advances in the game are not so significant when compared to the leaps Rockstar North took in terms of character and narrative storytelling.

But first, let’s look back. The characters of “Claude,” Tommy Vercetti, Carl Johnson, and Niko Bellic, are not that complex. Their storylines are practically carbon copies of each other when you boil them down and oftentimes the majority of the story can be whittled down to just driving and talking. This isn’t to say that the previous games were not innovative, breathtaking and fun! But the innovations all centered on  newer gameplay or open world elements and this usually led to most players bailing on the world and just terrorizing the open worlds of San Andreas, Vice City and Liberty City. And why not? The protagonists of most GTA games are motivated by revenge or criminal circumstances beyond their control. They’re not driven by much of an internal pathos.

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In GTA V, the closest we come to these devices appear in later portions of the game once we’ve become heavily invested and two of our main characters have decided to embrace their criminal lifestyles (or in the case of Michael, make excuses for why he’s finding himself again leading a life of crime). Trevor is always a psychopath, the most in tune with a lot of player’s needs to just “tear shit up”… and that’s not to say he’s two dimensional. Of the three, he’s the one who experiences the biggest range of emotions, at times feeling betrayed by his friends and even (possibly) discovering true love… which was hilarious. It’s not surprising to find that he’s arguably the most popular character in the game. He’s even introduced by putting a definitive end to one of GTA IV’s more simple protagonists!

GTA Franklin

Franklin may sadly be the least developed of the characters, and bears far too many resemblances to Carl Johnson of GTA: San Andreas, but he has the self-awareness that CJ did not. He ends up improving his own position not through happenstance, but because that is what he wants to be doing with his life. There’s a major difference there, in that all three of these characters have aspirations worth rooting for, that keep players from simply abandoning their stories and wreaking mayhem. Eventually, when Franklin realizes that he has been doing the same line of work that he was doing while a gang-banger (except for a higher level of merchandise and financial reward) he laments that he hasn’t actually made any changes to his life. This could be a commentary on the lack of true development in previous entries but the self reflection is something that we haven’t seen before and is inherent in all three characters.

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Trevor Phillips comes across as a garden variety wild man when we first meet him, but over the course of the game we learn of childhood psychological abuse, repressed bisexuality, and severe abandonment issues. These developments of course are not informed character traits told through exposition but are illustrated throughout the course of the game. Rarely does GTA V stop in its tracks to tell us something without having us experience it alongside the characters. Trevor is troubled and haunted by his life but not in the way Niko Belic was. Niko could never stop reminding us exactly how horrible his life was but we never saw or experienced any of it. They never seemed to inform his mostly “blank slate” character reactions. With Trevor, we get a character who is real enough that he doesn’t need to tell us, but that doesn’t keep the ghosts of his past from shaping the story and gameplay.

GTAMichael

Michael… well, Michael is the man who can’t fight his own nature. He aspires to be something that he is not, and this leads to his kinship with Franklin, but he only succeeds in bringing trouble to himself and his family when he fights his true desires. Getting out of the criminal game in the first place is what caused things to go wrong for him, especially on a personal level, and he seems throughout the game to be either waiting for death to free him or a new direction. Even with danger arriving at his doorstep, it becomes more invigorating and healing for he and his family than the complacency that their lives had become.

And of course, you have the characters interactions and reliances on each other, which is the greatest aspect of the game. Each character’s actions have major implications for the other two and the plot, both on a story and character level, become fascinatingly complicated. The writing in a Rockstar game hit all time highs with Red Dead Redemption and L.A. Noire and now we are reaping the rewards in a story in which personal interactions can have just as satisfying a result for the player than pulling off a major heist.

These are all simple observations of characters who aren’t labyrinthine by any means, but who are far more complex than most video game characters of our day. Most have a singular character trait and direction (if they have one at all). They usually end up being what the plot requires them to be and the stories sputter to a halt with no internal engines to drive them. In the case of GTA V, like most great storytelling, the plot and the characters are tightly intertwined, the investment only growing tighter as the story continues. And even with all of the shooting, killing and social destruction, that is the type of innovation that helps move the gaming industry onto a league alongside its long respected peers.

Last week, the internet exploded all over itself on the news of Ben Affleck being cast as Batman in Zach Snyder’s sequel to Man of Steel; mostly I saw pure rage and incredulity. “Ben Affleck is a terrible Batman!” yelled multiple sources. Hmm… the last time that I saw such outrage over casting news was when some no-talent pretty-boy was cast as The Joker. And we all know how that turned out. Also, let’s not forget that schlub Michael Keaton being cast as the original Tim Burton Batman! That was a disaster! We’re talking Mr. Mom, here! The Internet has a very short memory as far as these things go. According to the mass culture, every casting idea is the worst ever until it actually works. Remember the rage of Daniel Craig as James Blond? And here the Bond franchise just released its strongest performing movie of all time (unadjusted for inflation).

Yep, you all hated him too.
Yep, you all hated him too.

But this isn’t a polemic on how the internet masses go far too insane over casting news. Instead, I’d like to propose an idea that might just make the internet lose their minds (again): Ben Affleck should take over complete creative control of the Batman franchise. Outside of the serials from the 1940s, there are 8 widely available Batman films that anybody can pick up at a video store. There was the Batman movie from Adam West’s delightfully campy adventures in the mid-60s TV show, followed by two Tim Burton films, two by Joel Schumacher, and three by Christopher Nolan. Which ones do people remember the most fondly? The ones by Burton and Nolan. These films all have a seriousness and darkness in tone that Schumacher’s lacked and was not a part of the 60s TV series. Even Burton’s moments of humor were dark and sometimes quite disturbing, as he was heavily influenced by not only Frank Miller’s mature The Dark Knight Returns, but also Grant Morrison and Dave McKean’s dark Arkham Asylum series.

Each of these different directors left their marks on the series, and each Bat-Actor has brought something unique to the role as well. Michael Keaton managed to play the parts of Bruce Wayne and Batman in an almost understated, quirky way. This made the “let’s get nuts” scene seem downright frightening! Val Kilmer was a bit more straightforward, almost reserved, and ended up almost not bringing anything noteworthy to the role while a newly movie starred George Clooney was unable to be taken seriously, what with the nipples, one liners and everything. Then there’s Christian Bale’s Bruce Wayne, arguably the best yet, with his perfect balance of privileged heir and dark knight. His Batman was borderline psychotic, as it should have been, because what sane person dresses as a bat and fights crime?

Those are nipples alright.
Those are nipples alright.

And now we have Ben Affleck, playing an older Batman in his forties. Will he be portraying the more Neal Adams Detective Comics version of Batman? Will there be a more somber tone to this entry given Batman’s age? With Affleck’s background as a director of mystery films like Gone Baby Gone and The Town, will we finally get the detective aspect of Batman on film? Just which Batman will Affleck be?

Ultimately, it’s impossible to be a Batman purist given how many interpretations we’ve had of the character; from the original Detective Comics, to Denny O’Neil, to Frank Miller, but I believe it is safe to say that the more serious and darker edged Batman films are the ones that the public craves. And who better to take on the task of helping to craft a serious series of films based on this character than Ben Affleck? He co-wrote and directed two serious and critically acclaimed crime films based on previously published works. Having read Gone Baby Gone, it’s clear to me that Affleck understands how to use the most important details from the source material and still remain faithful to the spirit of it, even while making some major changes. The Town was adapted from Prince of Thieves by Chuck Hogan, a crime thriller that was one of the best heist films since Heat (a comparison which can also be made with The Dark Knight). And then there is Argo, Affleck’s period piece about the Iranian hostage crisis, which shows that his first two films were no flukes. While he did not write Argo, the writing on his first two directorial efforts was strong, mature, and made for spellbinding films. It is rumored that Affleck will have some input on the screenplay for this upcoming Superman sequel. This can only be a good thing given his writing chops. He does, after all, have an Academy Award for co-writing Good Will Hunting.

Can we forgive him for this one yet?
Can we forgive him for this one yet?

And Affleck’s skill behind the camera is undeniable after three critical knockouts. In front of the camera, well, he needs to be directed by the right person. You give Affleck to John Woo or the guy who made Gigli, and you get an actor who is just filling space (in his defense, both directors have a lot of past acclaim, but have hit the skids in the last decade or two). But if you watch the performances Affleck has given under the direction of Richard Linklater, Gus Van Sant, Kevin Smith, Terrence Malick, and Affleck himself, you will see a mature and measured actor giving what is needed to every role. Now Affleck being directed by Zack Snyder may be cause for concern, but with Affleck adding to the screenplay it’s possible that Synder’s tendency for style over substance won’t deaden an already strong script.

In the end, I know of few other auteurs (and yes, Ben Affleck is an auteur with a specific voice whether the ragegasm-fueled-Internet-hatedom wants to admit it or not) who would be a palatable successor to Christopher Nolan (who was coming off Following, Memento and Insomnia when given his first “at Bat”, arguably not as respected a series of three films as Ben’s). Affleck has proven to have the maturity and the skill to pull off something amazing. Besides, this Internet rage is all much ado about nothing. We are talking about Ben Affleck portraying Batman in a Superman movie. Get a grip on your rage-boners, Internet. There are more serious things to argue over… like who should be in the Justice League movie.

Make fun of him all you want... he's happier than you.
Make fun of him all you want… he’s happier than you.

Tank Girl has had an abysmal record on home video. You can pick up a copy on Amazon for $54.99 (or a cheaper version if you happen to have a multi-region DVD player). For the most part, TankGirl has remained a true cult classic. You can be forgiven if you haven’t actually seen it. But your excuses will be running out soon, for Tank Girl gets a Blu ray release on November 17th!

As yet, no details have been released on special features or technical specs. All I will say is that you shouldn’t expect Criterion Collection-level treatment. Part of my excitement comes from seeing this movie for the first time in over fifteen years. I have missed the hammy Malcolm McDowell, the hammy Lori Petty, and the ham—wow—now that I think of it, this movie was pretty over-the-top. Also it has a Ice-T and a young Naomi Watts.

Tank Girl, for the uninitiated, is based off of a British comic property and bears few similarities to its source material. Purists of the world, unite! We know, we know: you were into Tank Girl before it was cool. Well, I was into liking things before they were cool before that was cool, so suck it! Anyway, Tank Girl takes place in a world where it hasn’t rained in eleven years, and evil Malcolm McDowell controls most of the world’s water. He can even extract water from the bodies of people he kills!

What separates Tank Girl from the other unsuccessful sci-fi/fantasy movies of the era is its sincere lack of sincerity. It knows exactly what it is and plays it up as much as it possibly can. This is the height of over-the-top! Those who can appreciate the goodness of a bad movie that knows exactly what kind of movie it is (like The Phantom if it understood a little better how stupid it was) will love Tank Girl.

But those of you who have already seen it didn’t really need to read any of that.

My love of Tank Girl has more than just nostalgia and a love for good bad movies behind it; Tank Girl was an early feminine role model for me, right up there with Willow, Leeloo Dallas (Multipass) and Matilda (shut up). Long before I made peace with the fact that my true gender identity is that of a woman, I was a young boy who had women heroes who I loved to see kick some serious ass and give ALL of the snark. Tank Girl’s independence and attitude made me the woman I am today. I am grateful that it is getting the chance to live on in this next generation of home video. Pre-order your copy today!

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Lauren’s obsession with movies began at the age of three when she was shown Follow that Bird on VHS. From there she developed obsessions such as the James Bond franchise and began defending Jaws 2 as actually being pretty damn good. You can find her occasionally babbling on about personal issues at The Trans Pirate Lauren