Fans of the How to Train Your Dragon films and the subsequent series will be excited to learn that there is a brand new 13 episode show, Dragons: Race to the Edge, coming to Netflix June 26th! At WonderCon, Art Brown and Doug Sloan, executive producers of Dragons: Race to the Edge, were special guests at the Sunday-morning panel DreamWorks: Dragons, Dinos & More. Attendees were treated to a special first look at the series which looked awesome! The series takes place a year and a half before the second film and fills us in on what happened during the gap in time between the two films. Sloan told the audience that there will be “tons of new dragons”. In one of the clips, Hiccup finds a mysterious ship where he discovers the Dragon’s Eye which “is a game-changer, both for Hiccup and for all of the Dragon Riders,” Brown said.

After the panel, I was able to speak with Art Brown and Doug Sloan. Read on to learn what it is like making an animated show for Netflix, what kind of dragon they would choose, how they got involved with the dragon world and more!

DRTTE_ep0103_01001012_RGBDreamWorks Dragons:Race To The Edge ©2015 DreamWorksAnimation LLC. All Rights Reserved.

 

Q: With the current success of live action shows on Netflix, what is it like doing an animated show? Is it any different for Netflix versus regular television?

Art Brown: I think it is exciting for Netflix. They’re constantly breaking new ground. I think that is one of the cool things about them and there is potential for our show and big international shows to have some effect internationally. So, I think those two things combined are pretty cool.

Doug Sloan: I think our show hopefully will span a wide demographic. They’ll be able to show it – adults will watch it, kids will watch it, and I don’t know if they expect that, but we are hoping that that’s what happens. I think that will be great, but it’s going to be awesome.

Brown: You have the kids that were the fans of the first movie who have grown up and you’ve got the next group who have watched the show and you have the new ones coming in, so it has potential to be pretty wide.

Sloan: Yeah. It’ll be cool and Netflix is really good about letting us do the show. They don’t… they are not as hands on as normal networks, so they know that we know what we are doing. They know that we know how to do it, so they pretty much let us do what we do and it works out great.

Brown: Yeah.

Q: What kind of dragon would you like to have?

Sloan: Oh my gosh. Wow! That has never been asked to us.

Brown: Yeah.

Sloan: That’s awesome.

Brown: Right!… You know I think the relationship of Toothless, obviously. I think the sense of humor of Hookfang…

Sloan: Yeah.

Brown: You know Hookfang loves to mess with Snotlout. I mean, I enjoy that…

Sloan: Toothless is, for me, if I really were to have a dragon, I think I would probably want a real huge one that I wasn’t going to fall off of because Toothless seems like he would be a little small for me. I’d probably fall off. He does some crazy stuff which I am not that into.

Brown: Right. He might be better for me.

Sloan: He might be better for you, yeah. I think a big… like a Hookfang or something like that…

Brown: A Monstrous Nightmare

Sloan: Something where I have a lot of room…

Brown: Like a Titan Wing Monstrous Nightmare…

Sloan: Yeah, there you go. Now we’re talking. Absolutely.

(both laugh)

Q: How did you get involved with this dragon world?

Brown: We had just done a movie for Nickelodeon and got approached when they were initially doing the first couple of seasons of the show. We hadn’t even seen the movie. Our representation sent it to us and we watched it at his house and we were like “Oh my God!”

Sloan: It blew us away. We were like, “You’ve got to be kidding, this is brilliant!” We really really wanted to work on the show. We didn’t care in what capacity – writing, producing, show running, whatever. So, we started off on the show as writers, just writers, and, as time went on, we ended up running the show, but we would not have taken that job, I don’t think, had it not been for how great the first movie was. We probably would have said “Nah, it’s not…”

Brown: And for a couple execs at Dreamworks who we really enjoy working with – Gregg Taylor, Ann Daly, and people like that who we really… It was a combination. We loved the movie and wanted to be involved with it and we love the people there, so we…

Sloan: And when you get a chance to work with Jeffrey Katzenberg, I mean you take it.

Brown: Yeah.

Sloan: This property is so important to them that he does peek in every once in a while and to learn from him and Ann and those guys is… I mean, when do you get that chance? It’s amazing.

Brown: Yeah, you don’t get a lot of chances to work on great great shows, shows that are both huge hits and quality, so you kind of go “I want to stick around for awhile.”

Sloan: Yeah! Yeah, you’ll have to drag me out kicking and screaming.

Brown: Drag you out?

Sloan: Dragon…

Both: Ooooh… (laughing)

Sloan: Bad. Really bad, I’m so sorry.

Brown: It’s late in the day.

Sloan: Yeah, it is.

Q: Yeah, I think the clips that you showed and the teaser trailer look really good because it often happens, I feel, when you go from a movie to a show or movie to sequels, the secondary product just doesn’t look right. The colors are wrong. Something is off.

Sloan: Yeah, it’s just that to make a movie costs an enormous amount of money – animated movie or live action – and we make our TV shows for what half a minute of a movie costs so it really really does take all of our thinking and planning and all of that to make the show look good, but our goal is to make it look somewhat close to the movie.

Brown: And we’re able to… these seasons, we were able to… You know, we are lighting it differently. The first two we had to just sort of do what we could afford and it is more dynamic, more filmic now.

Sloan: People think we spend millions and millions of dollars on the show and that is absolutely not the case. I mean, we are the same as any other show, it is just the people who work on our show are really smart and they really have figured out ways to make our show look brilliant without breaking the…

Brown: And they care!

Sloan: Yeah, the really do care which is good. Caring is sharing… Or, sharing is caring. One of those two.

Brown: One of the two.

Q: I definitely think you can tell when creators and people involved with the project actually love the material versus when they are just trying to turn out something to make money.

Sloan: If you go through our office, every single desk is decorated with dragon stuff. There are little dragon toys on all the desks and everybody has a picture of a dragon and they just love the show which is awesome.

Q: Anything else that you would like to tell the fans?

Sloan: Just thank you for watching and thank you for being so into the show. We really… we make the show for them, we make the show to take them on a ride, to make them happy and make them excited about the adventures. We really want to thank them for being there and supporting us and being interested in it.

Brown: And for knowing the show better than we do in many instances which keeps us on our toes.

Sloan: Yep. It’s awesome.

Q: Cool. Thank you very much.

Both: Thank you.

 Check out the awesome teaser trailer here!

Make sure to check out Dragons: Race to the Edge on Netflix June 26th.

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A new show coming to TV will be the creepy and mysterious, Wayward Pines, which is based on the international bestselling book series by Blake Crouch. Executive producer, Donald De Line, explained how the show was conceived after he read the book and loved it; he said he could not put it down. De Line felt the material was “better served over a longer period of time” because there is too much for just a movie. The other big force behind this show is M. Night Shyamalan who liked the books even more because he could not guess the twist.

Reed Diamond, who plays Harold Balinger, chimed in that he read the book in one sitting. He also explained that early on you find out what is going on and the complexities just expand instead of a long build up only to deflate. After watching the pilot during the panel, the show is definitely intriguing and it is nice to hear that you get some clarification early on instead of being strung along blindly. Tim Griffin, who plays Adam Hassler, added that the show is “very generous on exposing secrets early on.”

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They started to make the show after the first book came out and you learn the truth of what is going on around episode 5, but episode 10 will be just as exciting. It is great to hear that they plan to keep the audience engaged while still satisfying curiosities. For those who are wondering about how closely the show follows the book, the “overall truth is similar to the book” according to Donald De Line. This is a show where they have already outlined where the final episode would go and planned in advance instead of just writing as they went.

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When you are basing a show or movie on a book there is an easy way to find out what most likely will happen. Reed Diamond joked that he felt like the only actor who read the book. He also commented on hearing interviews with cast members from Game of Thrones who have said they do not know what will happen to their character. Which surprised him because “you can find out!” Diamond also added that what the characters think and say are different and that is fun for an actor – lot of subtext to play with. Tim Griffin mentioned another talented actor on the show, Terrence Howard, did not want to know anything about his character. Griffin said he started out the same but then he got desperate and cornered Shyamalan to find out what happens to his character. All of the directors on the show were helpful to the actors by pointing them in the right direction without being too obvious and ruining the surprise.

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This show was a first, in a way, for its creators because Donald De Line had never produced and M. Night Shyamalan had never done television. Shyamalan wanted to do something that was not like what was already on television. So why now? Donald De Line said it is because the show has a “fantastic story” and with a good show, it is all about the story. Reed Diamond agreed saying it is a “high quality show” and what better way to tell a great story than with A-list talent who want to bring the story to life.

Asked to sum up the story, De Line said it is a “great suspense thriller where nothing is what it seems to be but everything reveals itself…in a scientific way.” It does have the vibe of Twin Peaks meets The X-Files. On that alone, I am sold plus the pilot was pretty awesome so I will check it out for sure!

Wayward Pines premieres on May 14th on FOX.