Listen to Analog Jones as we try to catch a murderer in New York with our mind powers!



Eyes of Laura Mars (1978) VHS Movie Review

Quick Facts
Eyes of Laura Mars is an American thriller film that was released August 2, 1978, on a budget of $7 million and had a box office return of $20 million.

Directed by Irvin Kershner
Produced by Jack H. Harris, Jon Peters and Laura Ziskin
Written by John Carpenter and David Zelag Goodman
Production Company: Columbia Pictures
Distributed by Columbia Pictures

Starring
Faye Dunaway as Laura Mars
Tommy Lee Jones as Lieutenant John Neville
Brad Dourif as Tommy Ludlow
René Auberjonois as Donald Phelps
Raúl Juliá as Michael Reisler
Frank Adonis as Sal Volpe

Eyes of Laura Mars VHS Cover Front and Back

VHS Box Summary
This riveting tale of murder and suspense stars Faye Dunaway as Laura Mars, New York’s most controversial fashion photographer. World-renowned for her sensational, erotic portraits of models in settings of glorified urban violence, Laura Mars exhibits a mystifying psychic ability. In her mind’s eye, as if through the lens of her camera, she “witnesses” a series of bizarre murders with terrifying clarity. All of the victims are people Laura has known. Police detective John Neville (Tommy Lee Jones) discovers a striking similarity between Laura’s works and classified police photographs of the murders, and he attempts to unravel the events which have taken control of Laura’s mind. The film builds to a spine-chilling climax when the Eyes of Laura Mars reveals the identity of the killer.

Come back next week for another Film Noir VHS Movie Review.

Discuss these movies and more on our Facebook page.

You can also listen to us on iTunesPodbean, and Youtube!

Email us at analogjonestof@gmail.com with any comments or questions!

tommy-lee-jones-cowboys-john-wayne

Variety is reporting that Tommy Lee Jones has joined the cast for the upcoming ‘Borne’ 5 movie , stating that the role is most likely that of a superior officer at the CIA. Similar to the ones portrayed by Chris Cooper, Brian Cox, and David Strathairn in the previous ‘Bourne’ installments, meaning that Tommy Lee Jones’ character will probably be the one leading the hunt for Jason Bourne. So pretty much his character is set up for failure in this movie, since Bourne has yet to be ever caught in the film franschise. Tommy Lee Jones is not stranger to tracking down fugitives. In the role of Deputy Marshal Samuel Gerard in the 90’s hits The Fugitive and U.S. Marshals, it was his task to track down fugitives that were later to be proven to be wrongly accused and set up.

Alicia Vikander and Julia Stiles are also on board to join the next installment, with Stiles reprising her role as Nicky Parsons.

‘Bourne 5’ is set to be released on July 29, 2016.

Throughout the history of mankind it has become an accepted fact that certain things belong together. Peanut butter and jelly, macaroni and cheese, or the thought of Steven Spielberg and his newest baby, Lincoln. Even during War Horse‘s 2011 run to the Oscars, it was the anticipation of Spielberg’s Lincoln that sat in the forefront of everyone’s mind. With Daniel Day-Lewis, who I confidently refer to as “the greatest actor alive”, signed on to portray the semi-controversial historic hero Abraham Lincoln, the possibilities seemed endless. Now, as 2012’s stealth-like conclusion wanders within the eye’s reach, Steven Spielberg’s Lincoln is finally here. And it’s about time.

Set during the closing months of the Civil War in 1865, Lincoln examines the personal and political struggles that our nation’s 16th president endured while working to pass an amendment to the constitution to forever ban slavery. However, the confederate army becomes open to the idea of a peaceful immediate conclusion to the war. But if the confederate states rejoin the union before the house’s vote on abolishing slavery, it would surely put an end to the passing of the amendment. As a result, President Abraham Lincoln (played by Daniel Day-Lewis) faces grave inner turmoil and guilt over allowing a deadly war to continue at the hands of freeing millions of black slaves.

Let me preface by saying that I am by no means a historian, and nor do I pretend to be. When I offer up my opinion on director Steven Spielberg’s Lincoln, I am viewing the film in a cinematic context only. Historical debates aside, Lincoln is a deeply effective and fundamentally involved character study. In many ways feeling quite different from his typical style, Spielberg’s biopic is very restrained and genuine. He never allows the movie to get too over-dramatic or flashy, instead giving the reins to two-time Academy Award Winner Daniel Day-Lewis who aptly carries the film for 149 minutes. To say that Day-Lewis is a spitting image of our former president, is to put it all too lightly. The infallible actor completely encompasses the aura of our nation’s historical hero. Scene after scene, Day-Lewis astonishes with hair-raising performances that will surely land him a gaudy-sounding fifth Best Lead Actor nomination from the Academy. Outstanding acting is far from the only glowing aspect of Spielberg’s Lincoln. Strong collaborative efforts from costume & makeup as well as beautiful cinematography join together to make the feature a clear technological achievement. From top to bottom, Lincoln succeeds as a carefully crafted molding of countless notable attributes.

If there is one major downfall to Lincoln, it resides in the enormous running time that can’t help but wear down the audience. Ironically, Spielberg’s film proves to be a massively draining viewing experience for the moviegoer. Much like the feature’s hero who battles to balance a violent war and the passing of a landmark amendment, the audience leaves the theatre feeling as run down and feeble as President Lincoln does. And to a fault, Spielberg force feeds a myriad of characters which helps to keep the runtime bloated. Some more pivotal to the story than others, the result is a culmination of subplots galore that manage to overtake Lincoln and hold the film hostage. Although it has become a recurring theme with the legendary director, Spielberg ends up as his own biggest obstacle. I can only imagine the difficulty for an accomplished director of his talents to constantly re-invent the wheel. However, his visions of perfection have often hindered his finished products of late.

Despite Lincoln‘s prolonged running time and stagnant feel, Steven Spielberg addresses this prominent historical figure with such precision and delicacy. You can tell the director’s passion for the project by the manner in which the film unfolds. He allows for Daniel Day-Lewis to shine and, for once, plays second fiddle. Day-Lewis and a supporting cast that is unquestionably headlined by Tommy Lee Jones help elevate Lincoln to a credible piece of cinematic art. However, this is by no means a ringing endorsement for Spielberg’s latest effort. Instead, take this as a nod of approval for fans of period pieces, biopics and the always great Daniel Day-Lewis.

Grade: 3/5

You can check out other work from MCDave by visiting Movie Reviews By Dave

 

Has it really been 15 years since Will Smith’s Agent J first donned the last suit he’d ever wear?! The first “Men In Black” was released back in 1997 and worked wonders, but then it was followed up with 2002’s lackluster “Men In Black 2”.

Following  the letdown that was “MIB2”, the franchise was wisely put on hold and the suits were put away in mothballs. Now that we’ve all had a chance to wash the bad taste out of our mouths the Men In Black are back for another adventure.

This time around we find Agent J (Will Smith), still working with his surely partner Agent K (Tommy Lee Jones), as they continue to keep the world safe from the scum of the universe. When an enemy from K’s past, Boris the Animal (Jemain Clement), escapes custody and travels back in time, altering the future, it’s up to Agent J to save the day. The new head of the MIB, Agent O (Emma Thompson) orders Agent J to travel back in time and “put right what once went wrong” and just like that we are off to 1969. Once he’s safe but not sound back in good old 1969, we are introduced to a scene-stealing Josh Brolin as the young version of Agent K and the two agents are off on an adventure that sees the likes of Andy Warhol, the  “Amazin’ Mets” and Apollo 11.

Director Barry Sonnenfeld has managed to make a movie that not only gets the series back on track, makes us remember what made the first film so enjoyable, and simultaneously making us forget how lame the second film was. Will Smith and Tommy Lee Jones don’t miss a beat in their roles but the real star of this movie is Josh Brolin. He does a fantastic impression of Tommy Lee Jones and manages to bring new life to what has been a fairly boring and humorless character. Brolin and Will Smith have good chemistry together and their scenes together make for some good laughs.

“Men In Black 3” proves that there’s still life in the franchise. Sure, the movie may have cost $215 million dollars to make and yes, it did get delayed quite a few times, but as it turns out a little extra time to fine tune the script wasn’t such a bad thing.

Is this the best movie you’ll see this summer at the movies? Doubtful, but if you’re looking to sit back, relax, and have a good time at the movies then this flick will do the job.

Score: 3.5/5

"See this little blue light, it'll make you forget Men In Black 2"