Non-traditional film studios have carved a niche in the movie industry as both Amazon Studios and Netflix earned Oscar wins this past year. One of Netflix’s most recent purchases includes the Sundance selection, The Discovery, which releases globally on the streaming platform this weekend. After a snubbed performance for his elite portrayal of American author, David Foster Wallace, in The End of the Tour, Jason Segel continues his dramatic push in Charlie McDowell’s fascinating examination of the afterlife.

Set in the near future Segel stars as Will, son of the famed Dr. Thomas Harbor (Robert Redford) who proves that our consciousness travels to a different plane of existence after we die. Once news spreads of a definitive afterlife, suicide skyrocket by individuals looking for “a fresh start”. And when Will disrupts a young woman’s (Rooney Mara) attempt at suicide, they travel together to Dr. Harbor’s research compound where they discover the truth behind where our consciousness goes.

Ambitious and artsy almost to a fault, The Discovery ponders bold ideas and stirs the imagination with a thought-provoking finale that explodes with possibility. However, Charlie McDowell decides to spend the wide majority of the film developing a slow-burning story of love and loss that merely uses this cerebral conclusion as an afterthought. Rooney Mara grips the audience with a nuanced performance. Her onscreen prowess is further complemented by Jesse Plemons’ energetic supporting work. Sadly, lead star Jason Segel, whom I have defended and supported in the past with all my might, provides a monotonous turn that constantly strikes the same chord over and over again. The Discovery isn’t the most entertaining or exciting watch, but once everything finally pieces together, there’s a satisfying bit of beauty to this somewhat muddled and arduous affair.

GRADE: 3/5

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In the twilight of his illustrious career, the iconic film star, Robert Redford, has only appeared in four separate roles since 2007. Such a small number would clearly indicate a selective approach for the one-time heartthrob. Hence, it’s a bit puzzling what drew Redford to his latest film choice, the old-timer comedy, A Walk in the Woods. Needless to say, even the great Robert Redford couldn’t salvage the newest plot-less film from director Ken Kwapis.

As the best-selling American travel author, Bill Bryson (Redford), seeks out the next adventure in his life, he stumbles across the great and lengthy Appalachian Trail. Quickly, the aged writer dives head-first into planning out his 2,000+ mile journey from Georgia to Maine. Yet, the only thing missing is a travel companion. After countless rejections, Bryson hears back from an old friend named Stephen Katz (Nick Nolte) who’s willing to join him on the trek of a lifetime.

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A Walk in the Woods musters up the occasional laugh, but mainly suffers from poorly developed characters and an unfocused plot. Don’t expect any notable character arcs or legitimate dramatic moments. Instead, the film paces along solely as a geriatric comedy drowned in predictable situations and unoriginal jokes that produce soft chuckles, but never full on riotous laughter. As A Walk in the Woods meanders from one rehashed joke to another, the most disappointing aspect of the film is its untimely and abrupt finale that ultimately reinforces the notion that the feature is nothing more than a thoughtless and misguided attempt at storytelling.

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Although A Walk in the Woods suffers from numerous inexcusable inadequacies, it’s impossible to deny the onscreen efforts of co-stars Robert Redford and Nick Nolte. Without these seasoned vets who try their hardest to resurrect a dead story, the film would have been an absolute disaster. Thankfully, the committed work of Redford and Nolte help ease the audience through a journey of recycled humor and an even flimsier screenplay. But all in all, A Walk in the Woods is a mediocre comedy with almost no redeeming qualities.

As a result of poor storytelling and a lack of creativity, Ken Kwapis’ latest endeavor comes and goes without ever leaving a mark. Perhaps Redford is a devoted fan of Bill Bryson’s highly regarded and humorous novels on world travel. Otherwise, it becomes difficult to fathom what attracted him to a script that’s so unapologetically devoid of emotion. A Walk in the Woods is undeserving of your hard earned money and far from the summertime adventure you should be seeking out.

GRADE: 2.5/5

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Academy Award Winner Robert Redford is a legendary icon with over a half century in the film industry. The actor/director has truly mastered the art of cinema. In 2013, during the twilight of his career, Redford returns with another Oscar-level performance in J.C. Chandor’s All Is Lost. With last year’s release, Life of Pi, receiving a copious number of nominations throughout the awards season extravaganza, an alone-at-sea survival tale feels all too familiar. However, using merely a fraction of Ang Lee’s Oscar-Winning budget (an estimated $9 million vs $120 million), Redford and Chandor combine to deliver a superior survival-film adventure.

In the midst of an independent journey through the Indian Ocean, a man (Redford) is awoken by the onslaught of water in the cabin of his sail boat. He quickly investigates the issue only to discover that his vessel has struck a huge metal shipping container floating aimlessly in the sea. The surging water has destroyed his radio equipment and, therefore, the lone resourceful sailor is forced to survive trying ordeals as he faces his own mortality.

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Being the forefather of the Sundance Film Festival and an advocate of insightful small-budget independent cinema, it’s only fitting that Robert Redford’s acting career returns to insurmountable heights on the backbone of a feature such as this. J.C. Chandor’s All Is Lost is a heart-pounding and agonizing adventure into the human spirit’s will to survive. With almost as little dialogue as recent Best Picture Winner and “silent film” The Artist, there’s a great bit of irony in describing Chandor’s transcending work as action-packed. Yet, Redford’s one-man show (he’s the only actor in the movie) and speechless approach somehow elevate the picture’s situational intensity. Crafted by what the director has admitted was only a 31-page script, All Is Lost is a straightforward and forthright example of exceptional artistry.

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For all of its intensity and dramatics, Redford’s latest film offers a meager amount of entertainment value. A far cry from the typical big studio release, All Is Lost requires a level of cerebral devotion and emotional investment. Both of which build a formidable foundation for the movie to prosper. Although the feature boasts an indisputable appeal to the more human elements of life, All Is Lost is by no means a viewing pleasure for all occasions. However, if the mood is suitable and understood, J.C. Chandor’s sophomore effort is an emotionally undulating ride.

The “survival tale” has become a recent norm throughout Hollywood. As the box-office smash Gravity, which is mesmerizing in its own right, is sure to attract audiences throughout the world with flashy special effects and a pair of  mega-stars in its leading roles, it’s easy to overlook a superb film such as All Is Lost. Robert Redford’s gritty Oscar-caliber performance and J.C. Chandor’s direction are both stellar and worthy of recognition. My only hope is that the rest of the world will take notice.

GRADE: 4/5

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Deadline reports that award winning actor and director Robert Redford (All The President’s Men, Spy Game) is currently in talks to join the cast of the Anthony and Joe Russo directed Captain America: The Winter Soldier. However, being that this is a Marvel Studios film, there’s not much known about the role that the actor is up for at the moment. The only details currently known is that his part will involve having a “senior leadership role in S.H.I.E.L.D.” The site also notes that Redford may continue to appear in other Marvel Studios film following this one. Filming on the highly-anticipated Marvel Studios film is set to begin next month, so expect to learn more details regarding the role very soon.

 

CAPTAIN AMERICA: THE WINTER SOLDIER logo | ©2012 Marvel Studios

 

Captain America: The Winter Soldier is set to hit theaters April 4th, 2014

 

Source: Deadline