Tag: Chris Tucker

Geekscape Movie Reviews: Silver Linings Playbook

by MCDave

This year’s Philadelphia Film Festival couldn’t have lined up a better Opening Night Film. David O. Russell’s latest work, Silver Linings Playbook, truly embodies the City of Brotherly Love. Everything about the film looks, sounds and feels like Philadelphia. From the carefully selected suburban neighborhoods that appear throughout the movie to our beloved football team, the Philadelphia Eagles, it’s clear that David O. Russell “gets” this often misunderstood city. The director creates a strong and unbreakable kind of bond that’s sure to last a lifetime … especially around here.

Bradley Cooper stars as Pat Solitano, a former high school teacher doing a stint in a mental facility after coming home to his wife having an affair and then severely beating her lover. It’s safe to say that Pat has some issues with anger management and certain “triggers”, like his tainted wedding song that’s guaranteed to set him off on a rampage. On the other hand there’s Tiffany (played by Jennifer Lawrence), a recent widow whose self loathing and erratic antics help support the fact that she’s clearly off her rocker too. But when the pair of crazies decide to help one another out with some sizable favors, they soon discover the best way to help make sense of this screwed up world.

David O. Russell’s Silver Linings Playbook is a surprisingly upbeat and off-the-wall examination of mental health disorders. Way funnier than I anticipated it to be, the director chooses to approach this serious issue with a delicate sense of humor. What could have easily been sold as a dark comedy with a completely different tone, Silver Linings Playbook stays light and refreshing throughout its two hour running time. Perhaps most impressive about David O. Russell’s latest work is the script’s ability to generate a fluent tempo. The character development and plot are frequently progressing, giving Silver Linings Playbook a perfectly suited pace. Never lethargic or lifeless, the film has a pair of tremendously talented stars to thank for such an excellent result. Bradley Cooper continues to elevate his work and a performance such as this one should clearly put him on the Oscar’s radar. But for as phenomenal as Cooper is throughout the film, his counterpart, Jennifer Lawrence, still tends to overshadow his efforts. Lawrence, who has already landed a Best Actress Nomination for her work in the indie hit Winter’s Bone, uses this role to stamp her claim as one of Hollywood’s fastest rising female stars. There’s no limit to what the future has in store for her. Although the two leads steal the film, the quality of the cast doesn’t stop there. Robert De Niro’s name is already floating around the Best Supporting Actor race for his portrayal of Pat’s football crazed father, Pat Sr. Even though I can agree with the praise being thrown De Niro’s way, I was almost equally impressed by Chris Tucker’s character. Completely outside of his normal loud-mouthed range, Tucker demonstrates a more mature style of acting which shouldn’t be ignored. Once again, writer/director David O. Russell assembles a fantastic collection of talent and uses their glowing performances to constantly elevate his work.

Despite all of its commendable aspects, there are a few fair complaints with Silver Linings Playbook. Most notable is an uncomfortable and awkward feel surrounding the character Jake Solitano (played by Boardwalk Empire‘s Shea Whigham). As Pat’s older brother, Jake never finds his niche in the story and it results in plenty of stumbling scenes. Knowing that Silver Linings Playbook is based on Matthew Quick’s novel of the same name, maybe Jake’s character serves a more purposeful role in that platform. Yet, here he does nothing but detract from the otherwise smooth flowing pace of the film. Another small blemish with the feature is some inconsistencies revolving around the final scenes. The audience, like Pat, is force fed a dose of reality that his ex-wife is no longer interested in talking to him. As if her restraining order against him isn’t proof enough. Therefore, when she comes back into the story at the movie’s conclusion, it feels like a bloated Hollywood-esque move on behalf of the writer and director David O. Russell. While none of its faults are detrimental to the success of the film, Silver Linings Playbook easily moves past these flaws and remains one of the year’s best pictures.

With an early head of steam in the race to the Oscar’s, David O. Russell’s Silver Linings Playbook is a serious contender. Finding a large amount of solace in its surprisingly original comedic tone, this Oscar hopeful is in a league of its own. Because of a dazzling ensemble and a lovable pair of crazed characters, Silver Linings Playbook clearly stands out among its Oscar competitors. Due out around Thanksgiving, Silver Linings Playbook is the type of fun and energetic film you make it a point to see. Heed my advice and mark your calendars.

Grade: 4/5

Feel free to check out other work by MCDave at Movie Reviews By Dave

 

Geekscape Roundtable: Geekscape’s Favourite Action Movies!

by GeekscapeStaff

The Expendables 2 is out this Friday and we are already getting details about a third installment in the franchise. So, right now we here at Geekscape are on an adrenaline high and what better time than now to tell you guys what our favorite action flicks are. So lets get into it!

Andy Breeding – I cannot resist Rush Hour 2. The comedic chemistry between Chris Tucker and Jackie Chan is amazing on how well it works. Every joke is well delivered and makes me laugh every time. With Jackie Chan, you know you are getting awesome fight choreography right from the start. For someone in his condition, he still took the risks that most people would make a stunt person do while they would sit off in their trailer eating a ham sandwich.

 

Thrill Murray – I considered abstaining from this activity because the parameters are obscenely vague. IMDB lists 23,103 films as residing within the action genre. Fortunately, 23,102 of those movies are irrelevant because DIE HARD.

 

Allisonnnnn – Chronicles Of Riddick. We have an underground jail on a planet whose sunrise is akin to a nuclear explosion inside an EZ-Bake Oven, a cult of ass-kicking fanatics in H.R. Giger inspired armor, and Vin Diesel constantly flexing those manly arms of his as he lays waste to his enemies. Oh, and Karl Urban: Sex God Extraordinaire, being hotter than any mortal man has a right to be. Seriously, in the Director’s Cut, the things he gets up to with Thandie Newton… I’ll be fanning myself for weeks.

 

UncannyShawnMadden – This is a hard one to decide on. I narrowed it down to a list of five movies (three of which starred Jean-Claude Van Damme) but when it came down to it I had to join Jack Burton on the Pork Chop Express. Big Trouble In Little China had everything you could possibly want out of an action flick. Okay. You people sit tight, hold the fort and keep the home fires burning. And if we’re not back by dawn… call the president.

 

Shane O’Hare – My favorite action movie has to be Shoot ‘Em Up. Not only is the entire plot given to you in the title it can easily describe half the movies out there in the Action genre! From the very beginning it is in your face crazy fun. The term “creative kills” is perfect for this film, when one of the first deaths is caused by a carrot!

 

Scott Alminiana – My favorite action movie has got to be Lethal Weapon 2. It took everything great about the first one and cranked it to 11. Mel Gibson and Danny Glover have perfect chemistry as Riggs and Murtaugh. The addition of Joe Pesci’s Leo Getz is fantastic. He’s got some of the best lines in the entire movie “They FUCK YOU at the drive-thru, okay? They FUCK YOU at the drive-thru!” and he steals every scene he’s in. Anytime Lethal Weapon 2 is on I will sit and watch it waiting for bad guy Arjen Rudd (Joss Ackland) to say “diplomatic immunity” so that I can crack my neck along with Murtaugh and say “it’s just been revoked!”

Molly Mahan – Kill Bill, to me, is the greatest love story of my generation, and a truly amazing action film that happens to be led by a woman (hell yeah!). Tarantino—love him or hate him—knows how to make a film. It’s a classic revenge story, which I am a sucker for, with amazing fight sequences—the 30-minute ballet between the Bride and the Crazy 88s at the climax of volume 1 and the battle between the two blonde assassins in volume 2 shine particularly bright in my mind—and the characters have depth, not just of purpose but emotional awareness that isn’t always apparent in the genre. When we come to the end of The Bride’s journey and see her interact with Bill, there is always a part of me that wishes they can get back together and work it out (no matter how foolish or big of a let down it would be after four hours of watching her roaring rampage of revenge). But despite the basic premise, their relationship isn’t the only one that we see on display. The love she has for her daughter, the disdain and respect each of her opponents and former colleagues have for her are all evident. The layers that every character has is pretty remarkable. You could see each of them headlining their own film if they had to, or a comic book run. In the end, Kill Bill doesn’t force me to change my knickers as often as the trailer for Expendables 2 does, but it makes my heart sing. And that is something remarkable.

 

Jonathan – I think anyone who reads this site is expecting me to put a Van Damme movie here but I’m going to take the opportunity to share my love for another action film, probably one of the most revered in the genre: John Woo’s 1989 film The Killer, starring Chow Yun Fat, Danny Lee and Sally Yeh. This was the only movie poster that I had in my room all 4 years of college and not a week went by that I didn’t watch at least a few scenes from it. I could still watch it every week today. The plot is simple and has been done before. A conscientious hitman (Chow Yun Fat), pained by a hit gone wrong and blinding an innocent woman (Sally Yeh), swears to retire. But he takes one last job in order to pay to make things right. And in a classic modern-noir fashion, that was one job too many. Not only are his ex-employers on his tail to wipe him out but so is a driven cop (Danny Lee), intent on bringing him to justice. Some prefer Woo’s Hollywood calling cards of Hard Boiled and A Better Tomorrow 2 or the more gray area’d A Better Tomorrow but The Killer is where Woo really put his stamp on the genre, complete with slow motion doves, antagonists finding a common respect in a ballet of bloodshed and a dangerous men with moral codes. This movie influenced a wave of 90s action filmmakers, from Rodriguez to Tarantino, and forever reinvigorated a genre that had been exhausted by the end of the 80s. Throw any action film you want at it, The Killer still stands towards the top. And if it’s any consolation, John Woo did end up making a Van Damme film, 1993’s Hard Target.