Is there anyone out there craving a prequel to Stanley Kubrick’s amazing film The Shining? Yeah, I didn’t think so, but apparently Warner Bros. feels differently.

A source at Warner Bros. (who’s not authorized to talk about it publicly, so they leaked it) told LA Times that the studio has tapped  writer-producer Laeta Kalogridis and her partners Bradley Fischer and James Vanderbilt to develop a prequel to the film. The LA Times article states that “A WB spokeswoman cautioned that any “Shining” prequel was in a very early stage and not even formally in development”.

The prequel would focus on events prior to Jack Torrance (played brilliantly by Jack Nicholson in the original), his wife and little Danny’s fateful stay at the Overlook Hotel. What that could be is anyone’s guess, but do we even need/want the prequel? Kubrick’s film is a cult classic and is engrained in our minds. Could any follow-up to The Shining, be it a prequel or sequel, even live up to the original? Hollywood’s track record seems to prove that prequels and sequels to such cult classics rarely, if ever, live up to their predecessors. Take the recent prequel/reboot/remake of The Thing as a prime example of this.

This prequel isn’t the only continuation that’s currently in the works. Stephen King is working on a sequel to his novel The Shining, on which the movie was based, titled Doctor Sleep. Here’s the synopsis for the novel:

Stephen King returns to the characters and territory of one of his most popular novels ever,The Shining, in this instantly riveting novel about the now middle-aged Dan Torrance (the boy protagonist of The Shining) and the very special twelve-year-old girl he must save from a tribe of murderous paranormals.On highways across America, a tribe of people called The True Knot travel in search of sustenance. They look harmless—mostly old, lots of polyester, and married to their RVs. But as Dan Torrance knows, and tween Abra Stone learns, The True Knot are quasi-immortal, living off the “steam” that children with the “shining” produce when they are slowly tortured to death.

Haunted by the inhabitants of the Overlook Hotel where he spent one horrific childhood year, Dan has been drifting for decades, desperate to shed his father’s legacy of despair, alcoholism, and violence. Finally, he settles in a New Hampshire town, an AA community that sustains him, and a job at a nursing home where his remnant “shining” power provides the crucial final comfort to the dying. Aided by a prescient cat, he becomes “Doctor Sleep.”

Then Dan meets the evanescent Abra Stone, and it is her spectacular gift, the brightest shining ever seen, that reignites Dan’s own demons and summons him to a battle for Abra’s soul and survival. This is an epic war between good and evil, a gory, glorious story that will thrill the millions of hyper-devoted readers of The Shining and wildly satisfy anyone new to the territory of this icon in the King canon.

Well get ready folks because it looks like a follow-up of some kind is coming our way and it’s coming soon. But just remember, all work and no play make something something… eh I forgot. Oh well!

It was announced online today that MGM and Screen Gems have offered the titular role in their remake of the classic Brian DePalma horror film Carrie to 15-year-old actress Chloe Moretz (Kick-Ass, Hugo). The retelling of the 1974 Stephen King novel being directed by Kimberly Peirce (Stop-Loss, Boys Don’t Cry) is slated for a late 2013 release-date.  A couple months back when the film was first announced, it was revealed that Roberto Aguirre-Sacasa, who helped rewrite the best-selling Spider-Man: Turn Off The Dark Broadway musical, had penned the new adaptation.  Aguirre-Sacasa is said to have written a version that’s more faithful to the original novel and more grounded than the original film.

Carrie is about a girl in high school who’s regularly bullied by her classmates and her mother.  Unbeknownst to them however, Carrie possesses dangerous telepathic powers.  Just when it seems like her life is starting to turn around as she stands on stage with her hot date at prom, she falls victim to a mean-spirited prank designed by her peers. In an iconic and chilling scene, Carrie unleashes her psychic rage upon the high school prom.

We know thanks to Kick-Ass and Let Me In (the American retelling of Let The Right One In) that Moretz has the acting chops to pull off the role. She’s proved that she’s comfortable with a wide range of roles ranging from sweet and innocent to violent and dangerous. When (and if) she officially signs on, the studio will turn its attention to casting the roles of Carrie’s prom date and her mother.

Check out the trailer for the original 1976 Carrie, Directed by Brian DePalma.

According to the Vulture.com, MGM has narrowed down their choice for the title role in their remake of Brian DePalma and Stephen King’s 1976 classic Carrie down to two actresses. The two main contenders for the part are said to be Chloe Moretz, better known to geeks as Hit Girl from Kick-Ass, and 24 year old Haley Bennett, who most people would only know from the movie The Haunting of Molly Hartley. Moretz is still only fifteen, so she hasn’t completely gotten over her awkward phase yet, which is a good thing. Bennett is a bit too sexy looking for Carrie White to me, and there is nothing I hate more than when Hollywood throws on a pair of glasses on an obviously sexy twenty something and musses up her hair, and suddenly expects us to buy that they are awkward outcast teenagers.

Is Hit-Girl Chloe Moretz our new Carrie White?

Some of the other actresses who tested for the part were Dakota Fanning, Emily Browning (Sucker Punch) Bella Heathcote (Dark Shadows) and Lily Collins (Mirror Mirror) In my opinion, each of these actresses is way too conventionally beautiful (and too old)  to play the part of pale and awkward Carrie White, so I’m glad they were passed over. One of the big problems with so many of these horror remakes of classic movies is that every teenager looks like they are potential Victoria’s Secret or Abercrombie & Fitch models. Look at the original versions of Halloween, Nightmare on Elm Street or Friday the 13th; the teens look like teens, some of them even have visible zits. Now they all look they came out of some weird factory that only makes perfect, chiseled people (this factory also supplies the CW Network with the cast for all their shows) Carrie needs to be someone who can look real, awkward, and believably seventeen.

The last tidbit from this article is the most interesting: It seems director Kimberly Pierce is looking for either Jodie Foster or Julianne Moore to play the part of Margaret White, Carrie’s crazy fundamentalist mother. Either of these choices raises my interest level for this project a thousand fold. After seeing her play another ultra conservative unbalanced mom in the form of Sarah Palin in Game Change, I could totally see Julianne Moore totally delivering in this part. Or it could also be a huge acting comeback for Jodie Foster, who hasn’t had a mainstream hit movie in almost a decade. Either choice at least give me partial hope this project won’t be total a waste of time. But whoever ends up in either part has rather huge shoes to fill, because Sissy Spacek and Piper Laurie totally owned those roles.

" I smelled the whiskey on his breath. Then he took me. He took me, with the filthy roadhouse whiskey on his breath, and I liked it. I liked it!"

The saga of Stephen King’s Dark Tower series’ many efforts in coming to cinematic life continues; after Universal passed on Ron Howard’s ambitious plan to do a set of movies as well as a series of television episodes on HBO, many King fans gave up hope that something as ambitious as this would ever see the light of day. But there is light at the end of this tunnel.

 Deadline.com reports that Warner Brothers is now this close to making a deal that will have Ron Howard directing at least the first movie in the planned trilogy, potentially with Javier Bardem starring as Roland Deschain, the last living member of a knightly order of gunslingers. Fans might remember that Bardem was the frontrunner while this project was still at Universal. Akiva Goldsman (who wrote the script-yes, the same man who unleashed Batman & Robin on the world) is producing with Brian Grazer and Stephen King himself.

Production is likely to start in first-quarter 2013. With three movies and two planned television entries, his would be the most ambitious genre project since The Lord of the Rings was done. It is nice to see Warner Brothers take a chance on a high risk genre project like this, especially after Disney fell hard on their face with the box office reception to John Carter this past weekend.  At least Warners understands that books still make better source material than board games.