Every year an unexpected film rises out of nowhere and makes its mark on the awards season race. While Morten Tyldum’s The Imitation Game hung quietly on prognosticators’ radars, none expected it to capture the highly coveted People’s Choice Award at TIFF, a recognition that instantly catapults the film into the heart of the Best Picture race. Previous winners of the award include powerhouse titles such as Slumdog Millionaire, The King’s Speech, Silver Linings Playbook and 12 Years a Slave, so it’s easy to understand the significance of such an achievement. But a larger and more important question continues loom over The Imitation Game, can the film hold off a barrage of Oscar-worthy competitors that are still awaiting their releases?

Brilliant mathematician Dr. Alan Turing (played by Benedict Cumberbatch) is summoned to interview with military officials during the German expansion of World War II. Alan is selected as part of a secretive unit tasked with one important mission, to break the most sophisticated encryption machine the world has ever seen. Understanding that human trial and error has no chance of breaking Germany’s Enigma code, Dr. Turing develops an advanced computing machine that helps the allied forces defeat the Nazis and changes the world forever.

2014, THE IMITATION GAME

The Imitation Game has all the makings of an Oscar-caliber film. Director Morten Tyldum brings to life an amazing true story filled with obstacles and complexities that briskly carry the feature from start to finish. And at its core rests a worthy lead, Benedict Cumberbatch, whose intricacies perfectly capture the mind of a mathematician. As a professor of mathematics at a state university in Pennsylvania, I have a first-hand view into such “thinkers” and Cumberbatch sells the role extremely well. Everything from Alan Turing’s difficulties handling social settings to his full-fledged cognitive arrogance. Although I personally felt some of the moments were slightly overacted, Cumberbatch undoubtedly gives an accomplished performance alongside other stellar turns from castmates Keira Knightley and Matthew Goode. With yet another beautiful score from Alexandre Desplat and solid direction from Tyldum, The Imitation Game is an all-around formidable piece of cinema that will certainly find its way into many Oscar discussions.

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Although The Imitation Game is a strong piece of filmmaking on various levels, one unfair criticism would be that the feature never really amazes in any particular area. Actually, the movie feels like a bit of a conundrum. For example, I commend the uptempo pacing of Tyldum’s work, yet more interesting ideas and controversies surrounding Alan Turing’s personal life become glossed over in order to achieve a more fluid viewing experience. While such decisions unarguably ease the responsibilities of both the filmmaker and the screenwriter, The Imitation Game becomes merely a partially told story that feels like a slight disservice to such a marvelous and significant man who has left his impression on the modern technological world.

All in all The Imitation Game is an unquestionable crowd-pleaser filled with humor, drama and everything in between. Dr. Alan Turing was a pioneer in the world of technology and a mathematical genius who helped defeat the Nazis. His story of heroics is one that is told very well throughout the film and one that everyone should know, so do yourself a favor and seek out The Imitation Game when it reaches theatres in late-November.

GRADE: 4/5

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Writer/director Lynn Shelton is best known as an influential figure in the frequently coined “mumblecore” movement. This style of filmmaking often refers to a lower budget and the hefty use of natural improvisation rather than tightly sticking to a script. While the movement has gained a niche following and broader base, Shelton’s latest go-around is far from the “mumblecore” label.

Laggies stars Keira Knightley as Megan, an unmotivated woman in her late 20s who has no idea of what she wants to do with her life. After watching her longtime friends and boyfriend of over a decade cleanly move on to adulthood, she struggles to discover her own identity. And after lying about going on a week-long career retreat, Megan instead shacks up with a new high school aged friend (Chloe Grace Moretz) and her skeptical father (Sam Rockwell) in order to take some time to figure out her future.

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There’s something strange and crazy about director Lynn Shelton’s Laggies. For such an unorthodox story, the film is surprisingly heartwarming and honest. The writing and acting breeds an inordinate amount of purpose and identity to all of its characters. Some may refute that the feature’s secondary characters are campy and embellished, but in the entire context of the film they work quite nicely. It all begins with a solid foundation from leading lady Keira Knightley. Her sweet and soulful performance enables the audience to connect with Megan on a deeper level and look past her periodically flawed judgment. And while Chloe Grace Moretz dishes out fine supporting work once again, there’s two other names that need to mentioned. First, there’s up-and-comer Kaitlyn Dever. The young actress gave a breakout performance in last year’s unforgettable drama, Short Term 12 (one of my Top 10 films of 2013). Here she has a diminished role, although it’s one that adds spice and bravado to the movie. Furthermore, we’re given ANOTHER amazing turn from the vastly under-appreciated Sam Rockwell. From the moment he appears on screen, the film immediately picks up and dashes to the finish line. Rockwell is a true talent that’s never given the respect he deserves. But thankfully for his game changing performance, Laggies ends up being a wonderfully executed drama.

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Despite the feature’s exceptional dialogue and charming wit, Laggies has its detractors. The first act has a noticeable drag, but Rockwell’s introduction quickly takes care of that tiny problem. It’s easy to disregard a bumpy beginning thanks to a lofty amount of perfectly timed humor and fantastic performances throughout. And while some of the decision making of its characters feels suspect and unrealistic at times, these simply become minor flaws in an otherwise fine feature.

Lynn Shelton has found budding success in her filmmaking career, but you can expect Laggies to launch her to a whole other level. The movie generates an unbreakable bond between its characters and the audience, one that lasts long after the credits role. Making Laggies one of the finest films at Sundance this year and one that you should look forward to in 2014.

GRADE: 4/5