Tag: Damien Chazelle

Geekscape Movie Reviews: First Man

by MCDave

Caught in the midst of a time when truth no longer feels singular, America has brought forth a generation of skeptical individuals taught to question everything they’ve been told to believe. And what were once widely disregarded conspiracy theories, such as the legitimacy of the moon landing, have suddenly transformed into a more populist norm. Yet, no matter the resistance in which his film is sure to encounter, 2017’s Oscar-winning director, Damien Chazelle, mirrors a fearlessness to that of legendary astronaut Neil Armstrong, the centerpiece of Chazelle’s latest Oscar-destined drama, First man. It’s an ambitious effort, one cloaked in raw emotion and an often dark tone that feels moons away from his previous achievement, La La Land. But still, Chazelle cements his elite directorial status with another sharply-captured and deeply personal experience.

First Man opens in 1961, where the United States continues to lag behind the Soviets in the race to space. Fast forward a few years and a uniquely qualified candidate, Neil Armstrong (Ryan Gosling), applies to NASA with hopes of joining their efforts in beating the Soviets to the moon. And as the space program slowly breaks through barriers in its seemingly impossible quest for reaching the lunar surface, the stakes get higher and higher, forcing these astronauts to risk everything in order to achieve the unimaginable.

Damien Chazelle’s already displayed a knack for greatness with his first pair of feature films, Best Picture Nominees Whiplash and La La Land. And while this latest work isn’t quite up to their level, it’s still a worthwhile film in its own right. First Man digs to the core of Armstrong and truly searches for the origins of his bravery and determination. It’s an intimate journey, one that becomes much easier thanks to Ryan Gosling’s heavyweight performance. It’s quiet but heavy, tempered but explosive, and everything you’d expect from a Best Actor Nominee, one that I clearly envision happening. Likewise, his onscreen counterpart Claire Foy delivers a meteoric turn as Armstrong’s bedrock of a wife. And unlike her internalizing husband, Foy’s character isn’t afraid to speak her mind and display her outspoken strength. She’s the one left sitting at home, worlds away, glued to her radio listening to NASA’s direct feed of Neil’s mission. Gloom and doom run rampant in First Man, so you shouldn’t expect a shiny or uplifting tale of heroism. Instead, Chazelle recognizes that for any great journey into the unknown sacrifices must be made, and the director dwells on this notion rather than turning a blind eye to it. This theme becomes a true staple of the film as First Man forces its audiences to remember the many people, in all facets of life, who gave everything for the greater good. And for that, Mr. Chazelle, we salute you.

GRADE: 4/5

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‘La La Land’ And The Impact Of “What If”

by Josh Jackson

*WARNING: SPOILERS FOR THE ENTIRE FILM AHEAD*

Now that La La Land is available for DVD, Blu Ray and 4K platforms, it seemed like an opportune time to wrap up my review on the film. But between the praise its received since release, the almost unattainable amount of hype it built up before Oscar season, and the many other sites that will surely do a fantastic job explaining how great the film and all of the special features are, (the making of the show stopping Another Day of Sun freeway number being a personal favorite), I doubt there’s anything I can say regarding the quality of the film that you haven’t heard a thousand times by now. I still can’t decide which movie I liked better among the Best Picture nominees between this and Hidden Figures, but Damien Chazelle’s ode to the musicals of decades past has stuck with me since I walked out of the theater months ago. When I’m asked about why I enjoyed this love letter to the dreamers of the world as much as I did, it always comes down to that ending.

Seb’s passion for Jazz becomes shared.

Detractors of the film have stated that everything ends up a little bit too perfect for Sebastian (Ryan Gossling) and Mia (Emma Stone), aspiring entertainers who are lost among the stars of Los Angeles. Trying to find a path to success, their love sets them on their respective paths to achieve their dreams. While they don’t end up together, Seb opens the Jazz club that he always dreamed of while Mia becomes a famous actress, giving each other one last nod of approval after what might be the last of their many chance encounters throughout the film. And to be honest, I can’t argue with that assessment! From a pure conflict resolution standpoint, the majority of the film focused primarily on their need to achieve their respective goals, and while they had to sacrifice their romance to do so, they both got where they wanted to be with relatively minor resistance.

But what makes the ending great is that it’s not the only right answer.

The viewer’s perspective shapes how they interpret the final ten minutes of what was a relatively straightforward story up until that point. After a brief time skip, we’re re-introduced to the characters in quick fashion, with Mia being a successful actress with a husband and daughter. It’s not until they wander into a club that turns out to be Sebastian’s dream bar that the film sets us up for that big turning point. During that vibrant “what if” scenario that the pair envision, we see what things could have been like if a few of their choices were different. An argument can be made that even this scenario still isn’t perfect, since it’s implied that Seb never gets his club. And yet, he seems perfectly happy being at Mia’s side, helping her achieve her big dreams.

What could have been

Which brings me to City of Stars, the popular duet that I’m sure you’ve heard a thousand times by now. More specifically, one particular set of lyrics speak volumes. At this point in the film, Mia is hard at work writing a one woman show that Seb convinced her to put together as a way to avoid the humiliating auditioning process, since he fully believed that her enthusiasm would draw people to her rather than her having to essentially beg for work. On the other side, Seb has just joined a more pop oriented Jazz band that pays enough to help him support himself and Mia, but plays a style that he’s personally unhappy with. Far from ideal, especially on his side. Yet in the song, the pair sing,

I felt it from the first embrace I shared with you.

That now our dreams, they’ve finally come true.

Despite them being very far from where they want to be career wise, in this moment in time, they feel like their dreams have already been achieved by being with each other. Unfortunately for them, the pressure of being unhappy in the band and Mia’s show tanking leads to the pair splitting, but not before Seb gives Mia one last boost of encouragement by taking her to an audition that came about in response to her show. Once we see that Seb decided to name his club “Seb’s”, using the same name and design Mia suggested, instead of “Chicken on a Stick”, a name that he was 100% adamant about earlier in the film, it’s clear to see how Mia’s memory had become a driving force that ultimately pushed him to open his club.

A final goodbye

Now onto the ending itself. I personally feel that the movie is tragically cold with the abrupt way that it ends after showing us what could have been. Yes, they achieved their dreams, but there’s a cruel irony about being completely estranged from the person who enabled those dreams in the first place. Not only that, but over the course of the film, their dreams changed to simply wanting to be together. Having to sacrifice one dream that we watched grow and blossom as viewers for the sake of dreams that are achieved off screen really drives home how unfair it is. But the most lasting part of the ending is that it’s one that we can all relate to. Would our lives be better or worse if we handled those past circumstances differently? I have my dream career, but was it worth losing touch with the people who grew alongside me to achieve it? How can a person who was my biggest supporter become a stranger within the blink of an eye? And why can’t the people who enabled, encouraged and empowered us to be the best version of ourselves be by our side when the fruits of their labor finally comes to fruition? It’s not fair. Life rarely is. But like Seb and Mia, sometimes we have to nod, smile, and resume our lives with the circumstances we’re presently in.

So yes, I can’t argue that from one perspective, the film is pretty straightforward, with the characters getting everything they fought for from the beginning and more. I can’t even argue with someone who says the ending was happy since sometimes, we have to make sacrifices to win at this crazy game. Which is what makes the ending so beautiful. Depending on your own perspective, you can draw so many different conclusions from it. Yet for me, even with whatever success may come, I’m still wondering if it was worth it.

La La Land is now available on DVD, Blu Ray and 4K formats.

Geekscape Movie Reviews: La La Land

by MCDave

This year’s 25th annual Philadelphia Film Festival opened in style with La La Land, one of these year’s finest achievements. Damien Chazelle follows up his highly regarded Best Picture Nominee, Whiplash, with this dazzling sophomore effort. Nostalgic and full of passion, the film pays its respects to old Hollywood all while providing a fresh vibe that will be difficult for any competitor to topple during the upcoming awards season. So if you’re in search of an early Best Picture frontrunner, look no further than La La Land.

Mia’s (Emma Stone) lifelong dream is to be a respected actress in Hollywood. But as the Nevada native experiences the ego-crushing defeat of Los Angeles’ cutthroat audition process, she falls for a Jazz pianist named Sebastian (Ryan Gosling) who hopes of one-day running a club of his own. And while this pair of starry-eyed romantics fall madly in love with each other, the weight of their relationship makes it difficult staying committed to their dreams.

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From the opening number all the way to its monumental finale, La La Land consumes its viewers with an extraordinary combination of a wonderfully composed score, intricate choreography, towering performances and tastefully advanced direction. Damien Chazelle is beyond deserving for a Best Director nod as his immaculate vision comes to life on the big screen. Six years in the making, Chazelle and his composer, Justin Hurwitz, used this abundance of time and patience to hone their story and fine-tune the music. This precise attention to detail spills through each and every scene as La La Land serves as a testament to originality and a shining example of its own greatest storyline, devoted passion to achieving ones dreams.

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Not only are the film’s direction and melodic score an absolute marvel, La La Land‘s lead co-stars are enchanting in their own right. Emma Stone and Ryan Gosling offer a unique chemistry that breathes authenticity into their onscreen romance. The film can’t capture all of its engaging essence without a sharply convincing love story, and boy do they deliver! This magical romance is reminiscent of legendary cinematic duos such as Bogart and Bacall or Tracy and Hepburn, while they naturally fall in line as a contemporary equivalence. And although Emma Stone’s character is written with more depth and layers by comparison – which may be enough to tip the scales in her favor in this year’s Best Actress race – it wouldn’t be a surprise to hear Gosling’s name called as an Oscar finalist as well.

Hollywood adores movies about the industry and La La Land uses this cachet to mold together the aura of classic cinema with a vibrant and updated appeal. It’s challenging to identify a single glaring weakness within the film, making it destined for a justifiably successful awards season run. It’s important to note that musicals aren’t for everyone, but La La Land‘s transcends this generic label thanks to an infectious passion for the arts that makes you wish you could create something as everlasting as the film itself. Consequently, La La Land stands as one of 2016’s finest offerings and an clear-cut must-see effort from one of Hollywood’s fastest-rising filmmakers.

GRADE: 4.5/5

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Geekscape Sundance Reviews: Whiplash

by MCDave

The 2014 Sundance Film Festival kicked off with a bang. In fact, it kicked off with a whole lot of them. Damien Chazelle’s Opening Night selection, Whiplash, is a surprisingly provocative examination of “greatness” and a desire for perfection. Being the best at any facet of life requires dedication, sacrifice and a reasonable amount of obsession. And Whiplash brilliantly tackles this dynamic through the inconceivable backdrop of Jazz music. Implanted firmly in our nation’s roots, Jazz music has become a forgotten treasure that’s about as American as apple pie.

Andrew (played by Miles Teller) attends the finest music school in the country for one reason, and one reason only, he has every intention of being the greatest Jazz drummer of all-time. And with the guidance of the most skilled and feared instructor on the planet, Terrence Fletcher (J.K. Simmons), there’s no limit to Andrew’s success. That is, if his body and mind can handle the abuse.

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Whiplash is a brutally realistic character study that succeeds on the shoulders of a pair of fine performances. This time last year, the young and impressive Miles Teller was virtually an unknown. But following the renowned critical success from 2013 Sundance selection, The Spectacular Now, we’re all very aware of his capabilities. Even more remarkable is how easily Teller stands toe-to-toe with the always overlooked and always sensational J.K. Simmons. While some may shortchange Simmons’ character by calling the film’s primary antagonist devious or even a bully, there’s far more depth to him than that. To the point where Whiplash transcends pure entertainment value and raises intellectual debates, such as whether or not this harmfully influential instructor is in the wrong. The way I see it, there’s a price you must pay to achieve greatness. Even if it means abruptly halting a relationship with the girl of your dreams, or spilling your blood to improve your hand speed. Our character’s darkly obsession leaves him fully capable of anything, and that’s the scariest part of all.

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For as emotionally and physically draining as Whiplash is, there’s an equal amount of humor circulating throughout the screenplay. It isn’t your typical happy-go-lucky comedy, but these offensive and abrasive one-liners certainly do the trick. And whenever the continuous loud banging around starts to test your patience, Simmons is quick to crack a joke, simply reinforcing the wide spectrum of emotions that Whiplash forces you to encounter. It’s a unique story delivered in a compelling manner, all the way through to its bitterly prolonged finale.

You couldn’t have asked for a better way to kick off the 2014 Sundance Film Festival. I laughed, I cringed and I empathized. Already scooped up by Sony Pictures Worldwide, this definitely won’t be the last we’ve heard of Whiplash. Music fans everywhere, rejoice!

GRADE: 4/5