Author: Saintmort

Host of Horror Movie Night and Christmas 365 Producer of One Hit Thunder and My Favorite Episode Of

Horror Movie Night Episode 460: The Church (f/Jordan Morris)

by Saintmort

It’s time for some religious horror, which coincides with a guest who’s new graphic novel also sees humans fighting demons – what are the odds? We are joined by comedian, writer and all-around swell guy Jordan Morris for our discussion of the insane (not) Demons 3, Dario Argento and Michele Soavi’s THE CHURCH (1989). Beyond its amazingly strange plot and set pieces (even for Italian horror standards), this film also bears the distinction of destroying the relationship between Argento and Soavi. There’s also a sick fish monster that pops out of a bowl of holy water and eats some dude’s face. Jordan’s new book YOUTH GROUP drops this month and is the perfect second half of this week’s discussion – get your holies rollin’ with the monastic men of Horror Movie Night!

One Hit Thunder Episode 224: “Shattered Dreams” by Johnny Hates Jazz

by Saintmort

In the year 1988, Johnny Hates Jazz came just shy of having the number one song in America. Despite their rapid rise to fame, the band disbanded before the year had even ended. This week, we dive into the short-lived career of the band, exploring their international success, the sudden end of their journey, and how it feels impossible that Matt had never heard this song before. Join us as we piece together the story of a band that left us ALL with shattered dreams.

Horror Movie Night Episode 459: The Crater Lake Monster (1977)

by Saintmort

Oh look, another Nessie knockoff – who could have ever expected Matt would continue his reign of terror upon his cohosts with more brachiosaurus monster movies? This week, it’s the 1977 headscratcher CRATER LAKE MONSTER, replete with a total of zero day-to-night transitions and a pair of bumbling alcoholics for both comedic relief AND dramatic impact. While it may be a bit much to say this one has to be seen to be believed, it really is a singularly odd film and therefore perfect for the show. Wanna rent one of the alcoholics’ boats with us?

One Hit Thunder Episode 459: “Supermodel (You Better Work)” by RuPaul (f/ Joe Ferejan)

by Saintmort

Labeling RuPaul as a one-hit wonder seems preposterous in theory. RuPaul has not only hosted a successful talk show and appeared in multiple hit films but also helms the immensely successful RuPaul’s Drag Race. However, all of this success was catalyzed by the song “Supermodel”, RuPaul’s lone charting hit. Joining us this week is Joe Ferejan, host of Fright School, who helps us strut out stuff on the runway!

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Horror Movie Night Episode 458: Supernova (2000)

by Saintmort

Deep space: where you’ll see a lot of purple stuff. Also a bunch of murder. Have you ever wondered what it would be like if the jock in Can’t Hardly Wait is out of his gourd on a spaceship killing people over a galaxy-destroying McGuffin, then look no further than SUPERNOVA (2000), which somehow also had James Spader, Angela Bassett and freaking Francis Ford Coppola attached to it, what? This absolute goose egg waste of $90 million has aged like milk and we’re here to make it into astronaut ice cream for you!

One Hit Thunder Episode 222: “Regulate (f/Nate Dogg)” by Warren G

by Saintmort

In this episode, we dive into the infectious groove of Warren G’s 1994 smash hit “Regulate,” featuring the smooth vocals of the “King of Hooks,” Nate Dogg. While we’re taking some liberties with what constitutes a one hit wonder, we’re willing to wager that amidst a few other notable chart appearances, you’re most familiar with the iconic “Regulate.” It’s a perfect storm of a great sample, Warren G’s laid-back rap style, and perfect storytelling reminiscent of Slick Rick, all converging to create one of the greatest rap songs of all time. So, listeners, “Mount Up!” and join us as we dissect the timelessness of “Regulate” and explore its enduring impact on the rap music landscape.

Horror Movie Night Episode 457: Final Destination (2000)

by Saintmort

This week on the podcast we go back to the start of the new millennium with one of the most iconic horror franchises of the last two decades. The fact that Final Destination is such a massive series makes it all the more confusing that the person who picked it this week did so because they had never seen it and was curious about it! So hide the steak knives, beware of train trains and consider driving instead of flying because this week we’re watching Final Destination!

One Hit Thunder Episode 221: “Right Here Right Now” by Jesus Jones (f/Mike Doyle)

by Saintmort

If you were putting together an informercial for a compilation of ‘90s hits, it’s almost certain that a clip of Jesus Jones “Right Here Right Now” would snag a good 8 second chunk of it. This incredibly optimistic alternative rock anthem captured the essence of revolutionary change in Europe and beyond, just a few months before the rise of grunge music made apathy seem decidedly cooler. Joining us this week is Mike Doyle, bassist for Lanemeyer and host of the podcast This Was The Scene, and together we dive into the enduring impact of this widely acclaimed hit.

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Horror Movie Night Episode 456: The Strangers: Prey At Night (2018)

by Saintmort

“Why are you guys discussing The Strangers: Prey at Night (2018)?”
”Why not?”

This pick definitely breaks the formula for our show, as it’s sort of a home invasion thriller and is less than a decade old, but with the new Strangers prequel is coming out this weekend, we decided it was worth taking a stab at. Thankfully, our assumptions were correct and this movie is due way more praise within the genre than it got upon release! While it starts out as your run-of-the-mill home invasion, it quickly ramps up into wild meta-slasher territory and the ride is definitely worth the price of admission. Come with us to the trailer park and get revenge on the weirdos who hacked up our aunt and uncle on this week’s episode!

One Hit Thunder Episode 220: “Lovin’ You” by Minnie Riperton

by Saintmort

In this week’s episode, we embark on a journey through the melodic landscape of Minnie Riperton’s unforgettable 1975 hit “Lovin’ You,” where every note carries the essence of her unparalleled vocal mastery. While the song’s presence in countless movies, TV shows, and commercials keeps it firmly in the public consciousness, facets of the life of the woman behind it may be surprising. More than a singer, Minnie was a mother, and her heartbreaking departure from this world came way too early. From collaborations with Stevie Wonder to an unforgettable lion attack, we explore Riperton’s musical legacy, where every “la la la la la” resonates with timeless allure and poignant significance.

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Horror Movie Night Episode 455: Reptilicus (1961)

by Saintmort

Semi-obscure giant monster movie? Definitely a Matt pick. But THIS time, it’s Denmark’s one and only monster production, REPTILICUS (1961)! The Danes really thought they were going to usurp Japan with their miniatures tech, and the world looked on with something resembling interest at the proceedings. It’s a fun time capsule, and has a lot to love in it, but spoiler alert, it did not lead to a run on Danish-made kaiju movies with superior miniatures. At least we get some cutting-edge green slime wipes when Reptilicus sneezes on this week’s episode of Horror Movie Night!

One Hit Thunder Episode 219: “Faded” by soulDecision (f/Jenae Thompson)

by Saintmort

During an era dominated by TRL and boy bands, soulDecision’s “Faded” resonated with its infectious melody, showcasing the band’s unique fusion of musicianship and pop sensibilities (a formula that worked wonders only a few years later for Maroon 5). Setting themselves apart from the manufactured acts of the time, the band not only wrote their own songs but also skillfully played their own instruments. Yet, despite this authenticity, their moment in the limelight proved fleeting. This week, SayQuoi owner Jenae Thompson joins us to unravel the mysteries behind soulDecision’s brief fame, questioning whether mismanagement alone dictated their demise. Their narrative serves as a sobering reminder of the delicate balance between artistic integrity and the unpredictable currents of the music industry. In stark contrast  to the lyrics of “Faded”, soulDecision’s journey reminds us that making what seems like the right move in the moment might not always be best.