In this week’s episode, we’re joined by my longtime friend and music aficionado Shaun Rohland to celebrate the 1969 flower power anthem “Something In the Air” by Thunderclap Newman. We dive into how this song – with its reminder that “we got to get together sooner or later” – perfectly embodies the spirit of its era. Exploring the band’s intriguing history and its connections to The Who, we ponder whether there truly was something in the air that propelled this one-hit wonder to iconic status. Tune in as we relive the magic of a song that captures the zeitgeist of a transformative time.

You could say we’re pretty thirsty this summer, seeing as how we can’t get enough water…based horror movies, that is! We’re heading back to the deep end with 1977’s cephalopod spree TENTACLES. Of the JAWS ripoffs, this one is pretty entertaining, and certainly brings its own panache to the screen while remaining a bit of a time capsule in a loving way. Hope you like hugs, because these eight slimy arms are ready to squeeze you tight!

This week, Zao guitarist Scott Mellinger joins us to explore Mountain’s 1970 smash hit “Mississippi Queen.” We ride the musical train back to the roots of metal, exploring how this southern rock anthem, with Leslie West’s iconic guitar riffs and raw vocals, helped shape the heavy metal landscape. We trace the genre’s evolution from its gritty beginnings to its modern, head-banging incarnations, and speculate on where it might go in the future. So, get your bell bottoms on and join us as we dissect the impact of “Mississippi Queen” and its legacy in the world of heavy music.

If you thought last week’s pick was grimy, strap in for this week as we clumsily navigate the incredibly socially tone-deaf ORPHAN (2009). Just to get this out of the way, this is objectively a very well-made movie, and both Vera Farmiga and Isabelle Fuhrman shine in their roles… but this is a very uncomfortable movie. The concept of a murderous adult orphan with proportional dwarfism and narcissistic psychopathy is a hard pill to swallow, and that doesn’t even brush the surface of the titular character’s, um, romantic proclivities (thankfully more implied than anything else but still). This movie is late-2000s horror to a bloody T so you just know we were squirming the whole time. Come join our family, why don’t you?

In this week’s episode, we dive into the Canadian rock band Default and their 2001 hit “Wasting My Time,” a song that left an indelible mark on what many would call the “butt rock” genre. Our Patreon supporters voted for this track, so Matt and I are breaking down the elements that make this tune both memorable and, in some ways, quintessentially generic rock. Default’s name feels fitting as we struggle to pin down any genre beyond that. Despite their breakup in 2013, the band’s lead singer Dallas Smith took a surprising twist in his career that has us scratching our heads about the Canadian charts. Join us as we explore whether Default was truly wasting our time or if they hit a fleeting moment of musical thunder.

It’s been a long time coming, but your aquatic explorers here at Horror Movie Night have uncovered a genetically-engineered prehistoric fish with freaking tentacles on its butt and it’s not too happy about being made by some horny scientist and his boss’s cheating wife (they were going to make a fortune off of this somehow, but get killed before they quite figure out how). Long story short, we’re talking about Lamberto Bava’s DEVIL FISH (1984), aka MONSTER SHARK, aka DEVOURING WAVES, aka MONSTER FROM THE RED OCEAN, aka SHARK: RED IN THE WATER. We don’t know why it needed so many names, but this goofy Italian sci-fi horror has so many twists that it’s more than a giant killer fish movie, bleeding into giallo and exploitation at times. It needs to be seen to be believed, but we still try our best to convey just how wild this one is!

This week, we’re thrilled to be joined by Joe and Toby of the Riffs on Riffs podcast to dive into the compelling story of mid-90s artist Tracy Bonham and her iconic hit “Mother Mother.” Tracy, a classically trained musician for over a decade, collaborated with producers who had helped bring Radiohead and The Mighty Mighty Bosstones to the ears of millions, infusing her music with a unique blend of alternative rock and classical influences. Despite her immense talent, record label issues stalled her career before she could fully achieve mainstream success. Join us this week as we celebrate Tracy Bonham’s prolific journey and the impact of her unforgettable music.

Today, the new Beverly Hills Cop: Axel F movie has dropped on Netflix, and in honor of that, Matt and I decided to dive into the iconic theme song “Axel F,” written by Harold Faltermeyer. This breakdance-inspired instrumental not only became a Top 5 hit but also defined the sound of the ’80s. We explore the artistry behind this unforgettable tune, marvel at the intense talent of composer Harold Faltermeyer, and try to pinpoint the last time an instrumental song topped the charts. Join us as we celebrate this synth masterpiece and its lasting impact on both music and pop culture, just in time for Eddie Murphy’s triumphant return as Axel Foley.

Tis the season for aquatic horror, but before we dive in headfirst, we need to dip our toes in on the edge of the beach… the BLOOD BEACH (1980). Is it a monster movie? Is it a cop procedural? Is the monster actually an alien dropped by a spaceship that you only get to see in the Japanese cut of the film?? We have more questions than answers on this one, but there’s a certain charm to its absurdity. Clam up, why dontcha, we’re trying to talk about movies here!

In this exciting episode, Chris Fafalios, Matt Kelly, Tony Hartman, Matthew Milligan, and Matt DiStefano dive into an auction draft to see who can curate the best batch of albums from the iconic year of 1984. Armed with a theoretical $100 each, the guys strategically bid on classics from Madonna, Prince, Springsteen, Van Halen, Metallica, and The Cars, while also trying to snag some hidden gems from bands like Cocteau Twins, The Replacements, and The Smiths. As they navigate this musical treasure trove, get ready for a nostalgic and competitive trip back to one of music’s most transformative years.

Back to back Italian horrors? Is this HMN becoming a group of cultured individuals? Well, let’s not go that far, it’s still Argento deep in his heavy metal horror era, but OPERA (1987) might just be his most well-executed film (pun very much intended). And you know, for a movie with a title evoking classical music, it’s almost entirely underscored by metal, which is kind of hilarious in its own right. This was a surprising treat to watch and discuss, so put on your coattails, we’re getting fancy this week on Horror Movie Night!

Ah, the 80s—a time when every celebrity had a secret (or not-so-secret) desire to dominate the music charts. But no actor-turned-singer had a more meteoric rise—and equally swift backlash—than Eddie Murphy. His Rick James-penned chorus for “Party All the Time” might be an earworm you can’t escape, but let’s be real: the rest of the song is as forgettable as a VHS tape in a Netflix era. This week, we’ve got a special guest who knows a thing or two about catchy tunes: podcaster and Less Than Jake frontman Chris DeMakes joins us to dive into Eddie Murphy’s lone radio hit.