Scott Cooper has developed into a very intriguing filmmaker. After guiding Jeff Bridges to Oscar immortality with his 2009 directorial debut, Crazy Horse, Cooper then followed with the gripping, albeit flawed, drama, Out of the Furnace. Hence, cinephiles watched closely as news developed regarding Cooper’s third major motion picture, Black Mass. And as details emerged and footage of leading star Johnny Depp began to surface, moviegoers everywhere awaited eagerly in hopes of watching Cooper take the next big step in his career. However, things don’t always go according to plan.

On the mean streets of Southie in Boston during the 1970s, local Irish gangster, James “Whitey” Bulger (Depp), finds himself pitted against the Italian mob who have infiltrated the city’s criminal underground. And when a loyal Southie native and FBI agent, John Connolly (Joel Edgerton), is ordered by his superiors to take down the Italian mob boss, Gennaro Angiulo, he reaches out to Bulger for assistance. While the feds dismantle Anguilo’s crew, Bulger and his “Winter Hill Gang” become an unstoppable force throughout the entire city of Boston and beyond.

It’s very difficult to pinpoint a specific tone for Scott Cooper’s latest offering, Black Mass. The film lacks depth with its dramatic elements and paces along too aimlessly to sustain any true sense of action. In fact, Black Mass serves as nothing more than a highlight reel of Whitey Bulger’s murderous repertoire. Instead of developing some form of moral conflict or complexity with its writing, the audience is forced to sit through scene after scene of Scott Cooper’s glorification of violence. Make no mistake about it, the film caters solely to a visceral appeal and circumvents any attempt at telling a deeply layered story. Perhaps, notorious criminal mastermind “Whitey” Bulger is simply a cold-blooded and ruthless killer, nothing more. If so, then there’s really no interesting story worth telling in a major motion picture setting. Leave that for the ID Channel or any of its other similar true crime programmers.

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Despite all of the many issues surrounding Black Mass, Johnny Depp provides handfuls of memorable scenes that keep the film from utter disaster. This isn’t the devoted actor’s finest work, but his performance is still magnetic. Solid enough that it makes Cooper’s painful journey down the mob movie checklist somewhat fathomable. An absence of originality and authenticity reveal Black Mass for what it truly is, a superficial one-man show that’s as cold and lifeless as its main character.

Expectations undeniably carry a bias toward any movie experience and, admittedly, I was hoping for much more from Black Mass. Scott Cooper’s first two films were on the fringe of something special but instead of propelling his career to another level, he takes a big step backwards with this latest effort. Character development through storytelling is such an integral part of any cinematic experience and, unfortunately, it’s nowhere to be found here.

Grade: 2.5/5

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For a large portion of 2013, Scott Cooper’s Out of the Furnace was one of the year’s most anticipated releases. It’s taken 4 years for Cooper to return from his successful writing/directing debut, Crazy Heart, one that earned Jeff Bridges an Academy Award for Best Actor. This time around he brings an army of reinforcements with an all-star cast of past Oscar Winners and Nominees including Christian Bale, Casey Affleck, Woody Harrelson, Forest Whitaker, Sam Shepard and Willem Dafoe. And although early reviews have been extremely mixed with many critics openly speaking out against Cooper’s sophomore effort, I’m here to stand up and say that Out of the Furnace is by no means a bad movie. However, it fails to mask many of its sub-par elements.

Christian Bale stars as Russell Baze, a blue collar mill worker who’s struggling to make ends meet in the economically depressed steel town of Braddock, PA. His brother Rodney (Affleck) is a troubled soldier who bears the psychological scars from multiple tours in Iraq. But as Rodney refuses to give in to the steel-worker lifestyle, he finds himself caught up in a dangerous underworld of organized bare-knuckle fighting run by a ruthless criminal named Harlan DeGroat (Harrelson). When Rodney leaves one day and never returns, Russell must desperately take matters into his own hands and confront the ring-leader, DeGroat.

Film Title:  Out of the Furnace

The backbone of Scott Cooper’s Out of the Furnace is the director’s remarkable capacity to develop strong central characters. It was evident in his first film, where Jeff Bridges stole the show. But here, Cooper has more pieces to work with and, for the most part, he does an excellent job of giving each character a purpose and a voice throughout the movie. Another productive aspect is the manner in which the feature begins. Out of the Furnace is an unmistakably dark and saddening film, a tone that Cooper embraces from the opening scene and never looks back. And as the feature progresses, its story is both captivating and deep, impressively developing in a rather unforeseeable fashion that helps hook the audience. With Bale, Affleck and Harrelson all in premier form, Out of the Furnace is a supremely acted and gripping tale of despair.

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Despite an alluring appeal, Cooper’s second effort is tainted by many shortcomings. The Baze brothers are both wonderfully developed characters that resonate with the audience, it’s Cooper’s specialty. Yet, the writer/director leaves plenty to be desired with Willem Dafoe’s massively unfulfilled sleazy character, John Petty. Furthermore, the feature is haunted by second rate dialogue, unnecessary inclusions (i.e. Rodney’s letter to his brother) and unrealistic sequences that become impossible to overlook. The scene where Russell searches out DeGroat by organizing a drug deal is so off the mark, it’s unforgivable. Clearly, Out of the Furnace is bogged down by blatant errors. However, its intriguing subject matter and strong performances are enough to sustain the film.

While many hoped that Cooper’s follow-up to Crazy Heart would shape the awards season outlook, the truth is it won’t. In fact, Out of the Furnace will ultimately stand as nothing more than an entertaining film with a fair share of miscues. There are elements to enjoy and reasons to watch, but keep your expectations in check.

GRADE: 3.5/5

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