Author: Saintmort

This week, we’re diving into one of the most bizarre R&B hits of the 80s. With its slick production and dramatic monologue, “The Rain” by Oran “Juice” Jones became a Top 10 smash in 1986 before fading into obscurity. Not EVERYONE forgot the track, however, as Donald Glover and the cast of Saturday Night Live resurrected it in 2018 with a spot-on and hilarious parody. This week, we’re joined by Two Dollar Late Fee host Zak Shaffer to unpack this forgotten gem, the wild narrative it spins, and the legacy of a one-hit wonder who made heartbreak sound strangely cinematic.

In early 2013, the Billboard Charts underwent a major change by incorporating YouTube streams into their formula. Almost immediately, the internet responded with chaos. The bizarre, bass-heavy electronica track “Harlem Shake” by producer Baauer skyrocketed to #1, fueled by a wave of absurd, meme-fueled dance videos that dominated social media. It became the first instrumental track to top the Hot 100 in over two decades, but just as quickly as it rose, it vanished, taking Baauer’s mainstream presence with it. This week, we’re joined by musician and data analyst Chris Dalla Riva, author of the upcoming book Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, to explore how a joke, an algorithm, and a relatively unknown producer collided to create one of the strangest chart-toppers of all time.

This week, we’re discussing the music and career of Berlin, a band whose biggest hit was, strangely, not really a Berlin song at all. “Take My Breath Away” soared into the stratosphere on the tailwinds of Top Gun in 1986, but it wasn’t a great representation of the sexy, upbeat new wave synth-pop that Berlin was known for. Join us as we journey deep into Berlin to see if they take our breath away, or if we’ll just become another Pleasure Victim.

To be honest, when this week’s guest Kyle Kuchta pitched Drowning Pool’s “Bodies” to us for an episode, we braced ourselves for a terrible listening experience. Instead, what we got was some solid hard rock and a tragic story about vocalist Dave Williams, who seemed to be a solid dude with a great attitude who was taken from this world much too soon. Even the highly-memed song “Bodies” itself turned out to be a pretty inspiring anthem of moshpit exhilaration. Tune in for an episode that might influence you to let YOUR body hit the floor.

This week on One Hit Thunder, we’re joined by special guest Mark Popeney of the Nevermind The Music podcast to discuss Naked Eyes and their 1983 hit “Always Something There to Remind Me.” Originally written by Burt Bacharach and Hal David, the song found new life in the synth pop era thanks to Naked Eyes’ inventive production and reliance on cutting-edge technology like the Fairlight CMI. Our conversation covers the band’s struggles with live performance, the emotional staying power of a great melody, and the way certain songs seem to cycle back into cultural relevance. This episode looks at a band whose music made a lasting impact, even if their moment on stage didn’t come until much later.

In an attempt to combat a case of writer’s block, struggling songwriter Marc Cohn took a trip to Memphis. A chance encounter at a café resulted in one of the most beloved adult contemporary songs of the 90s. “Walking In Memphis” has stood the test of time, and this week, we’re joined by Phantom of the Podpera co-host Evan Fonseca to touch down in the land of the Delta Blues and explore the music and career of Marc Cohn.

HIT IT! Few tracks ignite a dance floor like Rob Base and DJ E-Z Rock’s 1988 classic, “It Takes Two.” Built around an infectious sample from Lyn Collins’ “Think (About It),” this platinum-certified anthem didn’t just dominate clubs—it helped hip-hop cross over into the mainstream. Despite the duo’s explosive debut, follow-up efforts like Rob Base’s solo album The Incredible Base and their 1994 reunion Break of Dawn failed to recapture that magic. This week, we dig into the legacy of “It Takes Two” and ask: is it fair to call the duo known for “It Takes Two” a ONE hit wonder?

This week, our good friend Paul Menotiades returns to help us unpack the unlikely rise of Soft Cell’s 1981 synth-pop smash, “Tainted Love.” Originally a 1965 Northern Soul obscurity by Gloria Jones, Soft Cell’s eerie, slowed-down cover became a global sensation, topping charts in 17 countries and spending a record-breaking 43 weeks on the U.S. Billboard Hot 100 . But beyond the hit, Marc Almond and David Ball were more than just pop stars—they were art school provocateurs with a flair for the theatrical, as heard on their debut album Non-Stop Erotic Cabaret, which explored themes of urban isolation and seedy nightlife . Join us as we dive into the duo’s bizarre back catalog and ask: does Soft Cell’s music deserve more love, or is it all just a bit too tainted?

In this episode, we’re joined by special guest Scott Mellinger to explore Del Shannon’s 1961 chart-topping hit, “Runaway.” This early rock and roll classic is renowned for its haunting falsetto vocals and the groundbreaking Musitron solo—a keyboard instrument invented by Shannon’s collaborator, Max Crook, that added a futuristic flair to the track. Beyond this iconic song, we explore Del’s deep connections within the music industry, including collaborations with legends like Jeff Lynne, Tom Petty, and Bob Seger. Join us as we uncover why Del Shannon remains a “musician’s musician” and discuss whether his musical legacy extends beyond his most famous hit.

Twenty-five years ago, Baha Men unleashed “Who Let the Dogs Out” on the world—and whether you loved it or hated it, there’s no denying its impact. This week, we’re joined by our friend Jim Logrando to celebrate the song’s silver anniversary and dig into everything we never knew about this Bahamian group’s wild ride. From Grammy wins and Kids’ Choice Awards to its surprising roots as a feminist anthem calling out creeps, this now CLASSIC SONG is a lot more than just a jock jam. And with the doggy door wide open, we dig through the rest of their catalog to find out—did Baha Men have more music with bite, or was this their one and only bark?

This week, we’re finally diving into the unhinged surf-rock chaos of The Trashmen’s “Surfin’ Bird”—a Patreon pick that, frankly, we can’t believe we haven’t covered until now. This 1963 burst of raw energy, stitched together from two Rivingtons songs, has been called everything from a novelty hit to an early blueprint for punk rock. With its unforgettable “bird is the word” hook, the track gained renewed fame decades later thanks to its relentless presence on Family Guy. Jim Logrando and Trevor Leonard are both here to celebrate this gloriously absurd song, so catch a wave and join us for a wild ride through one of the most bizarre hits in rock history.

This week, Johnny Yetsconish joins us to celebrate The Outfield’s timeless 1986 hit, “Your Love.” Though the British trio enjoyed a string of modest successes in the ’80s, it’s this power-pop anthem—with its unforgettable opening lyric and soaring vocals—that has etched itself into the fabric of pop culture. From its origins on the triple-platinum debut album Play Deep, “Your Love” has transcended generations, recently experiencing a resurgence thanks to Kelly Clarkson’s viral cover on her “Kellyoke” segment, which sparked widespread attention and playful commentary about its impact . Johnny continues his streak of undeniable bangers with this one, so join us as we explore all the reasons why you should be a much bigger fan of The Outfield than you probably are.

Get ready for a battle of musical nostalgia in The 1985 Albums Fantasy Auction Draft, where Chris and Matt are joined by fellow music lovers Matthew Milligan and Tony Hartman to bid on the best albums of a stacked year in music. From blockbuster releases like Songs from the Big Chair and No Jacket Required to cult favorites like Tim and Dare to Be Stupid, the draft sparks passionate debates, personal stories, and plenty of surprises. With picks spanning punk, pop, metal, goth, and even movie soundtracks, this episode is a fun, fast-paced dive into the unforgettable sounds of 1985—and yes, some legendary albums get left on the board

Back in the fall of 2009, an unexpected voice from the UK took over American radio when Jay Sean’s “Down” (featuring Lil Wayne) knocked the Black Eyed Peas off the top of the charts after their epic run. This week on One Hit Thunder, Andrés joins us to revisit that moment in time—when ringtone sales mattered, Cash Money Records was everywhere, and Jay Sean seemed poised to become a global star. We dig into the rise and stall of his career, the lasting power of a great melody, and whether or not his smooth style should’ve taken him even further. Along the way, we also reflect on the shifting sounds of pop and hip-hop, the legacy of Lil Wayne’s feature run, and why some hits live on while others fade fast. Most importantly, are we down with Jay Sean? You’re just gonna have to listen to find out.

This week, we explore the surprising journey of Ghost Town DJs’ 1996 single “My Boo,” a track that quietly debuted on the So So Def Bass All-Stars compilation before becoming a Top 40 hit. Though the group disbanded after two underperforming albums, this smooth blend of R&B vocals and Miami bass beats found new life two decades later, thanks to the viral “Running Man Challenge” that sent it back up the charts in 2016. With its hypnotic production and impossibly catchy chorus, the question remains—do we truly love this song, or are we just under its hook’s irresistible spell?

This past year, we witnessed a diss track win Grammys and get performed at the Super Bowl, but over three decades ago, there was another diss track that became an unlikely hit. “Pop Goes the Weasel” by 3rd Bass took aim at Vanilla Ice and the growing commercialization of hip-hop, delivering biting bars over a beat laced with samples from Peter Gabriel and Stevie Wonder. It climbed to #1 on the Billboard Rap chart and gave the trio—MC Serch, Pete Nice, and DJ Richie Rich—their biggest mainstream moment. Our good buddy PJ Caruso joins us this week to talk about the brief but impactful rise of 3rd Bass, a group that took shots at others on the way up, only to turn their lyrical weapons on each other not long after.

This week, Matt and I welcome Nichole Vatcher—cohost of the brilliant podcast Nevermind the Music—for a deep dive into Gary Jules’ haunting 2001 cover of “Mad World.” Originally a minor hit for a young Tears for Fears, the song took on a whole new life thanks to its stripped-down piano arrangement and its eerie, unforgettable appearance in Donnie Darko. We talk about its emotional weight, how it became a surprise Christmas #1 in the UK, and whether more credit should go to Gary Jules or his collaborator Michael Andrews. We also take a look at the rest of Jules’ career and try to determine whether this quietly powerful ballad is thunder… or just rumble in the distance.

In the late ’90s, The Flys had us all in a trance with their brooding alt-rock anthem “Got You (Where I Want You),” a song that buzzed through movie trailers, TV shows, and the Disturbing Behavior soundtrack like a late-summer fever dream. But just as quickly as they soared, they crash-landed into the used CD bins of America. This week, we’re joined by Rishi Bahl of Eternal Boy and Four Chord Music Festival to investigate what clipped the wings of this Hollywood-born band made up of actual surf royalty. From the hypnotic riff that defined their biggest hit to deep cuts like “She’s So Huge” and song titles like “Sexual Sandwich,” we cover it all—plus we dig into the James Marsden cinematic universe and question whether “Got You” might be alt-rock’s forgotten gem…or just another fly on the wall.

This week, our Patreon pals picked a song that had Matt and I cuttin’ a rug down memory lane—Young MC’s 1989 smash hit “Bust a Move.” From penning hits for Tone Loc to grabbing a Grammy and storming the charts, Young MC made the most of a short but unforgettable moment in the spotlight. We dig into how the song came together, the role Delicious Vinyl played, and why this track still hits decades later. Plus, we look at what happened after the hype, from his evolving music career to his appearances on everything from Celebrity Fit Club to new indie releases. So throw on your flyest outfit, turn up the boombox, and get ready to bust a move with us.

This week, we’re joined by podcast legend Alex Goldman—of Reply All and HyperFixed fame—to dive into the high-speed legacy of J.J. Fad’s 1988 hit “Supersonic.” Whether you remember it from the radio or recognize it as the backbone of Fergie’s “Fergalicious,” this track’s influence is undeniable. We explore the group’s origins, their ties to N.W.A., and how “Supersonic” broke barriers for female rappers at a time when the genre was dominated by men. Along the way, we discuss regional hip hop influences, rap rivalries, and why J.J. Fad’s impact goes far beyond a one-hit wonder.

When comedian John Franklin joined us for a round of music trivia back in December, he only got one question right—but it was an important one: Who sang “Funkytown”? That victorious moment has now come full circle, as John returns to help us take a deeper look at Lipps, Inc.’s massive 1980 hit and the whirlwind career of vocalist Cynthia Johnson. We get into how this Minneapolis-based studio project managed to top charts in 28 countries, briefly revive disco on its way out, and leave behind one of the most recognizable dance tracks of all time. With some surprising surprising facts and maybe a few Michael McDonald side tangents, this episode asks the big question—are we taking a trip to Funkytown, or do we simply gotta move on? Let’s talk about it, talk about it, talk about it, talk about it!