Stealing creativity from all over the world and remaking it with an American twist is nothing new to Hollywood. Beloved films like The DepartedThe Ring and Scent of a Woman are just a few of the many foreign remakes that we’ve enjoyed over the years. Yet, in 2013 we’ve added a little spice to the mix with Vince Vaughn’s latest blockbuster, Delivery Man. Because rather than simply adapting from the successful 2011 foreign film, Starbuck, Disney and Dreamworks went even one step further by securing the same director for the project, Ken Scott. The result is an almost line for line and scene for scene carbon copy of the original.

David Wozniak (Vaughn) is a middle-aged deadbeat with zero order in his life. But after a surprise visit from a stranger breaks the news that David’s previously donated super-sperm has been mishandled and used to impregnate over 500 woman, his life is turned upside down. He enlists the help of his best friend and lawyer, Brett (Chris Pratt), to guide him through the decision of whether or not to break the confidentiality agreement and reveal himself to these now full-grown children who seek the identity of their biological father.

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Delivery Man, the latest comedy starring Vince Vaughn, is both short on laughs and drowned in sentiment. The feel-good film attempts to win over audiences with a gentle blend of PG-13 humor and Vaughn’s trademark slacker charm, however that cupboard has been empty for quite some time. It’s been eight years since the energetic and fast-talking actor raised the comedy bar with a hilarious turn in Wedding Crashers, and each subsequent release continues to pull him further and further from that historic peak. Despite Vaughn’s grandest efforts, Delivery Man is nothing more than an average collection of situational jokes with blatant tugs at the heartstrings. As a whole the dramatic effort is futile and unconvincing, making director Ken Scott’s second go around with the story completely unwarranted.

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For as irritating as it is to sit through conveniently placed plot builders, Delivery Man scratches its way to the finish line with the occasional comedic highlight. Although Vince Vaughn isn’t nearly as funny as he used to be, the always hysterical Chris Pratt picks up the slack as frequently as possible. However, since Vaughn undoubtedly dominates the screen time, the film mainly rests on his shoulders and he never puts it all together. Surely there are moments within Delivery Man, they’re just too few and far between.

With plenty of other fish in the sea, you’re better off spending your time and money on a more enjoyable and authentic film such as Richard Curtis’ About TimeDelivery Man feels like a movie made simply for profit instead of the sincere dramatic-comedy we all expect. Unless you know that you’ll swoon over the film’s positive family-first message, there’s plenty of reasons to look elsewhere.

GRADE: 2.5/5

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Having grown up in the 90s, I have a difficult time deciding on my favorite comedy movie ever. Classics such as Ace Ventura: Pet DetectiveDumb & Dumber and Happy Gilmore seem to perfectly embody my younger years. In 2005, a younger generation found their identifiable comedy classic with Wedding Crashers. The over-extended, but overly funny, R-Rated release matched the surging success of a fast-talking Vince Vaughn with the hopeless-romanticism of Owen Wilson. Eight years after they changed the face of comedy, the duo return with a more tempered and more reserved effort, The Internship.

After sales partners Billy (played by Vaughn) and Nick (played by Wilson) surprisingly lose their jobs, they are forced to enter an extremely difficult job market. Feeling completely inadequate and essentially prehistoric by comparison, the pair enroll in an online college and sign up for an internship at Google. With a group competition deciding  who will receive the available jobs, Billy and Nick are teamed up with a bunch of oddballs who seemingly have no shot of winning.

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The Internship proves to be a very difficult film to dissect. In many regards, there’s plenty to both love and hate about director Shawn Levy’s latest effort. For starters, I have always been a huge outspoken voice against two hour (or longer) comedies. Clocking in at a hefty 119 minutes, The Internship takes a usually negative aspect and actually moves along fairly well. What’s so difficult to dissect about that? It sounds like an irrefutable positive, right? Not so fast. Although the comedy moves along quite well and never bogs down the viewer, The Internship takes an overused “team of misfits” approach and delivers the same reusable jokes over and over again. Vastly unoriginal and predictable, The Internship can be easily be summed up the following way. Imagine a genius comedy such as 2003’s Old School with a weaker supporting cast (warning – there are no Will Ferrell circa 2003 type of characters here) and a PG-13 rating. It’s about as teenybopper and mainstream as a comedy blockbuster can get.

Despite a more restrained crop of jokes and a depleting Vince Vaughn and Owen Wilson, The Internship is sure to appeal to a large portion of the general masses by simply playing it safe and sticking to the formula. With such an approach, it becomes difficult to criticize the film for being a semi-appealing piece of fluff comedy. The Internship does nothing to turn audiences away, but instead wallows in the shadow of previous Vaughn and Wilson work from nearly a decade ago. However, I was astonished to see that, in the last five years, Vaughn hasn’t been in a single film I have recommended to my audience. While The Internship is no where near as bad as dreck such as The Dilemma and Couples Retreat, it’s still a far cry from the level of film that helped catapult his career.

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The Internship is a two-trick pony that rests solely on the PG-13 shoulders of its heralded stars, Vince Vaughn and Owen Wilson. To its advantage, the feature moves along without a hiccup and generates many chuckles. Yet, if you’re expecting an elevated and unforgettable laugh-out-loud movie experience, you’re aiming way too high. The Internship is a generic comedy that swims comfortably in the waters of mediocrity. Personally, I’d avoid rushing to a theatre to catch The Internship. Save its timid PG-13 humor for an appropriate cable television setting.

GRADE: 2.5/5

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