Comedy director Peyton Reed, who was once best known for overseeing films like Bring It OnYes Man and The Break-Up, found himself gifted a golden ticket when he entered into Marvel’s family as the visionary behind the 2015 origin story of Ant-Man. The film soared to massive heights, grossing over $500 million globally and winning over both critics and audiences alike. But a lot can change in just three short years, as Scott Lang and his Ant-Man persona have quietly devolved into one of the Marvel Cinematic Universe’s (MCU) weakest and most underused characters. And with hopes that their latest sequel, Ant-Man and the Wasp, will rejuvenate excitement for this forgotten superhero, the return of Scott Lang doesn’t quite measure up to size

Set between the events of Civil War and Infinity War, Scott Lang (Paul Rudd) finds himself bored and imprisoned on house arrest after violating his parole by traveling to Germany to help out Captain America. With mere days to go before Scott’s return to freedom, Hank Pym (Michael Douglas) and his daughter Hope (Evangeline Lilly) enlist the help of Lang to venture back into the Quantum Realm and retrieve Hank’s wife, Janet (Michelle Pfeiffer), who’s been lost there for nearly three decades. In a race against time to get Scott back home before the police realize he’s gone, as well as trying to fend off suitors of this groundbreaking technology, it will take a group effort to save Janet from this atomic abyss and return Lang to his residence before it’s too late.

Having recently placed Ant-Man in my Top Ten MCU films, my adoration for this sequel’s predecessor can’t be overstated. Therefore, sifting through the humdrum of Ant-Man and The Wasp became more tedious than it was enjoyable. As expected from a comedic staple such as Peyton Reed, there are jokes aplenty to help ease you throughout this tenuous ride, but some prove more effective than others as the laughs fail to overshadow a long list of unappealing new characters that enter the story. And not only does the film overextend itself with an ungodly number of fresh faces, Ant-Man and the Wasp makes a desperate attempt at ramping up the drama. However, divvying up the screen-time counterbalances this desired end-game, leaving dramatic storylines fully devoid of emotion. Poor performances from Michael Douglas and Michelle Pfeiffer bring disaster to Janet’s entire plotline, while the inclusion of Laurence Fishborne and Hannah John-Kamen’s characters falls terribly flat as a meaningful subplot. And to top it off, Ant-Man and the Wasp delivers an all-too narrow scope that only manages to tie into the rest of the MCU when its end-credits scenes finally appear. There’s a lot of fluff packaged into this essentially villain-less title from the MCU, and the stakes never feel high enough and the comedy isn’t quite good enough to mask its many flaws.

GRADE: 3/5

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Evident by their massively interconnected stories that will come to an epic union in 2016’s Captain America: Civil War, Marvel has been an extremely calculated and well-oiled machine. Therefore, upon hearing the news of an Ant-Man release starring comedy icon, Paul Rudd, and directed by Yes Man and The Break-Up filmmaker, Peyton Reed, these head-scratching choices felt very unorthodox for such a meticulous studio. And although Marvel placed all of their power and resources behind a team of stars unfamiliar with the superhero norm, Ant-Man still unfolds as another solid spectacle in a long line of interweaving tales.

After pulling what many would describe as an “ethical heist” that landed him in jail, burglar extraordinaire, Scott Lang (Rudd), is released from prison and dead-set on making things right with his young daughter. But after an honest lifestyle shows very little remorse for an ex-convict, Scott considers a return to his old ways. However, when the groundbreaking scientist, Dr. Hank Pym (Michael Douglas), learns that his old protege has discovered the secrets to his most powerful invention, one that could be absolutely catastrophic if placed in the wrong hands, he enlists the help of Lang to break into a heavily guarded facility and steal back his secret.

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Marvel’s Ant-Man, the latest in a lengthy string of newly introduced superheros with a long-standing history in the comic book realm, is a worthwhile endeavor for fans of this widely developed universe. While the film is a far cry from the most unforgettable superhero flicks to ever captivate audiences, it does a stellar job of sticking to Marvel’s indistinguishable formula of constant jokes and heavy action. Sporting a sleek and toned physique for the role, Paul Rudd handles each of the fast-paced sequences just as well as his more natural comedic moments. Ant-Man is such an interesting character who possesses unique abilities that make for a cleverly filmed movie. Constant changes in physical size from small to large give the director a lot of freedom to use his imagination and he doesn’t disappoint. Furthermore, it would be a huge disservice to address all of the fine attributes to the film and ignore one of Ant-Man‘s true highlights, the hysterical co-starring work from Michael Pena. As one of Scott Lang’s partners in crime, Pena provides such an elevated level of humor that he almost steals the show himself.

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Despite a funny script loaded with timely laughs and a fresh sense of creativity, Ant-Man can’t avoid a few unfortunate issues. With a tiring mid-section that results from a major shift to a more dramatic tone, one that proves wildly ineffective, the film leaves you begging to reach the finish line. In addition, Ant-Man suffers from another common blemish evident in many recent Marvel productions. These films devote so much of their attention to bridging their characters together that they often avoid building a strong villainous foe. I don’t know about you, but when I’m going into a superhero flick, I want a nemesis for the ages. It’s something Christopher Nolan mastered so well in his Dark Knight trilogy, but a non-existent theme in many of Marvel’s latest works.

Ant-Man is nowhere near a must-see summer blockbuster, but it’s another above average addition to Marvel’s quickly-expanding universe. Any doubts surrounding Paul Rudd in the leading role should be squashed like a bug. He and his many co-stars keep the film light and entertaining all at the same time. If you’re someone committed to Marvel’s illustrious future plans, then don’t worry because Ant-Man is another inclusion that warrants a watch.

GRADE: 3.5/5

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