The long-awaited Queen biopic Bohemian Rhapsody has finally reached the big screen after being in development for the better part of a decade. It felt like eons ago when Sacha Baron Cohen agreed to star as rangy vocalist Freddie Mercury in what was believed to be an outrageously edgy and risqué examination of the controversial frontman. However, three years after Sacha Baron Cohen’s announcement in 2010, and significantly further into the film’s push to production, creative differences between the living band members and the film’s star finally reached a boiling point. Sacha Baron Cohen walked away from the project after refusing to settle for a PG-13 version of Mercury’s life told against the backdrop of Queen’s legendary rise to stardom, but the producing band members ultimately won out as that’s exactly what we’re given with Bryan Singer’s frustratingly tame and wildly inaccurate musical biopic.

It’s the early 1970s and a young Farrokh Bulsara (Rami Malek) escapes from his faith-driven household by attending local rock shows. And upon crossing paths with a talented group of musicians who ironically lose their singer, Farrokh steps out from the shadows and offers a generational voice to their musical abilities. From there, Queen quickly climbs up the rock and roll ranks lending its hand to Farrokh’s name change (to Freddie Mercury) and a host of reckless inhibitions that ultimately lead to the singer’s sad and tragic demise.

Artistic freedom is at a premium as Bohemian Rhapsody completely rewrites historical fact in this soulless cycle through Queen’s greatest hits. Everything from the film’s portrayal of the band’s epic reunion to perform at 1985’s Live Aid concert to when Freddie discovers his terminal diagnosis couldn’t be further from the truth. Instead, Anthony McCarten’s hollow screenplay navigates through Queen’s formation and explosion onto the rock scene with amateurish nuance and half-hearted dramatics. Yet, leading star Rami Malek does build an interesting main character while adequately handling his role as the flamboyant singer. I do believe the hype is reasonably overblown, though. Malek is fine but far from sensational, and I legitimately question his odds of earning an Oscar Nomination at this point. Malek certainly isn’t aided by his co-stars or script, as both are instantly forgettable. Bohemian Rhapsody struggles with giving in to tired clichés. And every time you begin to hope that the film will turn a corner and offer some semblance of originality, you’re instantly reminded that every scene is masquerading as an artificial checkpoint rather than serving as an organic vessel into the unpredictable mind of vocal icon Freddie Mercury and those around him. On a brighter note, I will say that Bryan Singer’s phenomenal shot leading into Wembley Stadium as Queen prepares for its 20-minute set at Live Aid is absolutely remarkable. In fact, Rami Malek perfectly imitates Mercury’s mannerisms from that iconic performance and it helps close out the film with a strong, much-needed finish. There are moments of promise scattered throughout Bohemian Rhapsody, yet Bryan Singer’s work mostly remains a dull and overtly mild depiction of an anything-but-docile superstar.

GRADE: 2.5/5

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Sometimes you stumble across the greatest treasures when you least expect it. As it turns out, the South By Southwest Film Festival Winner for Grand Jury Narrative Feature and the Narrative Audience Award, Short Term 12, is every bit as good as advertised. The independent drama journeys through a myriad of emotions on its way to a perfectly-timed finale, representing one of 2013’s finest features.

Grace (played by Brie Larson) is a supervisor at a foster-care facility. Nurturing and gentle, the youth in her care truly appreciate everything she does for them. Along with the aid of her co-worker boyfriend Mason (John Gallagher Jr.), the couple must navigate through the troubles at work as well as the problems in their own lives.

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I’ll cut right to the chase, Destin Cretton’s Short Term 12 is a premier example of how impactful a film can be on its audience. Tender and sweet, you rarely find a movie as innately compassionate as this one. There’s plenty of evil in the world and, rather than trying to shy away from it, Short Term 12 stares it right in the eyes. Following a facility full of impressionable at-risk youth who find themselves teetering on the edge of transcending this evil or being consumed by it, the viewer is placed right in the center of these struggles. But it’s the aptly named “Grace” who shelters her own personal troubles by waking up every day and offering unconditional love to these children who so desperately need it. Brie Larson is the glue that holds the film together. Her Oscar-worthy performance is both mesmerizing and masterful. The gifted young actress is so unbelievable in the role that the audience becomes a part of her character. You’ll smile when she does and your heart will break alongside hers. However, Larson is far from the lone shining star. Her onscreen boyfriend, played by John Gallagher Jr., is almost equally as impressive. And in addition to an entire well-rounded collection of cast members, Short Term 12 succeeds in conjunction with a stellar script and fabulous direction from Destin Cretton.

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While the indie drama tugs at the heartstrings with hopes of moving its viewers, the film drowns itself in a hopelessness only to culminate a little too gleefully for my liking. As Short Term 12 zips along, it feels extraordinarily authentic. Therefore, I found its resolution to be slightly bittersweet. “Sweet” in the sense that I left the theatre as uplifted as I should, and “bitter” in the sense that the finale feels forced and slightly unrealistic. But despite this minuscule blemish, Short Term 12 shines through and ends up as one of 2013’s most noteworthy films.

Many filmmakers break into the “biz” determined to make their audiences feel an array of emotions. Short Term 12 stands out as the premier example of such films. Gripping and moving there’s plenty to love about this little indie drama. It’s the type of movie that deserves to be viewed and enjoyed by the masses. Short Term 12 is a strong feature by all accounts and hopefully it will catapult Brie Larson to the stardom she deserves. Do whatever it takes and check out one of the year’s best films, Short Term 12.

GRADE: 4.5/5

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