Briefly: Jake just published his review of the second episode of noir adventure Blues and Bullets, and now we’ve learned that the title won’t be Xbox exclusive (console wise) for much longer.

Yep, on April 19th, A Crowd of Monsters will launch the first two episodes of the beloved, underplayed title on Sony’s console.

In the game, “When one day children start to disappear and the police just turns a blind eye to this, Eliot decides to take justice into his own hands and find, by any means necessary, the culprit and bring him to justice.”

Jake’s thoughts on the game (read his first episode review right here) definitely got me interested in the title (that I had sadly not heard of at that point), so I’m beyond excited to finally give it a shot!

Take a look at the PS4 announcement video for Blues and Bullets below, and be sure to let us know if you’re excited!

https://youtu.be/CKZijTAtnsM

Blues and Bullets is unlike many of the games you’ll find in the marketplace today. A Crowd of Monsters have stumbled upon a recipe that presents gamers with a unique and twisted experience.

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Blues and Bullets is an episodic adventure in which you take on the role of retired detective Elliot Ness as you attempt to solve a disturbing case of missing children, some of which delves into some occult territory. The game’s noir art style helps push the game to another level and keeps players engaged in the world. There are several sequences during episode one that left me wanting to explore more of the world. The game offers up some items aside from the main case left for curious gamers to discover or interact with. These interactions sometimes reveal some more backstory while others give more life to the world. And let me say, if you play this game, you will get drawn into it.

Story is an aspect in video games that I hold above all else. It’s difficult for me to get through a game if I’m not invested in the story or its characters. Blues and Bullets manages to establish a small cast of characters that are easy to keep track of while you navigate the case and their backstories. Fans of something like True Detective, especially season one, will find investigating the case in Blues and Bullets is right up their alley. With violence and narration added to the mix, Blues and Bullets reminded me of some good times in Max Payne 3.

The shooting mechanics in the game are simple enough that gamers who aren’t familiar to third or first person shooters will be able to get through just fine. The same goes for crime scene investigations. The game makes the investigation difficult enough so that solving certain clues feels like an accomplishment, but is easy enough to prevent gamers from getting too frustrated. Also, if you look hard enough, you’ll see small movie poster easter eggs that foreshadow the game’s plot. However, if you look closely, you’ll see a shout out to the true master detective himself: Batman.

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Each decision you make through the story will have repercussions through the story. This is one of the game’s best features. Sure, it increases replayability, but what’s more exciting is the prospect of talking about you decisions with friends who played through it themselves. Don’t worry, you’ll also be able to compare all of your decisions with what the rest of the community picked. Since there’s only one episode out, there aren’t any major repercussions besides the different lines of dialogue and further insight to the character’s backstories.

One of my favorite aspects of the game is the musical score. Often, the music was a big part of my immersion into the story. Coupled with the camera movements, Blues and Bullets feels cinematic throughout episode one.

Overall, Blues and Bullets is a fantastic start to this episodic series that shows a lot of promise. I’m excited to see the direction A Crowd of Monsters take with the story and how much darker it’ll get. With Halloween just around the corner, Blues and Bullets is hitting the marketplace just at the right time.

Blues and Bullets is available now on the Xbox One and Steam!

Tell No Lies is the thirteenth novel by Greg Hurwitz, who has also written for Marvel and DC comics, including the likes of Batman: The Dark Knight. The story tells the tale of Daniel Brasher who is working for the city of San Francisco as a group therapist for parolees. Due to a series of events, Daniel finds himself thrust into the middle of a fast paced murder investigation aiding the lead detective of the case Theresa Dooley.

I’d recommend this novel to fans of fast paced, easy to digest crime thrillers. I wouldn’t classify this novel so much as a whodunit due to its premise of the story and the limited characters allowing the reader to make educational guesses throughout the story progression as to the culprit. The crux to the story instead relies on the inquiry of what is the series of events that lead to murder spree, and exactly why the protagonist (Daniel Brasher) seems to have gotten himself caught up in the middle of it.

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Gregg Hurwitz for his part as the author does fairly well with establishing the primary protagonist and then delivering the reader into the meat of the story without dragging his feet in overly constructing characters. Hurwitz keeps the chapters short in the beginning in order to keep the pace of the story moving forward and deliver the reader to the action in a timely manner.

Daniel Brasher is a well constructed protagonist who you have no trouble rooting for throughout the story. The secondary characters of the six parolees that are the main protagonist group therapy members are fairly well constructed. Hurwitz seem to understand the characters background and establish each of these characters with their own voice. The only characters I personally didn’t care for (but also didn’t quite hate) where the protagonist mother and main detective Theresa Dooley who at point had me thinking they where caricatures of character types that we have seen before.

The overall plot is entertaining, but it is also not without both strengths and pitfalls. The premise of the story to start had me questioning the validity of the protagonists involvement, but as the story progressed so did my acceptance of the situation. The authors decision to keep the chapters short I felt for the most part was the correct exercise in a novel of this type, however he could have benefited from not limiting himself to short chapters all the time. he should have allowed himself extra pages for action sequenced, because due to these short chapters it sometimes felt resolution came too swiftly. It was also obvious the author had personal ties to the setting of San Francisco which sometimes worked in his favor, but also had points where is was a bit to heavy handed and detracted from certain situations.

Overall, if you are a fan of this genre it would be in your best interest to check out this novel, as well as the rest of Gregg Hurwitz body of work.

Now, while I am sure most of you have seen this movie there are plenty of people out there that I talk to that have not. Many of you by now know Joseph Gordon-Levitt’s name but do not realize that he did indeed do movies in between ’10 Things I Hate About You’ and some of his more recent well known movies. The name you may not know here is Rian Johnson. But it sounds familiar right? Well, that’s because he is also the director of ‘The Brothers Bloom’ and the upcoming ‘Looper’. You know…that awesome looking film where he once again collaborates with Joseph Gordon-Levitt and also Bruce Willis. If somehow you’ve been living in a cave you can see the trailer here. But back to the matter at hand. ‘Brick’ isn’t going to be for everyone but everyone should check it out especially if you’re planning on seeing ‘Looper’. Rian Johsnon is a great director and his first at bat is a knock out of the park. If you’re looking for something different to add to your instant queue this weekend…’Brick’ is a great choice.

When a secret crush turns up dead and the murderer is anyone’s guess, teenage loner Brendan Fry (Joseph Gordon-Levitt) is forced to navigate his school’s social network through intense interactions with thespians, band geeks and druggies (including a grown-up Lukas Haas). This unconventional film noir marked a promising debut for writer-director Rian Johnson, picking up a Special Jury Prize at the 2005 Sundance Film Festival.