Well, if you’ve been seeing the promos and you’ve been wondering “Wow…who is getting married in Astonishing X-Men?” well…you’re the only one.

Marvel seems to be one upping DC yet again. DC announced this week that one of their characters would be coming out as gay. Well..Marvel has been there and done that (Rictor and Shatterstar for those behind on the times) and they’re going the next step.

In issue #51 we will see Kyle and Northstar tie the knot. Well that is…unless someone comes to ruin the day in the typical comic fashion.

 

From Marvel Editor in Chief Axel Alonso:

“The Marvel Universe has always reflected the world outside your window, so we strive to make sure our characters, relationships and stories are grounded in that reality. We’ve been working on this story for over a year to ensure Northstar and Kyle’s wedding reflects Marvel’s ‘world outside your window’ tradition.”

Source: Marvel.com


The new poster for The Dark Knight Rises is here and it’s…underwhelming?

Within five minutes of the release of the poster by WB, the internet has collectively flown into outrage over the lazy design of the new poster utilizing a pre-existing image of  batman against a recolored version of the first teaser poster. Amateur photoshop work for sure, and many fans have called WB’s marketing into question.

What do you guys think of this poster? Love it? Hate it? Framing it on your wall? Share your opinions with Geekscape!

 

The new trailer has just dropped for The Dark Knight Rises and wow…it’s awesome!

The Dark Knight Rises starring Christian Bale, Tom Hardy, Anne Hathaway and Michael Caine opens in the US July 20th 2012.

We’ve all wondered what would happen if our favorite pop culture characters were pitted against each other in mortal combat. Well we’ve got a few match-ups covered for you! In this exciting episode it is movie villains vs. super heroes. With the help of some trusty 20-sided dice and their vivid imaginations, Heidi and Stephen tackle just who would win and why. Prepare to be surprised and possibly delighted by the outcomes

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According to Deadline, Dwayne ‘The Rock’ Johnson is now attached to the Warner Bros. flick Lore, a movie that is based on the IDW comic by Ashley Wood. Lore tells the story of a world in which mythical creatures have been held back from the modern world by a secret society called Shepherds. But the line of Shepherds has been broken and these creatures are coming back.

For those not familiar with Wood, you might know his work. He is the man responsible for the awesome covers on  30 Days of Night and the artwork in the PSP game Metal Gear Solid: Portable Ops. I personally have never heard of nor read Lore, but after finding out it’s from Ashley Wood will check out out for sure. Dwayne Johnson and his ‘pop peck of loving’ self will next be seen in G.I. Joe: Retaliation.

Between the increased interest in comic book adaptations and the success of AMC’s The Walking Dead, Robert Kirkman is poised to become a real force in Hollywood. So it’s only a matter of time before we see a film version of Kirkman’s other hit comic Invincible.

With the right cast, it could be the next blockbuster franchise. So who would Geekscape like to see bring to life probably the coolest superhero comic book in the universe?

ZAC EFRON as INVINCIBLE

If only the goggles didn't hide those eyes...

Boyish good looks, perfect body, earnest eyes- has there ever been anyone more suited to play a superhero than Zac Efron? The High School Musical heartthrob has yet to find the role to propel him to super-stardom. Playing nascent hero Mark Grayson would require him to display both vulnerability and raw power.

For those who have their doubts about Efron’s acting chops, check out his charming performance in the little-seen Me and Orson Welles.

 

LYNDSY FONSECA as ATOM EVE

Pink is my favorite color...

Neither a female iteration of a male character nor a mere damsel in distress, Atom Eve has quickly become one of the strongest women in comics, and Lyndsy Fonseca is the perfect choice to convey that strength on film. Fonseca effortlessly lit up the screen as the girl next door in Kick-Ass, begging the question, “Wouldn’t it be more fun just to watch her kick ass?”

 

JON HAMM as OMNI-MAN

The moustache is fake. The rest is all Hamm.

Besides being the only man alive handsome enough to be credible as Zac Efron’s dad, Jon Hamm is also one of the finest actors working today. In the past few years, fans have suggested Hamm for the roles of both Superman and Captain America for the same reason he is perfect to play Nolan Grayson, the premier super hero of the world of Invincible: the steel authority he personifies in The Town and Mad Men.

 

BEBE NEUWIRTH as DEBORAH GRAYSON

Mom I'd Like to Film- wait, that still sounds bad.

Rounding out the best-looking family in movie history, Bebe Neuwirth is ideal to play Mark’s doting mother and Nolan’s long-suffering wife. The Emmy-winning actress is more than capable of portraying the pride and pain of the ultimate bystander.

 

PETER WELLER as CECIL STEADMAN

It's Robocop's turn on dispatch.

A former superhero himself, Weller has been alternating between good guy and sleazeball his entire career. The role of ruthless patriot Cecil Steadman would allow him to split the difference.

 

KANE HODDER as THE MAULER TWINS

Friday the 13th 2: Attack of the Clones

Kane Hodder played Jason Voorhees, the ultimate grunt, in four Friday the 13th films. He would be both fun and intimidating in a Social Network-style dual role as the contrary clones.

 

ORLANDO JONES as ANGSTROM LEVY

Mad Scientist TV

Funnyman Jones is one of those actors whose chameleonic range has kept him from becoming a household name. Playing nice guy scientist-turned-mutated villain Levy would give him the chance to show both his affability and acting chops.

So what do you think? Are you a fan of Invincible? Let us know who YOU’D like to see in a movie version!

Tonight’s season 2 finale of AMC’s The Walking Dead finally introduced the television audience to comic fan favorite Michonne. Actress Danai Gurira (The Visitor, HBO’s Treme) portrayed the enigmatic katana-wielder in a cameo appearance and will expand the role in season 3. Can Tyrese be far behind..?

TWD's Michonne and Gurira

 

After what feels like seven years of waiting…oh wait, it was actually seven years of waiting–Sin City 2 is finally headed into production. Robert Rodriguez announced at at the SXSW Interactive Festival that the much-anticipated sequel to his Frank Miller Noir adaptation will be “going into production” this summer.  As exciting as this is, I’ll take it with a grain of salt until we see anything concrete, because it’s been “in production” for quite some time now.  While it’s unknown who will return for the sequel, Rodriguez said the casting will be “of the same caliber and ecclecticism” as the first film’s.  Years ago it was teased at that the popular graphic novel Hell and Back would be the centerpiece story of Sin City 2.

The sequel to the 2010 Grindhouse-spinoff Machete, aptly named Machete Kills will also start shooting in April.  Danny Trejo will undoubtedly reprise his role as the titular character, though other casting details are unknown at this point.  We can only hope Michelle Rodriguez signs on for the sequel.

For the full story, and developments on Rodriguez’s animation company, Quickdraw Animation which is working on two films currently, check out The Hollywood Reporter’s Risky Business Blog. 

Robert Rodriguez is all set to make Machete Kills and Sin City 2

Looking around, it’s astonishing how many TV shows, movies and comics are based on the premise of the Paranormal Investigator. You know the type of show I mean. A cop, or a team of cops, use everyday police work or private investigative techniques to track down a magical beast, monster or space alien. Our world, these shows seem to imply, is ust more vast than you think, and all the beasts and aliens and monsters you’ve heard about in stories are real. Not only are they real, but there’s a complicated series of hidden laws to keep such monsters in check and out of the public eye. This premise has three things we all love. 1) Detectives. 2) Monsters. 3) Vast conspiracy theories to keep ordinary people in the dark.

These kinds of shows also imply that you, I, or anyone could potentially leave their humdrum life, and actually apply for a job as a paranormal investigator. Sure, a lot of the cops in the following list are grizzled, emotionally injured, are simply burnt out on their jobs, but the allure of the rough-hewn monster fighter… well, I’d rather be one of those than the lord of zombie wasteland.

In honor of this kind of show/book/movie/real-life entity, I have compiled the following list of 10 of the best paranormal investigators throughout popular culture. Let’s get paranoid, ready our ghost traps, out silver bullets, our wooden stakes, and our anti-UFO electroguns, and take a stroll through the hidden world of monsters and the cops who arrest them.

10) DYLAN DOG

from “Dylan Dog” comics (1986 – present)

DD

A cult icon if ever their was one, “Dylan Dog” is an obscure Italian supernatural comic from the 1980s. This is the kind of comic that only the most hardcore of comic book fans read. Y’know. The kind who were on the ground floor for bizarro titles like “The Swamp Thing” or “Cerebus.” Dylan Dog is a London-bound ex-cop who now works as a poverty-stricken private investigator to the supernatural world. The myth in this universe is familiar: vampires, zombies and wolf men are all on the loose, and behave like rival gangs. It’s up to a living human being like Mr. Dog to moderate disputes, and make sure none of the monsters are being too public in their stalk-and-kill activities.

Also true to form, Dylan Dog is a wounded human being, trying to live down the memory of a loved one. I know the loss of a loved one can be devastating, but surely it;’s not a surefire way to turn into an embittered alcoholic loner. Dylan also has a goofy sidekick in the form of Groucho Marx. Well, I’m not sure if it’s actually Groucho Marx, or just someone who looks like him. But, seriously, dude. Groucho Marx.

In 2011, a film version of “Dylan Dog” was made in America. It was called “Dylan Dog: Dead of Night,” and it starred the handsome Brandon Routh in the title role. The film transposed the action to New Orleans, and changed a lot of the comics’ premises. Groucho was replaced by a tired pageboy who found himself turned into a zombie. I thought the film was kind of fun, in a silly sort of way, but I know I remain in the minority on that.

9) THE BUREAU FOR PARANORMAL RESEARCH AND DEFENSE

from “Hellboy” comics (1993 – present)

HBoy

Hellboy is a demon being, birthed by a witch, who was accidentally displaced onto Earth early in life. These days, he has tried to integrate himself in with humans, even though he’s eight feet tall, has giant shorn-down horns on his head, a giant stone hand, and a tail. When you’re a demon being who looks like a monster, I guess the only real job you can get is fighting other demons and monsters alongside a who team of paranormal investigators.

The team is the usual motley crew of characters. There’s the usual retinue of oddball humans, but there’s also a half fish man, a spirit held captive in an encounter suit, and a large homunculus. I see how a fishman could end up on such a team, but I wonder about the origins of the ordinary humans. What sort of life did they lead that they came upon the monsters as part of their everyday interests. Does this mean when I flip through my old Time/Life book about UFOs that I’m really preparing for the coolest job ever? I sure hope so.

In 2004, there was a rather famous feature film adaptation of “Hellboy” starring Ron Perlman in the title role. Hellboy’s origin changed, but director Guillermo Del Toro fought the studios tooth and nail to keep Hellboy looking the same as in the comics, so he’s still bright red, still has the tail, and still bears the big ol’ horns. For a goofy-ass comic book demon-hunting film “Hellboy” is kind of excellent.

8) FRANK BANNISTER

from “The Frighteners” (1996)

Frank

Frank Bannister can see ghosts. Ever since he witnessed the death of his wife a few years ago, he’s been able to communicate with the dead. Certain ghosts, you see, don’t bother to pass onto the other side when they die, and remain around us, haunting us in small ways. Frank not only talks to ghosts, but has (somehow) convinced a few dead compatriots to haunt local houses, just so Frank can come in and exorcize them for a hefty fee. It seems to me that if you could communicate with the dead, the last thing you’d think to do is to run a scam. You wouldn’t need to. You still have ghosts. But whatever.

Peter Jackson’s 1996 film is a train wreck. The pacing is chaotic, the premise is scattered, and the ultimate story is hard to follow. But I love it. I watched “The Frighteners” in college countless times. For some reason, it became one of my standby films for about two years, and would watch it in between classes. It’s most certainly a guilty pleasure of mine. I think a lot of the appeal comes from Danny Elfman’s spooky score, and the presence of Jeffrey Combs (as the skittish rival paranormal investigator FBI agent) in full-tilt wacko mode.

Peter Jackson made some of the best cult movies of the cult circuit back in the early 1990s, all of which were rife with awesome practical effects. “The Frighteners” marks his first plunge into the world of CGI, and it kind of shows. Most every effect is made with computers, and Jackson is trying out stuff for the first time. A large part of me misses the practical cult film auteur. Well, success to him anyway.

7) DR. LESH, RYAN, MARTY AND TANGINA BARRONS

from: “Poltergeist” (1982)

Zelda

I’ve written in the pages of Geekscape before about how THAT FUCKING CLOWN from Tobe Hooper’s 1982 film “Poltergeist” ruined hundreds and hundreds of childhoods. Here was a PG-rated film that kid were taken to see, that featured a guy tearing his face off, a tree eating a boy, a swim with zombie skeletons, a few monster creatures, and a killer clown doll. Good job, Tobe. Good job, Spielberg. Your film warped our brains forever.

I remember seeing the film as a kid. I think I was about 8 years old. I remember seeing the scenes with the poltergeists and the weird groaning noises and the eerie living TV set, and thinking that the world was all chaos. Luckily for me, to maintain some semblance of order, a group of paranormal investigators from UC Irvine were called in to make sense of things. It turns out they didn’t know how to directly eliminate the ghosts, but they were more prepared. I felt safe for a bit. Well, until that one guy tore his face off.

And then there’s Tangina Barrons played by diminutive actress Zelda Rubenstein, who is, when looked at in a certain way, one of the more iconic horror movie symbols of a generation. Her little voice and wise words set the template for many future psychics. Ever notice how movie psychics are never large tough men? We can thank Zelda Rubenstein for that.

6) DEAN and SAM WINCHESTER

from: “Supernatural” (2005 – 2009)

Supernatural

I like these guys because they’re not so much cops or private investigators as they are mere interested parties. As tradition dictates, they are both wounded and derelict PI-types who have been burned by monsters in the past (they lost their mom to a demon), and are now wandering the country looking for bad guys to destroy, and ultimately to find the secret of their mom’s death.

Dean and Sam are filthy meatheads. They wear leather jackets, aren’t very bright, and listen to nothing but gutbucket heavy metal. In addition to being thick0skinned, these guys are thick-skulled. Luckily for them (and for the audience) they’re also funny and compelling guys, whose experience in the face of monsters and ghosts translates as a work ethic. So long as they’re willing to work hard to accomplish a goal, I’ll be interested. What’s more, the two were very self-aware; they would often comment on how horrific or ridiculous their plight was. They may not have had much brains, but they at least has street smarts. Provided those streets had demons in ’em.

I have seen precious few episodes of the show, but I certainly should be watching more. The show has a powerful, powerful cult in the world, and the “Supernatural” panels at Comic Con tend to fetch hundreds of fans. The series has even been translated into a Japanese-style manga. How is it?

5) JOHN CONSTATINE

from various Vertigo comics (1985 – present)

John

 

This guy has cropped up everywhere. Based on the look of Sting in “Quadrophenia,” John Constantine was a sorcerer who had sort of dipped from high magic into a low world of cigarettes, fast cars, and desperate needs to pay rent. He is embittered, cynical, and, in true Hume-ian fashion, has little regard for the institutions of Heaven and Hell. Rather than follow a faith run by a domineering God or a churlish Satan, John chooses to help out humans caught in between. Well, only when it helps him. He’s not really a hero. He’s a lover of physical pleasure, is bisexual (yes!), and smoke very heavily.

John Constantine has appeared most frequently in his comic book series called “Hellblazer” (originally supposed to be called “Hellraiser,” until Clive Barker threatened to sue) which started in 1989. It, like some other comics, does seem to touch briefly on the world of the DC superhero canon, but mostly remains in its own paranormal universe, where John does battle with ghosts and demons, all while uncovering mysteries, and having open dialogues with God and Satan. It’s one of those comics that, when you’re 14 years old, feels hugely illicit (as it contain swear words, questions of religion, and nudity). I noticed that a lot of kids who read “Hellblazer” also read “Heavy Metal” and “Fangoria.”

In 2005, a feature film called “Constantine” was made, and featured Keanu Reeves as the title character. Some premises from the comic were kept in tact. The film was slick and kind of fun, but ultimately dismissable. It certainly didn’t contain any of the hard-edged weirdness from the comics, although I liked Tilda Swinton as Gabriel, and Peter Stormare as Lucifer.

4) THE S.C.S.P.R.

From real life, yo.

SCSPR

Wait. These guy aren’t from a comic. These guys are real. You’d be surprised how many real-life paranormal researchers there are out there. I encourage them. I have faith that someday we’ll find a way to scientifically document a ghost. Then where will we be? Visit their website here. http://www.scspr.org/

3) THE DARKHOLD REDEEMERS

From: “Darkhold: Pages from the Book of Sins” (1992, 93)

Darkhold

So we’ve had two “Ghost Rider” movies, a “Daredevil” movie and three “Blade” movies. You can count “The Punisher” in there if you like. All we need is a “Morbius” feature film and a “Darkhold” feature film, and we can have an “Avengers”-like movie mashup of Marvel’s Midnight Sons. Who;s with me on this? Anyone? Anyone who was a comics-reading proto-Goth in the early 1990s? Am I the only one?

So dig this: There is an evil book in the world, containing spells of sin and indulgence. It is written in an unknown language that is so powerfully written, anyone can read it. An evil dwarf has been appearing to people, and handing them single pages of this book, called The Darkhold, which causes them to transform or become monsters or unleash demons or simple make them commit suicide. Spooky. Trying to track down all the pages of The Darkhold is a psychic, a Wiccan, and an ex-FBI agent. This is an excellent premise for a film or TV show. How this title has not yet been tapped is beyond me.

In the Marvel universe, The Darkhold has a long and rich history of doing evil. It’s been said that The Darkhold, penned by an Elder God, is responsible for making the first vampire, the first werewolf, Morgan le Fay, and even played a role in the Marvel Zombies universe. Here is a book of sin which essentially acts as Pandora’s box. It unleashes sin into the world. A literal struggle against evil. And we have a trio of Gothy investigators on its tail.

2) AGT. FOX MULDER and AGT. DANA SCULLY

From: “The X-Files” (1993 – 2002)

Fox and Dana

Fox Mulder is a loose cannon who has scared his superiors. To contain is paranoid personality, he has been put in charge of the FBI’s files of dubious veracity. The bigfoots, the aliens, the monsters which are all filed under the letter “X” in the FBI vault. Fox Mulder is handsome and charming, but still has the nickname of “spooky” for his, shall we say, outre interests. He’s also a porn addict. He’s also been wounded by aliens in the past, as they once kidnapped his little sister. Joining Mulder is a neophyte doctor in the FBI Dana Scully, who is 100% skeptical of everything Mulder says. In an interesting theological flip, it’s Mulder who doesn’t believe in God, and Scully who is a devout Catholic.

The X-Files” was more popular than we remember. I have many happy memories of stalking through the X-Files with David Duchovny and Gillian Anderson one a weekly basis for several years. Going back and watching the show, you find that the post Cold War stuff doesn’t really hold up, and a lot of the paranoia feels very much of its time. But in terms of quality, the show is amazing, and the monster-of-the-week approach is still a great way to make a series. The truth is out there. And we need to do battle with black oil, wicked alien assassins, vampires and El Chupacabras until we find it.

There were two feature films spun off of “The X-Files,” and since the series was so very focused on canon, you need to have seen the show to really get what was going on in the films. The idea of “The X-files” canon was actually not considered by the shows’ creator until Gillian Anderson had to leave temporarily due to a pregnancy. Scully was subsequently abducted by aliens, and the gigantic story arc was begun. I always liked the monster-of-the-week episodes better, though.

1) CARL KOLCHAK

From: “Kolchak: The Night Stalker” (1974, ’75)

Kolchak

Carl Kolchak, in terms of pop culture paranormal investigators, preceded them all. As played by Darren McGavin in the 1970s TV movies, and later a short-lived series, Kolchak was a Chicago-based newspaper reporter whose investigative acumen was such that he was able to uncover the existence of monsters in his hometown. Like Mulder after him, Kolchak simply had an interest in the bizarre and the supernatural, and bothered to do his homework. As I said: It’s nice to know that a healthy interest in weird-ass crap can get you involved in the real thing someday.

Kolchak was flip and casual, and seemed to accept the weirdness around him with a great amount of casual aplomb. Luckily for Kolchak, he has an editor who was willing to entertain Kolchak’s investigative habits in the form of Tony, a heard-breathing barrel-shaped guy. Gotta love those beefy 1970s physiques.

Kolchak earnes the number one spot on this list for his sheer precedent. All the paranormal investigator comics, books, movies and TV shows of the modern age all seem to point back to Kolchak. He was “The X-Files.” He was “Ghostbusters.” Kolchak is a lynchpin of pop culture. Pay some attention.

Witney Seibold is living in… oh no… OH NO… A VAMPIRE!

*hurk

A ‘blog,

a classroom,

a series,

a podcast,

a show.

Respect.

While it hasn’t been covered in super detail on this site, word went out in early May that Gene Colan at 81 years of age has suffered, what has been described as, major liver failure. As a result of this he has been hospitalized, and to many, it appears that this is where he will be spending the rest of his days.

Colan, who is perhaps best known for his work on Daredevil and the Tomb of Dracula books, is one of the great artists to have found their start in the Silver Age period. While the majority of the workers of this period are lost in the shadow’s of Stan and Jack, there were many important and influential artists to come out alongside Colan such as Adams and Infantino (to name only a view). Many of these artists are what can be described as artist’s artists– while not known universally by fans, theses creators have influenced generations. I doubt there would be a Jim Lee if it wasn’t a Neal Adams.

It was this aforementioned news of Colan failing health that got me thinking more about these artists’ artists who are either lost in the shadows of giants of the past or the giants of the present. This group, like all of us is aging, and slowly disappearing from the comic landscape they helped pioneer.  In the past five years we’ve lost notable names from the ‘old guard’: Eisner, Aparo, Gerber, and Rogers to name a few, and this I think is only the start.  Remember the comic book itself is less then a 100 years old, which means we are now getting to the point where we are losing many of the trailblazers of the form, and like it or not, the losses are going to start to intensify as we hit ‘critical mass’.

What saddens me the most about this, is not the actual deaths, but is how the majority of fans have seem to forgotten about these people, or at the very least not seem to acknowledge them as much as they should. When I manage to get to a convention, one of the things I actively try to do is seek out these older creators, and talk to them at their booth or attend their panels. It was shocking to me that at the Canadian Fan Expo, arguably the biggest con in Canada, Neal Adams had a line at most of 5 people to see him, while others had lines that took two plus hours to get through. These legends seem to be suffering a quiet public death.

The stories that some of these legends have to share are just amazing. One of my favourite con moments is hearing Jerry Robinson, golden age Batman artist, talk about the battle that he and Neal Adams waged against DC to get Shuster and Siegel credit for creating Superman. Hearing him tell the story of the policting and the results left me with such a feeling, that four years later, I still can’t describe it accurately with words.  If you have a chance to see artists from this generation talk, you should by all means go for it. It will be worth your time.

So what made me realize all of this? What made me acknowledge the importance of seeing the legends of the industry talk?  It was an obituary I read in the afternoon of January 3rd 2005

Recognize.

January 3rd 2005 is the day that Will Eisner passed on, and is also the day when I realized that there may not always be that ‘next time’ to see a particular creator. Eisner’s death event stands out further for me, as six months earlier I had a chance to meet him.

Eisner was a guest of the 2004 Toronto Comicon (not to be confused with the Fan Expo). During this period I had stopped reading comics, as I had elected to spend my money on the other vices that many male undergrad students have; women and booze. Booze was the social glue to the people I hung out with, and while I had broken up with a long term girlfriend a few months prior to Eisner’s Toronto visit, she had managed to convince me to stop reading comics. Even after we had broken up, it took me awhile to realize it was alright to read comics. When the time came to go to the convention,  I decided not to take the 40 min bus ride to Toronto. What I did instead, I can’t remember.

Six months after the convention I was starting to read comics again, and Eisner was dead. A month after his death, I was reading comics regularly again.  six months after his death I was sitting in a small panel room and listening to Jerry Robinson tell stories about creating Robin and the Joker.

Thanks Will.

What DC Comic had the most impact to the DCU in the past 20 years? I was thinking about this question the other day as I was looking over a fan voted list of the most influential comic runs. I’ll admit that I am a DC fanboy and that is why my mind automatically drifted to the DCU, but I think this question is equally valid (and maybe harder to answer) for the Marvel Universe. To answer this question I set out two simple rules the first was that it couldn’t be a storyline, it had to be a single issue. This issue though could be part of a bigger storyline. For example, you can’t say Batman: Murderer, but you can say Batman 600 is the most important issue. Second, as a more of a justification of my time constraint, I had to find a way to avoid Crisis on Infinite Earths, as it would be hard to argue the importance of that series to the DCU as a whole, especially the issue were the multiverse is destroyed. In essence, the issue needed an event that had some serious ramifications for the characters involved, and influenced the DCU in either a positive or negative light.

It was also easy to eliminate some of the bigger events from the 90’s such as Superman(vol. 2) 75 from contention. While a book like Superman 75, and the other major speculator events, seemed to be important at the time, they haven’t been important to the DCU in the longterm. How often do other heroes mention that Superman once died, or Batman was crippled? These events are largely forgotten.

The book that I feel had the most impact did not involve a single character, but a whole fictional city. While not creatively the best book that DC has published, its hard to argue the impact that Superman 80, part of the Reign of Supermen storyline had. Written and drawn by Dan Jurgens, this book was the turning point to the Reign of Supermen storyline as it revealed the true intentions of the Cyborg Superman, Hank Henshaw, were not to uphold truth and justice, but instead were the opposite. Over the course of the issue, with the aid of Mongol, the Cyborg destroyed Coast City.

Sure this wasn’t likely the first DC City to be annihilated by villains, and it sure wasn’t the last (remember the millions of people that died in DC One Million when Montevideo was nuked? It’s okay, DC doesn’t remember it too). But it was a city that mattered to one person, Hal Jordan. Coast City was his home, and in the course of these 22 newsprint pages, his world was turned upside down. While it took several months, and the intervention of a DC Editor or three, the destruction of Coast City set the DCU on a series of events that have continued for over 15 years.

The first major event to roll out of this issue, was the Green Lantern storyline Emerald Twilight. In this three issue arc, Jordan attempts to bring back Coast City with the power of his ring, and as a result of his failure to do so, goes to war with the Guardians and the Green Lantern Corps. As a results of these actions, Hal would go become the (ultimately) misguided hero, Parallax. Immediately following the events of Green Lantern 50, we are introduced to Kyle Rayner, ‘the boy who would be the last Green Lantern’ for the next 10 years plus.

Think about that, Hal Jordan wasn’t a Green Lantern for over ten years. We all knew he’d come back, but as the years went on, it seemed more and more like Emerald Twilight was not a flash in the pan event, like the Death of Superman, but more akin to an event like the Death of Barry Allen (albeit less heroic).

With Parallax, we saw the Hal Jordan continue to try and resurrect Coast City with the events of Zero Hour, save the world in Final Night, and adopt the role of the Spectre in Day of Judgement. That is no less then three DCU wide crossover events that are in response to the events that happened in Superman 80. The fall of Hal Jordan also played a role in the death and return of Green Arrow. Even after Hal returned to the land of the living and the good in Green Lantern: Rebirth, Coast City remained a essential element of the current Green Lantern series. Coast City even acted as the emotional climax for the recent Sinestro Corp War. This climax also lead to Coast City being renamed ‘The City Without Fear’. With this catchy title to the city, it appears that now, the saga of Coast City is finally over and with it the influence that the events that Superman 80 had on the DCU. Is the most important DC Comic of the past 20 years? I’m sure I may have missed a book or two that should also be considered, but to me, its hard to argue a book that was (in)directly responsible for three company wide events, and two character reinventions.

DC Comics next major event, Final Crisis, is set to start at the end of this month. Despite being written by the usually solid, Grant Morrison, I’m finding myself unexcited for this event to start. Do I lack confidence in Morrison ability to craft a universe-wide story? Maybe. After all it was 10 years ago that he gave us his last universe wide tale, DC One Million.

DC One Million was designed to be a four part weekly miniseries, which tied into all all DCU books cover dated November 1998. The story revolves around a group of heroes traveling from the year 85,271 (which would be the year that DC is scheduled to be publishing its one millionth issue of Action comics) to the present with the goal of sending their counterparts to the future as part of a massive celebration of the return of Superman-Prime (in this story the future Clark Kent goes by the name of Superman-Prime as in the far future there are multiple Supermen in the universe). With the aide of Hourman and his time travel abilities, the future heroes plan to send the JLA to the future, and bring them back a moment after they depart. Like most events in comics that involve time travel, things do not go as planned. Instead it is slowly revealed that Vandal Savage in the future has played a role in the sabotaging of Hourman, while concurrently in the present Vandal Savage is plotting massive world destruction with his army of Rocket Red’s. This is just a brief overview of the story, and leaves some major plot points out. DC One Million is not a story about how the present interacts with the future, but instead much more a story about how the future interacts with the present. If you want the latter, you are best to check out the books of the individual characters. For example, to see how Green Lantern reacts to the future he finds himself (unknowingly?) stranded in, you should read his tie-in issue for the month, Green Lantern 1,000,000.

That is not a typo. As part of the promotion for this event, all DCU books published their one millionth issue instead of their regularly scheduled issue. Also instead of being cover dated Nov. 1998, each book was cover dated November 85,271 and plotted by Morrison. Having Morrison plot each book helped make sure that the look of the DCU’s future was coherent amongst all the books. While some would argue this being an attempt to cash in, these books really did service the story, and helped define the future that the characters inhabit. In addition, some of these books had plot elements that were essential to help you fully appreciate the story.

The concept of this story is definitely interesting, and is filled with big fun ideas. One of which is the idea of concurrent stories involving two different Vandal Savages as the villain. This was a nice touch and acknowledgment of the fact some villainy never goes away, it just gets better with age. I was more impressed with the optimism and excitement the heroes have in the chance to see the far distant future. The feeling of excitement and joy by the heroes made me realize how human they are. Seeing heroes actually being excited is a facet that should be explored more by the creative minds at DC. It is not often that we see Superman with a look of wonderment on his face.

Reading the series ten years after its publication I couldn’t help but be surprised at some of the events referenced. For example, I had completely forgotten about the period where Wonder Woman was replaced by her mother. The other event that caught me off guard was that this series provided one of the earliest glimpses of Mark Waid and Grant Morrison’s multiverse replacing concept of Hyper-time. I also couldn’t help but smile at the scene where the Superman of the future starts to punch through time, and as a result of each punch, he slightly alters time. Was this the inspiration for the ‘Superboy-punch’ concept of Infinite Crisis? Probably not, but the similarities are there.

While the story is filled with wonderful ideas, it also fails because of them. There are to many ideas for the main series to hold, and as a result many of the plot points (and cliffhangers) being created the main series are answered in the tie-in books for month. Similarly many of the events that the characters are dealing with in the main story are the result from events that occurred in these auxiliary books. For example between issue 2 and 3 of the series, the future Justice League realize why they are trapped in time, what is happening to the world around them, and are already well into the process of creating the solution. In general as the miniseries progresses, this problem only amplifies. By the end of the series, I have little-to-no idea what is going on and can barely make sense of the last half of the book. I’m not sure if this could have been solved with more pages per issue, or entire different approach to the structuring of the event. Morrison, and in turn DC, tried to make a series where you didn’t have to read all of the tie-ins for the month to ‘get’ the story, but instead made you have to (unknowingly) read certain books. In general if you are going to do a ‘non-cross-over’ event series with tie-ins, then you should structure it much like Marvel’s Civil War did. The main series tells the story, and the other books flush out elements of the story, but do not contain major plot points. Otherwise, you need a way to distinguish the books that matter from the ones that don’t.

It is because of this seemingly large dependence on other books to tell its story, that I can’t fully recommend DC: One Million. The series had promise, and a lot of good ideas, but the need for the other books to truly ‘get’ the series stops me from making any reccomendations. I am hopeful that in the ten years since DC One Million, both Grant Morrison and DC have grown in their ability to tell event stories. Morrison has shown the ability to make tight, accessible stories that use layers of big ideas (see: All-Star Superman), while DC has made its last few event series stand perfectly find by themselves. As long as the story remains told in the confines of its miniseries, and the big ideas don’t over take the story, I fully believe Final Crisis will be an interesting tale.

Now if I can only get excited to read Final Crisis.

Free Comic Book Day is this Saturday (May 3 2008), and if you a comic book reader, then its not for you. Or at least it shouldn’t be. If you new to the comic book shop scene, Free Comic Book Day (FCBD), is as the name applies, a day when you get free (as in beer) comics. All you have to do is go to your local comic shop, and if they are choosing to participate, you’ll get a free comic (or two, or ten, pending the stores rules).

The idea of FCBD was pretty ingenious. A retailer in California suggested, in the Diamond retailer newsletter, that the direct market stores should take a page from Baskin-Robins and other chains that offer free sample days. Instead of ice cream, retailers would hand out comics. Legend has it, that this retailer even suggested that the first FCBD be held on May 4 2002, the day after the first Spider-Man movie premiered. A handful of publishers decided to participate and reprinted books that they felt would be appropriate for the event (for example, Marvel reprinted Ultimate Spider-Man #1) and sold them to retailers at a discounted price (approximately 10 to 25 cents an issue). Retailers where then encouraged to give the books away for free, in a method they felt was best. For example, some retailers would give a free book with purchase, others would give out a maximum of two books, and others would let you take as many as you want. Make not mistake though, had Spider-Man flopped, this could have easily been the first and last FCBD.

Six years later, and FCBD has become a strong enough event that is no longer needs to be tied to the release of a big screen comic adaptation. Today, some publishers are taking full advantage of the day as a promotional tool and are publishing books that contain original material and/or premiering new characters. This year, over forty different titles were offered to Retailers to pick from for this FCBD. A complete list of the potential giveaways your store may have can be found here: http://www.freecomicbookday.com/the_comics.asp

With a day seeming so geared to the comic book fan, why would I suggest that this day is not for you? I’m not saying that you shouldn’t go out and get a free book, after all, by issuing original material, the publishers are practically telling you to come out and take advantage of the event. You are also a fan, and a supporter of the industry and deserve the thanks that this day provides. Despite being an industry for over 25 years (I’m counting the current direct market only here), this is still an industry that needs a lot of support to survive and thrive. Because of this, I am saying that, this day is more then just about getting free swag for yourself, this is a day about sharing your love of the medium with others.

With that in mind, here is a couple suggestions you should heed for the day (I’ve personally seen each of the following happen)

  • If you have children, take them to the store with you on this day, and let them get a free book.
  • If you have friends who have always been interested in comics, but never have taken that first step to go into a shop, bring them into the shop with you.
  • If you have cousins, siblings, neighbours with kids, grab a book or two for them.
  • If you see some one in the store looking confused, or trying to pick out a book that hey may like, help them out.
  • If the store is running low on a title that may be popular with the younger market, don’t take the last copy. Especially when there is a child right next to you who wants it.
  • If a store has some rationing practice in effect (likely to ensure that they have free books for the duration of the day), don’t openly complain about it and the store.
  • While your at it, don’t openly insult other people’s comic choices on this day either. So what if they are picking up All-Star Batman and Robin, it may not be what you consider the best comic out there, but at least they are picking up a book. That being said, in this scenario, you may want to suggest that they grab another books to go along with that particular choice…
  • If you see someone picking out a book for their child that you know is appropriate, tell the parent and offer them an alternative suggestion. Bone, Marvel Adventures and the Johnny DC line are always good bets.

So how am I goign to spend my Free Comic Book Day? I’ll be at a shop in Toronto, helping to hand out free books, and trying to expose as many people as I can to a hobby that has brought me much joy over the past 16 years. And in the process of doing all of this, I’ll hopfully be reminded about what made me fall so hard for comics in the first place.

Comicon International is fast approaching, and along with the masses of people that it brings to the San Diego Convention Centre, it also brings the event that many consider to be The Oscars of comics, The Eisners. Named after legendary artist, Will Eisner, the awards are given to those people/titles that are “the best that the comics art form has to offer”. Since their inception in 1988 the Eisner\\\’s have been a yearly tradition at Comic-Con International, with the exception of 1990, where the awards were canceled due to \\\’numerous errors on the ballots\\\’. There are a total of 28(and growing) unique categories and the Eisner Hall of Fame. Each year the winners are determined by votes from creators, publishers, editors, retailers and distributors. Nominees are decided by a panel of five judges that is completely changed from year to year. The judges represent various stakeholders in comics (fans, critics, professionals and retailers). The Eisner\\\’s are not the only comic book award, in fact, the other major award shares a unique history with The Eisner\\\’s.

The physical awards

The Harvey, named after Harvey Kurtzman founding editor of MAD magazine, is also awarded to outstanding achievements in the comic book field. If the Eisner\\\’s are the Oscars of the comic book world, the Harvey\\\’s are the Screen Actor Guild (SAG) awards. Like the SAG\\\’s, the Harvey\\\’s are nominated by professionals who have worked in the field. After the nomination period, the top five (more if ties exist) nominees for each of its 20 categories are compiled and a list is mailed out/available to be downloaded, and voted on by professionals. The awards have been given out at various venues over its history, with the last move being to the Baltimore Comic-con. As with the Eisner\\\’s, the Harvey\\\’s have a hall of fame, named after Jack Kirby.

Speaking of Kirby, why isn\\\’t there a whole body of awards named after him? After all many consider him to be the father of modern superhero comics. The Kirby Awards did exist and at once time were considered and designed to be the equivalent to comic book Oscars. The first awards were given out in 1985 and were operated by Dave Olbrich and Fantagraphics. These awards ran yearly until 1988, when there was a dispute over who would run the awards after Olbrich left Fantagraphics. As part of the solution to this dispute, both Olbrich and Fantagraphics would continue to offer an industry award, but not refer to them as the Kirby\\\’s. Olbrich would begin the Eisner\\\’s in 1988, while Fantagraphics would names theirs the Harvey and also begin awarding them in 88. As acknowledgment of their shared history, both awards have the three members of the old Kirby Award Hall of Fame, Carl Banks, Jack Kirby and Will Eisner as the inaugural members in their respective hall of fame.

The three faces of comic awards (note these are not official logos)

For two major awards, how do the results compare? Thats what I asked myself as I began to pour over all the winners lists from 1988 to 2005. Finding matches were easy for some categories (Best Artist exists in both awards) others called for some compromising and combining of categories so they lined up. Once this was done, I was left with a combined total of 255 awards given out over this period. 77 of the awards matched up, yeidling that the two awards were sympatico 30% of time. On average there are four common winners a year, and most likely in the categories of Best Continuing or Limited series(9 common awards) and least common being Best Inker (1 common award). 2005 was the most common year, as there were 10 matches (but these matches did not happen in the Best Writer, Artist, Cartoonist, New Series categories). Worst year was (excluding 1990, as the Eisner\\\’s didn\\\’t happen that year) was 1993, with only one match in the category of best Letterer. Also interesting to note is that the category of Best single issue/story only has 3 matches. Finally I imagine that 90% of you can now tell that I enjoyed stats in school.

Is there a need for two major award bodies? I\\\’m not to sure. Its interesting that 2005 was such a strong matching year, and if this trend continues than I\\\’d been likely to suggest that the Harvey\\\’s be folded into the Eisner\\\’s as they have more categories and a bigger name recognition due to the location of their announcement. That being said, I like the fact that the Harveys operate like the SAGs, and its a reflection of what professionals find noteworthy, not what five people do. There is a question though as to what constitutes a professional comic book creator. The (unintentional?) roving natures of the Harvey presentation, while making it a scheduling nightmare, also allows more people a chance to see a little bit of history go down.

Any event, if you have a chance to attend the Harvey\\\’s, Eisner\\\’s, Shuster\\\’s or any other event that acknowledges the achievements of those in a field you love, do it. Clap your hands when they read the nominations aloud, and let them, and everyone else know that you appreciate the boundary pushing work they\\\’ve done.


Martin Scherer enjoys reading, thinking and consuming comics in mass amounts. In addition, his theory that \\\’the only good Stacy is a dead Stacy\\\’ has been re-affirmed with his recent reading of Ultimate Spider-Man: Clone Saga and The Death of the Stacys. When he is not reading about the dead Stacy\\\’s in Spider-Man\\\’s life or number crunching, he looks forward to hearing your comments about this, past articles or general questions about comics. Contact him via email, martin@geekscape.net