As “Avengers: Endgame” stampedes its way into box office history, MCDAVE discusses Marvel’s most personal yet
MCDAVE discusses the ups and downs of Ricky Tollman’s political drama “Run This Town” which is a rare “true story” from the 2019 SXSW lineup
MCDAVE breaks down the latest buzzed-about film from DC “Shazam!” and whether or not it lives up to the hype.
MCDAVE discusses one of SXSW’s most talked about films, “The Art of Self-Defense” and the mastermind of the film’s unique voice, Riley Stearns.
MCDAVE recollects on the best films, directors, screenplays and performances from this year’s SXSW Film Festival
This year’s SXSW festival has been dubbed “The Year of the Comedy” and few comedies at the festival out-shined Richard Wong’s “Come As You Are”
From the creators of ‘Sausage Party’ and ‘Superbad’, ‘Good Boys’ is vulgar as hell.
The wonderful Maika Monroe returns to her horror roots with a standout film from this year’s SXSW.
A memorable, hilarious directorial debut from first-time director Olivia Wilde.
A fantastic romantic comedy out of this year’s SXSW.
Can Jordan Peele’s highly anticipated new horror live up to the incredible ‘Get Out’?
Christopher Landon unveiled a brilliant way of fusing together the Groundhog Day effect with a thrilling murder mystery […]
The Academy Awards are less than two weeks away so now’s as good a time as any to […]
Ruth Bader Ginsburg gets the biopic treatment with Mimi Leder’s “On the Basis of Sex” and MCDAVE discusses why the film is on the outside-looking-in this awards season.
Emily Blunt reprises the wondrous role of “Mary Poppins” in Rob Marshall’s new sequel and MCDAVE discusses just how “supercalifragilisticexpialidocious” the film actually is.
The period-piece genre undergoes a welcome makeover courtesy of director Yorgos Lanthimos’ “The Favourite” and MCDAVE breaks down everything you need to know about this Best Picture contender.
MCDAVE takes a look at Josie Rourke’s new period-piece drama, “Mary Queen of Scots”, and discusses the film’s grim and devious examination of power and back-stabbing in the quest for the throne.
Peter Farrelly (“Dumb and Dumber” & “There’s Something About Mary”) tackles his newest film alone and MCDAVE explains exactly why “Green Book” is one of the year’s finest films
Joel Edgerton follows up his fantastic debut psychological thriller, “The Gift”, with the awards season contender, “Boy Erased”, and MCDAVE tackles the highs and lows from this heavy-hitting drama
It’s been a long time coming but MCDAVE breaks down whether or not Bryan Singer’s long-awaited box office smash “Bohemian Rhapsody” is as good as advertised.
It’s the Halloween season and David Gordon Green attempts a valiant return to one of horror’s most iconic villains, Michael Myers. MCDAVE examines just how strong of a return to the “Halloween” franchise this latest effort truly is.
MCDAVE discusses Oscar-winning director Damien Chazelle’s latest, “First Man”, which examines Neil Armstrong’s harrowing journey to become the first human to walk on the lunar surface.
Oscar season has officially arrived with Bradley Cooper’s directorial debut, “A Star Is Born”, and MCDAVE breaks down the film’s awards season prospects.
Summer is over but 2018’s blockbuster season continues with Shane Black’s “The Predator” and MCDAVE discusses the highs and lows for this anticipated reboot
The Muppets get an R-Rated makeover in Brian Henson’s (son of Jim Henson) new vulgar puppet comedy “The Happytime Murders”, and MCDAVE discusses just how effective this transition is.
Gus Van Sant’s “Don’t Worry, He Won’t Get Far on Foot” tells the true story of controversial cartoonist and paraplegic John Callahan, and MCDAVE discusses what works and what doesn’t with this Sundance selection.
Peyton Reed returns with the highly anticipated Marvel sequel “Ant-Man and the Wasp”, but exactly how well does Scott Lang’s second feature stack up with the rest of the Marvel Cinematic Universe? MCDAVE has the scoop.
Jeff Tomsic’s debut comedy “Tag” is based on a true story and MCDAVE discusses the highs and lows within this summer’s latest comedic effort
MCDAVE breaks down the latest heist film “Ocean’s 8” and whether or not this female-centered return to the franchise holds up.
Lacking any familiar faces, MCDAVE breaks down exactly how Leigh Wannell’s modestly budgeted SXSW selection, “Upgrade” has become one of the year’s most unexpected gems